One hundred years of Chinese cinema: a generational dialogue
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Norwalk, CT, USA
EastBridge
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXIV, 272 S Ill. |
| ISBN: | 1891936948 1891936956 |
Internformat
MARC
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| 245 | 1 | 0 | |a One hundred years of Chinese cinema |b a generational dialogue |c edited by Haili Kong and John A. Lent |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgments ix
Foreword xi
Haili Kong
Introduction xiii
John A. Lent
Breakdown of Some Structures of Planned Economy Era xiv
Changing Nature of Filmmakers XV
Government Policy Relative to Foreign Films xvi
Government Policy Relative to Domestic Films xviii
Other Encouraging Changes XX
Lingering Problems xxi
Conclusion xxii
References xxii
PART ONE
Cinematic Style and Space in the 1930s and 1940s
1. Visual Style in the Silent Films made by the Lianhua Film Company
[United Photoplay Service) in Shanghai: 1931-35 3
Peter Rist
2. Representing History and the Nation from Afar:
The Case of Qing Gong Mi Shi [A Hidden History of the Qing Court] 29
Shuang Shen
Textuality versus Politics 31
Qing Gong Yuan and Yao Ke 34
Zhu Shilin and Qing Gong Mi Shi 38
PART TWO
Historicized Cinematic Texts: The Reconfigured Past and Present
3. Rural Women and Social Change in New China Cinema:
From Li Shuangshang to Ermo 45
Xiaobing Tang
Rural Films and the Quest for a National Cinema 46
Social Change and a Comic Role Reversal 49
Self-Transformation as a Social Project 55
Desire and Its Commodity Form 58
Coda: Children and Truck Drivers 63
Contents
4. The Burdens of History:
Lin Zexu (1959) and The Opium War (1997) 68
Rebecca E. Karl
Historical Burdens and Burdens of History 7/
Imperialism, Politics, Markets and Modernity 77
Hong Kong and Modernizationism ^
5. The Revisionist History in Recent Chinese Films:
A Case Study of My 1919 97
Zhiwei Xiao and Hong Yin
Plot Summary °
The Subtext: Conventional Historiography 99
The Text: The Politics of Nationalism 10¡
The Context: Making Film in Post-Mao China 106
Conclusion 10
PART THREE
Zhang Yimou s Changing Lens in the 1980s and the 1990s
6. Symbolism through Zhang Yimou s
Subversive Lens in His Early Films ^
Haili Kong
7. Cinema of Postsocialism:
Zhang Yimou s Film Production in the Late 1990s I31
Xudong Zhang
Zhang Yimou and the Reception History of Chinese Cinematic Modernism 132
The Postsocialist Rupture: Two Cycles of Zhang Yimou s Films ¡37
Legality, Legitimacy, and Community: The Story of Qiu Ju 141
Socialism at Its Primary Stage : Not One Less ¡^
Mourning and Postsocialist Nostalgia: The Road Home, or My Parents 157
PART FOUR
The Sixth Generation Filmmakers and Beyond
8. Transgression, Submission, and the Fantasy
of Youth Subculture: The Nostalgic Symptoms of
In the Heat of the Sun 171
Weijie Song
VI
Contents
9. In Search of the Erased Half: Suzhou River, Lunar Eclipse,
and the Sixth Generation Filmmakers of China 183
Shao-yi Sun
The City Elegy: Ruins, Fragments, and Obsession 184
Embracing His/Her Own Lack: The Cinematic Mirror 190
When Chinese Cinema Is Un-Chinese :
Toward a Strategic Universality 194
10. The Global City of the Transnational Imaginary:
Disappearance and Reinscription in Chinese
Urban Cinema 199
Yingjin Zhang
From the Global City to the Glocal City 200
Hong Kong: A Culture of Disappearance? 201
Territorial Culture Versus Translocal Culture 203
Tactics of Local Reinscription in Autumn Moon 205
The Geopolitics of the Global/Local in Shanghai Fever 209
From Global Mélange to Destabalizing Hybridity in Mahjong 212
Conclusion 217
PART FIVE
Interviews
11. Teach for a While, Direct for a While:
An Interview with China s Xie Fei 225
Conducted by John A. Lent
In Xie Fei s Words: 227
References 230
12. The Past, the Present, and the Future:
An Interview with Wu Ziniu 231
Conducted by Haili Kong
13. All Artists Are Narcissistic :
An Interview with Lou Ye 237
Conducted by Shao-yi Sun
Contributors 259
Index 261
|
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| spelling | One hundred years of Chinese cinema a generational dialogue edited by Haili Kong and John A. Lent 100 years of Chinese cinema Norwalk, CT, USA EastBridge 2006 XXIV, 272 S Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Film Geschichte Motion pictures China History Film (DE-588)4017102-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content China (DE-588)4009937-4 g Film (DE-588)4017102-4 s Geschichte z DE-604 Kong, Haili (DE-588)136535534 edt Lent, John A. 1936- (DE-588)111251087 edt HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017367489&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | One hundred years of Chinese cinema a generational dialogue |
| title_alt | 100 years of Chinese cinema |
| title_auth | One hundred years of Chinese cinema a generational dialogue |
| title_exact_search | One hundred years of Chinese cinema a generational dialogue |
| title_full | One hundred years of Chinese cinema a generational dialogue edited by Haili Kong and John A. Lent |
| title_fullStr | One hundred years of Chinese cinema a generational dialogue edited by Haili Kong and John A. Lent |
| title_full_unstemmed | One hundred years of Chinese cinema a generational dialogue edited by Haili Kong and John A. Lent |
| title_short | One hundred years of Chinese cinema |
| title_sort | one hundred years of chinese cinema a generational dialogue |
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