Verfügbarkeit: Konstens nationella identitet

Konstens nationella identitet: om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934

This dissertation investigates the reactions to German and Austrian modernism in Swedish art criticism between 1908 and 1934. It analyses the rhetoric of art-critical texts and examines the persuasive strategies and powerful verbal imagery of art criticism as well as its national interests. Earlier...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser:	Kollnitz, Andrea 1970- (VerfasserIn)
Format:	Abschlussarbeit Buch
Sprache:	Swedish
Veröffentlicht:	Stockholm Drau 2008
Schriftenreihe:	Eidos 21
Schlagworte:	Geschichte 1900-2000 Geschichte 1908-1934 Geschichte 1900-1930 Geschichte Art criticism > Sweden > History > 20th century Art, Austrian > Influence Art, Austrian > 20th century Art, German > Influence Art, German > 20th century Modernism (Art) > Austria Modernism (Art) > Germany Nationalism and art > Sweden Rezeption Expressionismus Kunst Kunstkritik Deutschland Schweden Österreich Hochschulschrift
Online-Zugang:	Inhaltsverzeichnis
Zusammenfassung:	This dissertation investigates the reactions to German and Austrian modernism in Swedish art criticism between 1908 and 1934. It analyses the rhetoric of art-critical texts and examines the persuasive strategies and powerful verbal imagery of art criticism as well as its national interests. Earlier perceptions of a generally negative Swedish reaction to German art are revised. The analysis reveals a strong Swedish commitment to German art, which has been neglected or ignored by previous Francophile narratives in the writing on Swedish art history. In interpreting and defining German and Austrian art as both product and evidence of national character and as an antithesis to French art, Swedish art criticism is indirectly defining and manifesting Swedish art identity. The textual analyses thus show a complex interaction between modernistic and nationalistic ideas, not least concerning the artist's role.
Beschreibung:	574 S. Ill.
ISBN:	9789163333415

Internformat

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Datensatz im Suchindex

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adam_text	FOERORD 9 INLEDNING N SYFTEN, FR8GESTAELLNINGAR OCH TEORETISKA PERSPEKTIV 13 SYFTEN OCH FR8GESTAELLNINGAR 13 ETT RETORISKT PERSPEKTIV 14 DET KONSTKRITISKA SPR8KETS BILDKONSTRUKTIONER 16 MATERIAL, METOD OCH AVGRAENSNINGAR 20 MATERIALET 20 ANALYSMETODEN 21 AVGRAENSNINGAR 23 TIDIGARE FORSKNING 25 KONSTKRITIK OCH RECEPTION AV TYSK-OESTERRIKISK MODERNISM 25 NATIONALISM OCH KONSTHISTORIESKRIVNING 30 DISPOSITION 35 I KONSTKRITIKENS RETORIK 39 1. KONSTKRITIKENS RETORIK 40 DEN KONSTKRITISKA TEXTENS RETORISKA EGENSKAPER 42 SENUS 42 DISPOSITIO 43 ARGUMENTATIO 44 TROPER 47 ORD- OCH TANKEFIGURER 49 VISUELLA EFFEKTER 53 LOCI COMMUNES 54 SKRIBENTENS ROLL 55 TVS TEXTANALYSER 56 AUGUST BRUNIUS, KONST. KANDINSKY 57 MOLLIE FAUSTHAN, NYARE TYSK KONST 64 NATIONELL RETORIK 74 NATIONELLA MARKOERER 74 DET NATIONELLAS RETORISKA PLACERING 75 DEN NATIONELLA TOLKNINGEN 77 NFIGRA STATISTIKA RESULTAT 80 II KONSTENS NATIONELLA IDENTITET 83 2. TYSK OCH OESTERRIKISK KONSTIDENTITET I SVENSK KONSTKRITIK 1912-1930 84 KONST OCH NATIONELL IDENTITET 84 NATIONELL IDENTITET 84 KONSTENS ROLL INOM NATIONEN 86 NATIONELL KONSTTOLKNING 88 KONST OCH NATIONALISM I DET TIDIGA 1900-TALETS EUROPA 90 TYSK OCH OESTERRIKISK NATIONALISM 92 TENDENSER INOM SVENSK NATIONALISM FRSN SEKELSKIFTE TILL 193Q-TAL 98 SVENSKA BILDER AV TYSK OCH OESTERRIKISK 102 KONSTIDENTITET 102 1912 - DEN TYSKA MODERNITETENS OLIKA ANSIKTEN 104 1914 - DEN TYSKA KONSTENS STYRKOR OCH PROBLEM 108 1917 - ETNISK HSNGFALD ELLER STRID MELLAN RASERNA? 118 1918 - BILDER AV (TYSK?) MODERNISM 129 1919 - DEN NYA KONSTENS NATIONELLA ANSVAR 134 1922 - TOLKNINGAR AV TYSK EXPRESSIONISM 142 1922, 1923 - AVANTGARDET I SKOTTLINJEN 153 1930 - TYSK KONSTHISTORIA UR FBGELPERSPEKTIV 171 KONSTENS NATIONELLA IDENTITET 184 3. DEN TYSK-FRANSKA ANTITESEN MED SVENSKA ORD 194 FOERHALLANDEN MELLAN TYSK, FRANSK OCH SVENSK KONST I BURJAN AV 1900-TALET 195 FRANSK KONST I TYSKLAND 195 STEREOTYPER AV DET TYSKA MOT DET FRANSKA 196 EXPRESSIONISM OCH GOTIK 198 SVENSKA KULTURKONTAKTER MED TYSKLAND OCH FRANKRIKE KRING 1900 - EN HISTORIOGRAFISK REFLEKTION 201 EN KLASSISK REFERENSRAM - FRANSK KONST SOM KAELLA OCH MATTSTOCK 207 FRANSKA KONSTNAERER SOM REFERENS 208 TYSKA BRISTER ENLIGT FRANSKA MSTT 213 DET TYSKA MOT DET FRANSKA - STEREOTYPI SKA BILDER I ANTITES 216 TYSKA OCH FRANSKA KULTURDOMAENER 217 KONSTNAERLIGA FOERMBGOR OCH OFOERNRGQR 220 UPPLEVELSEN AV TYSK MOT FRANSK KONST 224 TYSK EXPRESSIONISM 229 VI OCH DEM - TYSKT OCH FRANSKT I SVENSKA OEGON 236 FRANSK FXRG OCH TYSK FORH 237 SVENSK KONST BELLAN IDENTITETERNA 244 ASPEKTER P TYSK REPRESENTATIVITET OCH SVENSK IDENTITET 1930 249 SLUTSATSER 254 III KONSTNAERENS NATIONELLA IDENTITET 273 4. AVANTGARDISTEN SOM NATIONELL REPRESENTANT 274 EN GANSKA NORDISK FYSIONOMI - EMIL NOLDE 276 URSPRUNGLIG KRAFT OCH SJUKLIG DEKADENS - ALBIN EGGER-LIENZ OCH EGON SCHIELE 282 EN ODERN KLASSIKER - OSKAR KOKOSCHKA 293 EN PREUSSISKA MED NORDISKT TEMPERAMENT - GABRIELE MUNTER 306 EN TYSK ABSTRAKT EXPRESSIONIST - FRANZ MARC 317 TYSK NEGERKONST - DIE BRUECKE-KONSTNKRERNA 331 SLUTSATSER 341 5. WASSILY KANDINSKY OCH KAETHE KOLLWITZ - TVS SPECIALFALL 346 FALLET KANDINSKY 347 RYSK, TYSK ELLER KOSMOPOLIT? 348 MODERNISTEN KANDINSKY 364 KAETHE KOLLWITZ - EN STOR TYSK KONSTNA RINNA 398 KONSTNAEREN SOM MODER 400 EN KVINNLIG KONSTNAER MED MANLIGA DRAG 407 EN TYSK KONSTNAERINNA 419 KONSTNAEREN SON KAEMPANDE FOER MAENSKLIGHETEN 428 WASSILY KANDINSKY OCH KAETHE KOLLWITZ - MANLIG AVANTGARDISM OCH KVINNLIG AKTIVISM? 436 SLUTDISKUSSION TYSK OCH OESTERRIKISK MODERNISM I SVENSK KONSTKRITIK - ESTETISK VAERDERING ELLER NATIONELL TOLKNING? 443 ZUSAMMENFASSUNG 461 NOTER 481 KALL- OCH LITTERATURFOERTECKNING 527 BILDFOERTECKNING 553 UTSTKLLNINGSFOERTECKNING 555 PERSONREGISTER 567
any_adam_object	1
author	Kollnitz, Andrea 1970-
author_GND	(DE-588)138462402
author_facet	Kollnitz, Andrea 1970-
author_role	aut
author_sort	Kollnitz, Andrea 1970-
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building	Verbundindex
bvnumber	BV035572946
callnumber-first	N - Fine Arts
callnumber-label	N7485
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callnumber-search	N7485.S8
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callnumber-subject	N - Visual Arts
ctrlnum	(OCoLC)373146585 (DE-599)BVBBV035572946
dewey-full	709.04
dewey-hundreds	700 - The arts
dewey-ones	709 - History, geographic treatment, biography
dewey-raw	709.04
dewey-search	709.04
dewey-sort	3709.04
dewey-tens	700 - The arts
discipline	Kunstgeschichte
era	Geschichte 1900-2000 Geschichte 1908-1934 gnd Geschichte 1900-1930 gnd
era_facet	Geschichte 1900-2000 Geschichte 1908-1934 Geschichte 1900-1930
format	Thesis Book
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genre	(DE-588)4113937-9 Hochschulschrift gnd-content
genre_facet	Hochschulschrift
geographic	Deutschland Schweden Österreich Österreich (DE-588)4043271-3 gnd Deutschland (DE-588)4011882-4 gnd Schweden (DE-588)4077258-5 gnd
geographic_facet	Deutschland Schweden Österreich
id	DE-604.BV035572946
illustrated	Illustrated
indexdate	2024-07-09T21:40:44Z
institution	BVB
isbn	9789163333415
language	Swedish
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-017628494
oclc_num	373146585
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	574 S. Ill.
publishDate	2008
publishDateSearch	2008
publishDateSort	2008
publisher	Drau
record_format	marc
series	Eidos
series2	Eidos
spelling	Kollnitz, Andrea 1970- Verfasser (DE-588)138462402 aut Konstens nationella identitet om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934 Andrea Kollnitz Stockholm Drau 2008 574 S. Ill. txt rdacontent n rdamedia nc rdacarrier Eidos 21 Zugl.: Stockholm, Univ., Diss., 2008 This dissertation investigates the reactions to German and Austrian modernism in Swedish art criticism between 1908 and 1934. It analyses the rhetoric of art-critical texts and examines the persuasive strategies and powerful verbal imagery of art criticism as well as its national interests. Earlier perceptions of a generally negative Swedish reaction to German art are revised. The analysis reveals a strong Swedish commitment to German art, which has been neglected or ignored by previous Francophile narratives in the writing on Swedish art history. In interpreting and defining German and Austrian art as both product and evidence of national character and as an antithesis to French art, Swedish art criticism is indirectly defining and manifesting Swedish art identity. The textual analyses thus show a complex interaction between modernistic and nationalistic ideas, not least concerning the artist's role. Geschichte 1900-2000 Geschichte 1908-1934 gnd rswk-swf Geschichte 1900-1930 gnd rswk-swf Geschichte Art criticism Sweden History 20th century Art, Austrian Influence Art, Austrian 20th century Art, German Influence Art, German 20th century Modernism (Art) Austria Modernism (Art) Germany Nationalism and art Sweden Rezeption (DE-588)4049716-1 gnd rswk-swf Expressionismus (DE-588)4016044-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Deutschland Schweden Österreich Österreich (DE-588)4043271-3 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Schweden (DE-588)4077258-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Deutschland (DE-588)4011882-4 g Kunst (DE-588)4114333-4 s Geschichte 1900-1930 z Rezeption (DE-588)4049716-1 s Schweden (DE-588)4077258-5 g Kunstkritik (DE-588)4033659-1 s DE-604 Österreich (DE-588)4043271-3 g Expressionismus (DE-588)4016044-0 s Geschichte 1908-1934 z Eidos 21 (DE-604)BV014298541 21 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628494&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Kollnitz, Andrea 1970- Konstens nationella identitet om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934 Eidos Geschichte Art criticism Sweden History 20th century Art, Austrian Influence Art, Austrian 20th century Art, German Influence Art, German 20th century Modernism (Art) Austria Modernism (Art) Germany Nationalism and art Sweden Rezeption (DE-588)4049716-1 gnd Expressionismus (DE-588)4016044-0 gnd Kunst (DE-588)4114333-4 gnd Kunstkritik (DE-588)4033659-1 gnd
subject_GND	(DE-588)4049716-1 (DE-588)4016044-0 (DE-588)4114333-4 (DE-588)4033659-1 (DE-588)4043271-3 (DE-588)4011882-4 (DE-588)4077258-5 (DE-588)4113937-9
title	Konstens nationella identitet om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934
title_auth	Konstens nationella identitet om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934
title_exact_search	Konstens nationella identitet om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934
title_full	Konstens nationella identitet om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934 Andrea Kollnitz
title_fullStr	Konstens nationella identitet om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934 Andrea Kollnitz
title_full_unstemmed	Konstens nationella identitet om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934 Andrea Kollnitz
title_short	Konstens nationella identitet
title_sort	konstens nationella identitet om tysk och osterrikisk modernism i svensk konstkritik 1908 1934
title_sub	om tysk och österrikisk modernism i svensk konstkritik 1908 - 1934
topic	Geschichte Art criticism Sweden History 20th century Art, Austrian Influence Art, Austrian 20th century Art, German Influence Art, German 20th century Modernism (Art) Austria Modernism (Art) Germany Nationalism and art Sweden Rezeption (DE-588)4049716-1 gnd Expressionismus (DE-588)4016044-0 gnd Kunst (DE-588)4114333-4 gnd Kunstkritik (DE-588)4033659-1 gnd
topic_facet	Geschichte Art criticism Sweden History 20th century Art, Austrian Influence Art, Austrian 20th century Art, German Influence Art, German 20th century Modernism (Art) Austria Modernism (Art) Germany Nationalism and art Sweden Rezeption Expressionismus Kunst Kunstkritik Deutschland Schweden Österreich Hochschulschrift
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628494&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV014298541
work_keys_str_mv	AT kollnitzandrea konstensnationellaidentitetomtyskochosterrikiskmodernismisvenskkonstkritik19081934

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