Prehistoric art and ideology:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Archaeopress
2008
|
| Schriftenreihe: | British archaeological reports / International series
1872 International Union of Prehistoric and Protohistoric Sciences: Proceedings of the XV World Congress 16 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | V, 123 S. Ill., graph. Darst., Kt. |
| ISBN: | 9781407303529 |
Internformat
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| 245 | 1 | 0 | |a Prehistoric art and ideology |c ed. by Emmanuel Anati |
| 264 | 1 | |a Oxford [u.a.] |b Archaeopress |c 2008 | |
| 300 | |a V, 123 S. |b Ill., graph. Darst., Kt. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a British archaeological reports / International series |v 1872 | |
| 490 | 0 | |a International Union of Prehistoric and Protohistoric Sciences: Proceedings of the XV World Congress |v 16 | |
| 650 | 4 | |a Antiquities, Prehistoric |v Congresses | |
| 650 | 4 | |a Art and religion |v Congresses | |
| 650 | 4 | |a Art, Prehistoric |v Congresses | |
| 650 | 4 | |a Symbolism in art |v Congresses | |
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Datensatz im Suchindex
| _version_ | 1804138546657755136 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
Presentation: Prehistoric art and ideology
.............................................................................1
Emmanuel
Anati,
Italy
Deciphering mythological narrations in the rock art of Valcamonica:
the rock of the phallus
......................................................................................................3
Emmanuel
Anati
&
Ariela Fradkin,
Italy
Gravettian burial rites: functional analysis of the lithic grave goods
...................................13
Simona
Arrighi
&
Valentina
Borgia, Italy
Animal deities and shamans, warriors and Aesir Gods
-
rock art of
the Nothern Countries
-
Scandinavia, Finland and Russia
............................................21
Ulf Bertilsson,
Sweden
Dancing scenes and ideology in the Neolithic Near East
.....................................................41
Yosef Garfinkel, Israel
Patriarchy and ideology in the rock art of the Iberian Mediterranean Basin
........................53
Trinidad
Escoriza
Mateu, Spain
The symbolism and the wearing fashion of jewellery-pendants during
the Bronze Age in Hungary
............................................................................................61
Katalin Jankovits,
Hungary
Les
arts
mégalithiques d Europe Occidentale: pourquoi une telle diversité?
...................73
Jean-Pierre Mohen, France
How the artistic
production
of a Prehistoric society can suggest cultural changes
and everyday life imagery: the case of the Predynastic Nile Valley
..............................77
Simona Moscadelli,
Italy
Evidence for
a Muelos
belief in African and near East Neolithic mortuary rituals?
............87
Estelle
Ornile,
UK
Simboli al femminile: linee parallele e a volta nell arte rupestre Calcolitica
......................95
Umberto Sansoni,
Italy
Idéologie et symbolisme dans l art nord-thrace
.................................................................113
Valériu
Sîrbu,
Romania
Animals as symbols in Upper Palaeolithic art
...................................................................121
Christian Ziichner, Germany
Note: the communications are published in the alphabetic order of authors
LIST OF FIGURES
Fig.
1.1.
A general view of the Rock of the Phallus
..............................................................3
Fig.
1.2.
Tracing of the Rock of the Phallus
..........................................................................4
Fig.
1.3.
Schematic tracing of the rock evidencing the ejaculating phallus
...........................4
Fig.
1.4.
The anthropomorphic beings
...................................................................................5
Fig.
1.5.
The busts so called spirits
....................................................................................5
Fig.
1.6.
The paddles
..............................................................................................................6
Fig.
1.7.
The ladders
..............................................................................................................6
Fig.
1.8.
The cap-marks
.........................................................................................................7
Fig.
1.9.
The groups of packing emanations of energy
..........................................................7
Fig.
1.10.
The late addition
....................................................................................................8
Fig.
1.11.
The birth of the shield-man
................................................................................8
Fig.
1.12.
The dialogue between the shield-man and the spirit
..........................................8
Fig.
1.13.
The spirit emanates energy and sends a message to spirit number
2.....................8
Fig.
1.14.
Spirit number
2
provokes the thunders
..................................................................9
Fig.
1.15.
The ladder of growth accompanied by the paddle and emanating energy
.............9
Fig.
1.16.
The shield-man meets spirit number
3.............................................................10
Fig.
1.17.
Shield-man and spirit number
3
give power to the phallus
..............................10
Fig.
1.18.
The paddles operate inside the phallus
................................................................10
Fig.
1.19.
The outcomes of the ejaculation
..........................................................................10
Fig.
1.20.
The signature indicating the clan and the author
.................................................11
Fig.
1.21.
Schematic tracing of the rock
..............................................................................11
Fig.
1.22.
Counting of the graphemes
..................................................................................11
Fig.
1.23.
Synthesis of the myth of the Shield-man
.............................................................11
Fig.
2.1.
Localization of the sites
.........................................................................................13
Fig.
2.2.
Paglicci II burial
....................................................................................................14
Fig.
2.3.
Paglicci II burial: lithic grave goods
......................................................................15
Fig.
2.4.
Paglicci III burial
...................................................................................................16
Fig.
2.5.
Paglicci III burial: lithic grave goods
....................................................................16
Fig.
2.6.
Barma
Grande triple burial (Vernau,
1906)...........................................................17
Fig.
2.7.
Barma
Grande burial: lithic grave goods
...............................................................17
Fig.
2.8.
Paglicci II: unused end-scraper front
(fíg.
2.3,
n.l)
...............................................18
Fig.
2.9.
Paglicci III: analysed sample from the grave filling
..............................................18
Fig.
2.10.
Paglicci III: grave filling end-scraper with use-wear
...........................................19
Fig.
2.11.
Barma
Grande burial: wear traces on lithic tool
..................................................19
Fig.
2.12.
Barma
Grande burial: wear traces on lithic tool
..................................................19
Fig. 3.1. Plan
of the rock engraving at Leiknes in Tysfjord, Norway.
The engraving is likely to be the oldest in Scandinavia. Its composition
of superimposed animals is similar to that of the Late Paleolithic
engravings in
Foz Côa
in Portugal
.................................................................................21
Fig.
3.2.
Rock engraving at
Peñascosas
in
Foz Côa,
Portugal with superimposed
animals from Late Paleolithic
........................................................................................22
Fig.
3.3.
Rockpainting at Flatruet mountain plateau in
Tännäs, Härjedalen,
Sweden
.........23
Fig.
3.4.
Rock painting at Flatruet with contourpainted elks with marked
inner organs
....................................................................................................................23
Fig.
3.5.
Pack of elks and antropomorphs on rock engraving
atNämforsen
in
Ångermanland,
Sweden
.............................................................................................24
Fig.
3.6.
Panel with antropomorphs, boats and elks at
Nämforsen.
The antropomorph to the lower right is carrying an elk-headed
staff raised over his head. Similar devices are also found at
engravings in
Alta,
Norway and at Onega Lake in Russian Karelia
..............................24
Fig.
3.7.
A row of human foot prints leading up to an elk at
Gärde
in
Jämtland,
Sweden. The engraving indicates a close relationship between man
an animal typical of Shamanistic religions
.....................................................................25
Fig.
3.8.
The head and face shaped cliff at Astuvansalmi in Ristiina, Finland.
The rock painting is located to the panel in the centre
...................................................25
Fig.
3.9.
The steep cliff with the rock painting at
Värikallio in
Suomussalmi,
Finland. The painting is located to the panel behind the wooden walkway
...................26
Fig.
3.10.
Painted antropomorphs with triangular heads at
Värikallio,
Suomussalmi,
Finland. Similar but engraved images are also found on rock engravings in
Alta
and
Vingen
in Norway
...........................................................................................26
Fig.
3.11.
Painted hand stencil on rock painting at Astuvansalmi in Ristiina,
Finland
...........................................................................................................................26
Fig.
3.12.
Painted antropomorph with twin horned head with raised
hammer/axe in right hand in central right part of panel surrounded
by elks with horns at Astuvansalmi in Ristiina
..............................................................26
Fig.
3.13.
Painted antropomorph with twin horned head on rock painting
at
Värikallio
in Suomussalmi
.........................................................................................27
Fig.
3.14.
Engraving with duelling warriors with twin horned heads
at
Bro Utmark
in Tanum, Sweden
..................................................................................27
Fig.
3.15.
Phallic antropomorph carrying a cicular boss ornated shield
and sword sheath with winged chape from Late Bronze Age period V.
To the right an antropomorph with twin horned head and to the lower
left an acrobat
.................................................................................................................27
Fig.
3.16.
Rubbing of the same rock engraving as figure
3.15
at Hede in Kville
................27
Fig.
3.17.
Plan of rock engraving at
Bardal
in
Tröndelag,
Norway with big
contoured animals in naturalistic style dating to the Mesolithic and
antropmorphs, boats and spiral designs dating to the Bronze Age
.................................29
Fig.
3.18.
Antropomorph carrying spiral shaped design, probably the sun,
above the head at
Ekenberg
in
Norrköping,
Sweden
.....................................................30
Fig.
3.19.
Elk hunting scene with archers on skies/snow shoes
at Novaya Zalavruga, White Sea region Russia
.............................................................31
Fig.
3.20.
Vivid scene with phallic archers, birds, deers, boats and a tree
at Novaj a Zalavruga in Russia
.......................................................................................31
Fig.
3.21.
The She Devil at
Besov
Nos on
Onega Lake in Karelia, Russia
......................32
Fig.
3.22.
Engraving with sun-stand and funnelshaped design with an elk
head close to
Besov
Nos................................................................................................
32
Fig. 3.23.
The Shoemaker panel at
Backa
in
Brastad, Bohuslän,
Sweden.
The phallic Shomaker himself carrying an axe-hammer in raised
right hand. Modern Human feet above to indicate size
..................................................32
Fig.
3.24.
The Shoemaker panel also holds other deeply engraved animals,
boats and antropomorphs
...............................................................................................32
111
Fig. 3.25. Bronze
Age engraving at
Ekenberg, Norrköping
with animals,
boats, spirals and a sword
...............................................................................................33
Fig.
3.26.
Geometric and stylised depictions of antropomorphs
of Calcolithic type at
Släbro
in
Nyköping
in Sweden
....................................................33
Fig.
3.27.
Oversized shafted ceremonial bronze age axe carried
by phallic man at
Simrislund
in Scania, Sweden
...........................................................33
Fig.
3.28.
Circle-crosses, ceremonial axes and boat of
Rörby-type
on Bronze Age rock engraving at
Simrislund
................................................................33
Fig.
3.29.
Oversized
(2.40
m
high) image of phallic spear carrying
antropomorph at Litsleby in Tanum,
Bohuslän,
Sweden. It has
been suggested that this Spear God actually is a Depiction of Odin
..........................34
Fig.
3.30.
The Dancer at
Järrestad in
Scania, Sweden. This antropomorph
show typical attributes such as raised arm and hands, enlarged calves
and a sword sheath of Bronze Age type but seems to lack head
....................................34
Fig.
3.31.
Contoured foot prints, one with marked toes inside and
a dwindling spriral design possibly indicating a snake at
Järrestad
...............................35
Fig.
3.32.
Antropomorph with bird shaped head and oversized hands
and a boat at Aspeberget in Tanum,
Bohuslän,
Sweden
................................................35
Fig.
3.33.
Engraving of complex scene at Aspeberget in Tanum with
antropomorphs, birds, a circular disc, horses and a phallic deer with
impressive antlers. The scene with the circular disc has been interpreted
as two women, the sex indicated by the pony tails, and eight birds
are helping each other to carry the sun across the sky
...................................................36
Fig.
3.34.
The stern of the
4.2
m long
Brandskog
ship in
Boglösa
with stylized horsehead and crew with paddles
.............................................................36
Fig.
3.35.
Boulder with rich engravings of circle crosses, cup marks
and grooves at Lille
Strandbygård
in
Bornholm,
Denmark
............................................37
Fig.
3.36.
Small bolder with rich engravings of boats with crew strokes
and antropomorphs. The biggest has a bird shaped head and a cup
mark between the legs indicating it is a female
..............................................................37
Fig.
4.1.
Dancing scenes from the 7th millennium
ВС
Near East:
1.
Neváli
Cori
2.
Tell Halula
..........................................................................................42
Fig.
4.2.
Dancing scenes in the naturalistic style,
6-5
millennia
ВС:
1.
Tell Halaf,
2.
Tell Sabi Abyad,
3.
Samarra,
4.
ChogaMami,
5 Ein el-Jarba..................................43
Fig.
4.3.
Dancing scenes in the naturalistic style from Iran,
6-5
millennia
ВС:
1.
Djaffarabad,
2-3.
Tepe
Sialk,
4.
Khazineh,
5. Tchechme Ali, 6.
Tall-i
Jari
A
..........44
Fig.
4.4.
Dancing scenes in the linear style from the
6-5
millennia
ВС
Mesopotamia and Iran:
1.
Tell Halaf,
2-3.
Tell Sabi Abyad,
4.
Samarra,
5.
Tell es-Sawwan,
6.
Djaffarabad,
7.
ChoghaMish
...................................45
Fig.
4.5.
Dancing scenes in the geometric styles from the
6-5
millennia
ВС:
1.
Tell Halaf,
2.
Tall-I Skau,
3-4.
Khazineh
..................................................................46
Fig.
4.6.
Dancing scenes of the
6-5
millennia
ВС
from southeastern Europe:
1.
Hagykoru,
2.
Dumesti,
3.
Gomolava,
4.
Kotacpart,
5.
Tel Azmak,
6.
Szegvár-Tüzköves,
7.
Tell Azmak
.............................................................................47
Fig.
4.7.
Paleolithic dancing scene from Addaura cave, Sicily
............................................48
Fig.
4.8.
Dancing scenes in San Bushman rock painting from South Africa
.......................49
Fig.
4.9.
Correlation between social organization, social stratification,
and the appearance of dancing scenes in the Neolithic period
.......................................50
Fig.
5.1.
Women in economic activities
...............................................................................57
Fig.
6.1.................................................................................................................................62
Fig.
6.2.................................................................................................................................66
Fig.
8.1. 1)
The predynastic production of Egypt;
2)
The depicted
subjects (S code);
3)
The method of exposition (Ncode)
..............................................80
iv
Fig. 8.2. 1)
and
2)
Two examples of filing;
3)
and
4)
Correlations codes;
5)
Some examples of the most diffused
iconographie
signs;
6)
An example of the continuous use of some local icons
.............................................82
Fig.
10.1.
Valcamonica, Carpene R.
2.
Idolo di Sellerò , composizione attribuibile
al Calcolitico
I o
Neolitico finale (tardo IV-inizio III millennio)
...................................97
Fig. 10.2.
Valcamonica, masso di Bagnolo 2-Ba2
...............................................................98
Fig. 10.3.-10.4.
Valcamonica, masso di Bagnolo 2-Bal
......................................................99
Fig. 10.5.
Valcamonica, masso di Ossimo 1-Osl
..............................................................100
Fig. 10.6.
Valcamonica, stele calcolitica di Anvoia-Ossimo 4-Os4
...................................100
Fig. 10.7.-10.8.
Valtellina, stele di
Caven
2
e Cornai
........................................................100
Fig. 10.9.
Trentino, stele di Arco
IV
..................................................................................101
Fig. 10.10.
Lunigiana, stele di Treschietto
.........................................................................101
Fig. 10.11.
Aosta,
Saint
Martin de Corleans. Stele n.
3.....................................................101
Fig. 10.12.-10.13.
Sion, stele n.
20
e
15.............................................................................102
Fig. 10.14.-10.15.-10.16.
Aveyron, stele del gruppo rouergue
..........................................102
Fig. 10.17.-10.18.
Bretagna, massi istoriati di
Câtel
e Laniscar
........................................103
Fig. 10.19.-10.20.
Bretagna, rilievo di due blocchi istoriati del corridoio
diGavrinis
....................................................................................................................104
Fig. 10.21.
Spagna, stele di Grana de Torinuelo
................................................................105
Fig. 10.22.
Romania, stele da Hamargia, con doppio lato istoriato,
maschile e femminile
...................................................................................................105
Fig. 10.23.
Crimea, stele da Tiritaka
..................................................................................106
Fig. 10.24.
Romania, statuetta neolitica, cultura di Cucuteni
В
.........................................106
Fig. 10.25.
Anatolia,
statuetta dell antica età del Bronzo
..................................................107
Fig. 10.26.
Moldavia,
statuetta neolitica, cultura di Cucuteni
В
........................................107
Fig. 10.27.-10.28.-10.29.
Vasi mammellari neolitici d area centro balcanica,
I
e
II
di cui. Vinca, III di cui. Bùkk magiara
................................................................108
Fig. 10.30.
Romania, statuetta di Trifesti, cultura di Cucuteni
В
.......................................109
Fig. 10.31.
Cicladi, statuetta
310
del Museo Cicladico di Atene
(primo cicladico
II)
......................................................................................................109
Fig. 10.32...........................................................................................................................109
Fig. 11.1. 1-2, 4, 8 Agighiol, 3
Poîana-Coţofeneşti,
5
Peretu,
6
Malomirovo,
7
Vraća.
1, 6-8
Cnémides,
2-3
casques,
4
gobelet,
5
tête d homme;
1-2,4-8
argent doré,
7
or
...............................................................................................115
Fig. 11.2. 1-2
Letnica,
3
Luko
vit,
4
Peretu,
5
Rogozen,
6
Poiana-Coţofeneşti,
7
Băiceni,
8
Borovo,
9
Poroina.
1-3
appliques,
4, 6,7
casques (détail),
5
cruche,
8-9
rhytons.
1-5, 8-9
argent doré,
6-7
or
.......................................................117
Fig. 12.1.
Laugerie-Haute (Dordogne, France): Fragment oa a Baguette démironde.
Prehistoric
Collection
of the University
Erlangen-Nürnberg.
înv. Mg
181.
Length:
ca. 11
cm. Excavation
Otto Hauser
1914........................................................123
|
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| author_GND | (DE-588)115765220 |
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| discipline | Kunstgeschichte |
| format | Book |
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| genre | (DE-588)1071861417 Konferenzschrift 2006 Lissabon gnd-content |
| genre_facet | Konferenzschrift 2006 Lissabon |
| id | DE-604.BV035262782 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:29:55Z |
| institution | BVB |
| isbn | 9781407303529 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017068281 |
| oclc_num | 297798598 |
| open_access_boolean | |
| owner | DE-12 DE-20 DE-19 DE-BY-UBM |
| owner_facet | DE-12 DE-20 DE-19 DE-BY-UBM |
| physical | V, 123 S. Ill., graph. Darst., Kt. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Archaeopress |
| record_format | marc |
| series2 | British archaeological reports / International series International Union of Prehistoric and Protohistoric Sciences: Proceedings of the XV World Congress |
| spelling | Prehistoric art and ideology ed. by Emmanuel Anati Oxford [u.a.] Archaeopress 2008 V, 123 S. Ill., graph. Darst., Kt. txt rdacontent n rdamedia nc rdacarrier British archaeological reports / International series 1872 International Union of Prehistoric and Protohistoric Sciences: Proceedings of the XV World Congress 16 Antiquities, Prehistoric Congresses Art and religion Congresses Art, Prehistoric Congresses Symbolism in art Congresses Bildliche Darstellung (DE-588)4145419-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Vor- und Frühgeschichte (DE-588)4078951-2 gnd rswk-swf Weltanschauung (DE-588)4065348-1 gnd rswk-swf Symbol (DE-588)4058716-2 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2006 Lissabon gnd-content Vor- und Frühgeschichte (DE-588)4078951-2 s Kunst (DE-588)4114333-4 s Weltanschauung (DE-588)4065348-1 s Bildliche Darstellung (DE-588)4145419-4 s DE-604 Symbol (DE-588)4058716-2 s Anati, Emmanuel 1930- Sonstige (DE-588)115765220 oth International series British archaeological reports 1872 (DE-604)BV023549802 1872 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017068281&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Prehistoric art and ideology Antiquities, Prehistoric Congresses Art and religion Congresses Art, Prehistoric Congresses Symbolism in art Congresses Bildliche Darstellung (DE-588)4145419-4 gnd Kunst (DE-588)4114333-4 gnd Vor- und Frühgeschichte (DE-588)4078951-2 gnd Weltanschauung (DE-588)4065348-1 gnd Symbol (DE-588)4058716-2 gnd |
| subject_GND | (DE-588)4145419-4 (DE-588)4114333-4 (DE-588)4078951-2 (DE-588)4065348-1 (DE-588)4058716-2 (DE-588)1071861417 |
| title | Prehistoric art and ideology |
| title_auth | Prehistoric art and ideology |
| title_exact_search | Prehistoric art and ideology |
| title_full | Prehistoric art and ideology ed. by Emmanuel Anati |
| title_fullStr | Prehistoric art and ideology ed. by Emmanuel Anati |
| title_full_unstemmed | Prehistoric art and ideology ed. by Emmanuel Anati |
| title_short | Prehistoric art and ideology |
| title_sort | prehistoric art and ideology |
| topic | Antiquities, Prehistoric Congresses Art and religion Congresses Art, Prehistoric Congresses Symbolism in art Congresses Bildliche Darstellung (DE-588)4145419-4 gnd Kunst (DE-588)4114333-4 gnd Vor- und Frühgeschichte (DE-588)4078951-2 gnd Weltanschauung (DE-588)4065348-1 gnd Symbol (DE-588)4058716-2 gnd |
| topic_facet | Antiquities, Prehistoric Congresses Art and religion Congresses Art, Prehistoric Congresses Symbolism in art Congresses Bildliche Darstellung Kunst Vor- und Frühgeschichte Weltanschauung Symbol Konferenzschrift 2006 Lissabon |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017068281&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV023549802 |
| work_keys_str_mv | AT anatiemmanuel prehistoricartandideology |