Grammar of the edit:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam [u.a.]
Elsevier
2009
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 212 S. Ill. |
| ISBN: | 9780240521206 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | GRAMMAR OF THE EDIT SECOND EDITION ROY THOMPSON CHRISTOPHER J. BOWEN
AMSTERDAM * BOSTON * HEIDELBERG * LONDON NEW YORK * OXFORD * PARIS * SAN
DIEGO SAN FRANCISCO * SINGAPORE * SYDNEY * TOKYO ELSEVIER FOCAL PRESS IS
AN IMPRINT OF ELSEVIER CONTENTS ACKNOWLEDGMENTS IX INTRODUCTION XI
CHAPTER ONE - EDITING BASICS 1 A LITTLE EDITING HISTORY 2 WHAT FACTORS
MAY IMPACT YOUR EDITING CHOICES? 4 THE BASIC EDIT TRANSITIONS 6 STAGES
OF THE EDITING PROCESS 7 END OF CHAPTER ONE REVIEW 11 CHAPTER TWO -
UNDERSTANDING THE FOOTAGE 13 BASIC SHOT TYPES 14 SHOT DESCRIPTIONS 16
EXTREME CLOSE-UP (XCU OR ECU) 16 BIG CLOSE-UP (BCU) 17 . CLOSE-UP (CU)
17 MEDIUM CLOSE-UP (MCU) 18 MEDIUM SHOT (MS) 18 MEDIUM LONG SHOT (MLS)
19 LONG SHOT/WIDE SHOT (LS/WS) 20 VERY LONG SHOT (VLS) 20 EXTREME LONG
SHOT (XLS/ELS) 21 TWO-SHOT (2-SHOT/2S) 22 OVER-THE-SHOULDER SHOT
(OTS/OSS) 23 INCREASING SHOT COMPLEXITY 24 SIMPLE SHOTS 26 COMPLEX SHOTS
28 DEVELOPING SHOTS 30 REVIEWING THE FOOTAGE * SELECTING THE BEST
SHOTS 31 WHAT COULD MAKE OR BREAK A SHOT? 32 FOCUS 34 AUDIO QUALITY 36
EXPOSURE AND COLOR TEMPERATURE 38 FRAMING AND COMPOSITION 40 VI CONTENTS
SCREEN DIRECTION 42 180 DEGREE RULE/AXIS OF ACTION 44 30 DEGREE RULE 46
MATCHING ANGLES 48 MATCHING EYE-LINE 48 CONTINUITY OF ACTION 50
CONTINUITY OF DIALOGUE 51 PERFORMANCE 52 BE FAMILIAR WITH ALL OF THE
FOOTAGE 52 SO HOW DOES ALL OF THIS HELP YOU? 53 END OF CHAPTER TWO
REVIEW 54 CHAPTER THREE-WHEN TO CUT AND WHY? 55 WHAT FACTORS HELP MAKE A
TRANSITION A GOOD EDIT? 57 INFORMATION 58 MOTIVATION 60 SHOT COMPOSITION
62 CAMERA ANGLE 64 CONTINUITY 66 CONTINUITY OF CONTENT 66 CONTINUITY OF
MOVEMENT . 68 CONTINUITY OF POSITION 69 CONTINUITY OF SOUND 70 SOUND 70
IS THERE A RIGHT OR WRONG REASON FOR A CUT? 73 END OF CHAPTER THREE
REVIEW 74 CHAPTER FOUR - TRANSITIONS AND EDIT CATEGORIES 75 THE CUT 76
THE DISSOLVE 80 THE WIPE 84 THE FADE 86 THE FIVE MAJOR CATEGORIES OF
EDIT TYPES 88 THE ACTION EDIT ^ 88 THE SCREEN POSITION EDIT 90 THE FORM
EDIT 91 THE CONCEPT EDIT 93 THE COMBINED EDIT 94 CONTENTS VII WILL I BE
QUIZZED ON ANY OF THIS? 96 END OF CHAPTER FOUR REVIEW 96 CHAPTER FIVE -
GENERAL PRACTICES FOR EDITORS 97 SOUND AND VISION ARE PARTNERS AND NOT
RIVALS 98 A NEW SHOT SHOULD CONTAIN NEW INFORMATION 99 THERE SHOULD BE A
REASON FOR EVERY EDIT 100 OBSERVE THE ACTION LINE 102 SELECT THE
APPROPRIATE FORM OF EDIT 104 THE BETTER THE EDIT, THE LESS IT IS NOTICED
106 EDITING IS CREATING 108 END OF CHAPTER FIVE REVIEW 109 CHAPTER SIX -
WORKING PRACTICES 111 END OF CHAPTER SIX REVIEW 158 CHAPTER SEVEN - THE
FINAL CUT: ADDITIONAL EDITING TOPICS YOU ARE BOUND TO ENCOUNTER 161
ADDITIONAL EDITING TERMS 162 PARALLEL EDITING 162 MONTAGE 162
MULTI-CAMERA EDITING 163 SYNC SOUND AND COUNTING TIME 164 MAKING YOUR
WAY INTO THE WORLD OF EDITING 166 TOOLS VS. SKILLS 166 DIGITAL WORKFLOW
167 THE ROLE OF AN ASSISTANT EDITOR 168 IN CONCLUSION 169 END OF CHAPTER
SEVEN REVIEW 170 § GLOSSARY 171 INDEX 199
|
| any_adam_object | 1 |
| author | Thompson, Roy Bowen, Christopher J. |
| author_facet | Thompson, Roy Bowen, Christopher J. |
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| building | Verbundindex |
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| callnumber-raw | TR899 |
| callnumber-search | TR899 |
| callnumber-sort | TR 3899 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 56700 |
| ctrlnum | (OCoLC)302067227 (DE-599)BVBBV035461382 |
| dewey-full | 778.5235 778.5/35 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 778 - Specific fields & kinds of photography |
| dewey-raw | 778.5235 778.5/35 |
| dewey-search | 778.5235 778.5/35 |
| dewey-sort | 3778.5235 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| edition | 2. ed. |
| format | Book |
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| id | DE-604.BV035461382 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:35:47Z |
| institution | BVB |
| isbn | 9780240521206 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017381214 |
| oclc_num | 302067227 |
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| owner_facet | DE-1050 DE-M472 DE-Po75 |
| physical | XII, 212 S. Ill. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Elsevier |
| record_format | marc |
| spelling | Thompson, Roy Verfasser aut Grammar of the edit Roy Thompson ; Christopher J. Bowen 2. ed. Amsterdam [u.a.] Elsevier 2009 XII, 212 S. Ill. txt rdacontent n rdamedia nc rdacarrier Film Motion pictures Editing Video tapes Editing Montage Film (DE-588)4281773-0 gnd rswk-swf Montage Film (DE-588)4281773-0 s DE-604 Bowen, Christopher J. Verfasser aut HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017381214&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Thompson, Roy Bowen, Christopher J. Grammar of the edit Film Motion pictures Editing Video tapes Editing Montage Film (DE-588)4281773-0 gnd |
| subject_GND | (DE-588)4281773-0 |
| title | Grammar of the edit |
| title_auth | Grammar of the edit |
| title_exact_search | Grammar of the edit |
| title_full | Grammar of the edit Roy Thompson ; Christopher J. Bowen |
| title_fullStr | Grammar of the edit Roy Thompson ; Christopher J. Bowen |
| title_full_unstemmed | Grammar of the edit Roy Thompson ; Christopher J. Bowen |
| title_short | Grammar of the edit |
| title_sort | grammar of the edit |
| topic | Film Motion pictures Editing Video tapes Editing Montage Film (DE-588)4281773-0 gnd |
| topic_facet | Film Motion pictures Editing Video tapes Editing Montage Film |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017381214&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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