Holdings: Creating music and sound for games

Creating music and sound for games:

Creating Music and Sound for Games explores the world of the video game sound designer and composer. Examines the responsibilities associated with each of these roles and offers tips and insight for breaking into the business, and offers a focused look at how sound designer and compositor fit into t...

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Bibliographic Details
Format:	Book
Language:	English
Published:	Boston Thomson Course Technology 2007
Subjects:	Computer game music > Production and direction Computer games > Programming Computer sound processing Musik Audiotechnik Programmierung Computerspiel
Online Access:	Inhaltsverzeichnis
Summary:	Creating Music and Sound for Games explores the world of the video game sound designer and composer. Examines the responsibilities associated with each of these roles and offers tips and insight for breaking into the business, and offers a focused look at how sound designer and compositor fit into the game production team and interact with one another. Discusses sound design techniques for recording sounds to be used in a game, using wave editing tools, using software samplers to create new sounds, and mixing scenes in a video game. Composition techniques described include those for programming, recording, and editing software; software samplers, scoring cut scenes, and editing a cut scene and fitting it into the video.
Item Description:	Includes index
Physical Description:	XIX, 293 p. Ill. 24 cm
ISBN:	1598633015 9781598633016

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MARC


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Record in the Search Index

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adam_text	TABLE ^Contents CHAPTER 1 Meetings ........................................................................................1 Who s Who in Game Design Meetings ............................................................2 Producers ......................................................................................................2 Level Designers .............................................................................................3 Art Team .....................................................„.................................................3 Quality Assurance Team ..............................................................................4 Marketing .....................................................................................................4 Questions to Ask the Design Team ...................................................................5 What s the Timeline? ....................................................................................5 Do You Have a Design Document? ............................................................7 What Are the Sound Engine s Capabilities? ..............................................7 CHAPTER 2 Sound Database ...........................................................................9 Project Database ..............................................................................................10 Status ...........................................................................................................12 Assigned To ................................................................................................12 Sound Class ................................................................................................12 Character Name ........................................................................................12 Character Code ..........................................................................................12 Level ............................................................................................................13 Milestone Delivery .....................................................................................13 Filename .....................................................................................................13 Description ...............................„.................................................................13 Notes ...........................................................................................................13 Filename(s) .................................................................................................14 Vili Contents Status Checkboxes .....................................................................................14 Tags .............................................................................................................15 Find ..............................................................................................................15 Omit .............................................................................................................15 Export ..........................................................................................................15 Info ..............................................................................................................16 Other Handy Fields ....................................................................................16 Personal Database ..........................................................................................16 Modifying Source Material .......................................................................17 Personal Database Software ....................................................................17 Making Prototypes ..........................................................................................20 CHAPTER 3 Field Recording ...........................................................................23 When to Go Out in the Field ...........................................................................24 Be Prepared ................................................................................................24 Keep It Simple ............................................................................................24 Slate ............................................................................................................24 Recorders ..........................................................................................................25 Sound Devices ............................................................................................25 Edirol ...........................................................................................................27 M-Audio ......................................................................................................28 Inexpensive Recorders You May Already Own .....................................29 Microphones .....................................................................................................29 Audio-Technka AT897 ...............................................................................31 ShureVP88 .................................................................................................31 Sennheiser MKH 41 8S ..............................................................................31 RodeNT5 ....................................................................................................32 Locations ...........................................................................................................33 When Field Recording Isn t What You Expected ..........................................33 When Recording Is Done ................................................................................34 IX Contents CHAPTER 4 CHAPTER 5 Sound Design: Tools of the Trade .............................................35 Computer Platforms .........................................................................................36 Recommended Software .................................................................................37 Wave Editors ....................................................................................................37 Sound Forge for PC ....................................................................................39 WavelabforPC ..........................................................................................40 Peak for Mac ..............................................................................................41 Multi-Track Editing Programs ..........................................................................42 Pro Tools for PC and Mac ..........................................................................43 Nuendo for PC and Mac ...........................................................................44 Plug-ins ..............................................................................................................46 Waves Platinum Native Bundle for PC and Mac ....................................47 Reaktor for PC and Mac ............................................................................48 TC Electronics Power Core for PC and Mac .............................................48 Synthesizers ......................................................................................................49 Reason for PC and Mac .............................................................................51 Reaktor for PC and Mac ............................................................................51 Samplers ...........................................................................................................52 Kontakt .......................................................................................................52 GigaStudio ..................................................................................................53 Sound Design: Basic Tools and Techniques .............................55 Basic Tools for Sound Design ..........................................................................56 Time-Stretching/Time-Compression ..........................................................56 Pitch-Shifting ...............................................................................................58 Pitch-Bending ..............................................................................................59 Fade-In/Fade-Out .......................................................................................60 Silence .........................................................................................................62 Change Gain ..............................................................................................62 Contents Reverse .......................................................................................................63 Crossfade ....................................................................................................63 Effects ................................................................................................................66 Reverb .........................................................................................................67 Chorus .........................................................................................................69 Delay ...........................................................................................................70 Distortion ....................................................................................................71 Compression ...............................................................................................71 Equalizer (EQ) ............................................................................................73 CHAPTER 6 Advanced Tools and Techniques ..............................................75 Return of the Robot ..........................................................................................76 Manipulating the Robot .............................................................................77 The Robot Thus Far ....................................................................................85 When You Need Inspiration ...........................................................................87 Canned Sound ............................................................................................87 Existing Sound FX Libraries .......................................................................88 CHAPTER 7 Software Instruments and Samplers ........................................89 Using Reason for Sound Design .....................................................................90 The Malström ....................................................................................................91 EntertheNN-XT ...............................................................................................99 If You Don t Use Reason ...............................................................................106 CHAPTER 8 Batch Converting ......................................................................109 What Is a Batch Converter? ..........................................................................110 Batch File Renaming ................................................................................111 Batch Processing ......................................................................................116 Quick Keys .....................................................................................................128 Xl Contents CHAPTER? CHAPTER 10 CHAPTER 11 Mixing Cut Scenes ....................................................................129 The First Cut Scene .........................................................................................130 The Stage ..................................................................................................130 Music .........................................................................................................132 Ambience ..................................................................................................133 Foley .........................................................................................................134 Sound FX ..................................................................................................136 Voice .........................................................................................................137 Effects-Adding Plug-ins ...........................................................................137 The Final Mix ..................................................................................................138 Composing: The Game Design ...............................................141 The Audition ...................................................................................................142 Music in Video Games -А Small Bit of History ............................................143 The Team s Needs .........................................................................................144 Demo for E3 .............................................................................................144 Portable Recorder ....................................................................................146 Proactivity .................................................................................................148 How the Game Uses Your Music .................................................................149 Internal Looping in the Game Engine ....................................................149 Cut Scenes ................................................................................................150 Interactivity ...............................................................................................150 Beat-Synchronous Instructions ................................................................151 Composing: Tools of the Trade ...............................................153 Multi-Track Programs ....................................................................................154 Nuendo/Cubase SX for PC and Mac __________________________156 Apple Logic Pro for Mac .........................................................................157 Xli Contents Digital Performer for Mac .......................................................................159 SONAR for PC ..........................................................................................160 Pro Tools for PC and Mac .......................................................................162 Wave Editors ..................................................................................................163 Soft Synths ......................................................................................................166 Absynth for PC and Mac .........................................................................167 Reason for PC and Mac ..........................................................................169 Atmosphere for PC and Mac ..................................................................171 Blue for PC and Mac ................................................................................172 Minimoog V for PC and Mac ..................................................................173 CHAPTER 12 Samplers ...................................................................................175 Sample Formats .............................................................................................177 Soft Samplers .................................................................................................179 Kontakt for PC and Mac ..........................................................................179 GigaStudio for PC ....................................................................................182 Additional Samplers ......................................................................................184 Logic Pro EXS24 for Mac .........................................................................184 HALion for PC and Mac ...........................................................................185 MachFive for PC and Mac .......................................................................187 Sample Libraries ............................................................................................188 Vienna Symphonic Library .....................................................................189 SAM Orchestral Brass .............................................................................190 Symphonic Orchestra, Gold Edition .......................................................191 Symphonic Choirs ....................................................................................191 CHAPTER 13 Editing Prerecorded Music ......................................................195 Cutting Audio .................................................................................................196 Xlii Contents Crossfadìng ....................................................................................................203 Crossfading: The Function .......................................................................204 Crossfading: Manual ...............................................................................206 Automation .....................................................................................................208 Automating Effects .........................................................................................212 CHAPTER 14 Creating Music for Cut Scenes ................................................217 Start with Action .............................................................................................219 The Dialogue ..................................................................................................221 The Intro ..........................................................................................................223 The Ending ......................................................................................................224 CHAPTER 15 Breaking into the Game Industry ...........................................227 My History in the Game Industry .................................................................227 Going to School .......................................................................................228 Networking ..............................................................................................229 The Internet ........................._________,.......................................................230 Job Hunting ..............................................................................................230 Your Web Site ..........................................................................................231 Trade Shows ..................................................................................................231 GDC ..........................................................................................................233 E3 ..............................................................................................................234 CHAPTER 16 Reviewing What You ve Learned ...........................................235 Step One: Demo Reel, Web Site, Business Cards .......................................235 Demo Reel .................................................................... ...235 WebSite ...................................................................................................237 Business Cards .......................................................... ..237 Step Two: Game Conventions ......................................................................238 XIV Contents Step Three: A Gig ...........................................................................................239 Step Four: Stockpile Tools of the Trade ........................................................239 Game s Complete ..........................................................................................240 Freelance Contractor ...............................................................................241 Going Full Time ........................................................................................242 APPENDIX A Online Resources .....................................................................243 APPENDIX В Tools of the Trade .....................................................................247 APPENDIX С Potential Employers .................................................................255 APPENDIX D Glossary ....................................................................................265 INDEX ...................................................................................................271 XV
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spelling	Creating music and sound for games G. W. Childs IV Boston Thomson Course Technology 2007 XIX, 293 p. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes index Creating Music and Sound for Games explores the world of the video game sound designer and composer. Examines the responsibilities associated with each of these roles and offers tips and insight for breaking into the business, and offers a focused look at how sound designer and compositor fit into the game production team and interact with one another. Discusses sound design techniques for recording sounds to be used in a game, using wave editing tools, using software samplers to create new sounds, and mixing scenes in a video game. Composition techniques described include those for programming, recording, and editing software; software samplers, scoring cut scenes, and editing a cut scene and fitting it into the video. Computer game music Production and direction Computer games Programming Computer sound processing Musik (DE-588)4040802-4 gnd rswk-swf Audiotechnik (DE-588)4140445-2 gnd rswk-swf Programmierung (DE-588)4076370-5 gnd rswk-swf Computerspiel (DE-588)4010457-6 gnd rswk-swf Audiotechnik (DE-588)4140445-2 s Programmierung (DE-588)4076370-5 s DE-604 Computerspiel (DE-588)4010457-6 s Musik (DE-588)4040802-4 s Childs, George W. Sonstige (DE-588)138665257 oth Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017600366&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Creating music and sound for games Computer game music Production and direction Computer games Programming Computer sound processing Musik (DE-588)4040802-4 gnd Audiotechnik (DE-588)4140445-2 gnd Programmierung (DE-588)4076370-5 gnd Computerspiel (DE-588)4010457-6 gnd
subject_GND	(DE-588)4040802-4 (DE-588)4140445-2 (DE-588)4076370-5 (DE-588)4010457-6
title	Creating music and sound for games
title_auth	Creating music and sound for games
title_exact_search	Creating music and sound for games
title_full	Creating music and sound for games G. W. Childs IV
title_fullStr	Creating music and sound for games G. W. Childs IV
title_full_unstemmed	Creating music and sound for games G. W. Childs IV
title_short	Creating music and sound for games
title_sort	creating music and sound for games
topic	Computer game music Production and direction Computer games Programming Computer sound processing Musik (DE-588)4040802-4 gnd Audiotechnik (DE-588)4140445-2 gnd Programmierung (DE-588)4076370-5 gnd Computerspiel (DE-588)4010457-6 gnd
topic_facet	Computer game music Production and direction Computer games Programming Computer sound processing Musik Audiotechnik Programmierung Computerspiel
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017600366&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT childsgeorgew creatingmusicandsoundforgames

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