Composing with Finale:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Australia
Course Technology
2009
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XVII, 310 S. Ill. 23 cm |
ISBN: | 9781598635737 1598635735 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV035391389 | ||
003 | DE-604 | ||
005 | 20090522 | ||
007 | t | ||
008 | 090325s2009 at a||| |||| 00||| eng d | ||
010 | |a 2008902417 | ||
020 | |a 9781598635737 |c pbk. |9 978-1-598-63573-7 | ||
020 | |a 1598635735 |c pbk. |9 1-598-63573-5 | ||
035 | |a (OCoLC)276969476 | ||
035 | |a (DE-599)BVBBV035391389 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
044 | |a at |c AU | ||
049 | |a DE-12 | ||
050 | 0 | |a MT39 | |
082 | 0 | |a 780.1480285 |2 22 | |
084 | |a 9,2 |2 ssgn | ||
100 | 1 | |a Johnson, Mark |e Verfasser |0 (DE-588)133682005 |4 aut | |
245 | 1 | 0 | |a Composing with Finale |c Mark Johnson |
264 | 1 | |a Australia |b Course Technology |c 2009 | |
300 | |a XVII, 310 S. |b Ill. |c 23 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
630 | 0 | 4 | |a Finale (Computer file) |
650 | 4 | |a Musical notation |x Computer programs | |
650 | 0 | 7 | |a FINALE |g Programm |0 (DE-588)4375390-5 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a FINALE |g Programm |0 (DE-588)4375390-5 |D s |
689 | 0 | |5 DE-604 | |
856 | 4 | 2 | |m Digitalisierung BSBMuenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017312161&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-017312161 |
Datensatz im Suchindex
_version_ | 1804138814285807616 |
---|---|
adam_text | Contents
Introduction
................................................... xiii
Chapter
1
Taking the Wheel
1
Your Implements
.................................................1
The Standards
................................................ 2
The Eight Kahunas
............................................ 3
TNT for Your Tools
.......................................... 10
Super-Charging Finale
............................................ 11
Be a Control Freak
........................................... 12
Plug It In
.................................................. 17
Start the Engine
.............................................. 19
Chapter
2
Getting the Best Angle
21
A Closer Look: Zooming
.......................................... 22
Room with a View
.............................................. 27
Scroll View
....................■............................. 27
Page View
.................................................. 33
Studio View
................................................ 35
Wormholes
.................................................... 36
Using Bookmarks
............................................ 36
Between Score and Parts
........................................ 38
Between Documents
........................................... 40
Between Programs
............................................ 41
VI
Contents VU
Chapter
3
Moving Stuff Around
43
Selecting
...................................................... 44
Drag-Selecting
............................................... 44
Shift+Drag-Selecting
.......................................... 44
Click-Selecting
............................................... 44
Selection Keyboard Shortcuts
.................................... 45
Moving Things Around
........................................... 46
Making Sure You Move Everything
................................ 48
Moving Everything
........................................... 49
Moving It More Than Once: Multiple Copies
......................... 49
Moving Specific Things
........................................... 50
Moving Specific Markings
...................................... 51
Moving Specific Markings Faster
................................. 53
Moving Specific Markings with Blazing Speed
........................ 54
Clearing, Copying, or Changing Specific Voices/Layers
.................. 56
Copying Tricks
.............................................. 57
Chapter
4
Listen
__________________________________________________59^
Auditioning Your Score
........................................... 59
Starting Playback Whenever
..................................... 60
Listening to Specific Staves
...................................... 63
Audio Spot-Checking
.......................................... 63
Making It Sound Pretty
........................................... 64
Using Garritan Sounds
......................................... 65
Using Human Playback
........................................ 66
The Mixer
................................................. 69
Conducting Tempo Changes
................................... 70
Chapter
5
Managing Your Instrumentalists
73
Assembling the Ranks
............................................ 73
Creating Custom Ensembles
..................................... 74
Super Templates: Document Styles
................................ 75
Templates
.................................................. 77
Micromanaging
................................................. 81
VIU
Composing with Finale
Adding, Removing, and Reordering Staves
........................... 82
Instrument Doubling
.......................................... 85
Composing and Multiple-Part Staves
............................... 87
Range Checking
............................................. 93
Page Turns
................................................. 93
Macromanaging
................................................ 95
A Brave New World
.......................................... 95
The Ultimate Fake Book
........................................ 98
Multiple Movements
.......................................... 99
Chapter
6
Arranging and Rearranging
101
Pyrotechnics and Finale: Exploding and Imploding
....................... 102
Exploding
................................................. 102
Imploding
................................................. 109
Piano Reductions
............................................
Ill
Layers
...................................................... 114
Moving Layers
............................................. 117
Dealing with Extra Rests
...................................... 118
Chapter
7
The Composer s Wild Kingdom
_____________________________121
Transposing
.................................................. 121
Transposing Diatonically Within the Key Signature
.................... 122
Changing the Instrument Transposition
............................ 123
Changing the Key
........................................... 124
Right Notes, Wrong Key Signature
............................... 125
What Key to Use: Finding the Range
.............................. 125
Doing the Math: Durations and Meters
............................... 127
Changing the Time Signature
................................... 127
Changing Durations and Meters
................................. 128
Complex Meters and Beaming
.................................. 133
Time-Signature Metatools
...................................... 134
Composing with Finale and Friends
.................................. 134
Importing from a DAW or MIDI Sequencer
......................... 138
Exporting to a Sequencer
...................................... 141
Assigning Dynamic Markings in a MIDI Sequencer
.................... 143
Importing and Exporting MusicXML
..........,,................. 145
Contents
IX
Chapter
8
Lead Sheets
_____________________________________________149
Starting a New Lead Sheet
........................................ 150
Opening a Lead-Sheet Template
................................. 150
Setting Up Your Score After Completing the Setup Wizard
.............. 152
Adding the Melody
............................................. 156
Adding the Chord Symbols
........................................ 168
Adding the Lyrics
.............................................. 173
Respacing the Systems to Make Room for Lyrics
..................... 173
Typing the Lyrics into the Score
................................. 173
Chapter
9
Piano Scores
181
Starting a New Piano Score
....................................... 181
Beginning with the Setup Wizard
................................ 183
Notating
a Piano Piece
........................................... 187
Changing the Beamed Groups
................................... 189
Applying Cross-Staff Notation
.................................. 190
Adding the Melody
.......................................... 191
Adding the Slurs
............................................ 195
Adding the Dynamics
......................................... 196
Finishing Up
............................................... 197
More Keyboard Figures
.......................................... 199
S
Slurs
................................................... 200
Fingerings
................................................. 200
Piano Pedaling
............................................. 201
Chapter
10
Choral Scores
203
Starting a New SATB Choral Score
.................................. 203
Notating
a Choral Piece with HyperScribe
............................. 206
Setting Up HyperScribe
....................................... 207
Adding the Melody
.......................................... 208
Adding the Harmony
......................................... 209
Adding the
Sostenuto
Marking
.................................. 212
Adding the Dynamics
......................................... 213
Adding a Tempo Alteration
.................................... 214
X Composing with Finale
Placing the Tempo Alteration on All Staves Using a New Staff List
........ 215
Copying to the Alto Staff
...................................... 215
Double Stems
.............................................. 216
Setting Words to Music (Adding Lyrics)
............................... 217
Adjusting the Vertical Lyric Positioning
............................ 220
Adding the Slurs (Melismas)
.................................... 221
Removing Extra Hyphens
...................................... 221
Adjusting the Measure, Staff, and System Layout
........................ 221
Fitting Measures
............................................ 223
Optimizing
................................................ 223
Changing the Staff Name
...................................... 224
Resizing the Systems
......................................... 226
Adjusting the Staff Positioning
.................................. 226
Adjusting the System Positioning
................................. 226
Resizing the Lyrics
........................................... 227
Adjusting the Page Margins
.................................... 227
Chapter
11
Guitar Scores
231
Starting a New Guitar Score
....................................... 231
Notating
a Guitar Piece with
Tablature
............................... 234
Converting Standard Notation to
Tablature
......................... 234
Entering Directly into
a Tablature
Staff
............................ 235
Converting
Tablature
to Standard Notation
......................... 237
Adding the Chords and Fretboard Diagrams
......................... 238
Guitar Markings
............................................... 239
Hammer-Ons and Pull-Offs
.................................... 239
Slides
.................................................... 240
Let-Ring and Other Extensions
.................................. 241
More Guitar Markings
........................................ 242
Chapter
12
Percussion
245
Starting a New Percussion Part
..................................... 245
Notating
Percussion
............................................. 246
Percussion Entry with a MIDI Keyboard
........................... 248
Percussion Entry Without a MIDI Keyboard
........................ 250
Percussive Pleasantries
........................................... 253
Contents
XI
Changing the Number of Staff Lines
.............................. 253
Rolls
.................................................... 253
Flams, Drags, and Ruffs
....................................... 254
Sticking Indications and Other Markings
........................... 255
Chapter
13
Instrumental Ensembles
257
Starting an Instrumental Ensemble
.................................. 258
Notating
an Instrumental Ensemble
.................................. 259
Hanging On to the Music
...................................... 259
Doubling the Duration and Setting the Tempo
....................... 260
Embellishing the Bass Line
..................................... 262
Changing the Key Signature Without Changing the Notes
............... 263
Adding a Slashed Grace Note
................................... 263
Adding a Trill
.............................................. 264
Adding the Dynamics and Slurs
................................. 264
Adding the Title and Subtitle
................................... 265
Finishing Up
............................................... 267
Chapter
14
Jazz Band
271
Starting a New Jazz-Band Score
.................................... 271
Composing for Jazz Band
......................................... 273
Auto Harmonizing
........................................... 274
Adding a Rhythm Section
...................................... 275
Slash Notation (Comping)
..................................... 277
Rhythmic Notation
.......................................... 278
One- and Two-Bar Repeats
.................................... 280
Chapter
15
Wrapping Up
.................................... 281
Music Spacing
................................................. 281
Layout
...................................................... 283
Measure Layout
............................................ 283
Resizing
.................................................. 284
Overall Staff Spacing
......................................... 285
Optimization
............................................... 285
XU
Composing with Finale
Individual Staff Spacing
....................................... 288
System Spacing
............................................. 289
Finishing Touches
.............................................. 291
Parts
.................................................... 291
Page Turns
................................................ 291
Cue Notes
................................................ 293
Beautify Your Beams
......................................... 294
Chapter
16
Unleashing Your Masterpiece
295
Printing
..................................................... 295
Batch Printing
.............................................. 295
Booklets
.................................................. 296
Other Printing Techniques
..................................... 296
Creating PDFs
................................................. 297
Saving as a PDF on Windows
................................... 297
Saving as a PDF on Macintosh
.................................. 297
Sharing with Others Online
....................................... 298
Exporting Audio Files
........................................... 298
Finale
....................................................... 298
Index
..........................................301
|
any_adam_object | 1 |
author | Johnson, Mark |
author_GND | (DE-588)133682005 |
author_facet | Johnson, Mark |
author_role | aut |
author_sort | Johnson, Mark |
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bvnumber | BV035391389 |
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callnumber-label | MT39 |
callnumber-raw | MT39 |
callnumber-search | MT39 |
callnumber-sort | MT 239 |
callnumber-subject | MT - Instruction and Study |
ctrlnum | (OCoLC)276969476 (DE-599)BVBBV035391389 |
dewey-full | 780.1480285 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.1480285 |
dewey-search | 780.1480285 |
dewey-sort | 3780.1480285 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Book |
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illustrated | Illustrated |
indexdate | 2024-07-09T21:34:10Z |
institution | BVB |
isbn | 9781598635737 1598635735 |
language | English |
lccn | 2008902417 |
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oclc_num | 276969476 |
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owner | DE-12 |
owner_facet | DE-12 |
physical | XVII, 310 S. Ill. 23 cm |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | Course Technology |
record_format | marc |
spelling | Johnson, Mark Verfasser (DE-588)133682005 aut Composing with Finale Mark Johnson Australia Course Technology 2009 XVII, 310 S. Ill. 23 cm txt rdacontent n rdamedia nc rdacarrier Finale (Computer file) Musical notation Computer programs FINALE Programm (DE-588)4375390-5 gnd rswk-swf FINALE Programm (DE-588)4375390-5 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017312161&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Johnson, Mark Composing with Finale Finale (Computer file) Musical notation Computer programs FINALE Programm (DE-588)4375390-5 gnd |
subject_GND | (DE-588)4375390-5 |
title | Composing with Finale |
title_auth | Composing with Finale |
title_exact_search | Composing with Finale |
title_full | Composing with Finale Mark Johnson |
title_fullStr | Composing with Finale Mark Johnson |
title_full_unstemmed | Composing with Finale Mark Johnson |
title_short | Composing with Finale |
title_sort | composing with finale |
topic | Finale (Computer file) Musical notation Computer programs FINALE Programm (DE-588)4375390-5 gnd |
topic_facet | Finale (Computer file) Musical notation Computer programs FINALE Programm |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017312161&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT johnsonmark composingwithfinale |