Image and audience: rethinking prehistoric art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2009
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke Includes bibliographical references (p. [235]-255) and index |
| Beschreibung: | XV, 260 S. zahlr. Ill., Kt. 24 cm |
| ISBN: | 9780199533855 |
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| 650 | 4 | |a Art, Prehistoric | |
| 650 | 4 | |a Funde | |
| 650 | 4 | |a Antiquities, Prehistoric |z Europe | |
| 650 | 4 | |a Art, Prehistoric |z Europe | |
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Datensatz im Suchindex
| _version_ | 1804138940143239168 |
|---|---|
| adam_text | Contents
Figures
xii
Tables
xvi
PART
I. THE
PROBLEM
WITH PREHISTORIC ART
1.
The Division of the Spoils
3
2.
Pattern and Purpose
26
PART II. IMAGE AND AUDIENCE IN MEGALITHIC ART
3.
Notes from Underground
51
4.
The Lives of Statues
77
5.
In Open Country
98
PART HI. IMAGE AND AUDIENCE IN BRONZE
AGE SCANDINAVIA
6.
Ships on Bronzes: Ships on Stones
125
7.
Crossing the Water
150
8.
The Origin of Fire
176
PART IV. PREHISTORIC ART AND ARCHAEOLOGY
9.
Losses in Translation
203
References
235
Index
257
Figures
Bronze
Age rock carvings at Himmelstalund, Sweden
ii
1.
The Battersea Shield. Photograph courtesy of the British Museum
20
2.
Bronze flagon from Basse Yutz. Photograph courtesy of the
British Museum
21
3.
The Gundestrup Cauldron. Photograph courtesy of the National Museum,
Copenhagen
23
4.
Distribution of paintings of animals at Font
de Gaume.
Information
from Ucko and
Rosenfeld (1967) 32
5.
Paintings of animals in the Palaeolithic cave of Ekain. Information from
Leroi Gourhan
(1965
and
1982) 32
6.
A Late Bronze Age house urn. Information from Bartoloni
et al.
(1987) 36
7.
ATrobriand canoe prow. Information from
Gell (1998)
and Campbell
(2001) 37
8.
Dragons on the Chertsey Iron Age shield. After Fitzpatrick
(2007) 39
9.
Decorated attachment on an Anglo-Saxon shield. After Dickinson
(2005) 40
10.
Two Pictish cairns at
Lundin
Links and a symbol stone from Logie.
Information from Anderson
(1881)
and Williams
(2007) 43
11.
Map of the sites and regions discussed in Part II
52
12.
The distribution of megalithic art in Western Europe
53
13.
Two carved stones from Ireland interpreted as evidence of an
eye goddess . Information from Breuil
(1934)
and Crawford
(1957) 54
14.
The organization of the painted designs at Antelas. Information
ñom
Shee Twohig
(1981)
and Jorge
(1998) 58
15.
Passage grave at
Anta de Cerqueira.
Photograph courtesy of Lara
Bacelar Alves
60
16.
The flow of light within chambered tombs
61
17.
The movement of light and the decorated surfaces in Cairn
T
at Loughcrew.
Information from Bradley
(1989) 62
18.
Carved designs in the tomb at
Goërem.
Information from Bradley
(1989) 63
19.
Female imagery in two north French chambered tombs. Information
from Shee Twohig
(1981),
Tarrete
(1996),
and
Villes
(1997) 64
20.
A passage grave interpreted as evidence of a three-tier cosmology.
Information from Lewis-Williams and Pearce
(2005) 67
Figures
xiii
21.
Phosphenes apparently associated with megalithic art. Information from
Bradley (1997a)
68
22.
The entrance stone at Newgrange. Photograph courtesy of Ken Williams
(copyright reserved)
69
23.
The interior of the passage tomb at Newgrange. Photograph courtesy
of Ken Williams (copyright reserved)
75
24.
Ceramic figurine of the Cucuteni-Tripolye Culture. A reconstruction using
information from Gheorgiu
(2001) 78
25.
Decorated menhirs incorporated in Breton megalithic tombs. Information
from Shee Twohig
( 1981 ),
ĽHelgouach
( 1996),
and
Cassen
(2000) 81
26.
Reused menhirs in the chambered tomb of
Mané
Lud.
Information from
Shee Twohig
(1981)
and
Cassen
(2007) 82
27.
The organization of decorated elements in Iberian passage graves.
Information from
Bueno Ramírez
and
Balbin
Behrmann (2006b)
85
28.
The decorated tomb at
Azután.
Information from
Bueno Ramírez, Balbín
Behrmann, and
Barroso Bermajo (2005a)
86
29.
Stone idols from Galician megalithic tombs. After
Fábregas
Valcarce and Vilaseco
Vázquez
(2006) 87
30.
Decorated plaque from a Portuguese megalithic tomb. Information from
Gonçalves
(2007) 88
31.
Carvings of human figures with weapons in Iberia. Information from
Chenorldan
(1988), De Blas
Cortina
(2003)
and
Bueno Ramírez, Balbín
Behrmann, and
Barroso
Bermajo (2005b)
90
32.
Statues menhirs in the southern Alps. Information from Barfield and
Chippindale
(1997),
Mezzena
(1998),
and
De Saulieu (2004) 92
33.
Statues associated with a megalithic tomb at Sion. Information from
Mezzena
(1998),
Bradley
(2002),
and Harrison and Heyd
(2007) 94
34. Symbolkeramik
from southern Spain. After Martin and Camalich
(1982) 99
35.
Decorated plaques from Vila Nova
de São
Pedro. After
Paço
(1940) 100
36.
Linear designs associated with Neolithic houses, artefacts, and tombs in OrkneylOl
37.
The repertoire of Iberian Schematic Art. Information from
Acosta
(1968) 106
38.
Painting inside
Pala Pinta.
Photograph courtesy of Lara
Bacelar Alves
107
39.
The location of the decorated cave at
Morro Carascal.
Photograph
courtesy of
Sara Pairen Jiménez
108
40.
Carved decoration on Ben Lawers. Photograph courtesy of Aaron Watson
113
41.
Two views of a decorated outcrop on Ben Lawers. Photographs courtesy of
Aaron Watson
116
xiv
Figures
42.
Interior
view of the main passage tomb at Rnowth. Photograph courtesy
of Ken Williams (copyright reserved)
121
43.
Angular and curvilinear designs and their links with megalithic art
122
44.
Map of the sites and regions discussed in Part III
126
45.
Distributions of decorated razors, rock art, and ship settings in Southern
Scandinavia
127
46.
Two ships, as depicted on a decorated Bronze Age razor
128
47.
Carvings of ships at Himmelstalund, Sweden
132
48.
The decorated outcrop at Revheim, Norway
135
49.
Carved ships and flowing water at Tanum. Information from Milstreu
(1999) 136
50.
Rock carvings and quartz veins at Tanum. Information from Milstreu
(1999) 137
51.
Motifs from burial cists in Sweden and Norway. Information from
Fett
and
Fett (1947), Randsborg (1993),
Jellestad Syvertsen
(2002), Nordenborg
Myhre
(2004),
and Figenschou
Simonsen
and
Vogt (2005) 138
52.
Distribution of the Northern and Southern styles of Scandinavian rock art
140
53.
Bronze Age ship setting at
Snäckedal,
Sweden
143
54.
Bronze Age ship settings on Gotland. Information from Capelle
(1986
and
1995) 145
55.
The Trundholm Sun Chariot . Photograph courtesy of the National
Museum, Copenhagen
152
56.
Kaul s interpretation of a Bronze Age solar cosmology. After
Bradley
(2006) 154
57.
Interpretation of the decorated stone from Klinta,
Öland
155
58.
Interpretation of a decorated outcrop at
Borgen,
Norway
156
59.
The movement of ships in Scandinavian rock art. After Bradley
(2006) 158
60.
The movement of carts in Scandinavian rock art. After Bradley
(2006) 159
61.
Drawings of footprints in Southern Scandinavian rock art. After Bradley
(2006) 160
62.
Footprints and wheel crosses in Scandinavian rock art. Information
from Burenhult
(1973
and
1980) 162
63.
Sea, land, and sky in Scandinavian rock art. After Bradley
(2006) 163
64.
Sea, land, and sky, and the coastal location of rock carvings. After
Bradley
(2006) 164
65.
The relationship between ship settings and round cairns. Information
from
Nordenborg
Myhre
(1998),
Widholm
(1998),
and Bradley and
Widholm
(2007) 167
Figures
xv
66.
General
view of the Bronze Age cemetery at
Snäckedal,
Sweden
169
67.
Plan of the Bronze Age cemetery at
Snäckedal.
Information from
Bradley and Widholm
(2007) 170
68.
The association between ships, weapons, and the sun at Himmelstalund
172
69.
The relationship between rock carvings, cairns, and the movement of the
sun at
Högsbyn.
Information from Bradley (2007c)
174
70.
A small island in the Stockholm archipelago
179
71.
The coastal distribution of cairns in northern Sweden. Information from
Baudou
(1968)
and
Bolin
(1999) 180
72.
The hilltop siting of a Bronze Age cairn in southern Sweden
182
73.
Burnt patches on the decorated outcrop at Himmelstalund
184
74.
The relationship between rock carvings and the shoreline near Tanum.
After Ling
(2007) 187
75.
The siting of rock art and cairns in relation to the Bronze Age coastline
near Tanum. After Ling
(2007) 188
76.
Trails of carved footprints at
Järrestad,
Sweden
190
77.
One of the decorated panels at
Hästhallen,
Sweden. Photograph courtesy
of Lena
König 193
78.
Paired footprints at Himmelstalund, Sweden
196
79.
The orientation of paired footprints in
Bohuslän,
0stfold, and
Uppland.
Information from Coles
(2000
and
2005) 197
80.
Timber structures and associated deposits at
La Tene.
Information from
Bradley
(1990) 212
81.
The Copper Age decorated cave at El Pedroso, Spain
223
82.
Iron Age sanctuary and associated deposits at Gournay-sur-Aronde,
France. Information from Bradley
(1990) 229
83.
The ship burial in Mound
1
at Sutton Hoo. After Carver
(2005) 230
84.
The Iron Age burial chamber at
Hochdorf.
Information from Planck,
Biel, Susskind,
and
Wals (1985),
and Olivier
(1999) 232
Tables
1.
Tlu·
(гацнчку
ut diliemit
artifact types classified .is Celtic art in
si h
publications of British material ltf
L
ilu*
frequency
ot
diiťťíťnt
artefact types classified us Celtic art in
six publications concerned mainly with Continental Europe
19
|
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| geographic | Europa Europe Antiquities |
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| id | DE-604.BV035477863 |
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| indexdate | 2024-07-09T21:36:10Z |
| institution | BVB |
| isbn | 9780199533855 |
| language | English |
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| spelling | Bradley, Richard 1946- Verfasser (DE-588)132935988 aut Image and audience rethinking prehistoric art Richard Bradley 1. publ. Oxford [u.a.] Oxford Univ. Press 2009 XV, 260 S. zahlr. Ill., Kt. 24 cm txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Includes bibliographical references (p. [235]-255) and index Art, Prehistoric Funde Antiquities, Prehistoric Europe Art, Prehistoric Europe Megalithic monuments Europe Kunst (DE-588)4114333-4 gnd rswk-swf Vor- und Frühgeschichte (DE-588)4078951-2 gnd rswk-swf Europa Europe Antiquities Vor- und Frühgeschichte (DE-588)4078951-2 s Kunst (DE-588)4114333-4 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017397450&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bradley, Richard 1946- Image and audience rethinking prehistoric art Art, Prehistoric Funde Antiquities, Prehistoric Europe Art, Prehistoric Europe Megalithic monuments Europe Kunst (DE-588)4114333-4 gnd Vor- und Frühgeschichte (DE-588)4078951-2 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4078951-2 |
| title | Image and audience rethinking prehistoric art |
| title_auth | Image and audience rethinking prehistoric art |
| title_exact_search | Image and audience rethinking prehistoric art |
| title_full | Image and audience rethinking prehistoric art Richard Bradley |
| title_fullStr | Image and audience rethinking prehistoric art Richard Bradley |
| title_full_unstemmed | Image and audience rethinking prehistoric art Richard Bradley |
| title_short | Image and audience |
| title_sort | image and audience rethinking prehistoric art |
| title_sub | rethinking prehistoric art |
| topic | Art, Prehistoric Funde Antiquities, Prehistoric Europe Art, Prehistoric Europe Megalithic monuments Europe Kunst (DE-588)4114333-4 gnd Vor- und Frühgeschichte (DE-588)4078951-2 gnd |
| topic_facet | Art, Prehistoric Funde Antiquities, Prehistoric Europe Art, Prehistoric Europe Megalithic monuments Europe Kunst Vor- und Frühgeschichte Europa Europe Antiquities |
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