The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting":
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Taunusstein
Driesen
2008
|
| Ausgabe: | 2. Aufl. |
| Schriftenreihe: | Driesen Sprach- und Literaturwissenschaften
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 515 S. 19 cm, 540 gr. |
| ISBN: | 9783868660623 |
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Datensatz im Suchindex
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| adam_text | CONTENTS FOREWORD 5 ACKNOWLEDGEMENTS 9 CONTENTS 11 INTRODUCTION 17 PART
I: IDENTITIES, LANGUAGE AND NATIONALISM 31 1. IDENTITIES 31 1.1 SOCIAL
IDENTITY 31 1.1.1 SCOTTISH (SOCIAL) IDENTITY 34 1.2 NATION, NATIONAL
IDENTITY AND NATIONALISM 36 1.2.1 FEATURES AND DEFINITION OF NATIONAL
IDENTITY 41 1.2.2 FUNCTIONS OF NATIONAL IDENTITY (IN GENERAL AND IN
SCOTLAND) 41 1.2.3 SCOTLAND SNATIONAL IDENTITY- A DUAL NATIONALITY? 43
1.2.4 PORTABLE IDENTITIES 48 1.2.5 NATIONALISM AND THE ROLE OF THE
INTELLIGENTSIA 49 1.2.6 NATIONALISM AND ITS RELATION TO CULTURAL
IDENTITY 50 1.2.7 POLITICAL IDENTITY AS PART OF NATIONAL IDENTITY 53 1.3
DOES SCOTTISH IDENTITY NEEDA LANGUAGE? 57 2 WHAT IS SCOTS? 59
3LINGUISTICS 65 3.1 SCOTTISH STANDARD ENGLISH 66 3.1.1 VOWELS 67 3.1.2
CONSONANTS 67 3.1.3 GRAMMAR AND SYNTAX 68 3.1.4 VOCABULARY AND IDIOMS 71
3.2 SCOTS 72 3.2.1 SPELLING 72 3.2.2 DIFFERENCE FROM ENGLISH 73 3.2.3
SCOTS GRAMMAR 75 3.2.3.1 SCOTS VERBS 75 11 BIBLIOGRAFISCHE INFORMATIONEN
HTTP://D-NB.INFO/991838424 DIGITALISIERT DURCH 3.2.3.1.1 THE PRESENT
TENSE: VERBS AFTER A PLURAL SUBJECT 76 3.2.3.1.2 THE PAST TENSE OF
REGULAER VERBS 76 3.2.3.1.3 THE PAST TENSES OF IRREGULAER VERBS ....77
3.2.3.1.4 NEGATION 78 3.2.3.1.5 AUXILIARY VERBS 78 3.2.3.2 SCOTS NOUNS
79 3.2.3.3 DEMONSTRATIVES 79 3.2.3.4 PRONOUNS 80 3.2.3.5 ADJECTIVES 82
3.2.3.6 ADVERBS 82 3.2.3.7 PREPOSITIONS 82 3.2.3.8 TIME 83 4 SOCIAL
CONTEXT 83 4.1 GOOD AND BAD SCOTS 84 4.2 DENSE SCOTS VS. THIN SCOTS 87
4.3 MARKED AND UNMARKED SCOTTICISMS 88 4.4 OVERT AND COVERT SCOTTICISMS
89 4.5 STYLE-DRIFTING AND CODE-SWITCHING 90 4.5.1 REASONS FOR
CODE-SWITCHING 91 4.6 A NEW SCOTTISH RENAISSANCE? 96 4.6.1 ORGANISATIONS
96 4.6.2 MEDIA 98 4.6.3 EDUCATION 99 4.6.4 CONCLUSION 101 5 NATIONALISM
- AND WHY IT IS CONNECTED TO THE LANGUAGE AND THE LITERARY MOVEMENT 102
5.1 SCOTS AS A SUBSTANTIVE CULTURAL AND EDUCATIONAL ASSET 107 5.2
LANGUAGE PLANNING 109 5.3 SCOTLAND ON ITS WAY TO INDEPENDENCE? 111 5.3.1
THE REFERENDUM IN 1997 116 5.4 LANGUAGE AND NATIONALISM IN LITERATURE
118 5.5 SCOTTISH INDEPENDENCE - ITS COVERAGE IN THE MEDIA 120 5.6 THE
RELATION OF POLITICAL INDEPENDENCE AND LINGUISTIC INDEPENDENCE 124 PART
II: A SCOTTISH LITERARY TRADITION? 131 12 1 AFTER THE FIRST GOLDEN AGE
(16* / 17* CENTURY) 142 2 THE ENLIGHTENMENT (THE SECOND GOLDEN AGE) 143
3 VICTORIAN AND EDWARDIAN ESCAPISM 149 3.1 FROMTHE LSSOTHE 19 1
CENTURY 149 3.2 SCOTT, GALT AND HOGG 149 3.3 KAILYARD AND ANTI-KAILYARD
155 4 THE THIRD GOLDEN AGE - THE SCOTTISH LITERARY RENAISSANCE OF THE
20* CENTURY 164 4.1 HUGH MACDIARMID 168 4.1.1 MACDIARMID S IDEAS AND
THE DREAM OFA RENAISSANCE ... 170 4.1.2 THE CALEDONIAN ANTISYZYGY 173
4.1.3 POLITICS AS MEANS TO A CULTURAL END 178 4.1.4 GRIEVE VS.
MACDIARMID - HIS WORK AND THE ORIGINS.... 182 4.1.5 MACDIARMID AND
DUNBAR 187 4.1.6 THE INHERITANCE - SYNTHETIC SCOTS AND A NEW
SELF-CONFIDENCE 187 4.1.7 MACDIARMID AND HIS INFLUENCE ON OTHER WRITERS
191 4.2 EDWIN MUIR 195 4.3 LEWIS GRASSIC GIBBON 211 5 AFTER THE SCOTTISH
RENAISSANCE 214 5.1 FROM CONTRADICTION TO MEDIATION 215 5.2 FROM
ANGLICIZED TO SCOTTICIZED 216 5.3 FROM POEM TO NOVEL 218 6 THE THIRD
GOLDEN AGE - THE SCOTTISH REINFORCEMENT 219 6.1 IS THERE A SCOTTISH
LITERARY TRADITION? 221 6.2 THE IMPORTANCE OF CONTEXT 232 6.3 SCOTTISH
LITERATURE IN RELATION TO ENGLISH LITERATURE 236 6.4 THE MODERN SCOTTISH
NOVEL 241 6.4.1 REPRESENTATIONS 244 6.4.1.1 REPRESENTATION OF SCOTLAND
244 6.4.1.2 REPRESENTATION OF IDENTITY 245 6.4.2 THE INDUSTRIAL NOVEL
250 6.4.2.1 AN IMAGE OF HELL 253 6.4.2. 14 6.4.2.2.2 THE DEVELOPMENT OF
THE GLASGOW NOVEL 258 6.4.3 MODERN SCOTTISH WRITERS 262 6.4.3.1 WILLIAM
MCLLVANNEY 262 6.4.3.2 ALASDAIR GRAY 265 6.4.3.3 JAMES KELMAN 271
6.4.2.4 ROBIN JENKINS 279 6.4.3.5 IAIN BANKS 280 6.5 DRAMA 283 7 THE
SCOTTISH LITERARY IDENTITY AND ITS NATIONAL DIMENSION 285 7.1 THE SEARCH
FOR A DISTINCTIVE SCOTTISH VOICE 288 7.1.1 URBAN SCOTS 289 7.1.2 THE
INFAMOUS VULGARISMS 291 7.2 CHALLENGING TRADITIONAL CONSTRAINTS 292 7.3
LITERARY CRITICISM 300 7.4 THE CHOICE OF LANGUAGE: NO LANGUAGE, NO
NATION ? 307 7.5 NATIONALISM 311 7.5.1 WAVES OF SCOTTISH NATIONALISM
INTERRELATED TOCULTURE 312 7.5.2 THE EXISTENCE OF SCOTTISH NATIONAL
LITERATURE 321 7.5.3 POLITICS AS SYSTEM OF REFERENCE TO DEVELOP IDENTITY
...323 7.6 TRADITIONS ARE HETEROGLOSSIC 325 7.7 CONSTRUCTING IDENTITIES
331 7.7.1 FEARAS CENTRAL THEME 334 7.8 LITERATURE AS INTERVENTION? 335
PART III: IRVINEWELSHVTRAINSPOTTING 349 1 INTRODUCTION 349 1.1 REASONS
FOR CHOOSING TRAINSPOTTING 349 1.2 RESEARCH ON TRAINSPOTTING 350 1.3
STRUCTURE OF PART III 352 1.4 AIMS AND LIMITATIONS 352 2THENOVELIST 355
3 THE NOVEL 358 3.1 THE NOVEL S RECEPTION 358 3.2 STRUCTURE 362 15
3.3SETTING 369 3.4 LANGUAGE 372 3.4.1 EXCURSION: THEUSE OF SCOTS
INNOVELS 372 3.4.2 SCOTS IN MODERN LITERATURE 375 3.4.3 THE USEOF SCOTS
IN TRAINSPOTTING 376 3.5 CHARACTERS 411 3.5.1 MARK RENTON 413 3.5.2
DANNY MURPHY (SPUD) 427 3.5.3 SICK BOY 431 3.5.4 FRANCIS BEGBIE 435
3.5.5 TOMMY 440 3.5.6 JOHNNY SWAN (MOTHER SUPERIOR) 441 3.5.7 KELLY 443
3.5.8 NINA 445 3.5.9 STEVIE 446 3.5.10SECONDPRIZE 447 3.5.11 DAVID
MITCHELL (DAVIE) 448 3.5.12 MATTY 449 3.6THEMES 451 3.6.1 TITLE 451
3.6.2 WORKING-CLASS SOCIETY 454 3.6.3 ESCAPE 457 3.6.4 MASCULINITY 462
3.6.5 DRUGS 470 3.6.6 IDENTITY 478 3.7 ADAPTATIONS OF THE NOVEL 484 4
OTHER WORKS OF FICTION BY WELSH 488 4.1 THE ACID HOUSE 490 4.2 MARABOU
STARK NIGHTMARES 491 4.3ECSTASY 494 4.4FILTH 497 4.5GLUE 498 4.6 PORNO
500 5 THE IMPORTANCE OF TRAINSPOTTING IN THE CONTEXT OF THE SCOTTISH
LITERARY TRADITION (SUMMARY) 501 BIBLIOGRAPHY 509
|
| any_adam_object | 1 |
| author | Weißenberger, Ricarda 1972- |
| author_GND | (DE-588)132079631 |
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| author_role | aut |
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| dewey-full | 823.914 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823.914 |
| dewey-search | 823.914 |
| dewey-sort | 3823.914 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | 2. Aufl. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Thesis Book |
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| spelling | Weißenberger, Ricarda 1972- Verfasser (DE-588)132079631 aut The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting" Ricarda Weißenberger 2. Aufl. Taunusstein Driesen 2008 515 S. 19 cm, 540 gr. txt rdacontent n rdamedia nc rdacarrier Driesen Sprach- und Literaturwissenschaften Zugl.: Siegen, Univ., Diss., 2006 Welsh, Irvine 1958- Trainspotting (DE-588)4531578-4 gnd rswk-swf Geschichte gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Schottisch (DE-588)4127854-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Schottisch - Literatur - Nationalbewusstsein <Motiv> - Kulturelle Identität <Motiv> - Geschichte 1900-1993 Schottland (DE-588)4053233-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Schottland (DE-588)4053233-1 g Literatur (DE-588)4035964-5 s Nationalbewusstsein (DE-588)4041282-9 s Geschichte z DE-604 Welsh, Irvine 1958- Trainspotting (DE-588)4531578-4 u Schottisch (DE-588)4127854-9 s DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017159911&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Weißenberger, Ricarda 1972- The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting" Welsh, Irvine 1958- Trainspotting (DE-588)4531578-4 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Schottisch (DE-588)4127854-9 gnd Literatur (DE-588)4035964-5 gnd |
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| title | The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting" |
| title_auth | The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting" |
| title_exact_search | The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting" |
| title_full | The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting" Ricarda Weißenberger |
| title_fullStr | The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting" Ricarda Weißenberger |
| title_full_unstemmed | The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting" Ricarda Weißenberger |
| title_short | The search for a national identity in the Scottish literary tradition and the use of language in Irvine Welsh's "Trainspotting" |
| title_sort | the search for a national identity in the scottish literary tradition and the use of language in irvine welsh s trainspotting |
| topic | Welsh, Irvine 1958- Trainspotting (DE-588)4531578-4 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Schottisch (DE-588)4127854-9 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Welsh, Irvine 1958- Trainspotting Nationalbewusstsein Schottisch Literatur Schottisch - Literatur - Nationalbewusstsein <Motiv> - Kulturelle Identität <Motiv> - Geschichte 1900-1993 Schottland Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017159911&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT weißenbergerricarda thesearchforanationalidentityinthescottishliterarytraditionandtheuseoflanguageinirvinewelshstrainspotting |