Bram Stoker's Dracula: a documentary volume
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Detroit [u.a.]
Thomson Gale
2008
|
| Ausgabe: | [Nachdr.] |
| Schriftenreihe: | Dictionary of literary biography
304 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "A Bruccoli Clark Layman Book." Includes bibliographical references and index |
| Beschreibung: | XXXI, 391 S. Ill. |
| ISBN: | 0787668419 9780787668419 |
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| 245 | 1 | 0 | |a Bram Stoker's Dracula |b a documentary volume |c ed. by Elizabeth Miller |
| 250 | |a [Nachdr.] | ||
| 264 | 1 | |a Detroit [u.a.] |b Thomson Gale |c 2008 | |
| 300 | |a XXXI, 391 S. |b Ill. | ||
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| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Dictionary of literary biography |v 304 | |
| 500 | |a "A Bruccoli Clark Layman Book." | ||
| 500 | |a Includes bibliographical references and index | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Plan
of the Series
...........................................................................xxi
Introduction
..............................................................................xxiii
Acknowledgments
.........................................................................xxvi
Permissions
..............................................................................xxvii
Publications by
Bram
Stoker
..................................................................3
Bram
Stoker: A Chronology
...................................................................5
I. Bram
Stoker, the Man and the Writer
.........................................................7
The Author of
Dracula
.........................................................................7
A Biography of
Bram
Stoker-from William Hughes,
Bram
Stoker: A Bibliography
Clontarf and the
Bram
Stoker Heritage Centre—note by Dennis Mclntyre
Childhood
Шпеѕѕ—
from
Bram
Stoker, Personal Reminiscences of Henry Irving
The Jewel of the Strand
Stoker as a Poet—Stoker, One Thing Needful, in A Volunteer Haversack
The Courtship of Florence Balcombe
............................................................17
Oscar Wilde letter to Florence Balcombe, April
1878
Florence and
Bram
Stoker
Wilde letter to Balcombe, late
1878
Wilde letter to Balcombe, late
1878
Wilde letter to Balcombe, late
1878
Wilde letter to Ellen Terry,
3
January
1881
Wilde letter to Balcombe,
21
February
1893
Stoker s Reading
............................................................................21
The Library of
Bram
Stoker—from Leslie Shepard,
Bram
Stoker s
Dracula:
Sucking Through
the Century,
1897-1997
Facsimile: Page from Sotheby s
1913
auction catalogue listing Stoker s Notes for
Dracula
The Passing of a Devoted Friend
................................................................23
Obituary-í/fe
Times,
22
April
1912
Funeral Notice- The Tims,
25
April
1912
Bram
Stoker: The Story of a Great Friendship-essay by Hall Caine, The Daily Telegraph,
24
April
1912
The Debate about Stoker s Death
...............................................................26
Death from Syphilis—from Daniel Farson, The Man Who Wrote
Dracula:
A Biography of
Bram
Stoker
Facsimile: Stoker s death certificate
A Note on the Death Certificate of
Bram Stoker-from
Leslie Shepard,
Dracula:
Celebrating
100
Years
xi
Contents DLB 304
II.
The Vampire
before
Dracula
...............................................................29
The Roots of the
Vampire Legend..............................................................29
A
Short
History of
Vampire Folklore—
essay by Stu
Burns
Staving Off Vampires in Romania-from Agnes Murgoci, The Vampire in Roumania
Some Observations on Vampires, Blood, and Christianity-from J. Gordon Melton,
The Vampire Book: The Entycbpedia of the Undead
Immigrant s Fears of Vampires Led to Death-from The Times,
9
January
1973
Eighteenth-Century Vampire Sightings
...........................................................40
The Medwegya Scare and Its Consequences-from Massimo Introvigne,
Antoine Faivre:
Father of Contemporary Vampire Studies
Seen and Discovered—from
Visum etRepertum
(1732)
Political
Vampyres—
from Caleb
D Anvers,
The Country Journal: or, The Craftsman,
20
May
1732
Hungarian Antidote Against Vampires—from an Austrian army officer s
1732
letter
An English Gentleman s Report—from a
1734
manuscript
Dom
Augustin
Calmet on Vampires—from
Dom
Augustin Calmet,
The Phantom World: or The Philosophy of
Spirits, Apparitions, &c
Voltaire on Vampires—from Voltaire, A Philosophical Dictionary
Did Calmet Believe in Vampires?—from Introvigne, Satanism Scares and Vampirism
Report of
Gérard
Van Swieten to Empress Maria Theresa—from a January
1755
report
The Real Vampire-Paul Barber, The Real Vampire: Forensic Pathology and the Lore of the Undead
The Vampire Comes to England
................................................................57
The Vampire—
Heinrich
August Ossenfelder, translation of his
1748
poem
Der Vampir
Pre-Romantic Vampires—from Alexander Pope letter to Dr. William Oliver, February
1740;
Charles
Forman,
Some Queries and Observations upon the Revolution in
1688,1741 ;
and Horace Walpole letter to Lady Ossory,
16
January
1786
From The Bride of Corinth —from poem by
Johann
Wolfgang
von
Goethe
From ThaJaba, the Destroyer—from poem by Robert Southey
From The
Vampyre —
from poem by John Stagg
The Byronic Hero and the Vampire
Polidori s Vampire
...........................................................................60
A Fragment-George Gordon, Lord Byron,
17
June
1816
Harriet
Westbrook
Shelley on Her Husband-from her letter to Catherine Nugent,
20
November
1814
My Own Vampire—from Mary Wollstonecraft Shelley s Frankenstein; or the Modern Prometheus
(1819)
The
Vampyre;
a Tale by Lord Byron-story by John William Polidori, The Km Monthly Magazine
and Universal Register,
1
April
1819
From Don
Jüan-íróm
poem by Byron, stanza
62
of Canto XI
An Evolving Tradition
........................................................................75
The Literary Vampire Before
Draatła
-еѕѕау
by Carol
A. Senf
Vampires on Stage-from Roxana Stuart, Stage Blood: Vampires of the
ІШ-СеМигу
Stage
How to Destroy a Vampire-from James Malcolm Rymer, Varney, the
Vampyre;
or, The Feast of Blood;
Joseph Sheridan
Le
Fanu, Carmffla ; and Dracuk
xii
DLB
304
Contents
From The Mysterious Stranger -anonymous story in Odds and Ends
The Brontes Vampires-excerpts from Emily
Brente,
Wuthering
Heights and Charlotte
Brontë,
Jane Eyre. An Autobiography
Sir Richard Burton
Vikram and the Vampire-from Isabel Burton and Sir Richard Burton,
Varam
and the Vampire
Vampire as a Figure of Speech-excerpts from Thomas Carlyle, The
Frena
Revolution: A History;
Charles Dickens, Bleak House; Karl Marx,
Dos
Kapital;
and Walter Pater, The Renausance:
Studies in Art and Poetry
Symons s Vampire—Arthur Symons, The Vampire
Kipling s
Vampire-Rudyard
Kipling, The Vampire
Facsimile: Philip Burne-Jones letter to Stoker,
16
June
1897
The Bntannka s Vampire
......................................................................96
Vampire—entry from the ninth edition of
Encychpœdia Britannica
III. Contexts for
Dracula.....................................................................
98
Gothic and Irish Influences
....................................................................98
The Gothic Novel—from essay by Victor Sage in The Handbook to Gothic Literature
Bram
Stoker and the Tradition of Irish Supernatural Fiction—from essay by Albert Power in Dracuh:
Celebrating
100
Years
Dracuh and Ireland-from
Clive
Leatherdale, Dracuh: The Novel
b
The Legend
An Early Gothic Story
.......................................................................113
The Judge s House-Bram Stoker, Dracuh s Guest, and Other Ward Stories
Alive with Rats-from Dracuh
Stoker s Nonfiction
..........................................................................121
Abraham Lincoln—from a lecture by Stoker
America s Men—from Dracuh
Facsimile: Page from Stoker s lecture on Abraham Lincob
The Censorship of Fiction-essay by Stoker in Nineteenth Century and After, September
1908
Mesmer—
from Stoker, Famous
Imposters
Henry Irving and the Lyceum Theatre
..........................................................129
A Wonderful Recitation-from Stoker, Personal Reminiscences of Henry Irving
A Brief Biography of Henry Irving-note courtesy of The Irving Society
The Lyceum Productions-from Stoker, Personal Reminiscences of Henry Irving
Faust
m
America-from Stoker, Personal Reminiscences of Henry Irving
Mephistopheles, Faust, and Dracula-from Diane Milburn, For the Dead Travel Fast :
Dracula
in Anglo-German Context
An American Reporter on Stoker-from Stoker, Personal Reminiscences of Henry Irving
The Beefsteak Room-from Stoker, Personal Reminiscences of Henry Irving
Lyceum Guests-from Stoker, Personal Reminiscences of Henry Irving
Sir Henry Morton Stanley-from Stoker,
Personal
Reminiscences of Henry Irving
xiii
Contents DLB 304
Arminius Vambery-from
Stoker,
Personal
Reminiscences of
Henry Irving
My Friend
Arminius—
from DracuL·
Facsimile: Walt Whitman letter to Stoker,
б
March
1876
Walt Whitman—from Stoker, Personal Reminiscences of Henry Irving
Bram
Stoker, Henry Irving, and the Late-Victorian Theatre—essay by Stephanie Moss
Facsimile: Page from a Stoker letter,
25
February
1891
Facsimile: Lyceum financial statement for
Fatisi
Dracula
and Shakespeare: The Count Meets the Bard—essay by Elizabeth Miller
DracuL· and Macbeth-from
Clive
Leatherdale, DracuL·: The Novel
ir
the Legend
Social and Cultural Contexts
..................................................................154
DracuL·, Science and Technology—from DracuL·, edited by Glennis Byron
Blood Transfusion in the Nineteenth Century—essay by Goldie
Morgentaler
The Typewriter-from DracuL·
We Began the Operation—from DracuL·
From Sesame and Lilies—from John
Ruskin,
Of Queens Gardens
Mina
on the New Woman—from DracuL·
The Degeneration of Society—from DracuL·, edited by Byron
A Theory of Criminality-from
Cesare Lombroso
and
Gina Lombroso-Ferrero,
Criminal Man, According
to the Classification of
Cesare
Lombroso
From The Female Offender-booh by Lombroso and William
Ferrerò
From Psychopathia SexualL·—book by Richard
von Krafft-Ebing
From Degeneration—book by Max Nordau
Lucy as a Vampire—from DracuL·
IV. The Writing of
Dracula
..................................................................167
Stoker s Notes for DracuL·.
....................................................................
16g
The Notes: An Overview-essay by Elizabeth Miller
Bram
Stoker s Working Papers for
DracuL·-<Љństophcr
Frayling,
Vampyres:
Lord Byron to Count DracuL·
The First Dated Note-from Joseph S.
Bierman,
The Genesis and Dating
οι
DracuL· from
Bram
Stoker s
Working Notes
Facsimile: The earliest working note for DracuL·
Facsimile: An early chapter outline
Facsimile:
An early list of characters
Facsimile:
A late list of characters
Facsimile: Stoker s outline for chapter
26
Facsimile: A calendar of events in the novel
Works Consulted-from Elizabeth Miller, DracuL·: Sense and Nonsense
Vampire Lore
.......................................................
^g2
From
Transylvanien
Superstitions^Emily
Gerard, The Nineteenth Century^uXy
1885
Emily Gerard and Transylvanian Superstitions-note by Lokke Heiss
xiv
DLB
304 Contents
A Whirlpool of Superstition-from
Dracula
From The Golden Chersonese and the Way Thither-book by Isabella Bird
Stoker s Vampire Bat-from
Dracula
Vampires in New England-article in Mew York World,
2
February
1896
Facsimile: Pages from Stoker s notes about vampire characteristics
The Characteristics of a Were-Wolf-from Reverend
Sabine
Baring-Gould, The Book ofWere-Wolves
A Very Marked Physiognomy —from
Dracula
Notes on Russian Schooners-from
Bierman,
The Genesis and Dating of
Dracula
from
Bram
Stoker s
Working Notes
Facsimile: Page from notes about shipwrecks
Transylvania
..............................................................................195
From Transylvania: Its Products and Its People--book by Charles Boner
Carpathian Roads-from William Wilkinson, An Account of the Principalities ofWallachia and Moldavia and
Dracuh
The Dark Side of Twilight—from Draada
From Round About the Carpathians-book by
A. F. Crosse
Facsimile: Page from Stoker s notes on Round About the Carpathians
Traveling in Transylvania—from Draada
From On the Track of the Crescent--book by Major E. C.Johnson
The People and the Carpathians—from
Dracula
From Magyarland—book by A Fellow of the Carpathian Society
The Slovaks—from
Dracula
Typing Transylvania—essay by Elizabeth Miller
Creating Count
Dracula
......................................................................206
The Name
Dracula —
from William Wilkinson, An Account of the Principalities ofWallachia and Moldavia
Dracula s History—from
Dracula
Facsimile: Page from Stoker s notes showing his awareness of the historical
Dracula
Sources for Dracula s History-from Johnson, On the Track of the Crescent; Magyarhnd; Baring-Gould, The
Book ofWere-Wolves;
A. F. Crosse,
Round About the Carpathians; and Wilkinson, An Account of the Princi¬
palities ofWallachia and Moldavia
The Historical
Dracula: A
Brief Biography-essay by Miller
Filing for Divorce: Count
Dracula vs
Vlad the bnpaler—essay by Miller
The Gothic Villain—from Matthew Gregory Lewis, The Monk; Ann Radcliffe, The Italian; and
Dracula
Possible Character Models
....................................................................217
A Dracula
Who s
Wbx^-essay
by Miller
Whitby, London and Environs—from Karl Baedeker, London and Its Environs. Handbookfor Travelers
and
Dracula
Facsimile: Two sketches of Whitby from Stoker s notes
Facsimile: Page from Stoker s notes on Whitby tombstones
Inspirations, Imitations and bijokes in Stoker s Dracuh—tram essay by Bernard Davies
in
Đracuh:
The Shade and the Shadow
xv
Contents DLB 304
The Mystery of Dracula s Guest .............................................................
226
Dracula s Guest-from Stoker, Dracula s Guest and Other Weird
Taks
Preface to Dracula s Guest and Other Ward
ҐаЬ
-note
by Florence A. L.
Bram
Stoker
The Origins of Dracula s
Guesť -note
by Miller
Dracula s Guest and
Dracuh-îiom Clive Leatherdale,
Dracuh: The Shade and the Shadow
The Typescript
.............................................................................235
The Discovery of the Typescript-from Peter Haining and Peter Tremayne, The Un-Dead: The Legend
of
Bram
Stoker and Dracuh
Facsimile: Title page for Stoker s final typescript for
Dracula
Facsimile: Preliminary note
Dracuh: The Original Typed Manuscript-from Chris Coover, Christie s catalogue, April
2002
Facsimile: Page from chapter II
Facsimile: Page from chapter V
Facsimile: Passages from chapters
XXI
and
XXII
The Changed Ending-note by Miller
Facsimile: Page from the final chapter
A Dramatic Reading of
Dracula
................................................................244
The Script and the Performance—from Sylvia Starshine, introduction, Dracuh: or The Un-Dead:
Phy in Prologue and Five Acts by
Bram Stoker
The Original Publishing Contracts for
DraauV-from
Peter
Beai,
item
100,
Sotheby s catalogue,
10
July
2001
Facsimile: Stoker s autograph contract
Facsimile: Last page of publishing agreement memo
The Novel and the Play—from Dracuh and Dracuh: or The Un-Dead: Phy in Prologue and Five Acts
by
Bram
Stoker
Facsimile: Opening page for the script of the dramatic reading
V. Publication History of
Dracula
.............................................................256
Reception in the U.K.
........................................................................256
Mr.
Bram
Stoker s New Story- The Daily Mews,
27
May
1897
The First Dracuh-note by Robert Eighteen-Bisang
Review of Dracula-The Daily Mag
1
June
1897
For Midnight Reading-iM Mall Gazette, ljune
1897
The Colonial Edition-note by Eighteen-Bisang
Books of the Day.
Dracula-
W. L. Courtney, Daily Telegraph, 3June
1897
The Dedication-from Richard
Dalby,
Hall
Caine,
Bram
Stoker
Society
Journal
A
Reflection Not His Own-from
Bram
Stoker, Personal Reminiscences of Henry Irving
Review of Dracuh—Ghsgow Herald,
10
June
1897
Review of Dracuh—Manchester Guardian,
15
June
1897
Facsimile: Mary Elizabeth Braddon letter to Stoker,
23
June
1897
xvi
DLB
304
Contents
Review of
Dracula-
The Athenaeum,
26
June
1897
Our Booking-Office-The
Baron de B.-W.,
Pumch,
26
June
1897
The Trail of the
Vampire-Ä.
James
Gaiette,
30
June
1897
Charlotte Stoker on Dracula-lctter to Stoker, from Harry Ludlam, A Biography of
Bram
Stoker,
Creator of
Dracula
Review oiDracuk-The Spectator,
31
July
1897
Review of
Dracula—
The Observer,
1
August
1897
Review of
Dracula-
Bookman, August
1897
Dracula
at the Beach-from Chat About Books, Daily Mail,
6
August
1897
Sir Arthur Conan Doyle on Dracula-letter to
Bram
Stoker,
20
August
1897
Four Main Editions—note by Eighteen-Bisang
Recent Novels- The Times,
23
August
1897
DracuL· in Translation
American Reviews
..........................................................................272
Bram
Stoker s Story-Detroit Free Press,
18
November
1899
The Insanity of the Horrible- The Wave,
9
December
1899
New Novels and Holiday Books—San Francisco Chronicle,
17
December
1899
Stoker on DracuL·
...........................................................................274
Stoker letter to William Gladstone,
24
May
1897
Facsimile: First page of Stoker letter to Gladstone,
24
May
1897
Mr.
Bram
Stoker. A Chat with the Author of Dracuk-Jane Stoddard, British Weekly,
1
July
1897
Author s Preface to the Icelandic Edition
οι
Dracula
The Icelandic Edition of Dracuki-note by Elizabeth Miller
Stoker s Abridgment
.........................................................................280
Shape-Shifting DracuL·: The Abridged Edition of
1901
-essay by Miller
Introduced by Dracula-from Mr. Winston Churchill talks of his Hopes, his Work, and his Ideals
to
Bram
Stoker, The Daily Chronicle,
15
January
1908
Florence Stoker s Foreword to the
1926
Serialization-from The Argosy: The World s Best Short Stories
Other Noteworthy Editions-note by Eighteen-Bisang
VI. The Legacy of
Dracula
...................................................................296
The First Movies
...........................................................................296
Discovery of a Hungarian Drakuk-cssay by Lokke Heiss
Florence Stoker and the Survival of
Noşferatu-îxam
Jeanne Youngson, Nosing Around Mosferatu
Dracula on
the Stage
........................................................................300
His Hour Upon the Stage : Theatrical Adaptations of Dracuk-essay by David J.
Skal
Facsimile: Page from Deane s script for Draaik
The London Premier-cast from the Hamilton Deane Adaptation,
14
February
1927
Punch on Deane s Dracuk-ieview, Punch,
23
February
1927
From Dracuk: The Vampire
Рку-їтот
Skal,
ed.,
Dracuk: The Ultimate, Illustrated Edition of the World-Famous
Vampire Play
xvii
Contents DLB 304
Liveright s Production-cast
from the
Deane-Balderston Adaptation, 4
October
1927
A Dracula
Revival-cast from the Deane-Balderston Adaptation,
15
October
1977
Dracula as a
Screen Star
......................................................................318
Film Adaptations of
Dracula—
essay by James Craig
Holte
Christopher Lee on Stoker s
Dracula
Filming
Dracula:
Vampires, Genre, and Cinematography-essay by
Jörg
Waltje
Frank
Langella
on the Novel
Francis Ford Coppola on Reading Dracuh
Dracula
Spinoffs
The Spreading Influence
.....................................................................337
Revampings of
Dracula
in Contemporary Fiction-essay by Margaret L. Carter
Dracuh: The Ever Widening Circle—essay by Elizabeth Miller
Sanitizing
Dracula—
from J. Gordon Melton and Robert Eighteen-Bisang, Vampire Fiction for Children
and Youth, 1960-Present
Clubs, Organizations, and Awards
Renfield s Syndrome-from
Katherine
Ramsland,
The Science of Vampires
The Search for Castle
Dracula—
essay by Miller
The Gothic Castle—from Ann Radcliffe, The Mysteries qfUdolpho; Radcliffe, The Italian,
or The Confessional of the Black Penitents; and Dracuh
Schizophrenic
Dracula:
Romania, the Media, and the World
Dracula
Congress—essay by Miller
Dracuh Scholarship
..........................................................................357
The Flaws of Dracuh--note by Miller
A Critical History of Dracuh-essay by J. P. Riquelme
Stoker s Narrators—from Carol
A. Senf,
Dracuh: The Unseen Face in the Mirror
The Narrative Method—from David Seed, The Narrative Method
oí
Dracuh
A Vision of Monstrous and Meaningless Happenings—from Leonard Wolf, A Dream of Dracuh
Sex without Mention—from James Twitchell, The Vampire Myth
Vampires in the Bedroom—from Christopher
Bentley,
The Monster in the Bedroom: Sexual Symbolism
in
Bram
Stoker s Dracuh!
Women and Vampires—from Judith Weissman, Women and Vampires: Dracuh as a Victorian Novel
The Worst Horror—from Gail B. Griffin, Your Girls That You Love Are Mine : Dracuh and the Victo¬
rian Male Sexual Imagination
Dracula
and Jonathan Harker—from Christopher Craft, Kiss Me with Those Red Lips : Gender and
Inversion in
Bram
Stoker s Dracuh
Male Homosexuality in Dracuh-hom Marjorie Howes, The Mediation of the Feminine:
Bisexuality,
Homoerotic Desire, and Self-Expression in
Bram
Stoker s Dracuh
Failed Masculinity in Dracuh-irom Katie Harse, Stalwart Manhood : Failed Masculinity in Dracuh
Producing the Text of Dracuh—from Jennifer
Wicke,
Vampiric
Typewriting: Dracuh and Its Media
Dracula s Border Crossings—from Fred
Botting,
Gothic
Stoker on Seward—from John L. Greenway, Seward s Folly: Dracuh as a Critique of Normal Science
Stoker s Compelling Lapses—from David Glover, Vampires, Mummies, and Liberab
xviii
DLB
304
Contents
Transylvania and Ireland—from Raymond T. McNally,
Bram
Stoker and Irish Gothic
Realigning Boundaries—from William Hughes, Beyond Dramla:
Bram
Stoker s Fiction and Its Cultural Context
Dracula
as Racial Threat—from H. L. Malchow, Gothic Image of Race in Mneteenth-Century Britain
Dracula
and Jack the Ripper-Carol M. Davison, Blood Brothers:
Dracula
and Jack the Ripper
Evolution and the Fear of Degeneration—from
Bram Dijkstra,
Idols of Perversity: Fantasies of Feminine Eva in
Fin-de-Siècle
Culture
Dracuh and the Gothic Psyche—from Matthew C. Brennan, The Gothic Psyche: Disintegration and Growth in
Nindeenth-Century English Literature
A Reaffirmation
of Christianity—from
Clive
Leatherdale, Dracuh: The Novel
ύ1
the Legend
The Bourgeois View of
Dracula—
from David Punter, The Literature of Terror
Modernization and the Law in Dracuh-from Anne McGillivray, He Would Have Made a Wonderful
Solicitor : Law, Modernity and Professionalism in
Bram
Stoker s Dracuh
Checklist of Further Reading
................................................................377
Biographies
Bibliographies
Annotated Editions of Dracuh
Backgrounds and Context for Dracuh
Dracuh Criticism
Selected Websites
xix
|
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| spellingShingle | Bram Stoker's Dracula a documentary volume Dictionary of literary biography Stoker, Bram 1847-1912 Dracula (DE-588)4304823-7 gnd Stoker, Bram 1847-1912 (DE-588)118798995 gnd Vampir (DE-588)4187368-3 gnd |
| subject_GND | (DE-588)4304823-7 (DE-588)118798995 (DE-588)4187368-3 (DE-588)4006432-3 (DE-588)4135952-5 |
| title | Bram Stoker's Dracula a documentary volume |
| title_auth | Bram Stoker's Dracula a documentary volume |
| title_exact_search | Bram Stoker's Dracula a documentary volume |
| title_full | Bram Stoker's Dracula a documentary volume ed. by Elizabeth Miller |
| title_fullStr | Bram Stoker's Dracula a documentary volume ed. by Elizabeth Miller |
| title_full_unstemmed | Bram Stoker's Dracula a documentary volume ed. by Elizabeth Miller |
| title_short | Bram Stoker's Dracula |
| title_sort | bram stoker s dracula a documentary volume |
| title_sub | a documentary volume |
| topic | Stoker, Bram 1847-1912 Dracula (DE-588)4304823-7 gnd Stoker, Bram 1847-1912 (DE-588)118798995 gnd Vampir (DE-588)4187368-3 gnd |
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