Seizing the light: a social history of photography
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Boston [u.a.]
McGraw-Hill
2009
|
| Edition: | 2. ed. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XIV, 480 S. zahlr. Ill. |
| ISBN: | 0697143619 |
Staff View
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Record in the Search Index
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DEDICATION
PREFACE
V
VII
CHAPTER ONE
ADVANCING TOWARD PHOTOGRAPHY: THE BIRTH OF MODERNITY A DESIRE FOR VISUAL
REPRESENTATION 1
PERSPECTIVE 2
THINKING OF PHOTOGRAPHY 3
CAMERA VISION 3
THE DEMAND FOR PICTUREMAKING SYSTEMS 4
PROTO-PHOTOGRAPHERS: CHEMICAL ACTION OF LIGHT 4
MODERNITY: NEW VISUAL REALITIES 5
LOUIS J. M. DAGUERRE
OPTICAL DEVICES 7
IMAGES THROUGH LIGHT: A STRUGGLE FOR PERMANENCE
NICEPHORE NIEPCE; JOHN HERSCHEL; HENRY FOX TALBOT; ANNA ATKINS
OTHER DISTINCT ORIGINATORS
HIPPOLYTE BAYARD; MUNGO PONTON; HERCULES FLORENCE
CHAPTER TWO
THE DAGUERREOTYPE:
IMAGE AND OBJECT WHAT IS A DAGUERREOTYPE? SAMUEL F. B. MORSE THE
DAGUERREOTYPE COMES
TO AMERICA
8
15
20
22
23 THE EARLY PRACTITIONERS D. W. SEAGER; JOHN W. DRAPER
EARLY DAGUERREAN PORTRAIT MAKING 25
WOLCOTT & JOHNSON
TECHNICAL IMPROVEMENTS 27
JOHN FREDERICK GODDARD; ANTOINE CLAUDET; A. H. L. FIZEAU
EXPANDING U.S. PORTRAIT STUDIOS 27
JOHN PLUMBE, JR.; SOUTHWORTH & HAWES; MATHEW B. BRADY
THE ART OF THE DAGUERREAN PORTRAIT 28
CARL STELZNER
DAGUERREAN PORTRAIT GALLERIES AND PICTURE FACTORIES 30
AFRICAN-AMERICAN OPERATORS 32
J. P. BALL
RURAL PRACTICE 33
POST-MORTEM PORTRAITS 34
THE DAGUERREOTYPE AND THE LANDSCAPE 35
HUGH LEE PATTINSON; PLAN D. BABBIT
THE DAGUERREOTYPE AND SCIENCE 36
JOHN A. WHIPPIE
CHAPTER THREE
CALOTYPE RISING: THE ARRIVAL OF PHOTOGRAPHY THE CALOTYPE 40
ROMANTIC AESTHETIC 42
EARLY CALOTYPE ACTIVITY 42
HENRY FOX TALBOT; HILL AND ADAMSON; SIR WILLIAM NEWTON; THOMAS KEITH
CALOTYPISTS ESTABLISH A PRACTICE 47
LOUIS-DESIRE BLANQUART-EVRARD; THOMAS SUTTON; GUSTAVE LE GRAY; CHARLES
NEGRE
CALOTYPE AND ARCHITECTURE: MISSIONS HELIOGRAPHIQUES 50
HENRI LE SECQ; EDOUARD BALDUS; CHARLES MARVILLE
THE END OF THE CALOTYPE AND THE FUTURE OF PHOTOGRAPHY 54
CHAPTER FOUR
PICTURES ON GLASS:
THE WET-PLATE PROCESS THE ALBUMEN PROCESS 57
FREDERICK SCOTT ARCHER
THE NEW TRANSPARENT LOOK 59
C/3
H- C
C O O
IMAGE 2
THE AMBROTYPE 60
PICTURES ON TIN 60
THE CARTE DE VISITE AND THE
PHOTO ALBUM 62
A. A. E. DISDERI; J. E. MAYALL; J. E. WHITNEY
THE CABINET PHOTOGRAPH: THE PICTURE GETS BIGGER 66
THE STUDIO TRADITION 68
NADAR; CAMILLE SILVY; ANTOINE SAMUEL ADAM-SALOMON; NAPOLEON SARONY
RETOUCHING AND ENLARGEMENTS 71
CHARLES PIAZZI SMYTH
THE STEREOSCOPE 72
CHARLES WHEATSTONE; ANTOINE CLAUDET
THE STEREO CRAZE 73
OLIVER WENDELL HOLMES
CHAPTER FIVE
PREVAILING EVENTS/ PICTURING CALAMITY CURRENT EVENTS 78
EARLY WAR COVERAGE 79
ROGER FENTON; JAMES ROBERTSON; FELICE BEATO
THE AMERICAN CIVIL WAR 81
MATHEW B. BRADY; ALEXANDER GARDNER; JOHN REEKIE; T. H. O SULLIVAN;
GEORGE N. BARNARD; A. J. RUSSELL; WILLIAM BELL
HOW PHOTOGRAPHS WERE CIRCULATED 88
CHAPTER SIX
A NEW MEDIUM OF COMMUNICATION PHOTOGRAPHY: ART OR INDUSTRY? 91 LADY
ELIZABETH EASTLAKE; MAYER & PIERSON
DISCOVERING A PHOTOGRAPHIC LANGUAGE 93
LADY CLEMENTINA HAWARDEN; LADY FILMER; LEWIS CARROLL; OSCAR G.
REJLANDER; HENRY PEACH ROBINSON; JULIA MARGARET CAMERON
AMERICANS AND THE ART OF NATURE 102
POSITIVISM
DR. HUGH WELCH DIAMOND; THOMAS JOHN BARNARDO
103
CHAPTER SEVEN
STANDARDIZING THE PRACTICE:
A TRANSPARENT TRUTH MECHANICAL PHOTOGRAPHY 107
THE TRAVELING CAMERA 109
MAXIME DU CAMP; JOHN B. GREENE; AUGUSTE SALZMANN; JOHN SHAW SMITH;
FRANCIS FRITH; ROBERT MACPHERSON; JAMES ANDERSON; F RATE HI ALINARI;
BISSON FRERES
PICTURING INDUSTRIALIZATION 113
P. H. DELAMOTTE; CUNDALL & HOWLETT; EDOUARD BALDUS; CAMILLE SILVY;
SAMUEL BOURNE
URBAN LIFE 116
JOHN THOMSON; THOMAS ANNAN THE OTHER 118
THE AMERICAN WEST: THE NARRATIVE AND THE SUBLIME 119
C. E. WATKINS; W. H. JACKSON; EADWEARD J. MUYBRIDGE; F. JAY HAYNES; I.
W. TABER
CHAPTER EIGHT
NEW WAYS OF VISUALIZING TIME AND SPACE THE INADEQUACY OF HUMAN VISION
131 LOCOMOTION 132
EADWEARD J. MUYBRIDGE; THOMAS EAKINS; E. J. MAREY; OTTOMAR ANSCHUTZ
TRANSFORMING AESTHETICS: TECHNICAL BREAKTHROUGHS 137
THE HAND-HELD CAMERA AND THE SNAPSHOT 138
GEORGE EASTMAN; EMILE ZOLA
TIME AND MOTION AS AN EXTENDED
CONTINUUM 140
PAUL NADAR
MOVING PICTURES 141
THOMAS A. EDISON; LUMIERE FRERES
COLOR AND PHOTOGRAPHY 142
LEVI L. HILL; LUMIERE FRERES
IMAGE 3
CHAPTER NINE
SUGGESTING THE SUBJECT:
THE EVOLUTION OF PICTORIALISM ROOTS OF PICTORIALISM PICTORIALISM AND
NATURALISM
P. H. EMERSON
THE DEVELOPMENT OF PICTORIAL EFFECT
GEORGE DAVISON
THE SECESSION MOVEMENT AND THE RISE OF PHOTOGRAPHY CLUBS
THE AESTHETIC CLUB MOVEMENT
WORKING PICTORIALLY: A VARIETY OF APPROACHES
ROBERT DEMACHY; HEINRICH KTIHN; FREDERICK H. EVANS; PIERRE DUBREUIL
AMERICAN PERSPECTIVES
ALFRED STIE GLITZ
THE PHOTO-SECESSION 158
THE DECADENT MOVEMENT AND TONALISM 159
F. HOLLAND DAY; FRANK M. SUTCLIJFE; ALVIN LANGDON COBURN
WOMEN PICTORIALISTS 161
ANNE W. BRIGMAN; GERTRUDE KDSEBIER; ALICE BOUGHTON
THE PICTORIAL EPOCH/THE STIEGLITZ GROUP 162
EDWARD STEICHEN; BARON DE MEYER; FRANK EUGENE; CLARENCE H. WHITE
THE DECLINE OF PICTORIALISM 165
CHAPTER TEN
MODERNISM S INNOVATIONS INDUSTRIAL BEAUTY 170
CUBISM 171
EDMOND FORTIER HIGH AND LOW ART 174
FUTURISM 174
ANTON GIULIO BRAGAGLIA; ARTURO BRAGAGLIA TIME, MOVEMENT, AND THE MACHINE
175
FRANK B. AND LILLIAN M. GILBRETH
)
147
148
150
150
152
153
157
TOWARD A MODEM PRACTICE: DISTILLING FORM ALVIN LANGDON COBURN; PAUL
STRAND DADA
EXPLORING SPACE AND TIME: THE RETURN OF THE PHOTOGRAM MAN RAY; LDSZLO
MOHOLY-NAGY SURREALISM
COLLAGE MAX ERNST; RAOUL HAUSMANN; JOHN HEARTFIELD; HANNAH HOCH
SUPREMATISM
ALEKSANDR RODCHENKO ART, TECHNOLOGY, AND A NEW FAITH
MORTON SCHAMBERG; CHARLES SHEELER PAUL STRAND AND STRAIGHT PHOTOGRAPHY:
PURITY OF USE PAUL STRAND
176
181
181
182
183
186
186
189
CHAPTER ELEVEN
THE NEW CULTURE OF LIGHT TEACHING MODERNISM: THE AMERICAN IMPULSE 191
PAUL OUTERBRIDGE; MARGARET BOURKE -WHITE
STIEGLITZ S EQUIVALENTS 192
ALFRED STIEGLITZ
STEICHEN GOES COMMERCIAL 194
EDWARD STEICHEN
FORM AS ESSENCE 195
EDWARD WESTON
STRAIGHT, MODERNISTIC PHOTOGRAPHY 199
GROUP F164; ANSEL ADAMS; IMOGEN CUNNINGHAM; WILLIAM MORTENSEN
FILM UND FOTO AND NEW OBJECTIVITY 200
ALBERT RENGER-PATZSCH; KARL BLOSSFELDT; EUGENE ATGET
EXPERIMENTALLY MODERN 206
LDSZLO MOHOLY-NAGY; LUCIA MOHOLY
NEW VISION 207
FLORENCE HENRI; GYDRGY KEPES; LOTTE JACOBI
IMAGE 4
PATHWAYS OF LIGHT:
TIME, SPACE, AND FORM
BARBARA MORGAN; FRANTISEK DRTIKOL; FRANCIS BRUGUIERE
SURREALISTIC THEMES
HANS BELLMER; GEORGE HUGNET; MAN RAY; RAOUL UBAC
CHAPTER TWELVE
SOCIAL DOCUMENTS
210
212
218 AN AMERICAN URGE: SOCIAL UPLIFT JACOB A. RIIS; LEWIS W. HINE
ETHNOLOGICAL APPROACHES 222
ADAM CLARK VROMAN; EDWARD S. CURTIS; FRANCES BENJAMIN JOHNSTON; E. J.
BELLOCQ; TINA MODOTTI
EMERGING ETHNIC CONSCIOUSNESS 229
RICHARD THROSSEL; HORACE POOLAW; JAMES VANDERZEE; EUDORA WELTY
THE PHYSIOGNOMIC APPROACH 231
THOMAS BYRNES; AUGUST SANDER THE GREAT DEPRESSION: THE ECONOMICS OF
PHOTOGRAPHY 233
ROY STRYKER; DOROTHEA LANGE; WALKER EVANS; ARTHUR ROTHSTEIN; RUSSELL
LEE; BEN SHAHN; GORDON PARKS; MARION POST
THE FAP PROJECT: CHANGING NEW YORK 241
BERENICE ABBOTT; ROMAN VISHNIAC
THE PHOTO BOOTH: SELF-PORTRAITS FOR ALL 242
MASS-OBSERVATION 243
HUMPHREY SPENDER THE FILM AND PHOTO LEAGUE 244
SID GROSSMAN; AARON SISKIND
CHAPTER THIRTEEN
NABBING TIME ANTICIPATING THE MOMENT 248
J. H. LARTIGUE; ERICH SALOMON; ANDRE KERTESZ; BRASSAI ; HENRI CARTIER-
BRESSON; BILL BRANDT; MANUEL ALVAREZ BRAVO; LISETTE MODEL; HELEN LEVITT;
WRIGHT MORRIS;
HAROLD E. EDGERTON; FELIX H. MAN
CHAPTER FOURTEEN
FROM HALFTONES TO BYTES PICTURES AND PRINTER S INK THE PHOTO MAGAZINE
JOHN HEARTFIELD; ERNST HAAS; ALFRED EISENSTAEDT
264
266
THE SEPARATION OF ART AND COMMERCE: ADVERTISING AND FASHION 270
EDWARD STEICHEN; LEJAREN A HILLER; NICKOLAS MURAY; CECIL BEATON; HORST;
MARTIN MUNKACSI; ALEXEY BRODOVITCH; IRVING PENN; RICHARD AVEDON; HIM;
GEORGE HURRELL;
PHILIPPE HALSMAN; KARSH; ARNOLD NEWMAN
NEWSPAPERS 278
WEEGEE
WAR REPORTAGE 280
ROBERT CAPA; DAVID SEYMOUR; LEE MILLER; W. EUGENE SMITH; CORNELL CAPA;
DON MCCULLIN; LARRY BURROWS; EDDIE ADAMS
THE NEW SUBJECTIVE JOURNALISM 287
MARTIN PARR; SUSAN MEISELAS; MARY ELLEN MARK; SEBASTIDO SALGADO; JAMES
NACHTWEY; RICHARD DREW
BYTES OF NEWS 291
CHAPTER FIFTEEN
THE ATOMIC AGE: NEW LIGHT/ FRESH METHODS ANSEL ADAMS THE SURREALISTIC
METAPHOR 298
CLARENCE JOHN LAUGHLIN; FREDERICK SOMMER; VAL TELBERG
THE PHOTOGRAPH AS SPIRIT 301
MINOR WHITE
PHOTO EDUCATION AS SELF-EXPRESSION 303
HARRY CALLAHAN; AARON SISKIND; FOTOFORM
FAMILY OF MAN 305
WYNN BULLOCK
PHOTOGRAPHY AND ALIENATION 307
ROBERT FRANK; WILLIAM KLEIN; MARIO GIACOMELLI; JOSEF KOUDELKA
IMAGE 5
MAKING A BIG JUMP 310
HENRY HOLMES SMITH; EDWIN H. LAND; RICHARD HAMILTON; WALLACE BERMAN
THE SUBJECTIVE DOCUMENTARY 314
ROBERT DOISNEAU; ROY DECARAVA; ELIOT PORTER; PAUL CAPONIGRO
THE TERROR OF RICHES 317
CHAPTER SIXTEEN
NEW FRONTIERS: EXPANDING BOUNDARIES STRUCTURALISM: READING A PHOTOGRAPH
320 THE FOUND IMAGE: THE BEGINNINGS
OF POSTMODERNISM 322
ROBERT RAUSCHENBERG
THE RISE OF POP ART 322
WILLIAM S. BURROUGHS; ANDY WARHOL; MARSHALL MCLUHAN
CHALLENGING THE CODE 325
ART SINSABAUGH; SYL LABROT
THE SOCIAL LANDSCAPE 326
GARRY WINOGRAND; LEE FRIEDLANDER; DIANE ARBUS
NEW JOURNALISM 330
BRUCE DAVIDSON; DANNY LYON MULTIPLE POINTS OF VIEW 333
DUANE MICHALS; NATHAN LYONS; RAY K. METZKER; JERRY UELSMANN; ROBERT
HEINECKEN
THE RAPID GROWTH OF PHOTOGRAPHIC EDUCATION 337
CHUCK CLOSE
CHAPTER SEVENTEEN
CHANGING REALITIES:
ALTERNATIVE VISIONS NEW APPROACHES 342
ROBERT W. FICHTER; DOUG PRINCE; NAOMI SAVAGE; SONIA LANDY SHERIDAN;
THOMAS BARROW; WILLIAM LARSON
TURNING THE STRAIGHT PHOTOGRAPH ON ITSELF 346
KENNETH JOSEPHSON; JOSEPH JACHNA; ROBBERT FLICK; BARBARA CRANE
PERSONAL ACCOUNTS: DOCUMENTARY FICTION 349
RALPH EUGENE MEATYARD; LES KRIMS; LUCAS SAMARAS; RALPH GIBSON; LARRY
CLARK; MICHAEL LESY; EUGENE RICHARDS
THE SNAPSHOT 355
EMMET GOWIN; JUDY DATER; ELLIOTT ERWITT; BURK UZZLE; BILL OWENS
POST-STRUCTURALISM / NEW TOPOGRAPHIES 357
ED RUSCHA; LEWIS BALTZ; ROBERT ADAMS
THE REPHOTOGRAPHIC SURVEY
PROJECT/TIME CHANGES 359
MILTON ROGOVIN
COLOR RISING 360
WILLIAM EGGLESTON; STEPHEN SHORE; JOEL MEYEROWITZ; JAN GROOVER; JOHN
PFAHL; JOEL STERNFELD; MARK COHEN
ARTISTS BOOKS 365
JOAN LYONS RECONFIGURING INFORMATION 366
RUTH THORNE-THOMSEN; DAVID LEVINTHAL EXPANDING MARKETS 368
CRITICAL WRITING 369
CHAPTER EIGHTEEN
THINKING ABOUT PHOTOGRAPHY CONCEPTUAL ART: THE ACT OF CHOOSING 373 NAM
JUNE PAIK; JOHN BALDESSARI PERFORMANCE ART 376
BRUCE NAUMAN; ARNULF RAINER; ANSELM KIEFER; GERHARD RICHTER; CHRISTIAN
BOLTANSKI; GILBERT AND GEORGE; WILLIAM WEGMAN
A RETURN TO TYPOLOGIES 379
BERND AND HILLA BECHER; ROBERT CUMMING
POSTMODERNISM 382
BART PARKER; PAUL BERGER; MANUAL DECONSTRUCTING MYTHS 386
RICHARD PRINCE; SHERRIE LEVINE; MIKE MANDEL AND LARRY SULTAN; BARBARA
KRUGER
GENDER MATTERS 388
JUDITH GOLDEN; CINDY SHERMAN; EILEEN COWIN; LAURIE SIMMONS
IMAGE 6
FABRICATION
391
JAMES WELLING; CARL CHIARENZA; JAMES CASEBERE; SANDY SKOGLUND; OLIVIA
PARKER; JOEL-PETER WITKIN; PATRICK NAGATANI AND ANDREE TRACEY;
PHILIP-LORCA DICORCIA;
JEFF WALL
ALTERING TIME AND SPACE 395
HOLLIS FRAMPTON AND MARION FALLER; BARBARA KASTEN; DAVID HOCKNEY;
MICHAEL SPANO; HOLLY ROBERTS; DOUG AND MIKE STARN; ABELARDO MORELL
INVESTIGATING THE BODY 398
ANDRES SERRANO; ROBERT MAPPLETHORPE; JOHN COPLANS; NAN GOLDIN; JOCK
STURGES; SALLY MANN; LAUREN GREENFIELD
MULTICULTURALISM: EXPLORING IDENTITY & HISTORY 402
DINH Q. LE; DAWOUD BEY; STEPHEN MARC; GUERRILLA GIRLS; JO SPENCE; FAZAL
SHEIKH; JOLENE RICKARD; CLARISSA T. SLIGH; CARRIE MAE WEEMS; LORNA
SIMPSON; KARA WALKER;
KRZYSZTOFWODICZKO; W. G. SEBALD; LIU ZHENG
A PERSONAL CULTURAL LANDSCAPE
RICHARD MISRACH; EDWARD BURTYNSKY; ROBERT & SHANA PARKEHARRISON
410
413 THE DIGITAL FUTURE IS NOW ANDREAS GURSKY; NANCY BURSON; BARRY
FRYDLENDER; GREGORY CREWDSON; PEDRO MEYER; THOMAS DEMAND
THE POSTPHOTOGRAPHIC AGE 423
BIBLIOGRAPHY
INDIVIDUAL ARTISTS
TECHNOLOGY
SOURCES OF ARTISTS BOOKS
WEBSITE BIBLIOGRAPHY
CREDITS
INDEX
427
433
441
443
445
447
453
|
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| era_facet | Geschichte 1850-2017 Geschichte |
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| id | DE-604.BV035537617 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:39:55Z |
| institution | BVB |
| isbn | 0697143619 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017593723 |
| open_access_boolean | |
| owner | DE-M17 |
| owner_facet | DE-M17 |
| physical | XIV, 480 S. zahlr. Ill. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | McGraw-Hill |
| record_format | marc |
| spelling | Hirsch, Robert Verfasser aut Seizing the light a social history of photography Robert Hirsch 2. ed. Boston [u.a.] McGraw-Hill 2009 XIV, 480 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1850-2017 gnd rswk-swf Geschichte gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Fotografie (DE-588)4045895-7 s Geschichte z DE-604 Geschichte 1850-2017 z 1\p DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017593723&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hirsch, Robert Seizing the light a social history of photography Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4045895-7 |
| title | Seizing the light a social history of photography |
| title_auth | Seizing the light a social history of photography |
| title_exact_search | Seizing the light a social history of photography |
| title_full | Seizing the light a social history of photography Robert Hirsch |
| title_fullStr | Seizing the light a social history of photography Robert Hirsch |
| title_full_unstemmed | Seizing the light a social history of photography Robert Hirsch |
| title_short | Seizing the light |
| title_sort | seizing the light a social history of photography |
| title_sub | a social history of photography |
| topic | Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Fotografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017593723&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hirschrobert seizingthelightasocialhistoryofphotography |