An introduction to music studies:
Why study music? How much practical use is it in the modern world? This introduction proves how studying music is of great value both in its own terms and also in the post-university careers marketplace.
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2009
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Why study music? How much practical use is it in the modern world? This introduction proves how studying music is of great value both in its own terms and also in the post-university careers marketplace. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xv, 296 S. Ill., Notenbeisp. 26 cm |
| ISBN: | 9780521842938 9780521603805 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: An introduction to music studies
Autor: Harper-Scott, J. P. E
Jahr: 2009
Contents
List of illustrations page ix
.Votes on contributors x
Preface xiii
Features of this book: a guide xiv
Introduction
J. P. E. HARPER-SCOTT 1
Part 1 Disciplines 5
1. Music history
JIM SAMSON 7
Art versus history 8
Stylistic or social history? 9
Oral histories 12
Narratives in history 14
Hidden agendas? 18
2. Music theory and analysis
RACHEL BECKLES WILLSON 25
Introduction 25
What is analysis for? 27
What is theory for? 31
3. The sociology of music
KATHARINE ELLIS 43
Introduction 43
Sociologies of music 44
The problem of high art 47
Are geniuses made, not born? 50
Art worlds and the music business 51
Cultural capital, social status, and identity 52
Contents
4. The psychology of music
JOHNRINK 59
What is psychology? 59
What is the psychology of music? 60
What do music psychologists do? 62
How does the musical mind work? 66
How do we learn music? 68
How do we create music? 70
What is expressed in music and how do we perceive it? 72
5. Music aesthetics and critical theory
ANDREW BOWIE 79
Introduction 80
Analytical and Continental aesthetics 80
Subjective and objective 81
Aesthetics and history 82
Judgment 83
Absolute music 85
Form and content 86
Music, politics, and meaning: critical theoiy 87
New musicology 89
Part 2 Approaches to repertoire 95
6. World musics
HENRY STOBART 97
Introduction. World Music(s): exclusions and inclusions 98
Who studies world musics? 100
Does music have a place? 104
Can world music be mapped? 106
Sounding authentic? 108
Can we trust our ears? 109
7. Early music
STEPHEN ROSE 119
What is early music? 119
How far can we recreate the music of the past? 121
Music for the Church 123
Secular music 126
Notation and the role of the performer 128
The changing status of the composer 130
Contents
8. Opera
DAVID CHARLTON 136
Opera as entertainment and ritual 136
Analyzing the workings of opera 141
Writing in the present 144
Opera s messages 146
Singing as persuasion 147
From semiotics to process 148
9. Concert music
ERIK LEVI 154
Introduction 154
Patronage and funding 155
Concert repertory in the nineteenth century 160
The twentieth century and beyond 167
10. Jazz
ANDREW BOWIE 176
Introduction 176
History and context 179
improvisation and performance 181
Jazz as critical music 184
Jazz and the academy 185
11. Popular music
ELIZABETH EVA LEACH 188
What is popular music? 188
How do we study popular music? 193
12. Music in film and television
JULIE BROWN 201
Case study 201
Dividing film music for study 203
Approaches to textual study 208
How does it fit into the history of music? 211
Part 3 Music in practice 219
13. Musical performance
TINAK.RAMNAR1NE 221
What is musical performance? 222
Musical performance as experience, process, and
embodied practice 223
Musical performance as a mode of interaction 224
Who performs? 226
viii Contents
Learning musical performance 227
The contexts and functions of music 230
Social and political dimensions of musical performance 231
Studying performance in higher education 233
14. Composition
JULIAN JOHNSON 236
Studying composition 237
Working methods 238
Composers, performers, and audiences 243
15. Music technology
BRIAN LOCK 250
Introduction: what is music technology? 250
How is it studied? 251
Composition 252
Recording 257
Composition and production 258
Composing with sound 259
Making music in home studios 261
Multimedia, film, the Web 261
Careers 262
Courses 263
16. The economics and business of music
NICHOLAS COOK 267
Snapshot of 1825: Beethoven s Ninth and the music business 267
The rise and fall of the music profession 271
Giving music its due 274
Classical music in the marketplace 278
The music business between past and future 283
Index 291
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| discipline | Musikwissenschaft |
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| spelling | An introduction to music studies ed. by J. P. E. Harper-Scott and Jim Samson 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2009 xv, 296 S. Ill., Notenbeisp. 26 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Why study music? How much practical use is it in the modern world? This introduction proves how studying music is of great value both in its own terms and also in the post-university careers marketplace. Music / Instruction and study Music / Vocational guidance Musique - Orientation professionnelle Musique - Étude et enseignement Musik Music Instruction and study Music Vocational guidance Musik (DE-588)4040802-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4151278-9 Einführung gnd-content Musik (DE-588)4040802-4 s DE-604 Harper-Scott, J. P. E. 1977- Sonstige (DE-588)133747794 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017397381&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | An introduction to music studies Music / Instruction and study Music / Vocational guidance Musique - Orientation professionnelle Musique - Étude et enseignement Musik Music Instruction and study Music Vocational guidance Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4143413-4 (DE-588)4151278-9 |
| title | An introduction to music studies |
| title_auth | An introduction to music studies |
| title_exact_search | An introduction to music studies |
| title_full | An introduction to music studies ed. by J. P. E. Harper-Scott and Jim Samson |
| title_fullStr | An introduction to music studies ed. by J. P. E. Harper-Scott and Jim Samson |
| title_full_unstemmed | An introduction to music studies ed. by J. P. E. Harper-Scott and Jim Samson |
| title_short | An introduction to music studies |
| title_sort | an introduction to music studies |
| topic | Music / Instruction and study Music / Vocational guidance Musique - Orientation professionnelle Musique - Étude et enseignement Musik Music Instruction and study Music Vocational guidance Musik (DE-588)4040802-4 gnd |
| topic_facet | Music / Instruction and study Music / Vocational guidance Musique - Orientation professionnelle Musique - Étude et enseignement Musik Music Instruction and study Music Vocational guidance Aufsatzsammlung Einführung |
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