Alternatives within the mainstream: British Black and Asian theatres
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Newcastle, UK
Cambridge Scholars Press
2006
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references |
Beschreibung: | xi, 415 p. ill. 22 cm |
ISBN: | 1904303668 |
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adam_text | Table of Contents
I. Introduction
.........................................................................................................1
Alternatives Within the Mainstream: British Black and Asian Theatres. An
Introduction
Dimple God
¡wala
....................................................................................................3
Outsider-oriented interstitial discourse
...............................................................3
Mapping the terrain
.............................................................................................4
Doxic field
...........................................................................................................6
Enacting identity through performance
...............................................................6
The Blacks in Britain
...........................................................................................8
Blacking up : The arbitrariness of colour
...........................................................9
The Asians in Britain
.........................................................................................11
Nomadic acts
.....................................................................................................14
Works cited
........................................................................................................17
II.Histories and Trajectories
.................................................................................21
CHAPTER ONE
Mainstreaming
African, Asian and Caribbean Theatre: The Experiments
of the Black Theatre Forum
Alda
Terracciano
..................................................................................................22
The Beginning of the Black Theatre Seasons
....................................................23
The Black Theatre Season
1985
and the establishment of the Black
Theatre Forum
...................................................................................................26
Challenges to internal cohesiveness and the re-interpretation of
classics: the Black Theatre Season
1986...........................................................34
The enlarged base of the Forum and the Seasons
1987, 1989
and
1990...................................................................................................................42
Widening perspectives
.......................................................................................48
Works cited
........................................................................................................50
CHAPTER TWO
Writing Black Back: An Overview of Black Theatre and Performance in
Britain
Deirdre Osborne
...................................................................................................61
Food for thought
................................................................................................61
A View from Abroad: Black Performers
(1830-1930)......................................65
From Unity to
Foco Novo:
Black (and White) Power
(1936-1988).................71
Onwards and Upwards: The Nineties and beyond
.............................................77
vi
Table of
Contents
Works cited
........................................................................................................79
CHAPTER THREE
The State of the Nation: Contemporary Black British Theatre and the
Staging of the UK
Deirdre Osborne
...................................................................................................82
The Plays
...........................................................................................................86
i: Incendiary plays
...........................................................................................88
ii: Drama of family ties
...................................................................................93
The critical voices: to be or not to be...
..........................................................96
Works Cited
.......................................................................................................98
CHAPTER FOUR
Genealogies, Archaeologies, Histories: The Revolutionary
Interculturalism of Asian Theatre in Britain
Dimple Godiwala
................................................................................................101
Theatrical lineage and a becoming-in-difference
..........................................102
Doxa
................................................................................................................104
Political and aesthetic strategies
......................................................................107
Works cited
......................................................................................................116
III. Histories of Theatre Companies and Arts Venues
.......................................121
CHAPTER FIVE
Talawa Theatre Company: The Likkle Matter of Black Creativity and
Representation on the British Stage
Victor Ukaegbu
...................................................................................................123
Historical Background
.....................................................................................123
Aims, Mission and Vision: The Name is the Thing
.........................................125
Talawa s Artistic and Creative Legacies
.........................................................127
Stylistic Approaches: To Perform is to be Ideological
....................................129
Talawa Productions: Resisting Stereotypes, Contesting
Misrepresentations
...........................................................................................132
Classics to Shakespeare
...................................................................................132
Contemporary Scenes: Black Diaspora and the West Indies Context
.............140
A Growing Creative Platform and the tale of Talawa s Peoples
.....................148
Works Cited
.....................................................................................................151
CHAPTER SIX
A Local Habitation and a Name : The Development of Black and Asian
Theatre in Birmingham since the
1970s
Claire Cochrane
..................................................................................................153
Birmingham Rep
.............................................................................................154
Table
of
Contents
vii
The Drum
.........................................................................................................156
Midlands Arts Centre
.......................................................................................157
Works Cited
.....................................................................................................171
CHAPTER SEVEN
Tara
Arts and Tamasha: Producing Asian Performance
-
Two Approaches
Dominic Hingorani
.............................................................................................174
A History of
Tara
Arts: From English to Binglish
.......................................174
The Journey to the West Trilogy
......................................................................185
Tamasha Theatre Company: Practising Authenticity
...................................187
Works cited
......................................................................................................197
IV. Controversies
.................................................................................................201
CHAPTER EIGHT
Drama in the Age of Kalyug:
Beh zii
and Sikh self-censorship
Anthony Frost
.....................................................................................................203
Birmingham Council of Gurdwaras
.................................................................204
Sikhism in India
...............................................................................................206
Jo Bole So Nihaal
............................................................................................207
Works cited:
.....................................................................................................222
V. The Dramatists
................................................................................................227
CHAPTER NINE
Black and Female is Some of Who I Am and I Want to Explore it :
Black Women s Plays of the
1980s
and
1990s
Kathleen
Starek
..................................................................................................229
Women s Theatre Groups
................................................................................231
Anthologies
.....................................................................................................231
Migration and belonging
.................................................................................233
Ethnicity
..........................................................................................................241
Works cited
......................................................................................................246
CHAPTER TEN
The Search for Identity and the Claim for an Ethnicity of Englishness
in Jackie Kay s Chiaroscuro and Valerie Mason-John s Brown Girl
in the Ring
Dimple Godhvala
................................................................................................249
Identity
.............................................................................................................249
viii Table of
Contents
Chiaroscuro
.....................................................................................................250
Brown
Giri
in the Ring
....................................................................................257
The Ethnicity of Englishness
...........................................................................258
Works cited
......................................................................................................263
CHAPTER ELEVEN
Λ
Scourge of the Empire:
Wole
Soyinka s Notorious Theatre at the
Royal Court
Zodwa
Motsa
......................................................................................................265
Angry Young Men
...........................................................................................265
John
Arden
......................................................................................................272
Arnold Wesker
.................................................................................................278
A history of productions
..................................................................................281
Works cited
......................................................................................................282
CHAPTER TWELVE
Theatre as Edutainment: Sol. B. River s Dramatic Burden
Ashley Tellis
........................................................................................................282
Textual performativity
.....................................................................................284
Moor Masterpieces
..........................................................................................286
Two Tracks and Text Me
.................................................................................289
48-98................................................................................................................293
ToRahtid
.........................................................................................................295
Works cited
......................................................................................................296
CHAPTER THIRTEEN
Beyond Victimhood: Agency and Identity in the Theatre of Roy Williams
Elizabeth Barry and William Boles
..................................................................297
LiftOff
.............................................................................................................300
Clubland
..........................................................................................................303
Sing Yer Heart Out for the Lads
......................................................................306
Little Sweet Thing
............................................................................................310
Works Cited
.....................................................................................................312
CHAPTER FOURTEEN
Aspects of Madness and Theatricality in Kwame Kwei-Armah s Drama
Samuel
Kasu
le....................................................................................................
314
Elmina s Kitchen
.............................................................................................315
Fix Up
..............................................................................................................323
Works cited:
.....................................................................................................328
CHAPTER FIFTEEN
Kali: Providing a Forum for British-Asian Women Playwrights
Dimple Godiwala
................................................................................................328
Song for a Sanctuary
.......................................................................................330
The Ecstasy
......................................................................................................333
Table
of
Contents
ix
KaliShalwar
....................................................................................................334
River on
Fire
....................................................................................................337
Singh
Tangos
...................................................................................................339
Sock Em With Honey
......................................................................................343
Works cited
......................................................................................................346
CHAPTER SIXTEEN
They call me an Asian Writer as well
-
Tanika Gupta s Sanctuary,
Skeleton and Inside Out
Kathleen
Starek
..................................................................................................347
Sanctuary
.........................................................................................................348
Skeleton
...........................................................................................................354
Inside Out
........................................................................................................357
Works cited
......................................................................................................361
CHAPTER SEVENTEEN
Shameless
-
Women, sexuality and violence in British-Asian Drama
Valerie Kaneko Lucas
........................................................................................363
Ghostdancing
...................................................................................................364
Behsharam (Shameless)
..................................................................................367
Behzti
...............................................................................................................370
Bells
.................................................................................................................375
Works cited
......................................................................................................378
VI. Theatremakers voices
i. Jatinder Verma
The Shape of a Heart
............................................................................................381
ii. Yvonne Brewster
My Work in the Theatre
.......................................................................................388
iii.
Valerie Mason-John (aka Queenie)
Uncensoring my Writing
......................................................................................395
iv.
Sol B. River
Serious Business
...................................................................................................400
v. Bapsi Sidhwa
My Experience as a Rookie Playwright
...............................................................406
Editor and contributor biographies
....................................................................409
|
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classification_rvk | HN 1261 |
ctrlnum | (OCoLC)66299704 (DE-599)BVBBV035557033 |
dewey-full | 792.074 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.074 |
dewey-search | 792.074 |
dewey-sort | 3792.074 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Anglistik / Amerikanistik |
edition | 1. publ. |
era | Geschichte 1970-2005 gnd |
era_facet | Geschichte 1970-2005 |
format | Book |
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spellingShingle | Alternatives within the mainstream British Black and Asian theatres Black theater Great Britain Theater, South Asian Great Britain English drama South Asian authors History and criticism English drama Black authors History and criticism Schwarze (DE-588)4116433-7 gnd Englisch (DE-588)4014777-0 gnd Asiaten (DE-588)4198081-5 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
subject_GND | (DE-588)4116433-7 (DE-588)4014777-0 (DE-588)4198081-5 (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4022153-2 (DE-588)4143413-4 |
title | Alternatives within the mainstream British Black and Asian theatres |
title_auth | Alternatives within the mainstream British Black and Asian theatres |
title_exact_search | Alternatives within the mainstream British Black and Asian theatres |
title_full | Alternatives within the mainstream British Black and Asian theatres edited by Dimple Godiwala |
title_fullStr | Alternatives within the mainstream British Black and Asian theatres edited by Dimple Godiwala |
title_full_unstemmed | Alternatives within the mainstream British Black and Asian theatres edited by Dimple Godiwala |
title_short | Alternatives within the mainstream |
title_sort | alternatives within the mainstream british black and asian theatres |
title_sub | British Black and Asian theatres |
topic | Black theater Great Britain Theater, South Asian Great Britain English drama South Asian authors History and criticism English drama Black authors History and criticism Schwarze (DE-588)4116433-7 gnd Englisch (DE-588)4014777-0 gnd Asiaten (DE-588)4198081-5 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
topic_facet | Black theater Great Britain Theater, South Asian Great Britain English drama South Asian authors History and criticism English drama Black authors History and criticism Schwarze Englisch Asiaten Drama Theater Großbritannien Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017612832&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT godiwaladimple alternativeswithinthemainstreambritishblackandasiantheatres |