"... dire cela sans savoir quoi ...": Samuel Beckett in der Musik von György Kurtág und Heinz Holliger
Gespeichert in:
1. Verfasser: | |
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Format: | Abschlussarbeit Buch |
Sprache: | German |
Veröffentlicht: |
Saarbrücken
Pfau
2008
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Ausgabe: | 1. Aufl. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 290 S. graph. Darst., Noten 21 cm |
ISBN: | 9783897273948 |
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250 | |a 1. Aufl. | ||
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Datensatz im Suchindex
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adam_text | INHALT VORWORT 9 TEILL NOTIZ FUR DEN ANFANG 1. SAMUEL BECKETT IN DER
MUSIK? 12 2. ZUR METHODE 17 TEIL II SAMUEL BECKETT IN DER MUSIK VON
GYORGY KURTAG 1. SAMUEL BECKETT: COMMENT DIRE (1988)/WHAT IS THE WORD
(1989) 22 1.1. ZUR ,,LITERATUR DES UNWORTS 22 1.2. DIE TEXTE 26 1.3.
UBERTRAGUNGSPROBLEME 28 1.4. INVENTAR UND ECHOS 30 1.5. EXKURS:
,,FOLLY /,,FOLIE 32 1.6. FRAGE DER GATTUNG 36 1.7. FORM 38 1.8. EXKURS:
BECKETT UND JOYCE 42 1.9. ZUFLUCHT ZUR ARITHMETIK 46 1.10. FAZIT 48 2.
GYORGY KURTAG: SAMUEL BECKETT: MI IS A SZO OP. 30 (1990-91) 49 2.1.
ERSTE BEGEGNUNGEN MIT BECKETT 49 2.1.1. DAS FOOI/A/ZS-FRAGMENT 52 2.1.2.
ANDERE SPUREN UND VERMUTUNGEN (DIE ,,GRATOEM-GRUPPE ) 59 2.2. SIKLOS
ISTVDN TOLMDCSOLDSDBAN BECKETT SAMUEL IIZENI MONYOK ILDIKOVAL (SAMUEL
BECKETT: MI IS A SZO) OP. 30A (1990) 68 2.2.1. DREI BEGEGNUNGEN 68
2.2.2. ,,STOTTERN, WIE BECKETT ES VERLANGT. 69 2.2.3. ISTVAN SIKLOS
UNGARISCHE UBERTRAGUNG 73 2.2.4. ANALYTISCHE BEMERKUNGEN ZU OP. 30A 76
2.2.4.1. MONODIE AUF KRIICKEN (TAKT 1-8) 77 2.2.4.2. VIELE STIMMEN (TAKT
9-17) 79 2.2.4.3. VERDICHTUNG DER STIMMEN (TAKT 18-38) 82 2.2.4.4.
UNSCHLUSSIGKEITEN UND ,,REPRISE (TAKT 39-63) 86 2.2.4.5 BIBLIOGRAFISCHE
INFORMATIONEN HTTP://D-NB.INFO/990563405 DIGITALISIERT DURCH 2.2.4.6.
ZUSAMMENBRUCH (TAKT 69-73) 92 2.2.5. FORM 94 2.2.6. KURTAGS BECKETT 96
2.3. EXPANSION UND VERDEUTLICHUNG IN DER FASSUNG OP. 30B 98 2.3.1. EIN
ANDERER ANLASS 98 2.3.2. PROLOG UND EPILOG 101 2.3.3. MUSIK IM RAUM 115
2.3.4. NEUE STIMMEN 127 2.3.5. KURTAGS KURTAG 132 3. DREI BEMERKUNGEN ZU
... PAS A PAS - NULLE PART ... OP. 36 135 3.1. LICHTENBERG, CHAMFORT,
BECKETT 135 3.2. NEUE MONODIEN 141 3.3. EIN ,,KOMPONIERTES PROGRAMM 152
TEIL III SAMUEL BECKETT IN DER MUSIK VON HEINZ HOLLIGER 1. SAMUEL
BECKETT: NOT I (1972) 158 1.1. PROSA, DRAMA 158 1.2. UNNENNBARES ICH 161
1.3. SUCHE NACH FORM I: KILCOOL 164 1.4. SUCHE NACH FORM II: NOT I 169
1.5. FORM 175 2. HEINZ HOLLIGER: NOT I (1978/80) 180 2.1. DREI
VORAUSSETZUNGEN 180 2.1.1. KONTEXT 180 2.1.2. DER DICHTERISCHE IMPULS
184 2.1.3. CARDIOPHONIE FUR EINEN BLASER UND DREI MAGNETOPHONE (1971)
196 2.1.3.1. AKTION... 198 2.1.3.2. ... KOMPOSITION 200 2.1.3.3. UNFORM
214 2.2. NOT I FUR SOPRAN UND TONBAND (1978/80) 217 2.2.1. KALTE
KATASTROPHE: STREICHQUARTETT TEIL IV SCHLUSS ... KURTAG - BECKETT -»
HOLLIGER ... ? 274 ANHANG DEKLAMATIONSTYPEN IN GYORGY KURTAGS SIKLOS
ISTVDN TOLMDCSOLDSDBAN BECKETT SAMUEL IIZENI MONYOK LLDIKOVAL (SAMUEL
BECKETT: MI IS A SZO) OP. 30A 278 DIE QUELLEN VON GYORGY KURTAGS SAMUEL
BECKETT: WHAT IS THE WORD (SIKLOS ISTVDN TOLMDCSOLDSDBAN BECKETT SAMUEL
IIZENI MONYOK LLDIKOVAL) OP. 30B 279 DIE QUELLEN VON HEINZ HOLLIGERS NOT
I 281 BIBLIOGRAPHIC 282
|
any_adam_object | 1 |
author | Kunkel, Michael 1969- |
author_GND | (DE-588)120259850 |
author_facet | Kunkel, Michael 1969- |
author_role | aut |
author_sort | Kunkel, Michael 1969- |
author_variant | m k mk |
building | Verbundindex |
bvnumber | BV035441512 |
callnumber-first | M - Music |
callnumber-label | ML80 |
callnumber-raw | ML80.B43 |
callnumber-search | ML80.B43 |
callnumber-sort | ML 280 B43 |
callnumber-subject | ML - Literature on Music |
classification_rvk | IH 15721 LP 92338 LR 57717 |
ctrlnum | (OCoLC)298553522 (DE-599)DNB990563405 |
dewey-full | 780.90422 780.904 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.90422 780.904 |
dewey-search | 780.90422 780.904 |
dewey-sort | 3780.90422 |
dewey-tens | 780 - Music |
discipline | Romanistik Musikwissenschaft |
edition | 1. Aufl. |
format | Thesis Book |
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spelling | Kunkel, Michael 1969- Verfasser (DE-588)120259850 aut "... dire cela sans savoir quoi ..." Samuel Beckett in der Musik von György Kurtág und Heinz Holliger Michael Kunkel 1. Aufl. Saarbrücken Pfau 2008 290 S. graph. Darst., Noten 21 cm txt rdacontent n rdamedia nc rdacarrier Zugl.: Basel, Univ., Diss., 2006 Beckett, Samuel <1906-1989> Musical settings History and criticism Holliger, Heinz Criticism and interpretation Kurtág, György Criticism and interpretation Kurtág, György 1926- (DE-588)118810138 gnd rswk-swf Holliger, Heinz 1939- (DE-588)118553097 gnd rswk-swf Beckett, Samuel 1906-1989 (DE-588)118508172 gnd rswk-swf Music and literature Vertonung (DE-588)4063269-6 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Beckett, Samuel 1906-1989 (DE-588)118508172 p Vertonung (DE-588)4063269-6 s Kurtág, György 1926- (DE-588)118810138 p Holliger, Heinz 1939- (DE-588)118553097 p DE-604 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017361760&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Kunkel, Michael 1969- "... dire cela sans savoir quoi ..." Samuel Beckett in der Musik von György Kurtág und Heinz Holliger Beckett, Samuel <1906-1989> Musical settings History and criticism Holliger, Heinz Criticism and interpretation Kurtág, György Criticism and interpretation Kurtág, György 1926- (DE-588)118810138 gnd Holliger, Heinz 1939- (DE-588)118553097 gnd Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Music and literature Vertonung (DE-588)4063269-6 gnd |
subject_GND | (DE-588)118810138 (DE-588)118553097 (DE-588)118508172 (DE-588)4063269-6 (DE-588)4113937-9 |
title | "... dire cela sans savoir quoi ..." Samuel Beckett in der Musik von György Kurtág und Heinz Holliger |
title_auth | "... dire cela sans savoir quoi ..." Samuel Beckett in der Musik von György Kurtág und Heinz Holliger |
title_exact_search | "... dire cela sans savoir quoi ..." Samuel Beckett in der Musik von György Kurtág und Heinz Holliger |
title_full | "... dire cela sans savoir quoi ..." Samuel Beckett in der Musik von György Kurtág und Heinz Holliger Michael Kunkel |
title_fullStr | "... dire cela sans savoir quoi ..." Samuel Beckett in der Musik von György Kurtág und Heinz Holliger Michael Kunkel |
title_full_unstemmed | "... dire cela sans savoir quoi ..." Samuel Beckett in der Musik von György Kurtág und Heinz Holliger Michael Kunkel |
title_short | "... dire cela sans savoir quoi ..." |
title_sort | dire cela sans savoir quoi samuel beckett in der musik von gyorgy kurtag und heinz holliger |
title_sub | Samuel Beckett in der Musik von György Kurtág und Heinz Holliger |
topic | Beckett, Samuel <1906-1989> Musical settings History and criticism Holliger, Heinz Criticism and interpretation Kurtág, György Criticism and interpretation Kurtág, György 1926- (DE-588)118810138 gnd Holliger, Heinz 1939- (DE-588)118553097 gnd Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Music and literature Vertonung (DE-588)4063269-6 gnd |
topic_facet | Beckett, Samuel <1906-1989> Musical settings History and criticism Holliger, Heinz Criticism and interpretation Kurtág, György Criticism and interpretation Kurtág, György 1926- Holliger, Heinz 1939- Beckett, Samuel 1906-1989 Music and literature Vertonung Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017361760&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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