Verfügbarkeit: The new German cinema

The new German cinema: music, history, and the matter of style

When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music,...

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Bibliographische Detailangaben
1. Verfasser:	Flinn, Caryl (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Berkeley University of California Press c2004
Schlagworte:	Geschichte Motion picture music - History and criticism - Germany Motion pictures - Germany Cinéma - Allemagne Film, Musique de - Allemagne - Histoire et critique Filmkunst Filmmuziek Film Motion picture music > Germany > History and criticism Motion pictures > Germany Geschichtsdarstellung Neuer deutscher Film Filmästhetik Filmmusik Deutschland Electronic books
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Zusammenfassung:	When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference--including that embodied in Germany's difficult history--rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.
Beschreibung:	Includes bibliographical references and index Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
Beschreibung:	viii, 323 p. ill 24 cm
ISBN:	1417520027

Internformat

MARC


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ind2="0"><subfield code="a">The new German cinema</subfield><subfield code="b">music, history, and the matter of style</subfield><subfield code="c">Caryl Flinn</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berkeley</subfield><subfield code="b">University of California Press</subfield><subfield code="c">c2004</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 323 p.</subfield><subfield code="b">ill</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference--including that embodied in Germany's difficult history--rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Online_Ausgabe</subfield><subfield code="b">Boulder, Colo</subfield><subfield code="c">NetLibrary</subfield><subfield code="d">2004</subfield><subfield code="f">E-Books von NetLibrary</subfield><subfield code="n">Sonstige Standardnummer des Gesamttitels: 22382847</subfield><subfield code="7">s2004</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture music - History and criticism - Germany</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures - 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geographic	Deutschland
geographic_facet	Deutschland
id	DE-604.BV035413887
illustrated	Not Illustrated
indexdate	2024-08-01T11:39:26Z
institution	BVB
isbn	1417520027
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-017334412
oclc_num	645592823
open_access_boolean
owner	DE-12 DE-384 DE-473 DE-BY-UBG DE-824 DE-19 DE-BY-UBM DE-91 DE-BY-TUM DE-739 DE-355 DE-BY-UBR DE-20 DE-706 DE-Aug4 DE-1046 DE-1102 DE-858 DE-1050 DE-1028 DE-573 DE-859 DE-M347 DE-1049 DE-92 DE-863 DE-BY-FWS DE-37 DE-128 DE-22 DE-BY-UBG DE-70 DE-Di1 DE-150 DE-210 DE-521 DE-522 DE-Eb1 DE-898 DE-BY-UBR DE-860 DE-29 DE-703 DE-1043 DE-1047 DE-1051 DE-862 DE-BY-FWS DE-634 DE-2070s DE-155 DE-BY-UBR DE-W89 DE-Re13 DE-BY-UBR DE-523
owner_facet	DE-12 DE-384 DE-473 DE-BY-UBG DE-824 DE-19 DE-BY-UBM DE-91 DE-BY-TUM DE-739 DE-355 DE-BY-UBR DE-20 DE-706 DE-Aug4 DE-1046 DE-1102 DE-858 DE-1050 DE-1028 DE-573 DE-859 DE-M347 DE-1049 DE-92 DE-863 DE-BY-FWS DE-37 DE-128 DE-22 DE-BY-UBG DE-70 DE-Di1 DE-150 DE-210 DE-521 DE-522 DE-Eb1 DE-898 DE-BY-UBR DE-860 DE-29 DE-703 DE-1043 DE-1047 DE-1051 DE-862 DE-BY-FWS DE-634 DE-2070s DE-155 DE-BY-UBR DE-W89 DE-Re13 DE-BY-UBR DE-523
physical	viii, 323 p. ill 24 cm
psigel	ZDB-1-NEL
publishDate	2004
publishDateSearch	2004
publishDateSort	2004
publisher	University of California Press
record_format	marc
spellingShingle	Flinn, Caryl The new German cinema music, history, and the matter of style Motion picture music - History and criticism - Germany Motion pictures - Germany Cinéma - Allemagne Film, Musique de - Allemagne - Histoire et critique Filmkunst gtt Filmmuziek gtt Film Motion picture music Germany History and criticism Motion pictures Germany Geschichtsdarstellung (DE-588)4210408-7 gnd Neuer deutscher Film (DE-588)4275591-8 gnd Filmästhetik (DE-588)4140881-0 gnd Filmmusik (DE-588)4017129-2 gnd
subject_GND	(DE-588)4210408-7 (DE-588)4275591-8 (DE-588)4140881-0 (DE-588)4017129-2
title	The new German cinema music, history, and the matter of style
title_auth	The new German cinema music, history, and the matter of style
title_exact_search	The new German cinema music, history, and the matter of style
title_full	The new German cinema music, history, and the matter of style Caryl Flinn
title_fullStr	The new German cinema music, history, and the matter of style Caryl Flinn
title_full_unstemmed	The new German cinema music, history, and the matter of style Caryl Flinn
title_short	The new German cinema
title_sort	the new german cinema music history and the matter of style
title_sub	music, history, and the matter of style
topic	Motion picture music - History and criticism - Germany Motion pictures - Germany Cinéma - Allemagne Film, Musique de - Allemagne - Histoire et critique Filmkunst gtt Filmmuziek gtt Film Motion picture music Germany History and criticism Motion pictures Germany Geschichtsdarstellung (DE-588)4210408-7 gnd Neuer deutscher Film (DE-588)4275591-8 gnd Filmästhetik (DE-588)4140881-0 gnd Filmmusik (DE-588)4017129-2 gnd
topic_facet	Motion picture music - History and criticism - Germany Motion pictures - Germany Cinéma - Allemagne Film, Musique de - Allemagne - Histoire et critique Filmkunst Filmmuziek Film Motion picture music Germany History and criticism Motion pictures Germany Geschichtsdarstellung Neuer deutscher Film Filmästhetik Filmmusik Deutschland
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work_keys_str_mv	AT flinncaryl thenewgermancinemamusichistoryandthematterofstyle

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