Digital copyright: law and practice
Now in its third edition, this book has been updated to address developments in copyright law, database law and moral rights and expanded to cover copyright law and user-generated content, and the development of Web 2.0 and beyond. Important recent UK, EU and US cases are discussed.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Hart
2009
|
| Ausgabe: | 3. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Now in its third edition, this book has been updated to address developments in copyright law, database law and moral rights and expanded to cover copyright law and user-generated content, and the development of Web 2.0 and beyond. Important recent UK, EU and US cases are discussed. |
| Beschreibung: | XL, 229 S. |
| ISBN: | 9781841139326 |
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Datensatz im Suchindex
| _version_ | 1804138679729389568 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
PREFACE TO THE THIRD EDITION
v
A CKNOWLEDGEMENTS
(
THIRD EDITION)
vii
ACKNOWLEDGEMENTS (SECOND EDITION)
viii
A CKNOWLEDGEMENTS (FIRST EDITION)
ix
GLOSSARY
xvii
TA BLE
OF CASES
xxv
TABLE OF LEGISLATION
xxxi
1
WHY DIGITAL COPYRIGHT MATTERS
1
1.1
Overview of this Book
1
1.1.1
This Chapter and the Book
2
1.2
Copyright: Its Scope and Rationale
2
1.2.1
Why Have Copyright?
2
1.2.2
The Case against Copyright and Proposals for Reform
2
1.2.3
Limits on Copyright: The Idea/Expression Dichotomy and
Fair Use/Fair Dealing
4
1.2.4
Justifying Copyright
5
1.2.5
Originality and Copyright
6
1.2.6
Moral Rights
7
1.2.7
Copyright and other Intellectual Property (IP) Rights
7
1.3
The International Aspect of Copyright
8
1.3.1
Background
8
1.3.2
An Example
9
1.3.3
The Internet and International Copyright
10
1.4
The Digital Challenge to Copyright
10
1.5
Internet Technology and Copyright
11
1.5.1
How the Internet Works
11
1.6
International Legislation
15
1.6.1
E-Commerce Directive
16
1.6.2
Digital Copyright Directive
16
1.7
The Future
17
1.7.1
The Death of Copyright
17
1.7.2
A New Future for Copyright
18
1.7.3
Concluding Thoughts
19
2
DIGITAL COPYRIGHT: THE BASICS
20
xii Contents
2.1
Introduction
20
2.1.1
Overview
20
2.1.2
Sources of Law
20
2.2
What Digital Copyright Protects
21
2.2.1
UK Law
21
2.2.2
Digital Copyright Works
21
2.2.3
Criteria for Protection, ie Work must be Original
25
2.2.4
Who is the Author (Including for Computer-generated
Works)?
27
2.2.5
The Need for Fixation/Permanence of the Work?
28
2.2.6
Qualifying Factors for Protection and Digital Copyright
Formalities
28
2.2.7
Duration of Protection
29
2.2.8
Other Digital Rights Neighbouring Copyright or Related to it
30
2.3
How Digital Copyright can be Infringed
37
2.3.1
Digital Aspects
38
2.3.2
Remedies for Copyright Infringement
39
2.4
Exceptions and Defences to Digital Copyright Infringement
40
2.4.1
Statutory Exceptions
40
2.4.2
Licences
46
2.4.3
Public Policy Defences
47
2.5
Who Owns the Digital Copyright?
48
2.5.1
Employees, Directors and Commissioned Works
48
2.5.2
Joint Authorship and Joint Ownership
49
2.5.3
Collecting Societies
50
2.6
The Implementation of the Electronic Commerce and Digital
Copyright Directives into UK Law
50
2.6.1
Implementation of the Electronic Commerce Directive
50
2.6.2
Implementation of the Digital Copyright Directive
54
3
DIGITAL DA
Ί
ABASE LA
W
AND THE INTERNET
58
3.1
The Relationship between Copyright and Database Right
58
3.1.1
Position before
1
January
1998 58
3.1.2
Position from
1
January
1998 59
3.2
Digital Copyright Protection for Databases
59
3.3
Database Right Protection
61
3.3.1
British Horseracing Board Limited
v
William
#///(2001) 63
3.3.2
The ECJ Decision
64
3.3.3
Impact of the ECJ Decision in the UK Courts
66
3.3.4
Future Development of the Database Directive
67
3.4
Some Practical Suggestions
68
4
DIGITAL MORAL RIGHTS: THE BASICS
71
4.1
What are Digital Moral Rights?
71
Contents xiii
4.1.1
Background
71
4.1.2
UK Law
72
4.2
How are Digital Moral Rights Infringed?
74
4.2.1
Right of Paternity
74
4.2.2
Derogatory Treatment
75
4.2.3
Moral Rights in the US
77
4.2.4
Performers Moral Rights
77
4.2.5
Implications of Moral Rights for the Digital Environment
79
4.3
Dealing with Moral Rights in Practice
80
5
DIGITAL RIGHTS AND COMPETITON LA
W
82
5.1
Overview: Competition Law and Digital Copyright
82
5.2
UK Competition Law
83
5.2.1
The Competition Act
1998 83
5.2.2
Restraint of Trade Doctrine
86
5.3 EU
Law
86
5.4
Penalties for Breaching Competition Law
87
5.5
Implications for Digital Copyright Businesses
87
5.5.1
E-commerce Generally
87
5.5.2
Software and Other Digital Copyright Licences
88
5.5.3
Digital Copyright Distribution Agreements
89
5.5.4
Unfair Prices or Predatory Pricing
90
5.5.5
Maintenance
91
5.5.6
End-user Sales
91
5.5.7
Refusal to License Digital Copyright to Competitors
92
5.5.8
Excessive Pricing
96
5.5.9
Content Bundling
96
5.5.10
Exhaustion of Rights in Digital Copyright Products
96
5.5.11
Collecting Societies
98
5.6
Concluding Comments
99
6
SOFTWARE COPYRIGHT
101
6.1
Code and Copyright: The Basics
101
6.2
The Software Directive
103
6.3
What Does Software Copyright Protect?
105
6.3.1
John Richardson Computers Ltd
v
Flanders
106
6.3.2
Ibcos Computers Ltd
v
Barclays Mercantile Highland
Finance Ltd
107
6.3.3
Cantor Fitzgerald
v
Tradition
108
6.3.4
Navitaire
lne v
Easyjet Airline Co
&
Anor
111
6.3.5
Nova Productions
v Mazooma
Games; Nova Productions
v
Bell Fruit Games
115
6.3.6
Software Copyright Following Cantor Fitzgerald, Navitaire
and Nova Productions
116
xiv Contents
6.4
The Challenge of the Open Source Movement to Software
Copyright?
118
6.4.1
Some Issues
119
7
DIGITAL COPYRIGHT AND E-COMMERCE
120
7.1
Content Reuse
121
7.1.1
Specific Issues for Audio-visual Content
122
7.1.2
Some Examples from the Case Law
123
7.1.3
Lessons to be Learnt
124
7.2
Licensing and Linking
125
7.2.1
Licensing Digital Copyright Works
126
7.2.2
Linking
129
7.3
Digital Image Protection
134
7.3.1
Copyright in Digital Images
134
7.3.2
Infringing Image Rights
136
7.3.3
Protecting Digital Images
136
7.4
Lawful Use of Search Engines
137
7.4.1
Background
137
7.4.2
The US Experience
138
7.4.3
Kelly
v
Arriba
Soft (US)
139
7.4.4
Practical Issues
146
7.5
Napster, Grokster, MP3 and Beyond:
a UK View
147
7.5.1
The UK Position
148
7.5.2
US Law
149
7.5.3
Napster, Grokster and Beyond
151
7.5.4
Where Next?
154
7.6
Service Provider Liability
154
7.6.1
Background
154
7.6.2
Clarifying the Position
155
7.7
Standards and Web Content
156
7.8
Streaming Media and Digital Copyright
157
7.8.1
Piracy and Streaming
158
7.8.2
Defences against Piracy
158
7.8.3
Concluding Thoughts
159
7.9
Technical Protection Measures and Fair Use: The End of
Copyright?
159
7.9.1
Background
159
7.9.2
The Position in the US
160
7.9.3
The UK Position prior to
31
October
2003 162
7.9.4
The European Dimension
163
7.9.5
UK Implementation of Effective Technological Measures
and
ERMI
166
Contents xv
7.9.6 Technological
Measures and Permitted Acts, Fair Use and
Fair Dealing
169
7.9.7
The Future of Digital Rights Management
170
8
DIGITAL COPYRIGHT, WEB
2.0
AND BEYOND
172
8.1
Web
2.0
and Copyright
172
8.1.1
Web
2.0
Legal Issues—Background
173
8.1.2
Dealing with the Issues: The Importance of Contractual
and/or Licence Terms
173
8.1.3
Some Specific Issues
175
8.2
Fair Dealing and Web
2.0 176
8.2.1
Google Book Search
176
8.2.2
Google News
178
8.2.3
UK Position
179
8.2.4
Liability for Hosting and/or Distributing User-Generated
Content
180
9
PROTECTING AND MANAGING YOUR DIGITAL
COPYRIGHT ASSETS
183
9.1
General
183
9.1.1
Acquiring Rights: Ownership of Digital Copyright
183
9.1.2
Acquiring Rights: Licensing Digital Copyrights
184
9.1.3
Protecting and Exploiting Digital Copyrights
184
9.2
Issues for Specific Industries
185
9.2.1
General Industrial
185
9.2.2
Financial and Professional Services
186
9.2.3
Telecommunications
&
ISPs
187
9.2.4
Software and Computer Games
187
9.2.5
Publishing and Information Providers
188
9.2.6
Broadcasting, Entertainment and Music
189
9.2.7
Gaming and Betting
190
9.2.8
Auction Houses and Collectibles Sites
190
9.2.9
Museums, Galleries, and Picture Libraries
191
9.2.10
Pharmaceutical, Biotechnology and Bio-information/
Bio-informatics Industries
192
9.2.11
Universities/Higher Education Sector
193
9.3
The Role of Collecting Societies in the Digital Environment
194
9.3.1
The Future of Collecting Societies in the Digital
Environment
195
9.3.2
The Major Collecting Societies in the UK
198
9.3.3
Digital Copyright Case Study: Mobile Phone
Ringtones
and
Realtones 202
9.4
Precedent Checklists and Precedents
202
xvi Contents
9.4.1
Checklist
—
Acquiring Software (Digital Copyright User
Focus)
202
9.4.2
Checklist
—
Acquiring Internet Content (Digital Copyright
User Focus)
204
9.4.3
Checklist
—
Digital Copyright Distribution and Licensing
(Digital Copyright Licensor Focus)
206
9.4.4
Open Source Licences
—
Checklist of Licensing Options
209
9.4.5
Creative Commons
211
9.4.6
Linking Agreement
212
9.4.7
Website Terms
215
INDEX
219
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| spelling | Stokes, Simon Verfasser aut Digital copyright law and practice Simon Stokes 3. ed. Oxford [u.a.] Hart 2009 XL, 229 S. txt rdacontent n rdamedia nc rdacarrier Now in its third edition, this book has been updated to address developments in copyright law, database law and moral rights and expanded to cover copyright law and user-generated content, and the development of Web 2.0 and beyond. Important recent UK, EU and US cases are discussed. Copyright and electronic data processing Copyright and electronic data processing Great Britain Urheberrecht (DE-588)4062127-3 gnd rswk-swf Datenverarbeitung (DE-588)4011152-0 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Urheberrecht (DE-588)4062127-3 s Datenverarbeitung (DE-588)4011152-0 s DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017160548&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stokes, Simon Digital copyright law and practice Copyright and electronic data processing Copyright and electronic data processing Great Britain Urheberrecht (DE-588)4062127-3 gnd Datenverarbeitung (DE-588)4011152-0 gnd |
| subject_GND | (DE-588)4062127-3 (DE-588)4011152-0 (DE-588)4022153-2 |
| title | Digital copyright law and practice |
| title_auth | Digital copyright law and practice |
| title_exact_search | Digital copyright law and practice |
| title_full | Digital copyright law and practice Simon Stokes |
| title_fullStr | Digital copyright law and practice Simon Stokes |
| title_full_unstemmed | Digital copyright law and practice Simon Stokes |
| title_short | Digital copyright |
| title_sort | digital copyright law and practice |
| title_sub | law and practice |
| topic | Copyright and electronic data processing Copyright and electronic data processing Great Britain Urheberrecht (DE-588)4062127-3 gnd Datenverarbeitung (DE-588)4011152-0 gnd |
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