Nô Theatre Transversal:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
München
Iudicium
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 238 S. Ill. 210 mm x 148 mm, 320 gr. |
| ISBN: | 9783891297971 |
Internformat
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Datensatz im Suchindex
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| adam_text |
Titel: Nō theatre transversal
Autor: Scholz-Cionca, Stanca
Jahr: 2008
Table of Contents
Christopher BALME and Stanca SCHOLZ-ciONCA
Introduction 7
Chapter One: Crises and Modern Identities
KAGAYA Shinko
Dancing on a moving train: No between two wars 19
Mae J. and Richard J. SMETHURST
Two new no plays written during World War II 31
James R. BRANDON
New plays in wartime: No and kabuki 38
Eike GROSSMANN
Under the burden of no: Community life in Kurokawa and ritual no
performances 49
Chapter Two: Reformation and Renewal
TAKEMOTO Mikio
On the principle oijo-ha-kyu in contemporary no theatre 69
YAMANAKA Reiko
What features distinguish no from other performing arts? 78
KASAI Ken'ichi
New plays (shinsaku no) as an engine of renewal. From the
experiments of Mei no kai to the staging of Shiranui 86
Talking with UMEWAKA Rokuro
Performing shinsaku no 92
ODA Sachiko
On the characteristics of newly composed no plays (shinsaku no) 99
Barbara GEILHORN
Between self-empowerment and discrimination: Women in no
today 106
UZAWA Hisa
Reflections on performing for the international no symposium 123
Table of Contents
Chapter Three: Japanese and Western Appropriations
OKAMOTO Akira
The actor's body in no and contemporary theatre. On the work of
Ren'niku Kobd 129
Richard EMMERT
English no and Theatre Nohgaku - the how and the why 141
Libby ZILBER
Yugen for western audiences 154
Peter ECKERSALL
'Mistook sign' - Australian responses to no 164
Hans-Peter BAYERDORFER
Between poetry and 'theatre lyrique': No and the boundaries of
genre 178
Christopher BALME
'Too Close for Comfort': Benjamin Britten's Curlew River and the
reception of no after 1945 193
Juliane WEIGEL
Interculturality or exoticism? Music and dramatic structure in the
opera Silkkirumpu based on the no Aya no tsuzumi 204
Helen S. E. PARKER
Crossing borders in the presentation of no through multimedia 222
Contributors 233 |
| any_adam_object | 1 |
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| discipline | Allgemeines Außereuropäische Sprachen und Literaturen Literaturwissenschaft |
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| spellingShingle | Nô Theatre Transversal Nō-Spiel - Kongress - Trier <2006> Nō-Spiel - Rezeption - Westliche Welt - Theater - Kongress - Trier <2006> Rezeption (DE-588)4049716-1 gnd Theater (DE-588)4059702-7 gnd Nō-Spiel (DE-588)4131488-8 gnd |
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| title | Nô Theatre Transversal |
| title_auth | Nô Theatre Transversal |
| title_exact_search | Nô Theatre Transversal |
| title_full | Nô Theatre Transversal Stanca Scholz-Cionca ... (eds.) |
| title_fullStr | Nô Theatre Transversal Stanca Scholz-Cionca ... (eds.) |
| title_full_unstemmed | Nô Theatre Transversal Stanca Scholz-Cionca ... (eds.) |
| title_short | Nô Theatre Transversal |
| title_sort | no theatre transversal |
| topic | Nō-Spiel - Kongress - Trier <2006> Nō-Spiel - Rezeption - Westliche Welt - Theater - Kongress - Trier <2006> Rezeption (DE-588)4049716-1 gnd Theater (DE-588)4059702-7 gnd Nō-Spiel (DE-588)4131488-8 gnd |
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