Det imaginära rummet: inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | Swedish |
| Veröffentlicht: |
Göteborg
Univ., Inst. för Kultur, Estetik och Medier
2008
|
| Schriftenreihe: | Skrifter från musikvetenskap, Göteborgs Universitet
92 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 458 S. Notenbeisp. |
| ISBN: | 9789185974085 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804138555495153664 |
|---|---|
| adam_text | KAPITEL
1 INTRODUKTION..................................................................................17
1.1
problemet
...........................................................................................................17
1.2
Konstmusikens status i samhället och musikvetenskapens modeller
.....................................................................................................................................18
1.3
en rekontextualisering av konstmusiken
.................................................24
1.4
Syfte
.....................................................................................................................28
1.5
Utgångspunkter och frågeställningar
....................................................28
1.6
Vetenskapsteoretiska utgångspunkter
.....................................................30
1.7
Tidigare forskning
...........................................................................................32
1.8
avgränsningar
..................................................................................................36
1.9
inspelningar som musikaliska och estetiska objekt
...............................37
l.lolyssnandetsepistemologi
............................................................................37
1.11
källor och material
.....................................................................................42
1.12
Disposition
........................................................................................................43
KAPITEL
2
KONSTMUSIK OCH KONSTMUSIKFONOGRAM
.....................45
2.1
inledning
.............................................................................................................45
2.2
Konstmusik som genre och musikaliskt fält
............................................45
2.3
Svensk konstmusiks mittfåra
.......................................................................64
2.4
Konstmusik i inspelningar och på
fonogram
.............................................68
KAPITEL
3
MUSIKINSPELNINGEN I MEDIET OCH SOM
REPRESENTATION
.................................................................................................„.79
3.1
Inledning
.............................................................................................................79
3.2
Den musikteknologiska revolutionen
........................................................80
3.3
Musikteknik och musikteknologi
.................................................................83
3.4
Den musikteknologiska revolutionen i kulturhistorien
......................86
3.5
Notation, interpretation och inspelad musik
...........................................89
3.6
Fonogram
som medium
1877-1948.................................................................90
3.7
Analoga och digitala ljudmedier
..............................................................102
3.8
musikinspelningen som representation av musik
..................................108
3.9
Representation: en analysmodell
.............................................................124
KAPITEL
4
AKTÖRER OCH KONSTMUSIKFONOGRAM I SVERIGE
1925-
1950................................................................................................................................127
4.1
Inledning: perioden
1925-1950....................................................................127
4.2
Musikens landskap i Sverige
1925-1950....................................................128
4.3
Genresystemen i förändring
.......................................................................130
4.4
Aktörer, premisser för produktion och kriser
......................................132
4.5
synen på konstmusik och
fonogram
under 1940-talet
.........................134
4.6
Polyphon och Polydor
1926-1932..............................................................139
4.7
Parlophon och
Odeon
....................................................................................141
4.8
ODEON
1928-1932.............................................................................................143
4.9
His Master s Voice/Husbondens
röst........................................................
145
4.10HMV1927-1950
..............................................................................................147
4.11
JUSSI BJÖRLING OCH NILS GREVILLIUS
1929-1950.......................................152
4.12 Ultraphon,
Telefunken och
Musica
1930-1950....................................153
4.13
UlTRAPHON/TeLEFUNKEN/MUSICA
1932-1950.............................................155
13
4.14
RADIOTJÄNST
1925-1950................................................................................158
4.15
RADIOTJÄNST
1937-1950................................................................................162
4.16
BERWALDSERIEN
..............................................................................................171
4.17
Samverkan: Cupolserien
1947-1949.........................................................172
4.18
Slutsatser
......................................................................................................176
KAPITEL
5
AKTÖRER OCH KONSTMUSIKFONOGRAM I SVERIGE
1950-
1983................................................................................................................................179
5.1
Inledning: perioden
1950-1983....................................................................179
5.2
Metronome
.......................................................................................................182
5.3
Metronome
1951-1959...................................................................................183
5.4
HMV/EMI
1950-1983.......................................................................................186
5.5
Radiotjänst/Sveriges radio
1950-1983.....................................................191
5.6
Swedish Society Discofil
1954-1962...........................................................199
5.7
Grammofon AB Electra och
Swedish Society Discofil
1962-1965 ....207
5.8
Svenska Decca/Barben
1945-1961..............................................................211
5.9
Grammofon AB Electra
...............................................................................215
5.10
Grammofon AB Electra
1956-1979..........................................................219
5.11
Phono
Suécia
1966-1983..............................................................................233
5.12
Expo Norr/Caprice
1965-1983....................................................................234
5.13
Proprius
1969-1983.......................................................................................237
5.14
BIS
1973-1983..................................................................................................238
5.15
Slutsatser
......................................................................................................239
KAPITEL
6
PROCESS: PRAXIS OCH PRODUKTION AV KONSTMUSIK
1925-1983......................................................................................................................243
6.1
Inledning
...........................................................................................................243
6.2
Tvä epokers brytpunkt
.................................................................................243
6.3
Kjell Stensson, Ljudfadern
.....................................................................245
6.4 Musikproduktionspraxis
som kunskap, konst och hantverk
..............248
6.5
Centrala teknologiska förutsättningar
...............................................252
6.6
Den elektrogravyr-^S-monofoniska eran
1925-1950...........................256
6.7
Rummet: ljudbild, eko, efterklang och musikakustik
.........................261
6.8
Musikinspelningar som process och produkt
..........................................265
6.9
musikteknologiskt hantverk, kunskap och praxis
1925-1950...........266
6.10
Den band-elektrogravyr-longPlay-stereofoniska eran
.............273
1950-1983.................................................................................................................273
6.11
MUSIKTEKNOLOGISKT HANTVERK, KUNSKAP OCH PRAXIS
1950-1983.........276
6.12
En modern fonogramproducent: Hans Peter
Kempe
...........................299
6.13
Praxis och produktion: Discofil
1945-1962...........................................302
6.14
Orkestermusik: Midsommarvaka/Bergakungenokjobek
1954............309
6.15
Redigering och versioner av Midsommar vaka
.......................................318
6.16
Utgivning, lansering och mottagande av Midsommar vaka
...............320
6.17
Tekniska och administrativa aspekter av fonogram-produktionen
...................................................................................................................................323
6.18
Svensk romanssang i mono: sånger, maj
1957.ľ...ľ.Z.ľ.ľ..ľ.. .ľ.ľ.ľ..ľ
........327
6.19
Att skapa musikhistoria:
II Maestro di Musica
ÍssEptEmber
І
955
осн
Drottningholmsmusiken, september
1958........................................................329
6.20
Samarbete mellan inblandade aktörer
...........
ľ.ľ.!!ľ.ľľ!ľľ! ľ
........333
14
6.21
s-kanalig panorerad stereo:
symfoni
nr. 3 e-dur,
defåv1tska
jungfrurna och leksandssvit
όεν
7
februari och
10
mars
1964..................338
6.22
Stig Carlssons inspelningar:
1
speglarnas sal juni
1966.....................341
KAPITEL
7
ELEKTRONISK MUSIK SOM MEDIALISERAD
KONSTMUSIK: FRÅN AVANTGARDISM TILL MODERN MITTFÅRA
...345
7.1
Inledning
...........................................................................................................345
7.2
lördagskväll i helvetet : avantgardets nya musik
.........................347
7.3
Elektronisk musik som konstmusikgenre
................................................350
7.4
Inspelad och medierad elektronisk musik
1947-1959............................352
7.5
Karl-Birger Blomdahls Aniara och Ingvar Lidholms Riter
................354
7.6
Bengt Hambraeus 1960-talsproduktion av elektronisk musik
...........356
7.7
Ralph
Lundsten som tonsättare och konstnär
.....................................357
7.8
Den datorstyrda elektronmusikstudion EMS
.......................................360
7.9
Elektronmusikstudion Dokumentation
1................................................364
7.10
Striden omen skiva:
MUMS
.......................................................................366
7.11
Den svenska elektroniska musikens två riktningar
..........................372
7.12
frän avantgardism till modern mittfåra:
ralph
lundstens
fonogramproduktľon
...........................................................................................374
7.13
Andromeda:
produktion av elektronisk musik
.....................................383
7.14
1970-talets utgivning av
fonogram
med elektronmusik
...................388
7.15
Rune Lindblads
Predestination
.................................................................390
7.16
Nordiska önskeklassiker
...........................................................................392
7.17
värderingen av tonsättare och elektronisk musik som konstmusik
...................................................................................................................................395
KAPITEL
8
KONSTMUSIKINSPELNINGEN SOM FONOGRAFIVERK,
HYPERNOTATION OCH MULTIMEDIAL
MUSIKPRODUKT
....................399
8.1
Inledning
...........................................................................................................399
8.2
Analyser
...........................................................................................................401
1-8)
Kammarorkestern
1953..............................................................................401
9-10)
Kung Eriks visor
.......................................................................................405
11-12)
Sinfonietta
С
-dur,
op 7a
.........................................................................409
13-14)
Symfoni nr
2
g-moll op
34......................................................................412
15)
Riddar
Blåskäggs borg
.................................................................................417
16)
Fadervår
........................................................................................................420
17)
Sju dalmålningar: variationer i folkton
.......................................................424
KAPITEL
9
KONSTMUSIKFONOGRAM I SVERIGE
.....................................427
English Summary..................................................................................................
433
THE IMAGINARY ROOM: RECORDING PRACTICE AND PRODUCTION
OF ART MUSIC PHONOGRAMS IN SWEDEN
1925-1983..............................433
Chapter
1
Introduction
......................................................................................433
Chapter
2
Art Music and Art Music Phonograms
.......................................434
Chapter
3
The Music Recording in the Medium and as Representation
. 435
Chapter
4
Participants and Art Music Phonograms in Sweden,
1925-1950
.................................................................
л
................................................................435
15
Chapter
5
Participants and Art Music Phonograms in Sweden,
1950-1983
...................................................................................................................................436
Chapter
6
Process: Practice and production of Art Music
1925-1983... 437
Chapter
7
Electronic Music as a medialized Art Music: From avant-
gardism TO A MODERN MiDFIELD
...........................................................................437
Chapter
8
The Art Music Recording as a Work of Phonography,
hypernotation
and
a
multimedial
music product
.....................................438
Chapter
9
Art Music Phonograms in Sweden
................................................438
KÄLLOR OCH LITTERATUR
...............................................................................439
Otryckta källor
................................................................................................439
Offentliga och privata arkiv
........................................................................439
göteborg
.................................................................................................................439
Stockholm
..............................................................................................................439
Uppsala
....................................................................................................................440
Intervjuer och samtal
......................................................................................440
Fonogram
...............................................................................................................440
Tryckta källor (inklusive fonogramkommentarer)
............................443
Litteratur
.............................................................................................................445
APPENDIX
...................................................................................................................457
16
|
| any_adam_object | 1 |
| author | Burlin, Toivo |
| author_facet | Burlin, Toivo |
| author_role | aut |
| author_sort | Burlin, Toivo |
| author_variant | t b tb |
| building | Verbundindex |
| bvnumber | BV035268819 |
| ctrlnum | (OCoLC)489041682 (DE-599)BVBBV035268819 |
| era | Geschichte 1925-1983 gnd |
| era_facet | Geschichte 1925-1983 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Schweden (DE-588)4077258-5 gnd |
| geographic_facet | Schweden |
| id | DE-604.BV035268819 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:30:03Z |
| institution | BVB |
| isbn | 9789185974085 |
| language | Swedish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017074222 |
| oclc_num | 489041682 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 458 S. Notenbeisp. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Univ., Inst. för Kultur, Estetik och Medier |
| record_format | marc |
| series | Skrifter från musikvetenskap, Göteborgs Universitet |
| series2 | Skrifter från musikvetenskap, Göteborgs Universitet |
| spelling | Burlin, Toivo Verfasser aut Det imaginära rummet inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983 Toivo Burlin Göteborg Univ., Inst. för Kultur, Estetik och Medier 2008 458 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Skrifter från musikvetenskap, Göteborgs Universitet 92 Zugl.: Göteborg, Univ., Diss., 2008 Lundsten, Ralph Geschichte 1925-1983 gnd rswk-swf Musikproduzent (DE-588)4572889-6 gnd rswk-swf Tonträgerproduktion (DE-588)4333011-3 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf Schweden (DE-588)4077258-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Schweden (DE-588)4077258-5 g Klassische Musik (DE-588)4164043-3 s Tonträgerproduktion (DE-588)4333011-3 s Geschichte 1925-1983 z DE-604 Musikproduzent (DE-588)4572889-6 s Skrifter från musikvetenskap, Göteborgs Universitet 92 (DE-604)BV023090645 92 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017074222&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Burlin, Toivo Det imaginära rummet inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983 Skrifter från musikvetenskap, Göteborgs Universitet Lundsten, Ralph Musikproduzent (DE-588)4572889-6 gnd Tonträgerproduktion (DE-588)4333011-3 gnd Klassische Musik (DE-588)4164043-3 gnd |
| subject_GND | (DE-588)4572889-6 (DE-588)4333011-3 (DE-588)4164043-3 (DE-588)4077258-5 (DE-588)4113937-9 |
| title | Det imaginära rummet inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983 |
| title_auth | Det imaginära rummet inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983 |
| title_exact_search | Det imaginära rummet inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983 |
| title_full | Det imaginära rummet inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983 Toivo Burlin |
| title_fullStr | Det imaginära rummet inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983 Toivo Burlin |
| title_full_unstemmed | Det imaginära rummet inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983 Toivo Burlin |
| title_short | Det imaginära rummet |
| title_sort | det imaginara rummet inspelningspraxis och produktion av konstmusikfonogram i sverige 1925 1983 |
| title_sub | inspelningspraxis och produktion av konstmusikfonogram i Sverige 1925 - 1983 |
| topic | Lundsten, Ralph Musikproduzent (DE-588)4572889-6 gnd Tonträgerproduktion (DE-588)4333011-3 gnd Klassische Musik (DE-588)4164043-3 gnd |
| topic_facet | Lundsten, Ralph Musikproduzent Tonträgerproduktion Klassische Musik Schweden Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017074222&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV023090645 |
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