A plain and easy introduction to Gregorian chant:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Charles Town, WVA
CanticaNOVA Publ.
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Cover title. Includes bibliographical references (p. 94-97) |
| Beschreibung: | vi, 98 S. Notenbeisp. 28 cm |
Internformat
MARC
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| 100 | 1 | |a Treacy, Susan |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a A plain and easy introduction to Gregorian chant |c Susan Treacy |
| 246 | 1 | 3 | |a Gregorian chant |
| 264 | 1 | |a Charles Town, WVA |b CanticaNOVA Publ. |c 2007 | |
| 300 | |a vi, 98 S. |b Notenbeisp. |c 28 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Cover title. | ||
| 500 | |a Includes bibliographical references (p. 94-97) | ||
| 650 | 4 | |a Gregorian chants |x Instruction and study | |
| 650 | 0 | 7 | |a Gregorianischer Gesang |0 (DE-588)4021952-5 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1804138814437851136 |
|---|---|
| adam_text | Œable
of
Contento
TABLE OF CONTENTS
............................................................................................................................................
I
PREFACE
.................................................................................................................................................................
Ill
TABLE OF ABBREVIATION
S
................................................................................................................................
V
CHAPTER
1 -
Basics of Chant Notation; Single Neums
..........................................................................................1
1.1
-The Staff
.........................................................................................................................................................1
1.2
-Clefs
................................................................................................................................................................1
1.3
-NoteNames
....................................................................................................................................................1
1.4
-Basic Concepts of Gregorian Notation
....................................................................................................2
1.4.1 -
Single Notes (Neums)
................................................................................................................................2
1.4.2 -
Lengthened Notes
......................................................................................................................................5
1.4.3 -
Simple Recitation Tones
—
Recto
tono
......................................................................................................4
1.4.4 -
Other Simple Tones
...................................................................................................................................5
CHAPTER
2 -
Binary, Ternary
&
Compound Neums
.............................................................................................7
2.1 -
Two-Note Neums (Binary)
...........................................................................................................................7
2.2 -
Three-Note Neums (Ternary)
.....................................................................................................................8
2.3 -
Compound Neums
...........................................................................................................................................9
2.3.1 -
Compound Neums formed by fusion
.......................................................................................................10
2.3.2 -
Compound Neums formed by adding a dot
.............................................................................................10
2.3.3 -
Resupinus; Flexus
...................................................................................................................................
U
2.3.4 -
Subpunctis
...............................................................................................................................................11
CHAPTER
3 -
The Rhythm of Gregorian Chant
...................................................................................................13
3.1
-Metric
al
Rhythm
........................................................................................................................................13
3.2
-.глее
Rhythm
.................................................................................................................................................14
3.2.1
-How to Count
..........................................................................................................................................14
Bar Lines in Gregorian Chant
..........................................................................................................................15
5.5.7 -
Rests
&
Control of the Rhythm at the Full Bar or the Double Bar
.........................................................15
3.3.2
-The
Custos
..............................................................................................................................................16
3.4 -
Arsis
&
Thesis
..............................................................................................................................................16
3.4.1 -
The Hierarchy of Gregorian Chant Rhythm: A Summary.
.....................................................................17
3.5 -
Chironomy
....................................................................................................................................................18
3.5.1
-How to Plan the Chironomy of a Chant
..................................................................................................18
CHAPTER
4 -
Modes
&
Modality in Chant
...........................................................................................................19
4.1
-Do Mode
........................................................................................................................................................20
4.2 -
Mode I
-
Dorian (Re Mode: Authentic Range)
.......................................................................................20
4.3-
Authentic &PLAGAL Modes
.......................................................................................................................20
4.4 -
Mode II
-
Hypodorian (Re Mode: Plagal Range)
...................................................................................21
CHAPTER
5 -
Latin Accent
&
Phonics
/
Introduction to Psalm Tones
...............................................................22
5.1
-Latin Accent
&
Phonics
.............................................................................................................................22
5.2 -
Psalm Tones
.................................................................................................................................................23
5.2.1
-Anatomy of a Psalm Tone (e.g., Tone
Iß................................................................................................23
5.2.2-
Cadences, Verbal Accent Patterns,
&
Epenthetic Notes
.........................................................................24
5.2.3
-Psalm Tone If.
.........................................................................................................................................25
5.2.4 -
Psalm Tone
11..........................................................................................................................................26
Table of Contents
CHAPTER
6 -
M
Mode
.............................................................................................................................-----.......27
6.1
-Mode III-Phrygian (Mi Mode: Authentic Range)
................................................................................27
6.1.1
-Psalm Tone Ilia
......................................................................................................................................27
6.2
-Mode IV-Hypophrygian (Mi Mode: Plagal Range)
..............................................................................31
6.2.1
-Mode IV
..................................................................................................................................................31
6.2.2
-Psalm Tone IV.
........................................................................................................................................32
CHAPTER
7
-FA Mode
...........................................................................................................................................33
7.1 -
Mode V-Lydian (Fa Mode: Authentic Range)
......................................................................................33
7.1.1
-Mode V.
...................................................................................................................................................33
7.1.2
-Mode V with flatted Tj
(Te)
.....................................................................................................................34
7.1.3
-Psalm Tom V
..........................................................................................................................................34
7.2
-Mode VI-Hypolydian (Fa Mode: Plagal Range)
..................................................................................35
7.2.1
-Mode VI
..................................................................................................................................................36
7.2.2
-Mode VI with flatted
Ti (TE)....................................................................................................................
36
7.2.3
-Psalm Tone
VIF
......................................................................................................................................36
CHAPTER
8
-SOL Mode
.........................................................................................................................................38
8.1 -
Mode VII-Mkolydian (Sol Mode: Authentic Range)
...........................................................................38
8.1.1
-Mode
VII
.................................................................................................................................................38
8.1.2
-Psalm Tone Vila
.....................................................................................................................................38
8.2
-Mode
VIII -
Hypomkolydian (Sol Mode: Plagal Range)
..............................40
8.2.1
-Mode
VIII.......................................................................... . ................40
8.2.2
-Psalm Tone
VUIG
.................................................................................................. .. .............................41
8.3
-Discerning the Modes
.................................................................................................................................42
CHAPTER
9 -
Some Other Gregorian Psalm Tones
_____________________.....................................................43
9.1
-Tonus
in Directum
.......................................................................................................................................43
9.2
-Tonus
Peregrinus........................................................................
43
9.3 -
Tonus IRREGULARis
.........................................................................
Z^.^ZZllZľ !.!. ..!
..................44
9.4
-Tips for Chanting the Psalms
.................................................................
..........................44
CHAPTER
10 -
Chanting the Mass Ordinary and Propers
..................................................................................45
APPENDIX ONE-Glossary
.....................................................................................................................................51
APPENDIX TWO
-
Summary Table of Finals
&
Dominants of the Church Modes
...........................................60
APPENDIX THREE
-
Summary of the Church Modes
.........................................................................................61
APPENDIX FOUR
-
A Summary of the Psalm Tones
...........................................................................................65
APPENDIX FIVE
-
The Ecclesiastical Pronunciation of Latin: A Summary
......................................................69
APPENDIX SIX
-
A Guide to Setting Latin
&
English Words to the Psalm Tones
............................................71
APPENDIX SEVEN-An Anthology of Gregorian Chants
...................................................................................73
APPENDIX EIGHT- The Degrees of Participation
-Musteam
sacrant
(1967)...................................................
П
SELECT BIBLIOGRAPHY
.................................................................................. 94
Bayerische
Staatsbibliothek
München
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| institution | BVB |
| language | English |
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| physical | vi, 98 S. Notenbeisp. 28 cm |
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| spelling | Treacy, Susan Verfasser aut A plain and easy introduction to Gregorian chant Susan Treacy Gregorian chant Charles Town, WVA CanticaNOVA Publ. 2007 vi, 98 S. Notenbeisp. 28 cm txt rdacontent n rdamedia nc rdacarrier Cover title. Includes bibliographical references (p. 94-97) Gregorian chants Instruction and study Gregorianischer Gesang (DE-588)4021952-5 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Gregorianischer Gesang (DE-588)4021952-5 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017312259&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Treacy, Susan A plain and easy introduction to Gregorian chant Gregorian chants Instruction and study Gregorianischer Gesang (DE-588)4021952-5 gnd |
| subject_GND | (DE-588)4021952-5 (DE-588)4151278-9 |
| title | A plain and easy introduction to Gregorian chant |
| title_alt | Gregorian chant |
| title_auth | A plain and easy introduction to Gregorian chant |
| title_exact_search | A plain and easy introduction to Gregorian chant |
| title_full | A plain and easy introduction to Gregorian chant Susan Treacy |
| title_fullStr | A plain and easy introduction to Gregorian chant Susan Treacy |
| title_full_unstemmed | A plain and easy introduction to Gregorian chant Susan Treacy |
| title_short | A plain and easy introduction to Gregorian chant |
| title_sort | a plain and easy introduction to gregorian chant |
| topic | Gregorian chants Instruction and study Gregorianischer Gesang (DE-588)4021952-5 gnd |
| topic_facet | Gregorian chants Instruction and study Gregorianischer Gesang Einführung |
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