Moving viewers: American film and the spectator's experience
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. [u.a.]
Univ. of Calif. Press
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 253 - 267 Enth.: Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and |
| Beschreibung: | XII, 280 S. Ill. |
| ISBN: | 9780520256958 9780520256965 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV035437678 | ||
| 003 | DE-604 | ||
| 005 | 20130807 | ||
| 007 | t | ||
| 008 | 090417s2009 xxua||| ||||z00||| eng d | ||
| 010 | |a 2008035578 | ||
| 020 | |a 9780520256958 |c cloth : alk. paper |9 978-0-520-25695-8 | ||
| 020 | |a 9780520256965 |c pbk. : alk. paper |9 978-0-520-25696-5 | ||
| 035 | |a (OCoLC)244246607 | ||
| 035 | |a (DE-599)BVBBV035437678 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-12 |a DE-M472 |a DE-703 |a DE-20 |a DE-B170 |a DE-188 |a DE-Po75 | ||
| 050 | 0 | |a PN1995.9.A8 | |
| 082 | 0 | |a 302.23/43 | |
| 084 | |a AP 45600 |0 (DE-625)7524: |2 rvk | ||
| 100 | 1 | |a Plantinga, Carl R. |d 1957- |e Verfasser |0 (DE-588)1035226448 |4 aut | |
| 245 | 1 | 0 | |a Moving viewers |b American film and the spectator's experience |c Carl Plantinga |
| 264 | 1 | |a Berkeley, Calif. [u.a.] |b Univ. of Calif. Press |c 2009 | |
| 300 | |a XII, 280 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturverz. S. 253 - 267 | ||
| 500 | |a Enth.: Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and | ||
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion picture audiences |x Psychology | |
| 650 | 4 | |a Motion pictures |z United States | |
| 650 | 0 | 7 | |a Affekt |0 (DE-588)4135470-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zuschauer |0 (DE-588)4127324-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Affekt |0 (DE-588)4135470-9 |D s |
| 689 | 0 | 3 | |a Zuschauer |0 (DE-588)4127324-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017357975&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-017357975 | ||
Datensatz im Suchindex
| _version_ | 1804138882900426752 |
|---|---|
| adam_text | Titel: Moving viewers
Autor: Plantinga, Carl R.
Jahr: 2009
Contents
List of Illustrations ix
Acknowledgments xi
Introduction: Affect and the Movies 1
The Significance of Affect—A Theory of Affect at the Movies—
In Defense of Films—Spectators and Roles: A Brief Note on
Terminology
1. Pleasures, Desires, Fantasies 18
Movie Pleasures—Cognitive Play—Visceral Experience—
Sympathy, Antipathy, and Parasocial Engagement—Narrative
Scenarios and Emotional Satisfactions—Reflexive and Social
Pleasures—The Multiple Pleasures of the Spectator—Movie
Desires—Movies as Fantasies—Movies and Dreams
2. Movies and Emotions 48
Automaticity and the Psychological Unconscious—What Is
Emotion?—A Cognitive-Perceptual Approach—Basic Concepts
and Terms—Emotions inside and outside the Movie Theater—
The Paradox of Fiction—Play and the Regulation of Emotion—
Kinds of Emotions—Direct, Sympathetic/Antipathetic, Artifact,
and Meta-emotions—Memory Traces and Associations—
Summary: Emotions at the Movies
3. Stories and Sympathies 78
Affective Prefocusing—Paradigm Scenarios—Primary Emotions
and the Movies—Hollywood and the New Hollywood—Narrative
and Character—Classical Narrative Structure and Emotion—
Character Engagement—Character Goals and Engagement—
The Structure of Engagement—Character Engagement and
Spectator Difference—What Character Engagement Is:
A Summary
4- The Sensual Medium 112
Seeing and Hearing Movies—Film and the Body—Direct
Affect—Representing Emotional Experience—Affective
Mimicry—Mimicry and the Face—Mimicry and the Body—
Music, Sound, and Affect—Affect and Contemporary Hollywood
Style
5. Affective Trajectories and Synesthesia 140
Narrative Focus—Character Goals and Narration—Synesthetic
Affect and Fittingness—Narrative Scenarios and Synesthetic
Affect—Shame, Guilt, and the Spectator—Shame and Guilt as
Meta-emotions—Shame/Guilt Scenarios and Synesthetic
Affect—Four Parameters of Affective Trajectories
6. Negative Emotions and Sympathetic Narratives 169
Sympathetic and Distanced Narratives—The Paradox of Negative
Emotions—Hume on the Paradox of Tragedy—Catharsis?—
Managing the Negative Emotions—The Spillover Effect—
Fantasies of Assurance and Control—Ideology in Sympathetic
and Distanced Narratives
7. The Rhetoric of Emotion: Disgust and Beyond 198
The Affective Rhetoric of Film—The Case of Disgust—Disgust
Defined—The Rise of Movie Disgust—The Nature of Movie
Disgust—The Rhetoric of Movie Disgust—Polyester and Ironic
Disgust—The Rhetoric of Emotion in Film
Conclusion: Moving Viewers 221
Notes 227
Bibliography 253
Index 269
Illustrations
1. Racial stereotypes and affective response: The Color Purple 15
2. Spectatorship and voyeurism: Rear Window 25
3. Grace Kelly s face and visceral response: Rear Window 28
4. Spectator and character fear: Jurassic Park 73
5. Fascination as an artifact emotion: Jurassic Park 74
6. Sympathy for Royal: The Royal Tenenbaums 88
7. Shifting and partial allegiances: Casablanca 105
8. The scene of empathy: City Lights 127
9. Troubled protagonists: Midnight Cowboy 155
10. Synesthetic guilt and shame: Strangers on a Train 165
11. Rose s grief: Titanic 170
12. Sentimental depictions of romantic love: Titanic 195
13. Overcoming disgust to affirm humanness: The Elephant Man 214
14. Ironic disgust aimed at Divine: Polyester 216
TABLES
Table 1: Types of spectator emotions 69
IX
|
| any_adam_object | 1 |
| author | Plantinga, Carl R. 1957- |
| author_GND | (DE-588)1035226448 |
| author_facet | Plantinga, Carl R. 1957- |
| author_role | aut |
| author_sort | Plantinga, Carl R. 1957- |
| author_variant | c r p cr crp |
| building | Verbundindex |
| bvnumber | BV035437678 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.A8 |
| callnumber-search | PN1995.9.A8 |
| callnumber-sort | PN 41995.9 A8 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45600 |
| ctrlnum | (OCoLC)244246607 (DE-599)BVBBV035437678 |
| dewey-full | 302.23/43 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23/43 |
| dewey-search | 302.23/43 |
| dewey-sort | 3302.23 243 |
| dewey-tens | 300 - Social sciences |
| discipline | Allgemeines Soziologie |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03875nam a2200517zc 4500</leader><controlfield tag="001">BV035437678</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130807 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">090417s2009 xxua||| ||||z00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2008035578</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520256958</subfield><subfield code="c">cloth : alk. paper</subfield><subfield code="9">978-0-520-25695-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520256965</subfield><subfield code="c">pbk. : alk. paper</subfield><subfield code="9">978-0-520-25696-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)244246607</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV035437678</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995.9.A8</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">302.23/43</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45600</subfield><subfield code="0">(DE-625)7524:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Plantinga, Carl R.</subfield><subfield code="d">1957-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1035226448</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Moving viewers</subfield><subfield code="b">American film and the spectator's experience</subfield><subfield code="c">Carl Plantinga</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berkeley, Calif. [u.a.]</subfield><subfield code="b">Univ. of Calif. Press</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XII, 280 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Literaturverz. S. 253 - 267</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Enth.: Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture audiences</subfield><subfield code="x">Psychology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Affekt</subfield><subfield code="0">(DE-588)4135470-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zuschauer</subfield><subfield code="0">(DE-588)4127324-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Affekt</subfield><subfield code="0">(DE-588)4135470-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Zuschauer</subfield><subfield code="0">(DE-588)4127324-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HBZ Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017357975&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-017357975</subfield></datafield></record></collection> |
| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV035437678 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:35:15Z |
| institution | BVB |
| isbn | 9780520256958 9780520256965 |
| language | English |
| lccn | 2008035578 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017357975 |
| oclc_num | 244246607 |
| open_access_boolean | |
| owner | DE-12 DE-M472 DE-703 DE-20 DE-B170 DE-188 DE-Po75 |
| owner_facet | DE-12 DE-M472 DE-703 DE-20 DE-B170 DE-188 DE-Po75 |
| physical | XII, 280 S. Ill. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Univ. of Calif. Press |
| record_format | marc |
| spelling | Plantinga, Carl R. 1957- Verfasser (DE-588)1035226448 aut Moving viewers American film and the spectator's experience Carl Plantinga Berkeley, Calif. [u.a.] Univ. of Calif. Press 2009 XII, 280 S. Ill. txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 253 - 267 Enth.: Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and Film Motion picture audiences Psychology Motion pictures United States Affekt (DE-588)4135470-9 gnd rswk-swf Zuschauer (DE-588)4127324-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Affekt (DE-588)4135470-9 s Zuschauer (DE-588)4127324-2 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017357975&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Plantinga, Carl R. 1957- Moving viewers American film and the spectator's experience Film Motion picture audiences Psychology Motion pictures United States Affekt (DE-588)4135470-9 gnd Zuschauer (DE-588)4127324-2 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4135470-9 (DE-588)4127324-2 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Moving viewers American film and the spectator's experience |
| title_auth | Moving viewers American film and the spectator's experience |
| title_exact_search | Moving viewers American film and the spectator's experience |
| title_full | Moving viewers American film and the spectator's experience Carl Plantinga |
| title_fullStr | Moving viewers American film and the spectator's experience Carl Plantinga |
| title_full_unstemmed | Moving viewers American film and the spectator's experience Carl Plantinga |
| title_short | Moving viewers |
| title_sort | moving viewers american film and the spectator s experience |
| title_sub | American film and the spectator's experience |
| topic | Film Motion picture audiences Psychology Motion pictures United States Affekt (DE-588)4135470-9 gnd Zuschauer (DE-588)4127324-2 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Motion picture audiences Psychology Motion pictures United States Affekt Zuschauer USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017357975&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT plantingacarlr movingviewersamericanfilmandthespectatorsexperience |