The Oxford handbook of early modern theatre:
This collection of new essays explores the social, political, and economic pressures under which the playing companies of Shakespeare and his contemporaries operated. It shows how they evolved over time to meet new challenges such as the opposition of City of London authorities, the possibility of p...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2009
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | This collection of new essays explores the social, political, and economic pressures under which the playing companies of Shakespeare and his contemporaries operated. It shows how they evolved over time to meet new challenges such as the opposition of City of London authorities, the possibility of permanent location in London, the re-emergence of boy companies c. 1600, and the great increase in court performance which began under James I. Essays also explore the practical everyday business of playing: acquiring scripts and playhouses, dramatic authorship, the contribution of financiers and entrepreneurs, rehearsing, lighting, music, props, styles of acting, boy actors, and the role of women in an 'all-male' world. A number of contributors address the methodologies of theatre history itself, questioning its philosophical premises and evaluating the nature of the evidence we have, such as that from stage directions in play-books or from the visual records.--From publisher description. |
| Beschreibung: | XXVI, 716 S. Ill. |
| ISBN: | 9780199287246 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Figures
xv
List of Maps
xviii
List of Contributors
xix
Introduction: Early Modern Theater History: Where We Are Now,
How We Got Here, Where We Go Next
ι
William Ingram
PART I THEATRE COMPANIES
1. Adult Playing Companies to
1583 19
W. R. Streitberger
2.
Adult Playing Companies
1583-1593 39
Sally-Beth MacLean
3.
Adult Playing Companies
1593-1603 56
Roslyn L.
Knutson
4.
Adult Playing Companies
1603-1613 72
Tom
Rutter
5.
Adult Playing Companies
1613-1625 88
James J. Marino
6.
Adult and Boy Playing Companies
1625-1642 104
Martin Butler
7.
Early (Pre-1590) Boy Companies and their Acting Venues
120
Michael Shapiro
8.
The Boy Companies
1599-1613 136
Mary
Bly
Xli
CONTENTS
PART II LONDON PLAYHOUSES
9.
Inn-Yard Playhouses
*53
David Kathman
10.
The Theatre in Shoreditch
1576-1599 168
Gabriel Egan
11.
Why the Globe Is Famous
186
Andrew
Gurr
12.
The Most Convenient Place: The Second Blackfriars Theater
and its Appeal
209
Ralph Alan Cohen
13.
The Red Bull Playhouse
225
Mark Bayer
14.
The Phoenix and the Cockpit-in-Court Playhouses
240
Frances Teague
PART III OTHER PLAYING SPACES
15.
He who pays the piper calls the tune : Household Entertainments
263
Suzanne
Westfall
16.
The Universities and the Inns of Court
280
Alan H. Nelson
17.
Touring
292
Peter Greenfield
18.
Court Theatre
307
ÏOHN
H. ASTINGTON
19.
London Street Theater
323
Anne Lancashire
CONTENTS
ХШ
PART IV SOCIAL PRACTICES
20.
Not Just Sir Oliver Owlet: From Patrons to Patronage
of Early Modern Theatre
343
Alan Somerset
21.
The Court, the Master of the Revels, and the Players
362
Richard Dutton
гг.
Theater Entrepreneurs and Theatrical Economics
380
S. P. Cerasano
23.
The City of London and the Theatre
396
Ian W. Archer
24.
Players, Livery Companies, and Apprentices
413
David Kathman
25.
Materiality and the Market: The Lady Elizabeth s Men and
the Challenge of Theatre History
429
Kathleen E. McLuskie
26.
For the author s credit : Issues of Authorship in English
Renaissance Drama
441
Heather
Hirschfeld
27.
Women in the Theater
456
Natasha
Korda
PART V EVIDENCE
ОБ
THEATRICAL PRACTICES
28.
Early Modern Naturalistic Acting: The Role of the Globe in
the Development of Personation
477
Jacalyn
Royce
29.
Actors Parts
496
Tiffany Stern
30.
Stage Directions and the Theater Historian
513
Alan C.
Dessen
XIV CONTENTS
31.
Lighting 528
R. B.
Graves
32.
Music and Sound
543
Lucy Munro
33.
Properties
560
Andrew Sofer
34.
Eyewitnesses to History: Visual Evidence for Theater in
Early Modern England
575
Thomas Postlewait
35.
Christopher Beeston: His Property and Properties
607
Eva Griffith
Bibliography
623
Index
673
There was no single Elizabethan stage . Early
modern actors exploited various opportunities
for patronage and profit between the 1570s and
1642,
whether touring, or performing at inns,
in country houses, in purpose-built theatres,
at court, at the universities, or at the inns of
court. This authoritative and comprehensive
collection of new essays explores the social,
political, and economic pressures under which
the playing companies of Shakespeare and
his contemporaries operated. It shows how
they evolved over time to meet new challenges
such as the opposition of City of London
authorities, the possibility of permanent
location in London, the re-emergence of boy
companies c.1600, and the great increase
in court performance which began under
James I. Essays also explore the practical
everyday business of playing: acquiring scripts
and playhouses, dramatic authorship, the
contribution of financiers and entrepreneurs,
rehearsing, lighting, music, props, styles of
acting, boy actors, and the role of women in
an all-male world. A number of contributors
address the methodologies of theatre history
itself, questioning its philosophical premises
and evaluating the nature of the evidence we
have, such as that from stage directions in play-
books or from the visual records. The collection
as a whole offers a challenging account of the
world of the players in Tudor-Stuart England,
revising old assumptions and so inviting us to
explore anew the plays which were written for
them and which are their greatest living legacy.
Richard Dutton is Humanities Distinguished
Professor at Ohio State University. He is best
known for his work on early modern censor¬
ship, including Mastering the Revels: the
Regulation and Censorship of English
Renaissance Drama
(1991).
Ben
Jonson,
Volpone and the Gunpowder Plot
(2008)
is his third monograph on
Jonson.
His
scholarly editing includes
Jonson
s
Epicene
(2003)
for the Revels Plays (of which he is a
general editor), and Volpone for the Cambridge
Ben
Jonson.
He is working on the revisions of
Shakespeare s plays for court performance.
|
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| spelling | The Oxford handbook of early modern theatre ed. by Richard Dutton Early modern theatre 1. publ. Oxford [u.a.] Oxford Univ. Press 2009 XXVI, 716 S. Ill. txt rdacontent n rdamedia nc rdacarrier This collection of new essays explores the social, political, and economic pressures under which the playing companies of Shakespeare and his contemporaries operated. It shows how they evolved over time to meet new challenges such as the opposition of City of London authorities, the possibility of permanent location in London, the re-emergence of boy companies c. 1600, and the great increase in court performance which began under James I. Essays also explore the practical everyday business of playing: acquiring scripts and playhouses, dramatic authorship, the contribution of financiers and entrepreneurs, rehearsing, lighting, music, props, styles of acting, boy actors, and the role of women in an 'all-male' world. A number of contributors address the methodologies of theatre history itself, questioning its philosophical premises and evaluating the nature of the evidence we have, such as that from stage directions in play-books or from the visual records.--From publisher description. Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1500-1642 gnd rswk-swf Geschichte Theater England History 16th century Theater England History 17th century Theater (DE-588)4059702-7 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content England (DE-588)4014770-8 g Theater (DE-588)4059702-7 s Geschichte 1500-1642 z DE-604 Dutton, Richard 1948- Sonstige (DE-588)124701752 oth Erscheint auch als Online-Ausgabe 9780191743610 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017068684&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017068684&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | The Oxford handbook of early modern theatre |
| title_alt | Early modern theatre |
| title_auth | The Oxford handbook of early modern theatre |
| title_exact_search | The Oxford handbook of early modern theatre |
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| title_short | The Oxford handbook of early modern theatre |
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| topic_facet | Geschichte Theater England History 16th century Theater England History 17th century Theater England Aufsatzsammlung |
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