Chant and its origins:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2009
|
| Schriftenreihe: | Music in medieval Europe
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIX, 522 S. graph. Darst., Notenbeisp. |
| ISBN: | 9780754626329 0754626326 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
vii
Series Preface
ix
Introduction
xi
PART I GENERAL OVERVIEWS OF SCHOLARSHIP
1
Richard Crocker
(1995),
Gregorian Studies in the Twenty-first Century ,
Plainsong and Medieval Music,
4,
pp.
33-86. 3
2
David Hiley
(1997),
Writings on Western Plainchant in the
1980s
and
1990s ,
Acta
Musicologica,
69,
pp.
53-93. 57
PARTII
EARLY HISTORY
3
Peter Jeffery
(1992),
Jerusalem and Rome (and Constantinopie): The
Musical Heritage of Two Great Cities in the Formation of the Medieval
Chant Traditions , Cantus Planus: Papers Read at the Fourth Meeting
Pécs,
Hungary,
3-8
September
1990,
Budapest: Hungarian Academy of Sciences
Institute for Musicology, pp.
163-74. 101
4
Joseph Dyer
(1989),
The Singing of Psalms in the Early-Medieval Office ,
Speculum,
64,
pp.
535-78. 113
5
James McKinnon
(1992),
The Eighth-Century Frankish-Roman Communion
Cycle , Journal of the American Musicological Society,
45,
pp.
179-227. 157
PART III EDITIONS AND REPERTORIES
6
Jacques Froger
(1978),
The Critical Edition of the Roman Gradual by the
Monks of Solesmes , Journal of the Plainsong and Mediaeval Music Society,
1,
pp.
81-97. 209
7 Hartmut Möller (1987),
Research on the
Antiphoner -
Problems and
Perspectives , Journal of the Plainsong and Mediaeval Music Society,
10,
pp.
1-14. 227
PART IV ANALYTICAL STUDIES
8
László Dobszay
(1998),
Some Remarks on Jean Claire s Octoechos , in
László
Dobszay
(ed.),
Cantus Planus: Papers Read at the Seventh Meeting
Sopron,
Hungary,
1995,
Budapest: Hungarian Academy of Sciences Institute
for Musicology, pp.
179-94. 243
vi
Chant and its Origins
9
Joseph Dyer
(1982),
The Offertory Chant of the Roman Liturgy and its Musical
Form ,
Studi Musicali,
11,
pp.
3-30. 259
10
Edward Nowacki
(1985),
The Gregorian Office
Antiphons
and the Comparative
Method , Journal of Musicology,
4,
pp.
243-75. 287
PARTV ROMAN AND FRANKISH CHANT
11
Willi Apel
(1956),
The Central Problem of Gregorian Chant , Journal of the
American Musicological Society,
9,
pp.
118-27. 323
12
Bruno
Stäblein (1974),
Die
Entstehung des gregorianischen
Chorals , Die
Musikforschung, 27,
pp.
5-13. 333
13
Paul F. Cutter
(1967),
The Question of the Old-Roman Chant: A Reappraisal ,
Acta
Musicologica,
39,
pp.
2-20. 347
14
S.J.P. van
Dijk
(1963),
Papal Schola versus Charlemagne , in
Pieter
Fischer
(ed.),
Organicae Voces: Festschrift Joseph.
Smits
van Waesberghe, Amsterdam:
I.M.M.
Instituut voor Middeleeuwse Muziekwetenschap,
pp.
21-30. 367
15
Thomas
H.
Connolly
(1972),
Introits and Archetypes: Some Archaisms of
the Old Roman Chant , Journal of the American Musicological Society,
25,
pp.
157-74. 377
16
Heknut
Hucke (1980),
Toward a New Historical View of Gregorian Chant ,
Journal of the American Musicological Society,
33,
pp.
43 7-67. 3 95
17
Kennem
Levy
(2003),
Gregorian Chant and the Romans , Journal of the
American Musicological Society,
56,
pp.
5-41. 427
18
Andreas Pfisterer
(2005),
Remarks on Roman and non-Roman Offertories ,
Plainsong and Medieval Music,
14,
pp.
169-81. 465
PART VI OTHER CHANT TRADITIONS
19
Terence Bailey
(2000),
The Development and Chronology of the Ambrosian
Sanctorale: The Evidence of the
Antiphon
Texts , in
Margot
E.
Fassler
and
Rebecca A. Baltzer
(eds),
The Divine Office in the Latin Middle Ages,
Oxford: Oxford University Press, pp.
257-77. 481
20
Thomas Forrest Kelly
(1988),
The Beneventan Chant ,
Studia Musicologica
Academiae Scientiarum Hungaricae,
30,
pp.
393-97. 503
21
Don M.
Randel
(1992),
The Old Hispanic Rite as Evidence for the Earliest
Forms of the Western Christian Liturgies , International Musicological Society
Congress ReportXV: Madrid
1992,
pp.
491-6. 509
Index
515
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