The epistimic and logical role of definition in the evaluation of art:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Tartu
Tartu Univ. Press
2007
|
| Schriftenreihe: | Dissertationes semioticae Universitatis Tartuensis
5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 188 S. |
| ISBN: | 9789949117734 9789949117741 |
Internformat
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| 245 | 1 | 0 | |a The epistimic and logical role of definition in the evaluation of art |c Marek Volt |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS ACKNO WLEDGEMENTS 7 INTRODU CTION 9 1. SUBJECT AND PURPOSE OF
STUDY 9 2. THEORETICAL BACKGROUND OF THE DISCUSSION: DEFINITION 9 3.
THEORETICAL BACKGROUND OFTHE DISCUSSION: EVALUATION 11 4. THE RELATION
BETWEEN DEFINITION AND EVALUATION 14 5. THE EPISTEMIC AND LOGICAL ROLE
OF DEFINITION 16 6. THE STRUCTURE OFTHE THESIS 17 1. THE EPISTEMIC ROLE
OF THE DEFINITION OF ART 21 1.1. EXPLICATION OF EPISTEMIC
DEFINITIONALISM 21 1.1.1. EPISTEMIC DEFINITIONALISM
FORMULATED....................................... 21 1.1.2. THE FIRST
CONSIDERATION: ADEFINITION BY AN ART COMMITTEE 23 1.1.3. THE SECOND
CONSIDERATION: THE THESIS OF DIRECT EXPERIENCE 25 1.1.4. THE
JUSTIFICATION OFTHE THESIS OF DIRECT EXPERIENCE 27 1.2. THE EPISTEMIC
ROLE OF DEFINITIONS ANALYZED 30 1.2.1. THE TYPES OF DEFINITIONS AND THE
POSSESSION CONDITIONS............ 30 1.2.2. RECOGNITIVE IDENTIFICATION
AND TRANS FIGURATIVE IDENTIFICATION... 34 1.2.3. CLASSIFYING
IDENTIFICATION AND PARTICULARIZING IDENTIFICATION.... 36 1.2.4. IS
DEFINITION SUFFICIENT FOR RECOGNITIVE IDENTIFICATION? 37 1.2.5. HISTORIC
SENSITIVITY OF RECOGNITIVE IDENTIFICATION 40 1.2.6. IS DEFINITION
NECESSARY FOR RECOGNITIVE IDENTIFICATION? 41 1.2.7. METHODOLOGICAL
OBJECTIONS TO RECOGNITIVE IDENTIFICATION.......... 44 1.2.8. AESTHETIC
THEORY AS AN EPISTEMIC PROJECT CHALLENGED 47 1.2.9. EXPLANATION OFTHE
EPISTEMIC INABILITY OFFORMALISM 49 1.3. NON-DEFINITIONAL IDENTIFICATION
CONSIDERED 51 1.3.1. THE THESIS OFLINGUISTIC COMPETENCE: KENNICK S
WAREHOUSE 51 1.3.2. THE THESIS OF LINGUISTIC COMPETENCE
CRITICIZED.......................... 53 1.3.3. IS ART A RECOGNITIONAL
CONCEPT? 56 1.3.4. THE FAMILY RESEMBLANCE METHOD AND WEITZ S
DILEMMA........ 59 1.3.5. CARROLL S NARRATIONAL THEORY 61 1.3.6.
TRANSFIGURATIVE ART COMMITTEE RE-CONSIDERED............................
64 1.4. THE THESIS OF DIRECT EXPERIENCE CHALLENGED 66 1.4.1. THE
EVALUATIVE UNDERPINNINGS OF IDENTIFICATION 66 1.4.2. THE ONTOLOGICAL
PRESUPPOSITIONS OF DIRECT EXPERIENCE 69 1.4.3. A SURROGATE ARGUMENT:
AESTHETIC MODELS................................... 74 1.4.4. A
SURROGATE ARGUMENT: CRITICAL DESCRIPTIONS 76 1.4.5. THE ARGUMENT FROM
CONCEPTUAL ART............................................ 79 5 2. THE
LOGICAL ROLE OF DEFINITION OF ART 84 2.1. EXPLICATION OFLOGICAL
DEFINITIONALISM 84 2.1.1. LOGICAL DEFINITIONALISM FORMULATED 84 2.1.2.
LOGICAL DEFINITIONALISM IN AESTHETICS 86 2.1.3. EVALUATING ART AS
ART.................................................................. 88
2.1.4. THE DEDUCTIVIST THESIS 89 2.2. ASSUMPTIONS CONCEMING DEFINITION
90 2.2.1. THE INDETERMINACY AND IDENTITY OF EVALUATIVE REASONS 90 2.2.2.
UNIVERSAL BUT CONTINGENT PROPERTIES 93 2.2.3. ARE DEFINING
CHARACTERISTICS DEGREELESS OR NOT? 95 2.2.4. THE PROCEDURALIST
ARGUMENT...................................................... 98 2.2.5.
ARE THERE DESCRIPTIVE DEFINITIONS OF ART? 100 2.2.6. IS BAD ART
POSSIBLE? THE MOBA ARGUMENT.. 102 2.2.7. THE INDEPENDENCE THESIS:
STOLNITZ ANALYZED 104 2.2.8. AN ANTI-ESSENTIALIST ARGUMENT 108 2.2.9. A
NON-DEFINITIONAL ACCOUNT OF EVALUATION 112 2.3. EVALUATION AND STANDARDS
116 2.3.1. DOES LOGICAL DEFINITIONALISM ENTAIL DEDUCTIVISM? 116 2.3.2.
DEWEY AGAINST STANDARDS 119 2.3.3. SKEPTICISM CONCEMING EVALUATIVE
PRINCIPLES 123 2.3.4. GENERALISM OR PARTICULARISM? 125 2.3.5. A
NON-DEFMITIONAL STANDARD: THE MASTERPIECE ARGUMENT 129 2.3.6. THE
ARGUMENT FOR NON-DEDUCTIVE LOGICAL DEFINITIONALISM 133 2.3.7. IMMEDIATE
EVALUATIONS AND INARTICULATED STANDARDS 136 2.3.8. A NON-COGNITIVIST
ARGUMENT 139 2.4. DID TRADITIONAL THEORY ATTEMPT ADEFINITION OF ART? 141
2.4.1. MOTHERSILL ON DEFINITION AND THE PRINCIPLE OF TASTE 141 2.4.2.
ARE AESTHETIC THEORIES GENERAL? 144 2.4.3. FORMALISM AND VISUAL ART 146
2.4.4. ORGANICISM AND POETRY 150 2.4.5. THE ASSUMPTION OF COMMON
NATURE : BYWATER S ARGUMENT.. .. 153 GENERAL CONCLUSIONS 156 REFERENCES
161 SUMMARY IN ESTONIAN 177 CURRICULUM VIT AB 185 LIST OF PUBLICATIONS
186 ELULOOKIRJELDUS 188 6
|
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| classification_rvk | CC 6900 |
| ctrlnum | (OCoLC)263167807 (DE-599)BVBBV035259454 |
| discipline | Philosophie |
| format | Thesis Book |
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| spelling | Volt, Marek 1973- Verfasser (DE-588)13575450X aut The epistimic and logical role of definition in the evaluation of art Marek Volt Tartu Tartu Univ. Press 2007 188 S. txt rdacontent n rdamedia nc rdacarrier Dissertationes semioticae Universitatis Tartuensis 5 Tartu, Univ., Diss., 2007 Kunst Philosophie Ästhetik Aesthetics Art Evaluation Art Philosophy Kunst (DE-588)4114333-4 gnd rswk-swf Logik (DE-588)4036202-4 gnd rswk-swf Definition (DE-588)4148989-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Kunst (DE-588)4114333-4 s Definition (DE-588)4148989-5 s Logik (DE-588)4036202-4 s DE-604 Dissertationes semioticae Universitatis Tartuensis 5 (DE-604)BV013591009 5 Digitalisierung UB Erlangen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017064998&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Volt, Marek 1973- The epistimic and logical role of definition in the evaluation of art Dissertationes semioticae Universitatis Tartuensis Kunst Philosophie Ästhetik Aesthetics Art Evaluation Art Philosophy Kunst (DE-588)4114333-4 gnd Logik (DE-588)4036202-4 gnd Definition (DE-588)4148989-5 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4036202-4 (DE-588)4148989-5 (DE-588)4113937-9 |
| title | The epistimic and logical role of definition in the evaluation of art |
| title_auth | The epistimic and logical role of definition in the evaluation of art |
| title_exact_search | The epistimic and logical role of definition in the evaluation of art |
| title_full | The epistimic and logical role of definition in the evaluation of art Marek Volt |
| title_fullStr | The epistimic and logical role of definition in the evaluation of art Marek Volt |
| title_full_unstemmed | The epistimic and logical role of definition in the evaluation of art Marek Volt |
| title_short | The epistimic and logical role of definition in the evaluation of art |
| title_sort | the epistimic and logical role of definition in the evaluation of art |
| topic | Kunst Philosophie Ästhetik Aesthetics Art Evaluation Art Philosophy Kunst (DE-588)4114333-4 gnd Logik (DE-588)4036202-4 gnd Definition (DE-588)4148989-5 gnd |
| topic_facet | Kunst Philosophie Ästhetik Aesthetics Art Evaluation Art Philosophy Logik Definition Hochschulschrift |
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