Control, cultural production and consumption: theoretical perspectives, empirical dilemmas, and Swedish music industry practices
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Stockholm
EFI
2007
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 249 S. Ill., graph. Darst. |
| ISBN: | 9789172587427 |
Staff View
MARC
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Record in the Search Index
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| adam_text | TABLE
OF
CONTENTS
Introduction
..........................................13
Research issue
......................................... 13
Positioning
in a management
control discourse
.............16
Relating to previous studies on cultural production and
consumption
........................................ 20
Research aim
..........................................22
Research questions
.....................................25
Structure of the dissertation
.............................28
PART I: EPISTEMOLOGIGAL, THEORETICAL, AND
METHODOLOGICAL CONSIDERATIONS
Epistemology
..........................................35
On the links between epistemology, ontology, and axioms
.-----35
Social constructionism
..................................36
The epistemology of critical theory
........................37
The epistemology of reflexive sociology
....................39
Engaging dialectical and reflexive thinking
................. 40
Control in Reciprocal Relations
..........................43
Gemeinschaft
and
Gesellschaft...........................44
An analytical dialectical model
...........................44
Dialectical understanding
...............................48
The theoretical affinities of
Gemeinschaft
and
Gesellschaft-----50
Gesellschafl axiomatic studies
.............................56
Gemeinschafl/Geseüschaß
dialectical studies
.................. 60
A conceptual framework of control in reciprocal relations
..... 65
Theorizations of Society, Culture, and Economy
.............69
A sociological theory of practice
..........................69
The praxeology ofBourdieu
..............................71
Bourdieuan concepts
...................................72
The logic of the field of cultural production
...................76
What governs music consumption
?.........................78
The usefulness of a Bourdieuan approach
....................79
From use values to exchange values
........................82
Commodification and its consequences
......................83
Economic features of social and cultural practice
............ 89
Economic theories of value
............................... 89
Cultural production and consumption from an economic outlook
... 91
Economic foundations ofmanagement accounting and control
.... 92
Business economic conditions and demands
..................93
A summary and definition of control
......................95
Methodology
.....................................,___99
Research strategies and empirical sources
.................100
Experience as supportive evidence and a means of
interpretation
...............................,......102
Trustworthiness
................................,......104
PART II: CONTROL AND PRODUCTION AND
CONSUMPTION OF POPULAR MUSIC
The
Keld
of Popular Music
.............................113
A historical retrospect on use and exchange values
..........113
Organization of the global music industry
..........,......121
The music industry s gender structure
....................123
Central Actors in Music Production
......................127
The band
............................................127
10
The Gemeinschaß
of Silverbullit
..........................128
Musicians
control focus
..............,................130
Musicians control problems
............................. 131
The record company
..................................135
An extending
Gemeinschaft.............................135
MNWin brief
....................................... 137
Strategies, goals, and financial control
.....................139
A&Rs control focus
..................................146
A&Rs control problems
................................147
The publishing company
...............................150
Signing motives and strategic plan
........................150
On controllability, cooperation and the role of formal control
..... 151
A response to external demands
..........................152
Collective societies
....................................155
TheSwedish Copyright Act
..............................155
STIM
and NCB: working in the interest of composers of lyrics
and music
........................................159
IFPI Sweden and
SAMI:
working in the interest of producers
and performers
....................................162
Control and Music Production
..........................169
Division of labor, responsibilities and roles
................ 169
Potential economic returns and distributive consequences
...
І
73
Social controls in promotion activities
....................177
Pep strategies
........................................178
Commercial sociability
.................................180
Control and Music Consumption
........................187
Anxiety and the growth of an award-and-Hst culture
.........187
Risk/chance minimization and an undermining of
cultural capital
....................................189
Authenticity and the Romantic ideal
.....................193
An excluding
Gemeinschaft............................. 194
Pseudo-Gemeinschaft in music consumption?
............... . 199
11
On relationships between production and consumption
.....201
Concluding Discussion
.................................207
Reconnecting to the research aim and questions
...........207
Relating to previous research within scientific discourses
.....212
Implications of general character
........................215
Appendices
..........................................219
Appendix
1:
List of empirical material
....................219
Appendix
2:
Examples of interview questions (in Swedish)
.. . 223
References
..........................................229
12
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| spelling | Portnoff, Linda 1973- Verfasser (DE-588)137256736 aut Control, cultural production and consumption theoretical perspectives, empirical dilemmas, and Swedish music industry practices Linda Portnoff Stockholm EFI 2007 249 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Zugl.: Stockholm, Handelshögskolan, Diss., 2007 Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Regulierung (DE-588)4201190-5 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Tonträgerindustrie (DE-588)4267529-7 gnd rswk-swf Skandinavien (DE-588)4055209-3 gnd rswk-swf Schweden (DE-588)4077258-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Schweden (DE-588)4077258-5 g Popmusik (DE-588)4046781-8 s Musikwirtschaft (DE-588)4268614-3 s Regulierung (DE-588)4201190-5 s DE-604 Skandinavien (DE-588)4055209-3 g Tonträgerindustrie (DE-588)4267529-7 s Musiksoziologie (DE-588)4040869-3 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017092815&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Portnoff, Linda 1973- Control, cultural production and consumption theoretical perspectives, empirical dilemmas, and Swedish music industry practices Musikwirtschaft (DE-588)4268614-3 gnd Regulierung (DE-588)4201190-5 gnd Popmusik (DE-588)4046781-8 gnd Musiksoziologie (DE-588)4040869-3 gnd Tonträgerindustrie (DE-588)4267529-7 gnd |
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| title | Control, cultural production and consumption theoretical perspectives, empirical dilemmas, and Swedish music industry practices |
| title_auth | Control, cultural production and consumption theoretical perspectives, empirical dilemmas, and Swedish music industry practices |
| title_exact_search | Control, cultural production and consumption theoretical perspectives, empirical dilemmas, and Swedish music industry practices |
| title_full | Control, cultural production and consumption theoretical perspectives, empirical dilemmas, and Swedish music industry practices Linda Portnoff |
| title_fullStr | Control, cultural production and consumption theoretical perspectives, empirical dilemmas, and Swedish music industry practices Linda Portnoff |
| title_full_unstemmed | Control, cultural production and consumption theoretical perspectives, empirical dilemmas, and Swedish music industry practices Linda Portnoff |
| title_short | Control, cultural production and consumption |
| title_sort | control cultural production and consumption theoretical perspectives empirical dilemmas and swedish music industry practices |
| title_sub | theoretical perspectives, empirical dilemmas, and Swedish music industry practices |
| topic | Musikwirtschaft (DE-588)4268614-3 gnd Regulierung (DE-588)4201190-5 gnd Popmusik (DE-588)4046781-8 gnd Musiksoziologie (DE-588)4040869-3 gnd Tonträgerindustrie (DE-588)4267529-7 gnd |
| topic_facet | Musikwirtschaft Regulierung Popmusik Musiksoziologie Tonträgerindustrie Skandinavien Schweden Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017092815&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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