Holdings: The sound effects bible

The sound effects bible: how to create and record Hollywood style sound effects

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Bibliographic Details
Main Author:	Viers, Ric (Author)
Format:	Book
Language:	English
Published:	Studio City, CA Michael Wiese Productions 2008
Subjects:	Film Klangkunst Musik Sound <Multimedia> Motion pictures > Sound effects
Online Access:	Inhaltsverzeichnis
Physical Description:	XXVI, 326 S. zahlr. Ill.
ISBN:	9781932907483

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MARC


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adam_text	TABLE OF CONTENTS Acknowledgments ...........................................xx Foreword — Charles Maynes .................................xxi Introduction ................................................xxii About The Detroit Chop Shop and Blastwave FX ................xxv The Creative Mantra ..........................................xxvi How to Use This Book ........................................xxvi Chapter One — What Is a Sound Effect? ........................1 Hard Effects ..................................................5 Foley Sound Effects ...........................................5 Background Effects ...........................................5 Electronic Sound Effects/Production Elements .................5 Sound Design Effects .........................................6 Chapter Two — The Science of Sound ..........................7 Understanding How Sound Works Sound Waves .................................................7 Phase ........................................................9 The Speed of Sound ...........................................9 Frequency ...................................................10 Amplitude ...................................................11 Decibels .....................................................11 SPL ..........................................................12 Decibel Exposure Time Guidelines ............................13 Acoustics ....................................................13 Reverberation ...............................................14 The Application of the Science ................................14 The Recording Chain .........................................15 Chapter Three — The Microphone ............................16 The Sonic Lens Microphone Types ...........................................16 Phantom Power ..............................................17 Proximity Effect ..............................................17 VI * ■ ТНИ SO H ! Frequency Response ........................................17 Flat Frequency Response ....................................17 High Pass Filter (HPF) ........................................19 Microphone Patterns ........................................20 Chapter Four — Microphone Models and Applications ......21 Selecting the Right Tool for the Job Stereo Microphones .........................................21 Shotgun Microphones ......................................25 Stereo Shotgun Microphones ................................27 General Purpose Microphones ...............................29 Vocal/Voiceover Microphones ...............................31 Lavaliere Microphones ......................................32 Instrument Microphones ....................................34 Hydrophones (Underwater Microphones) ....................35 Binaural Microphones .......................................36 Surround Sound Microphones ...............................36 Chapter Five — Microphone Accessories ....................38 Always Use Protection! Shock Mounts ..............................................38 Windscreens ................................................40 Zeppelins or Windshields ....................................41 Windjammers or Windsocks .................................41 Hi-Wind Cover ..............................................42 Microphone Stands .........................................42 Boom Poles .................................................43 Pop Filters ..................................................44 Pads ........................................................45 Cables ......................................................45 Cable Testers ...............................................46 External Phantom Power Supplies ...........................47 Silica Gel Packets ...........................................47 Chapter Six — Recorders ....................................48 Tape Is Dead. .. Welcome to the Digital Revolution A Brief History of Recording Devices .........................48 The Phonograph ..........................................48 The Gramophone .........................................49 The Telegraphone ........................................49 WЩ^ïf^Щ^^^ßцf^ί щ^^ж ^ The Magnetophone .......................................49 The Nagra ................................................50 Compact Discs ...........................................50 DAT ......................................................50 Hard Disk Recording ......................................50 Modern-Day Recorders ......................................51 Gain Staging ................................................53 Two Tracks, Not Just Left and Right ..........................53 Clipping ....................................................54 Limiter .....................................................55 Mic/Line Level ..............................................55 Power Supply ...............................................55 Sample Rates/Quantization ..................................56 Daily Setup .................................................57 Daily Wrap Up ..............................................58 DVD Back-Ups ..............................................58 Headphones ................................................59 Headphone Amplifiers ......................................60 Confidence Monitoring ......................................60 Connectors .................................................61 Chapter Seven — Building a Field Recording Package .......63 Selecting the Right Gear for the Right Price Basic Recording Package ....................................64 Standard Recording Package ................................65 Professional Recording Package .............................66 Other Goodies ..............................................69 Chapter Eight — The Ten Recording Commandments .......70 Go Forth and Record! Ten Recording Commandments .............................71 Commandment 1.........................................71 Commandment 2.........................................73 Safety Takes ............................................73 Source Material ........................................74 Ambiences .............................................75 Surround Ambiences ...................................76 Record Different Takes with Variation ....................77 Record More ...........................................78 . .. . ... i É «ff· B I B L В ■ ¥ І ■ R « Commandment 3.........................................78 Slate Mies ..............................................81 Tail Slates ..............................................81 New Objects, New Takes, New Slates ....................82 Commandment 4.........................................83 Knobs and Faders ......................................83 Meters .................................................84 Digital Zero ............................................84 Commandment 5.........................................85 Microphones Hear Differently Than Ears .................86 Commandment 6.........................................86 AC Buzz/Hum ..........................................87 Air Conditioning/Heating Rumble .......................88 Automobiles ...........................................88 Clocks .................................................89 Fluorescent Lights/Ballast Hum .........................89 Insects .................................................89 Planes .................................................90 Refrigerators ...........................................90 Reverb .................................................91 Room Tone .............................................91 Television Sets .........................................92 Traffic ..................................................92 Commandment 7.........................................93 Keep Rolling ...........................................93 Keep Your Levels Consistent ............................93 Talk with Your Hands ...................................94 Commandment 8.........................................95 Center the Microphone to the Sound Source ............95 The Stereo Image .......................................96 Preserve the Stereo Field ...............................97 Stereo Pass-Bys .........................................98 Don t Move the Microphone ............................98 Moving the Microphone to Follow Action ...............98 Commandment 9.........................................99 Commandment 10......................................102 Music ................................................102 TABLI OP («ITIITł ■ IX Movie Soundtracks, Radio and Television Broadcasts. .. 103 Voiceover Artists .....................................103 Voice Artist Release Form .............................104 Copyrighting Your Own Work .........................104 Don t Steal Someone s Thunder ....................... 104 Chapter Nine — Sound Effects Gathering ..................106 Location, Location, Location Finding the Right Location ................................106 The Time of Day to Record .................................106 The Traffic Conditions .....................................107 Contact Information ......................................107 Authorization .............................................108 Call 911 .................................................. 109 Isolation or Environment? .................................110 Everything Makes Sound ..................................111 Chapter Ten — Building a Foley Stage for a Home Studio ..114 Designing and Building a Place to Record ..................114 Jack Foley ................................................114 Construction ..............................................115 Designing a Foley Stage in a Garage .......................116 Isolation ................................................116 Walls and Ceiling .......................................116 Acoustics ............................................... 117 The Garage Door .......................................117 Flooring ................................................117 Designing a Foley Stage in a Basement ....................118 Walls ...................................................118 Ceiling .................................................120 Air Conditioning ........................................120 Acoustics ...............................................120 Doors ..................................................121 Chapter Eleven — The Art of Foley .........................122 Tips, Tricks, and Tools of the Trade .........................122 Recording Techniques .....................................122 The Pits of Working Foley .................................. 122 Making a Solid Wood Foley Pit ..........................123 Making a Boardwalk Foley Pit ...........................124 Ifi l è é V » * l rr itti ■ ι · ĺ ■ ■ »im Making a Hollow Wood Foley Pit ........................ 124 Making a Gravel, Dirt, or Earth Pit ....................... 125 Foley Materials and Props ................................. 126 Home Improvement Stores .............................. 128 Dollar Stores ...........................................128 Debris ..................................................129 Foley Tips ................................................. 129 Find the Sound with Your Eyes Closed ...................129 Handle with Care .......................................129 Safety Equipment ....................................... 130 The Foley Dress Code ...................................130 Don t Go to Work Hungry ............................... 131 Silence Is Golden .......................................131 Sound Dampeners ......................................131 Perform the Sound ..................................... 132 Foley Supplies ..........................................132 Chapter Twelve — Digital Audio ............................133 Making Sense of Ones and Zeros Sample Rate .............................................. 133 The Nyquist Theorem ..................................... 134 Quantization or Bit Depth ................................. 135 Digital Audio Files .........................................135 Sample Rate Size ....................................... 135 Bit Depth Size ..........................................135 Audio File Overview .................................... 136 Professional Audio File Formats ............................137 .AIFF Files .............................................. 137 .WAV Files .............................................. 137 .BWF Files (or sometimes .BWAV) ........................137 MP3 Files .................................................138 Time Code ................................................138 MIDI ......................................................138 SPDIF .....................................................139 Chapter Thirteen — Studio Equipment .....................140 Choosing the Right Equipment DAWs (Digital Audio Workstations) .........................140 Non-Destructive Editing ................................141 ■■■ :■■·-> ■ ■ - ■ -> . ■ ■■· ■■...... -,- ν: ■ —.— ψ^ψ^ψ^ ψ: ^ βΓΕτ 1 ιτ s Types of Workstations ...................................142 Editing Workstations ....................................142 Loop-Based Workstations ...............................142 Multitrack Workstations .................................143 Software Choices .......................................143 Plug-Ins ..................................................143 Analog Simulators ......................................144 Auto Trim/Crop .........................................145 Channel Converter ......................................146 Compressor ............................................146 Equalizer — Graphic ....................................147 Equalizer — Paragraphic ................................147 Gate ...................................................148 Insert Silence ...........................................148 Limiter .................................................149 Noise Reduction ........................................150 Normalizer .............................................150 Pitch Shift ..............................................151 Reverb .................................................152 Spectrum Analyzer .....................................152 Time Stretch or Time Compression ......................153 Plug-In Chains ............................................153 Sound Cards and Audio Interfaces .........................154 Monitors .................................................155 Active and Passive Monitors .............................155 Placement ..............................................156 Positioning .............................................157 Playback Reference .....................................157 Playback Volume .......................................159 Deaf to the Mix .........................................159 Turning Monitors On and Off ............................160 Storage ...................................................160 Gear Envy ................................................161 Control Surfaces ..........................................161 Monitor Management .....................................162 Talkback................................................163 Dimming ...............................................163 BIBI.· ■ V I I II S Mono Mixdown ......................................... 1 63 Muting ................................................. Ί 63 Headphone Cues ....................................... 163 Input Selection ......................................... 163 Monitor Selection ...................................... 163 Power Conditioners ....................................... 164 Chapter Fourteen — Designing Your Own Studio ..........165 Creating the Environment to Work In Basement Studio .......................................... 166 Window ................................................ 167 Cable Ports .............................................167 Acoustic Treatment .....................................167 Electrical ............................................... 168 Bedroom Studio .......................................... 168 Acoustic Treatment ..................................... 168 Door ................................................... 168 Furniture ...............................................169 Noise Control inside the Studio ............................ 169 Lighting ..................................................170 Chapter Fifteen — The Ten Sound Editing Commandments 171 Go Forth and Edit! Ten Sound Editing Commandments ........................ 171 Commandment 1....................................... 172 Commandment 2....................................... 172 Commandment 3....................................... 173 Always Work with a Copy .............................173 Save Different Versions of Your Sessions ...............174 Commandment 4.......................................174 Commandment 5.......................................175 Commandment 6....................................... 177 Commandment 7.......................................178 Starting Points .......................................178 Ending Points ........................................178 Commandment 8.......................................179 Clicks and Pops ......................................179 Cross Fading .........................................180 Digital Click Removal .................................180 Digital Errors .........................................180 Commandment 9.......................................180 Pacing for Time .......................................181 Dealing with Mistakes ................................182 Doppler Effect .......................................182 Commandment 10......................................183 How Loud Is Too Loud? ..............................184 How Loud Should a Sound Effect Be? .................185 Loudness War ........................................186 Using the Ten Sound Editing Commandments ..............187 The Editing Mantra .....................................187 Listen Critically .......................................187 Identify Clicks, Pops, and Errors .......................187 Signal Process (EQ and Compression) .................187 Trim/Crop the File ....................................188 Examine Fade-Ins/Fade-Outs at the Zero Line ..........188 Normalize/Name File .................................188 Chapter Sixteen — File Naming and Metadata .............189 The Importance of a Detailed Database File Name Structure .......................................189 Category-Based File Names .............................190 Effect-Based File Names .................................193 Numeric-Based File Names ..............................194 Metadata .................................................194 Chapter Seventeen — Sound Design .......................196 Faders, Plug-Ins, and Fairy Dust Start with the Freshest Ingredients ........................196 Dynamics .................................................197 Scratch Tracks .............................................198 Temp Mixes/Bouncing Tracks ..............................198 Subgroups ................................................199 Exaggeration Versus Reproduction .........................199 Layering ..................................................200 Offset Layering ...........................................201 Cross Fading ..............................................202 Looping ..................................................202 Cross-Fade Looping .......................................204 Ψ* IIIŁI ■ ■ ¥IBIIS Key Framing ..............................................204 Reversing .................................................204 Vocalizing ................................................205 Pitch Shifting .............................................205 Pitch Layering ............................................206 Worldizing ................................................206 Sweetening ...............................................207 Mixing ....................................................207 Mastering ................................................208 Record More Source Material! .............................208 Chapter Eighteen — The Sound Effects Encyclopedia ......209 How to Create the Sound of Ambience Sounds ........................................209 Airport Interior Terminal ................................211 Airport Runway .........................................211 Airport Terminal Announcement ........................211 City ....................................................212 Highway Traffic .........................................212 Office Cubicle ..........................................213 Restaurants ............................................213 Subdivisions — Urban Versus Suburban .................213 Animal Sounds ...........................................214 General Animal Recording ..............................214 Bats ....................................................215 Beetles in a Pyramid ....................................215 Crickets ................................................216 Snakes .................................................216 Voiced Animals .........................................216 Cartoon Effects ...........................................217 Cartoon Musical Effects .................................217 Brass Instruments ....................................219 Stringed Instruments .................................219 Woodwind Instruments ...............................219 Cartoon Percussive Effects ..............................219 Conventional Percussion Instruments .................220 Unconventional Percussion Instruments ...............220 Cartoon Voices .........................................220 XV Crash Sounds .............................................221 Car Crash ...............................................221 Crash Material ..........................................223 Glass................................................. 224 Bottles ............................................224 Drinking Glasses ...................................225 Panes ..............................................225 Plastic ...............................................226 Wood ................................................226 Debris General .........................................226 Dust Debris ..........................................227 Elevator Crash ..........................................228 Lamp Crash ............................................228 Piano Fall ...............................................228 RV Camper Roll Down Hill ...............................229 Television Implode ......................................230 Tree Fall on Automobile, Ground, House .................230 Window Smash .........................................231 Crowd Sounds ............................................231 Recording Crowds on Location ..........................231 Recording Crowds Incognito ............................232 Recording Crowds on a Stage ...........................232 Recording Crowd Scenes ................................235 Walla Track .............................................235 Emergency Effects ........................................236 Fire Stations ............................................236 Police Radio ............................................237 Police Siren .............................................237 Electronic Effects/Imaging Elements .......................238 Explosion Effects ..........................................242 Bomb Timer ............................................242 Ticking/Beeping ......................................242 Beeping Timer .....................................243 Ticking Timer ......................................243 Depth Charge ..........................................243 Above Water Explosion ...............................244 Below Water Explosion ...............................244 Ист* bibli ■ viibs Explosions .............................................244 The Concussion ......................................245 Debris ...............................................246 Trail-Off ..............................................246 Fireballs and Flames ..................................247 Fireworks ...............................................247 Safe Blown Open .......................................248 Wick Burning ...........................................248 Fire Effects ................................................249 Fire Recording ..........................................249 Fireballs ................................................251 Molotov Cocktail .......................................251 Torch Movement .......................................251 Foley Sound Effects .......................................252 Body Falls ..............................................253 Door Open/Close .......................................253 Flag ....................................................254 Foliage .................................................254 Horse Hooves ..........................................254 Punches ................................................255 Stone Door .............................................255 Whip/Whoosh ..........................................256 Footstep Sounds ..........................................257 Recording Footsteps on a Stage .........................257 Recording Footsteps on Location ........................258 Footwear and Surfaces ..................................259 Horror Effects .............................................260 Blood Drips ............................................261 Flesh Rips ..............................................261 Guillotine ..............................................261 Knife Hacking at Body ..................................262 Monsters ...............................................262 Vegetable Abuse .......................................263 Werewolf Transformation ...............................265 Household Sounds ........................................265 Appliances .............................................266 Doorbell ...............................................266 S ■ XVI Shower .................................................266 Toilet ...................................................267 100 Household Sounds .................................267 Human Sounds ...........................................270 Impact Effects ............................................272 Bullet Impacts ..........................................273 Earth Impacts ..........................................273 Metal Impacts ..........................................274 Mud Impacts ...........................................274 Industrial Sounds .........................................275 Arc Welder .............................................275 Assembly Lines .........................................275 Pneumatic Tools ........................................276 Power Tools ............................................276 Warehouse Door ........................................277 LFE (Low-Frequency Effects) ...............................277 Multimedia Effects ........................................278 Beeps ..................................................278 Buttons ................................................278 Mouse Overs ...........................................279 Musical Effects ............................................279 Office Sounds .............................................281 Science Fiction Sounds ....................................282 Air Bursts ...............................................282 Laser Gun ..............................................283 Planet Atmospheres ....................................283 Robots .................................................283 Spaceship Door .........................................284 Spaceship Pass-By ......................................284 Technology Sounds .......................................284 Cell Phone Rings ........................................285 Microphone Feedback ..................................286 Vehicle Sounds ...........................................286 Aircraft .................................................287 Automobile Drive-Bys ...................................287 Automobiles, Onboard Recording .......................288 Engine Perspective ...................................288 T Tailpipe Perspective ..................................289 Interior Cabin Perspective ............................289 Boats ...................................................291 Wave Runners ..........................................292 Trains ..................................................292 Subway Train ...........................................293 Warfare Sounds ...........................................294 Gunshots ...............................................294 Gun Recording — Exterior ..............................295 Gun Recording — Interior ...............................298 Automatic Machine Guns ...............................300 Gun Foley ..............................................301 Missile Pass-Bys .........................................302 Ninja Star Throw ........................................302 Sword Impacts .........................................303 Water Sounds .............................................304 General Water Sounds ..................................304 Bubbles ................................................305 Drip ....................................................305 Sewers and Caves ......................................305 Waves on a Beach ......................................306 Underwater Recording ..................................307 Weather and Natural Disaster Sounds ......................308 Rain ....................................................308 Earthquake .............................................309 Chapter Nineteen — The Future of Sound Design ..........310 Breaking the Sound Barrier ... Again Inspiration and Influence ..................................310 Listen to Films, Don t Just Watch Them .....................311 Great Sound Movies ......................................312 Giving Credit Where Credit Is Due .........................312 The Future of Sound Effects ...............................313 Appendix — Resources .....................................314 Keeping Up with Technology and Techniques Books ....................................................314 Trade Magazines ..........................................315 Online Resources .........................................316 * * TABLE OF СОИТЕИТЅ ■ XIX Organizations and Unions .................................316 Sound Effects Companies .................................317 Equipment Retailers .......................................318 Microphone Manufacturers ............................... 318 Plug-In Developers ........................................319 Recording Equipment .....................................320 Software Developers ..................................... 321 Studio Equipment ....................................... 321 Index .......................................................323 Filmography ...............................................326 About the Author ..........................................327
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author	Viers, Ric
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dewey-tens	790 - Recreational and performing arts
discipline	Allgemeines Elektrotechnik / Elektronik / Nachrichtentechnik
format	Book
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spelling	Viers, Ric Verfasser (DE-588)136984444 aut The sound effects bible how to create and record Hollywood style sound effects Ric Viers Studio City, CA Michael Wiese Productions 2008 XXVI, 326 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Film swd Klangkunst swd Musik swd Sound <Multimedia> swd Film Motion pictures Sound effects Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017385438&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Viers, Ric The sound effects bible how to create and record Hollywood style sound effects Film swd Klangkunst swd Musik swd Sound <Multimedia> swd Film Motion pictures Sound effects
title	The sound effects bible how to create and record Hollywood style sound effects
title_auth	The sound effects bible how to create and record Hollywood style sound effects
title_exact_search	The sound effects bible how to create and record Hollywood style sound effects
title_full	The sound effects bible how to create and record Hollywood style sound effects Ric Viers
title_fullStr	The sound effects bible how to create and record Hollywood style sound effects Ric Viers
title_full_unstemmed	The sound effects bible how to create and record Hollywood style sound effects Ric Viers
title_short	The sound effects bible
title_sort	the sound effects bible how to create and record hollywood style sound effects
title_sub	how to create and record Hollywood style sound effects
topic	Film swd Klangkunst swd Musik swd Sound <Multimedia> swd Film Motion pictures Sound effects
topic_facet	Film Klangkunst Musik Sound <Multimedia> Motion pictures Sound effects
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017385438&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT viersric thesoundeffectsbiblehowtocreateandrecordhollywoodstylesoundeffects

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