Art history: the basics
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London [u.a.]
Routledge
2008
|
| Edition: | repr. |
| Subjects: | |
| Online Access: | Table of contents only Publisher description Inhaltsverzeichnis |
| Physical Description: | XXI, 263 S. Ill. |
| ISBN: | 0415373093 0415373085 9780415373098 9780415373081 |
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Record in the Search Index
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|---|---|
| adam_text | ART HISTORY
THE BASICS
Grant Pooke and Diana Newall
O Routledge
jjj^^ Taylor
&
Francis Croup
LONDON AND NEW YORK
CONTENTS
List of figures
xii
Acknowledgements
xv
Introduction
xvii
τ
Art theories and art histories
What is art and what is art history?
ι
So what is art?
4
The classical concept of art
5
Fine art as an exclusive category
8
Art as imitation
9
Plato s idea of mimesis
10
Problems with art as imitation
11
Formalist theories of art
-
art as significant form
12
Bell and avant-garde abstraction
13
The theory of art as expression
13
Objections to Collingwood s theory
14
Art as abstraction or idea
15
Art understood as family resemblance
16
The Institutional Theory of Art
17
Aesthetic theories of art
17
Differing definitions of art: from Plato to the postmodern
18
Art histories
-
the academic study of art
19
What art historians do
20
Vasari
and the origins of art history
20
Early instruction manuals in making art
21
VÏÏi
CONTENTS
Winckelmann, art history and the Enlightenment
22
Art as an expression of the will to create
23
Aesthetic comparison and contrast
23
Art history in the late nineteenth and early twentieth centuries
25
British art history, the Courtauld and Warburg Institutes
26
Connoisseurship and attribution
26
The limits of connoisseurship
27
Art history and the 1930s diaspora
28
The New Art History?
29
...
and since the New Art History ?
30
Summary
31
Further reading
32
Formalism, Modernism and modernity
33
Introduction
33
The formal components of painting and design
34
Abstraction as a process
36
Formal language, design and sculpture
42
Some issues arising from formal analysis
46
Formalism as art practice and art theory
47
Roger Fry and a British formalist tradition
48
Avant-garde art and the crisis of taste
50
Greenberg
and the dominance of Modernism
52
Modernism and the white cube hang
54
Objections to Greenberg s formalism
54
Art after
Greenberg
56
Summary
57
Further reading
58
A world still to win: Marxism, art and art history
59
Introduction
59
Who was Karl Marx?
60
Art as ideology
60
Context and intention
62
David and the French salon
62
Reactions and responses to the Horatii
64
Academies and the hierarchy of genres
65
The Horatii as political metaphor
66
Iconography and iconology
68
Iconology and intrinsic meaning
69
Art, alienation and our species being
70
Art as commodity and a deposit of a social relationship
71
Superstructure and infrastructure
73
Art and agency- life creates consciousness, not consciousness life
75
David s Horatii as a revolutionary manifesto
75
The Horatii as a canonical painting of the French Revolution
76
CONTENTS
IX
Tendency and social commitment
-
what should art and artists do?
77
Malevich s Black Square and the zero of forms
78
Art and the social command : Soviet Socialist Realism
79
Critical theory and the Frankfurt School 8i
T.
].
Clark and a British Marxist tradition
84
Post-Marxism?
86
Summary
87
Further reading
88
Other resources
89
Semiotics and poststructuralism go
Introduction
90
Some basics about language and linguistics
92
Ferdinand
de Saussure
92
Charles Sanders Peirce
94
Developments of semiosis
95
So what about art and semiotics?
96
Signs and the representation of reality
96
Modalities of the sign
97
Challenging reality
99
Whose reality is it anyway? too
Structural analysis
102
Syntagmatic analysis of images
102
Discourse and power
103
Discourse and metanarratives
104
Paradigmatic oppositions
104
Binary oppositions and art
108
Markedness
108
Figurative language
109
Social semiotics tn
Poststructuralism and its critics
112
Summary
113
Further reading
114
Psychoanalysis, art and the hidden self
115
Introduction
115
Freud, psychoanalysis and psycho-sexual development
116
The Oedipus complex
118
The tripartite structure of the psyche
119
Instinctual energies, creativity and sublimation
119
Surrealism and psychoanalysis
120
Gombrich and psychoanalysis
121
Klein, Stokes, Fuller and the infant-mother paradigm
121
Lacan:
the mirror stage; the symbolic, the imaginary and the real
123
Feminist challenges to the Freudian and Lacanian psyche
124
Creativity, sadism and perversion
125
CONTENTS
A Freudian postscript: from symptoms to symbols
128
Art and abjection
130
Abjection, ambivalence and contemporary art
131
Summary
134
Further reading
135
Sex and sexualities: representations of gender
136
Introduction
136
What do we mean by sex and gender?
137
Feminism and art history
138
Classical representation of the human form
139
Visualising gender difference
141
Gender, status and power
143
Challenges to gender boundaries
144
Viewing the nude
146
The gaze and the pleasure of looking
148
Caught in the act: subverting the pleasure of the gaze
149
Manet s challenge to the male gaze
149
Feminist art
150
Expanding feminism
-
Marxism, semiotics and psychoanalysis
152
Postfeminism
152
Contemporary art history and feminism
154
Gender perspectives on contemporary art
155
Feminism and postmodernism
156
New paradigms of gender, sex and sexuality
157
The hermaphrodite body
158
Queer theory
159
Beyond gender: the body as sensorium and spectacle
160
Postfeminism
and postcolonialism
161
Summary
161
Further reading
162
Exploring postmodernities
164
Introduction
164
The postmodern and postmodemities
165
Art as commodity and concept
166
Death of the author
169
Postmodern art and theatricality
170
Postmodernity and double-coding
171
How soon is now ?
173
Art and paradigm shifts
174
Duchamp s readymades
175
The Institutional Theory of Art
176
Limitations of the Institutional Theory
177
American hegemony and a new order
177
Lyotard and the death of the grand-narratives
179
...
the end of art
...
a new counterculture for the 1960s and
1970s 180
CONTENTS
XI
Photography and cultural reproduction
182
Baudrillard and the four orders of the simulacra
184
Conservative postmodernism: a return to painting?
185
An oppositional postmodern culture
188
Fukuyama and the end of history
188
Summary
189
Further reading
190
Globalised proximities and perspectives
192
Introduction
192
Global and local perspectives
193
Globalisation
193
Postcolonialism and
postcolonial
studies
194
Orientalism
195
Historical perspectives within art histories
196
Boundaries and art histories
197
East and West
198
Artistic interactions across the East/West boundary
199
Perceptions of non-Western art
201
Western cultural appropriations
202
Postcolonial
studies
203
Globalised art and more recent perspectives
205
And hybridised ceramics
... 208
Towards a global future:
Documenta
2007 210
A globalised art history?
210
Summary
211
Further reading
212
Art and art history: website resources
213
Introduction
213
Search engines
213
Encyclopaedias and specialist art websites
214
Galleries and museums online
214
Other resources
215
Glossary of terms
217
Bibliography
228
Index
255
|
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| discipline | Kunstgeschichte |
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| spelling | Pooke, Grant Verfasser (DE-588)135889413 aut Art history the basics Grant Pooke and Diana Newall repr. London [u.a.] Routledge 2008 XXI, 263 S. Ill. txt rdacontent n rdamedia nc rdacarrier Kunst Art Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 s DE-604 Newall, Diana Verfasser (DE-588)134130510 aut http://www.loc.gov/catdir/toc/ecip0712/2007009493.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0731/2007009493-d.html Publisher description KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017178873&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Pooke, Grant Newall, Diana Art history the basics Kunst Art Kunstwissenschaft (DE-588)4120632-0 gnd |
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| title | Art history the basics |
| title_auth | Art history the basics |
| title_exact_search | Art history the basics |
| title_full | Art history the basics Grant Pooke and Diana Newall |
| title_fullStr | Art history the basics Grant Pooke and Diana Newall |
| title_full_unstemmed | Art history the basics Grant Pooke and Diana Newall |
| title_short | Art history |
| title_sort | art history the basics |
| title_sub | the basics |
| topic | Kunst Art Kunstwissenschaft (DE-588)4120632-0 gnd |
| topic_facet | Kunst Art Kunstwissenschaft |
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