Classical form: a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford University Press
2001
|
| Ausgabe: | Paperback |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 307 Seiten Notenbeispiele |
| ISBN: | 9780195143997 |
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Datensatz im Suchindex
| _version_ | 1804138561330479104 |
|---|---|
| adam_text | CONTENTS
Introduction
Part I Preliminaries
ι
Some Basic Formal Functions: An Overview
ρ
Sentence
ρ
Period
12
SmallTernary
13
Framing Functions ij
Interthematk Functions: A Sonata Exposition ij
2
Fundamental Progressions of Harmony
23
Harmonic Functions
25
Harmonic Progressions
24
Part
Π
Tight-Knit Themes
3
Sentence
35
Presentation Phrase
55
Continuation Phrase
40
4
Period
49
Antecedent Phrase
49
Consequent Phrase
53
Deviations from the Norm
55
5
Hybrid Themes and Compound Themes
59
Hybrid Themes
ţp
Compound Themes
63
6
SmallTernary
71
Exposàion
75
Contrasting Middle
75
Recapitulation
81
Tight-Knit Versus
Loose Organization
84
7
Small Binary
87
First Part
8η
Second Part
89
Part
Ш
Looser Formal Regions
8
Subordinate Theme
97
Looser Sentential Functions
99
Additional Loosening Techniques
m
Multiple Subordinate Themes
121
Closing Section
122
Dynamic Curve of
Subordinate Theme
125
9
Transition
125
Modulating Versus
Nmíuodídatíng
Transitions I2j Beginning the Transition
727
Ending the Transition
131
Two-Part Transition
13
j
xü CONTENTS
10
Development 139
Tonal Organization
139
Pre-Core/Core
Technique
щі
Development Sections
Without a Core
155·
Retranńtion zfj
11
Recapitulation
161
Main Theme
163
Transition
163
Fusion of Main Theme and Transition
16;
Subordinate Theme (Group)
167
Additional Features
ΐγΐ
Deviations from the Norm
173
12
Coda
179
Start of the Coda
τ
81
Phrase-Structural Organization
ΐ8β
Compensatory Functions
186
Part IV Full-Movement Forms
13
Sonata Form
195
Overall Tonal Organization
195
Cadential Goals in the Exposition
196
Main Theme
197
Obscured Boundary Between Transition and Subordinate Theme
zoi
Slow Introduction
203
14
Slow-Movement Forms
209
Sonata Form in Slow Movements
209
Large Ternary
211
Sonata Without Development
216
Theme and Variations
216
15
Minuet/Trio Form
219
Minuet Form
220
Trio
22p
16
Rondo Forms
2 31
Five-Part Rondo
231
Sonata-Rondo
255
17
Concerto Form
243
Opening
Ritornello
2ąą.
Solo Exposition
245
Subordinate-Key
Ritornello
248
Sok
Development
249
Solo
Recapitulation
249
Closing
Ritornello
250
Glossary of Terms
253
Notes
259
Bibliography
289
Index of Classical Compositions
293
General Index
298
Building
on ideas first advanced by Arnold
Schoenberg
and later developed by
Erwin Ratz,
this book introduces a new theory of form for instrumental music in the classical style. The
theory provides a broad set of principles and a comprehensive methodology for the analysis
of classical form, from individual ideas, phrases, and themes to the large-scale organization
of complete movements. It emphasizes the notion offormal function, that is, the specific role
a given formal unit plays in the structural organization of a classical work.
Focusing on the music of Haydn, Mozart, and Beethoven, this book identifies numerous
formal functions at multiple levels within a musical composition. All of these formal
functions are thoroughly investigated and refined in order to determine their essential
characteristics and how they interact with each other to create a variety of formal designs.
Along the way, a host of concepts associated with harmony, tonality, and cadence are
introduced and examined.
Classical Form features over
200
annotated musical examples drawn from a range of
instrumental genres. These examples illustrate the theoretical principles presented in the
book and serve as models for further analysis. Written for theorists, musicologists, and
composers, the book is also useful for courses on form and analysis and on the history of
musical style.
William E. Caplin is Associate Professor of Music at McGill University. A theorist and
musicologist specializing in the music of the classical period, he has published extensively
on the history of harmonic and rhythmic theories in the eighteenth and nineteenth centuries.
|
| any_adam_object | 1 |
| author | Caplin, William Earl 1948- |
| author_GND | (DE-588)121753484 |
| author_facet | Caplin, William Earl 1948- |
| author_role | aut |
| author_sort | Caplin, William Earl 1948- |
| author_variant | w e c we wec |
| building | Verbundindex |
| bvnumber | BV035272981 |
| classification_rvk | LP 39217 LP 40411 LP 63181 LR 55150 LR 55154 LR 55520 LR 56710 |
| ctrlnum | (OCoLC)248017899 (DE-599)BVBBV035272981 |
| dewey-full | 784.18 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.18 |
| dewey-search | 784.18 |
| dewey-sort | 3784.18 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | Paperback |
| era | Geschichte 1770-1830 gnd |
| era_facet | Geschichte 1770-1830 |
| format | Book |
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| isbn | 9780195143997 |
| language | English |
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| spelling | Caplin, William Earl 1948- (DE-588)121753484 aut Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven William E. Caplin Paperback Oxford [u.a.] Oxford University Press 2001 XII, 307 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Beethoven, Ludwig van <1770-1827> Mozart, Wolfgang Amadeus <1756-1791> Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Haydn, Joseph 1732-1809 (DE-588)118547356 gnd rswk-swf Geschichte 1770-1830 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Musikalische Form (DE-588)4040821-8 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musikalische Form (DE-588)4040821-8 s Geschichte 1770-1830 z DE-604 Haydn, Joseph 1732-1809 (DE-588)118547356 p Instrumentalmusik (DE-588)4129951-6 s Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017078319&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017078319&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Caplin, William Earl 1948- Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven Beethoven, Ludwig van <1770-1827> Mozart, Wolfgang Amadeus <1756-1791> Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Instrumentalmusik (DE-588)4129951-6 gnd Musikalische Form (DE-588)4040821-8 gnd |
| subject_GND | (DE-588)118508288 (DE-588)118584596 (DE-588)118547356 (DE-588)4129951-6 (DE-588)4040821-8 (DE-588)4151278-9 |
| title | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| title_auth | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| title_exact_search | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| title_full | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven William E. Caplin |
| title_fullStr | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven William E. Caplin |
| title_full_unstemmed | Classical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven William E. Caplin |
| title_short | Classical form |
| title_sort | classical form a theory of formal functions for the instrumental music of haydn mozart and beethoven |
| title_sub | a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| topic | Beethoven, Ludwig van <1770-1827> Mozart, Wolfgang Amadeus <1756-1791> Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Instrumentalmusik (DE-588)4129951-6 gnd Musikalische Form (DE-588)4040821-8 gnd |
| topic_facet | Beethoven, Ludwig van <1770-1827> Mozart, Wolfgang Amadeus <1756-1791> Beethoven, Ludwig van 1770-1827 Mozart, Wolfgang Amadeus 1756-1791 Haydn, Joseph 1732-1809 Instrumentalmusik Musikalische Form Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017078319&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017078319&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT caplinwilliamearl classicalformatheoryofformalfunctionsfortheinstrumentalmusicofhaydnmozartandbeethoven |