Caribbean without borders: literature, language and culture
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publ.
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIII, 245 S. Ill. |
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of Contents
List of Images
............................................................................................
vii
List of Tables
............................................................................................viii
Introduction
................................................................................................ix
Chapter One: Unveiling Constructs: Caribbean Literature,
Language, and Culture
..............................................................................1
The Caribbean Without Frames: Narrative Structure in Samuel Selvon s
London Novels
Karen
Mah
Chamberlain
.............................................................................3
Ghost Know No Borders: A Look at the Functions of Ghosts in Wilson
Harris Fiction in General and the Ghost of Memory in Particular
Suzanna Engman
.......................................................................................17
Drenched: Wet Poetries of
Lorna Goodison
and Olive Senior
Yasmine Shamma
......................................................................................30
The Use of English Lexified Creole in Anglophone Caribbean Literature
Marta Viada Bellido
de Luna
....................................................................42
Si-Dieu-Veut:
Vodou
as Catalytic and Fatalistic Religion in Masters
of the Dew
Dara
Green
................................................................................................58
Chapter Two: Drumming Up the Nation: Representations
in Caribbean Music, Drama, and Dance Performance
........................77
Going Bananas on the New York Stage: Representations
of the Caribbean as Seen in J. Robinson s The Yorker s Stratagem;
or, Banana s Wedding
JuanR. Recondo
........................................................................................79
vi
Table of Contents
Bomba Trigueña:
Diluted Culture and (loss of) Female Agency
in AfroPuerto Rican Music and Dance Performance
Melanie
A. Maldonado
..............................................................................95
Bob Marley:
Postcolonial
Activist and (R)evolutionary Intellectual
Adam M. Loyd
........................................................................................118
Chapter Three: Mapping the Caribbean: Migration, Landscape,
and Identity
............................................................................................137
Disjunctions and Deformations: Memory and Landscape in the West
Indies
Lavina Liburd..........................................................................................139
Staging Transculturation: Border Crossings in
Josefina Baez s
Performance Texts
Liamar
Duran Almarza
............................................................................161
Deconstructing Cuban Identity: Senel Paz s The Wolf, the Woods
and the New Man: and its Film Adaptation Strawberry and Chocolate
by
Tomás Gutiérrez
Alea
Tania Cepero
López
................................................................................175
Caribbean Women Writers and the Strategy of Memory
Aida
Luz Rodríguez
................................................................................194
Feodor Dostoyevsky and Claude McKay: Cross-Cultural Dialogue
with the Dominant Western Ethnocentrism
Tatiana
Tagirova
......................................................................................219
The Imagined Nation in
Cristina García s
Monkey Hunting
Raquel
Puig
.............................................................................................236
Caribbean Studies is an emerging field. As such, many topics within this discipline have yet to
be explored and developed. This collection of essays is one of the forerunners dedicated to a
comprehensive study of the literature, language, and culture of the Caribbean. By exploring
the works of such prominent literary scholars as Samuel Selvon and
Lorna Goodison
as well
as the myriad of issues pertaining to the Caribbean experience, this volume provides an
engaging overview of literary, language, and cultural analysis. Because of this wide range of
essays, this text meets a need to examine the Caribbean in its complexity, which is rarely
addressed.
Dorsia Smith has a Ph.D. in Caribbean Literature. She teaches English at the University of
Puerto
Rico, Río Piedras,
and has published articles in various texts, such as Narrating the
Past (Cambridge Scholars Press,
2007)
and African American Women Writers: An A to
Z
Guide (Greenwood Press,
2007).
She is currently working on a book about mothering in the
Latina
and
Chicana
communities to be published by York University.
Raquel
Puig Campos is a Ph.D. candidate in Anglo-Caribbean Literature at the University of
Puerto
Rico, Río Piedras.
She is currently working on her dissertation on the influence of film
on the narratives of writers from the Anglo- and Spanish Caribbean. Her interests include a
multicultural and crosscultural approach to the study of colonial literatures, media studies and
history. She has published in diverse refereed journals and has been coordinator for various
academic conferences at UPR-Rio
Piedras.
Ileana
Cortés
Santiago holds an M.A. in English (Literature) from the University of Puerto
Rico at
Rio Piedras.
She is currently an English Instructor at the University of Puerto Rico,
Bayamón.
She has published articles in English Today and various journals at UPR-Rio
Piedras,
and has offered workshops on creative and practical teaching techniques to English
teachers in Puerto Rico. Her areas of interest are Romantic poetry, literacy, and TESOL.
Cover image:
Amanecer
en Mangle
Rojo
by
Máximo J.
Cerarne-
Vivas
The mangroves stretch representing bridges that bring together the islands across the sea; yet, they may
also stand for the migrating, diasporic Caribbean men and women who travel across borders, creolizing
as they voyage. The dark blue sea becomes the entity that cradles the repeating islands, while the roots
of the coastal shrub may also allude to the cultural and social foundation of the Caribbean, its heritage
and history. Finally, the horizon represents hope in a future without man-made borders.
|
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| discipline | Soziologie Anglistik / Amerikanistik |
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