Securing the past: conservation in art, architecture and literature
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2009
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XI, 290 S. Ill. |
| ISBN: | 9780521898089 9780521725910 |
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| 100 | 1 | |a Eggert, Paul |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Securing the past |b conservation in art, architecture and literature |c Paul Eggert |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 2009 | |
| 300 | |a XI, 290 S. |b Ill. | ||
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Datensatz im Suchindex
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| adam_text | Contents
List of illustrations Page vl
Preface ix
1 Introduction i
2 The witness of historic buildings and the restoration of the
churches 19
3 The new Ruskinians and the new aesthetes 41
4 Forgery and authenticity: historical documents, literary
works and paintings 61
5 Conservators and agency: their role in the work 86
6 Subtilising authorship: Rembrandt, scientific evidence and
modern connoisseurship 109
7 Materialist, Performance or literary Shakespeare? 131
8 Modes of editing literary works: conflicts in theory and
practtce 154
9 Readers and editors: new directions in scholarly editing 185
10 The editorial gaze and the nature of the work 214
Notes 241
Bibliograph)/ 265
Index 285
List of illustrations
1.1 Sofala, old gold-mining town, New South Wales,
2007. Courtesy: Paul Eggert. page 3
1.2 Kow Plains Station, Cowangie, Victoria, 2006.
Courtesy: Paul Eggert. 4
1.3 Kow Plains Station outbuilding: cookhouse interior.
Kow Plains Station, Cowangie, Victoria, 2006.
Courtesy: Paul Eggert. 5
1.4 Frontispiece and title-page, Rutherfoord Goodwin, A
Brief and True Report Concerning Williamsburg in
Virginia (3rd edn, 1972). Courtesy: Colonial
Williamsburg Foundation. 7
1.5 Copyright page and Preface, Rutherfoord Goodwin,
A Brief and True Report Concerning Williamsburg in
Virginia (3rd edn, 1972). Courtesy: Colonial
Williamsburg Foundation. 8
2.1 Joseph Lycett, Convict Barrack, Sydney N. S. Wales
1819—20. Watercolour. Courtesy: State Library of New
South Wales. 32
2.2 Aerial view of the Hyde Park Barracks, 1960s.
Courtesy: Public Works Department and Historie
Houses Trust of NSW. 34
2.3 Western aspect, Hyde Park Barracks Museum, 1991.
© Jaime Plaza van Roon, courtesy: Historie Houses
Trust of NSW. 35
3.1 Brodsworth Hall, 1995. Courtesy: English Heritage. 43
3.2 French boat-shaped bed, before conservation,
Brodsworth Hall. Courtesy: English Heritage. 44
3.3 Uppark: the Dining Room (facing south) following
the fire of 30 August 1989, cleared of rubble. ©NTPL/
Tim Stephens. 48
List of illustrations vii
3.4 Uppark: the south-west aspect of the House at
Uppark, fully restored after the disastrous fire.
©NTPL/David Dixon. 49
4.1 The Oath of a Freeman , forgery done by Mark
Hofmann. Source: Forged Documents: Proceedings of
the ip8p Houston Conference Organized by the
University of Houston Libraries, ed. Pat Bozeman
(New Castle, Del.: Oak Knoll, 1990), p. 16. 73
4.2 Han van Meegeren, [fake Vermeer s] Supper at
Emmaus [De Emmaüsgangers] (1937). Courtesy:
Museum Boymans-van Beuningen, Rotterdam. 79
4.3 Han van Meegeren, [fake Vermeer s] The Washing of
the Feet [De Voetwassing], 1941. © Rijksmuseum, Amsterdam. 80
5.1 Michelangelo, Sistine Chapel Ceiling (1508-12),
during restoration. Detail of God Separating Light
from Darkness. Photo Vatican Museums. 91
5.2 Michelangelo, Last Judgement (1536-41), Sistine
Chapel. Detail of the figure traditionally identified as
John the Baptist, after restoration. Courtesy of the
Vatican Museums. 96
5.3 Leonardo da Vinci, Last Supper (1498), detail of
Thaddeus (a) before restoration (with adjoining
figure, Simon, during cleaning), and (b) after
restoration, Santa Maria delle Grazie, Milan.
Courtesy: Photoservice Electa/Quattrone. 100—101
5.4 Liz Magor, Time andMrs Tiber (1976). Photo
© National Gallery of Canada. 104
5.5 Liz Magor, Dorothy: A Resemblance (1980-81). Photo
© National Gallery of Canada. 105
6.1 Rembrandt, The Lamentation over the Dead Christ. ©
National Gallery, London. 116
6.2 X-ray mosaic, Rembrandt, The Lamentation over the
Dead Christ. © National Gallery, London. 117
6.3 Diagram ofstages ofproduction of Rembrandt, The
Lamentation over the Dead Christ. © National Gallery,
London. 118
6.4 Rembrandt, Rembrandt, Self-Portrait, 1632, before
restoration. Private collection. 129
viii List of illustrations
8.1 Section of left-hand page from the synoptic and
critical edition of James Joyces Ulysses (1984), vol. 1,
p. 362. Courtesy: Hans Walter Gabler. 165
8.2 The Boy in the Bush, revised typescript copy of page
468, from the setting copy for the first American
edition. Courtesy: Alfred M. and Ciarisse B. Hellman
Papers, Rare Book and Manuscript Library,
Columbia University. 170
8.3 The Boy in the Bush, revised typescript copy of page
468, from the setting copy for the first English
edition. Courtesy: Harry Ransom Humanities
Research Center, University of Texas at Austin. 171
10.1 Rembrandt, The Anatomy Lesson of Dr Nicolaes Tulp
(1632). Courtesy: Royal Picture Gallery Mauritshuis,
The Hague. 216
|
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| discipline | Kunstgeschichte Soziologie |
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| spelling | Eggert, Paul Verfasser aut Securing the past conservation in art, architecture and literature Paul Eggert 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2009 XI, 290 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Arts and history Historic preservation Authenticity (Philosophy) Sakralbau (DE-588)4178936-2 gnd rswk-swf Kulturerbe (DE-588)4033560-4 gnd rswk-swf Restaurierung (DE-588)4049600-4 gnd rswk-swf Kulturgüterschutz (DE-588)4165975-2 gnd rswk-swf Konservierung (DE-588)4114279-2 gnd rswk-swf Kunstwerk (DE-588)4123592-7 gnd rswk-swf Kunstwerk (DE-588)4123592-7 s Konservierung (DE-588)4114279-2 s DE-604 Kulturerbe (DE-588)4033560-4 s Kulturgüterschutz (DE-588)4165975-2 s Sakralbau (DE-588)4178936-2 s Restaurierung (DE-588)4049600-4 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017083427&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Eggert, Paul Securing the past conservation in art, architecture and literature Arts and history Historic preservation Authenticity (Philosophy) Sakralbau (DE-588)4178936-2 gnd Kulturerbe (DE-588)4033560-4 gnd Restaurierung (DE-588)4049600-4 gnd Kulturgüterschutz (DE-588)4165975-2 gnd Konservierung (DE-588)4114279-2 gnd Kunstwerk (DE-588)4123592-7 gnd |
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| title | Securing the past conservation in art, architecture and literature |
| title_auth | Securing the past conservation in art, architecture and literature |
| title_exact_search | Securing the past conservation in art, architecture and literature |
| title_full | Securing the past conservation in art, architecture and literature Paul Eggert |
| title_fullStr | Securing the past conservation in art, architecture and literature Paul Eggert |
| title_full_unstemmed | Securing the past conservation in art, architecture and literature Paul Eggert |
| title_short | Securing the past |
| title_sort | securing the past conservation in art architecture and literature |
| title_sub | conservation in art, architecture and literature |
| topic | Arts and history Historic preservation Authenticity (Philosophy) Sakralbau (DE-588)4178936-2 gnd Kulturerbe (DE-588)4033560-4 gnd Restaurierung (DE-588)4049600-4 gnd Kulturgüterschutz (DE-588)4165975-2 gnd Konservierung (DE-588)4114279-2 gnd Kunstwerk (DE-588)4123592-7 gnd |
| topic_facet | Arts and history Historic preservation Authenticity (Philosophy) Sakralbau Kulturerbe Restaurierung Kulturgüterschutz Konservierung Kunstwerk |
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