Fagot w duecie instrumentalnym: historia i specyfika gatunku
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | Polish |
Veröffentlicht: |
Kraków
Akademia Muzyczna
2008
|
Schriftenreihe: | Akademia Muzyczna <Kraków> / Prace Habilitacyjne
5 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Abstract |
Beschreibung: | Zugl. Habil.-Schr. |
Beschreibung: | 102 s., [4] s. tabl. Ill., Notenbeisp. 24 cm CD (12 cm) |
ISBN: | 9788387182823 |
Internformat
MARC
LEADER | 00000nam a2200000 cb4500 | ||
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100 | 1 | |a Turek, Wojciech |e Verfasser |4 aut | |
245 | 1 | 0 | |a Fagot w duecie instrumentalnym |b historia i specyfika gatunku |c Wojciech Turek |
264 | 1 | |a Kraków |b Akademia Muzyczna |c 2008 | |
300 | |a 102 s., [4] s. tabl. |b Ill., Notenbeisp. |c 24 cm |e CD (12 cm) | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Akademia Muzyczna <Kraków> / Prace Habilitacyjne |v 5 | |
500 | |a Zugl. Habil.-Schr. | ||
505 | 0 | |a Bibliogr. s. 95-96. Indeks | |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 7 | |a Muzyka na fagot / studia i nauczanie |2 jhpk | |
650 | 7 | |a Muzyka na fagot / historia |2 jhpk | |
650 | 7 | |a Muzyka na fagot - historia |2 jhpk | |
650 | 7 | |a Muzyka na fagot - studia i nauczanie |2 jhpk | |
650 | 0 | 7 | |a Duett |0 (DE-588)4138631-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Instrumentalmusik |0 (DE-588)4129951-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Fagott |0 (DE-588)4153531-5 |2 gnd |9 rswk-swf |
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689 | 0 | 1 | |a Duett |0 (DE-588)4138631-0 |D s |
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689 | 0 | 3 | |a Geschichte |A z |
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Datensatz im Suchindex
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---|---|
adam_text | Spis
tresei
Wstęp
.............................................................................................. 7
Rozdział I. Historia fagotu
.................................................. 9
1.
Instrumenty muzyczne biorące udział w procesie powstania fagotu
9
2.
Geneza fagotu
........................................................................... 11
3.
Pierwsze historyczne dokumentacje fagotu
.............................. 13
4.
Instrumenty i zespoły muzyczne w dziej ach Krakowa
............. 17
5.
Początki muzyki kameralnej z udziałem fagotu
....................... 20
Rozdział
II.
Fagot w literaturze muzycznej
...................... 23
Rozdział III. Duet instrumentalny z udziałem fagotu
....... 29
1.
Barok
.......................................................................................... 29
2.
Duet w klasycyzmie
.................................................................. 40
3.
Ingerencj
e
w oryginalne duety fagotowe epoki baroku
............ 49
4.
Duety fagotowe w czasach woj
en
napoleońskich
..................... 50
5.
Dwa systemy fagotu
.................................................................. 53
6. XIX
i
XX-wieczny
renesans duetu instrumentalnego
.............. 55
Rozdział
IV.
Charakterystyka ekspresji fagotu
w duetach instrumentalnych
................................................. 69
1.
Specyfika elementów muzycznych w duetach instrumentalnych
z fagotem
.................................................................................. 69
a. Formy muzyki duetowej
....................................................... 70
b. Dynamika
............................................................................. 71
с
Barwa i „kolor dźwięku
...................................................... 73
d. Artykulacja
........................................................................... 79
2.
Inne środki kształtowania wyrazu muzycznego
....................... 82
a. Intonacja
............................................................................... 82
b. Wibracja
............................................................................... 85
с
Oddech
.................................................................................. 88
d. Znaczenie aplikatury pomocniczej
........................................ 88
e. Nowe możliwości fagotu
...................................................... 89
f. „Archetyp innego instrumentu w muzyce fagotowej
......... 90
Zakończenie
.................................................................................. 93
Bibliografia
................................................................................... 95
Summary
........................................................................................ 97
Indeks nazwisk
.............................................................................. 99
Opis płyty
.......................................................................................102
Summary
The dissertation is devoted to the bassoon in an instrumental duo. The genre has
been inseparably connected with the bassoon for over four hundred years. It has
contributed directly to the development of the instrument s construction and it has
influenced significantly bassoon expression. The duo literature, which nowadays is
not very popular, became a basis for the insight into the bassoon s origins and its use
as a solo instrument as well as for the research concerning the changes it underwent
throughout particular periods of music history and diverse ways of defining the
correctness of its tone quality as well as dynamic, articulation and expressive
capabilities that were the result of the changes. Unique significance of the duo made
it possible to trace the evolution of the instrument, enabling the integration of
Baroque and contemporary bassoon. The work consists of four chapters; the first
discusses historical circumstances of the bassoon s origins as well as the develop¬
ment of chamber music since the beginning of the 16th century. It raises the issues of
the improvement of pitch, attempts of its equal temperation and intonation problems
characteristic for particular instruments, which are closely connected with the deve¬
lopment of functional harmony, and
-
as a consequence
-
of chamber music. It descri¬
bes various tonal systems that simultaneously functioned during the Baroque period
and also it presents the role of music and situation of instrumentalists in an old-time
city on the basis of existing documents concerning old-time
Kraków.
Chapter two is an outline of music literature devoted to the bassoon. The division
into genres proves the comprehensive use of the instrument in symphonic, solo and
above all chamber music.
Chapter three presents the history of bassoon duo. The subchapters provided by
the author contain the analysis of chosen works, which takes into consideration the
periods of increased interest in the genre. The construction of chapter four is a result of
combining elements of music characteristic for bassoon playing and means of expression
typical for a duo with the author s subjective way of interpreting the genre. Issues
connected with performance practice are discussed here in the context of technical
qualities of the bassoon. The duos presented in the recording and described in the
dissertation constitute a compendium of composition techniques that might be
of interest not only for instrumentalists but for composers and theoreticians as well.
Chapter four
1
.c contains also some reflections on the connections between music and
painting. They prove, according to the author, that Venice of the Renaissance period sho-
97
uld be considered the city where bassoon as solo instrument came into being. The proof,
supported by early Baroque bassoon literature, is a turning point in the research devo¬
ted to establishing where and when the bassoon became a solo-chamber instrument.
The theses included in the opening and conclusion carry sociological message.
They point to the necessity of changes in the way bassoon playing should be taught;
the author suggests changes in the repertoire that take into consideration contemporary
approaches to the instrument.
Translated by Natalia Szymaszek
98
|
any_adam_object | 1 |
author | Turek, Wojciech |
author_facet | Turek, Wojciech |
author_role | aut |
author_sort | Turek, Wojciech |
author_variant | w t wt |
building | Verbundindex |
bvnumber | BV035572735 |
contents | Bibliogr. s. 95-96. Indeks |
ctrlnum | (OCoLC)316538058 (DE-599)BVBBV035572735 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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id | DE-604.BV035572735 |
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indexdate | 2024-07-09T21:40:43Z |
institution | BVB |
isbn | 9788387182823 |
language | Polish |
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physical | 102 s., [4] s. tabl. Ill., Notenbeisp. 24 cm CD (12 cm) |
publishDate | 2008 |
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publisher | Akademia Muzyczna |
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spelling | Turek, Wojciech Verfasser aut Fagot w duecie instrumentalnym historia i specyfika gatunku Wojciech Turek Kraków Akademia Muzyczna 2008 102 s., [4] s. tabl. Ill., Notenbeisp. 24 cm CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Akademia Muzyczna <Kraków> / Prace Habilitacyjne 5 Zugl. Habil.-Schr. Bibliogr. s. 95-96. Indeks Geschichte gnd rswk-swf Muzyka na fagot / studia i nauczanie jhpk Muzyka na fagot / historia jhpk Muzyka na fagot - historia jhpk Muzyka na fagot - studia i nauczanie jhpk Duett (DE-588)4138631-0 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Fagott (DE-588)4153531-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Instrumentalmusik (DE-588)4129951-6 s Duett (DE-588)4138631-0 s Fagott (DE-588)4153531-5 s Geschichte z DE-604 Prace Habilitacyjne Akademia Muzyczna <Kraków> 5 (DE-604)BV022268147 5 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628285&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628285&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
spellingShingle | Turek, Wojciech Fagot w duecie instrumentalnym historia i specyfika gatunku Bibliogr. s. 95-96. Indeks Muzyka na fagot / studia i nauczanie jhpk Muzyka na fagot / historia jhpk Muzyka na fagot - historia jhpk Muzyka na fagot - studia i nauczanie jhpk Duett (DE-588)4138631-0 gnd Instrumentalmusik (DE-588)4129951-6 gnd Fagott (DE-588)4153531-5 gnd |
subject_GND | (DE-588)4138631-0 (DE-588)4129951-6 (DE-588)4153531-5 (DE-588)4113937-9 |
title | Fagot w duecie instrumentalnym historia i specyfika gatunku |
title_auth | Fagot w duecie instrumentalnym historia i specyfika gatunku |
title_exact_search | Fagot w duecie instrumentalnym historia i specyfika gatunku |
title_full | Fagot w duecie instrumentalnym historia i specyfika gatunku Wojciech Turek |
title_fullStr | Fagot w duecie instrumentalnym historia i specyfika gatunku Wojciech Turek |
title_full_unstemmed | Fagot w duecie instrumentalnym historia i specyfika gatunku Wojciech Turek |
title_short | Fagot w duecie instrumentalnym |
title_sort | fagot w duecie instrumentalnym historia i specyfika gatunku |
title_sub | historia i specyfika gatunku |
topic | Muzyka na fagot / studia i nauczanie jhpk Muzyka na fagot / historia jhpk Muzyka na fagot - historia jhpk Muzyka na fagot - studia i nauczanie jhpk Duett (DE-588)4138631-0 gnd Instrumentalmusik (DE-588)4129951-6 gnd Fagott (DE-588)4153531-5 gnd |
topic_facet | Muzyka na fagot / studia i nauczanie Muzyka na fagot / historia Muzyka na fagot - historia Muzyka na fagot - studia i nauczanie Duett Instrumentalmusik Fagott Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628285&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017628285&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV022268147 |
work_keys_str_mv | AT turekwojciech fagotwduecieinstrumentalnymhistoriaispecyfikagatunku |