Verfügbarkeit: Tragedia hellenistyczna

Tragedia hellenistyczna:

Engl. Zsfassung u.d.T.: Hellenistic Tragedy

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Bibliographische Detailangaben
1. Verfasser:	Kotlińska-Toma, Agnieszka (VerfasserIn)
Format:	Buch
Sprache:	Polish
Veröffentlicht:	Wrocław Wydawn. Uniw. Wrocławskiego 2006
Schriftenreihe:	Acta Universitatis Wratislaviensis Dramat - teatr ; 17 Acta Universitatis Wratislaviensis 2923
Schlagworte:	Geschichte Geschichte 336 v. Chr.-31 v. Chr. Greek drama (Tragedy) / History and criticism Greek drama (Tragedy) > History and criticism Tragödie Hellenismus Drama Griechisch Hochschulschrift
Online-Zugang:	Inhaltsverzeichnis Abstract
Zusammenfassung:	Engl. Zsfassung u.d.T.: Hellenistic Tragedy
Beschreibung:	Zsfassung in engl. Sprache u.d.T.: Hellenistic tragedy
Beschreibung:	249 S., [8] Bl. Ill.
ISBN:	9788322928073

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Datensatz im Suchindex

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adam_text	Spis tresei Wstęp ............................................. 7 Rozdział I. Tragicy i tragedie ................................. 15 Plejada tragiczna ..................................... 15 Sosifanes (TrGF 92, 103)............................. 19 Meleager ................................... 22 Homer z Bizancjum (TrGF 98).......................... 27 Filiskos z Korkyry (TrGF 89, 104)........................ 30 Likofron (TrGF 100)................................ 36 Menedemos .................................. 38 Pelopidzi ................................... 43 Kassandrej czycy ............................... 44 Tytuły ..................................... 45 Aleksandra .................................. 47 Aleksander Etolczyk (TrGF 101)......................... 48 Sositheos (TrGF 99)................................ 51 Dafnis albo Lityerses ............................. 53 Aethlios .................................... 63 Sztuka o Kleantesie ............................. 64 Sztuka o Krotosie .............................. 65 Dionysjades (TrGF 105).............................. 67 Ajantiades (TrGF 102)............................... 68 Eufronios (TrGF 106)............................... 69 Pozostali tragicy znani z literatury ............................ 70 Timon zFliuntu (TrGF 112)............................ 70 Kallimach (TrGF 234)............................... 71 Theajtetos (TrGF 117)............................... 72 Moschion (TrGF 97)................................ 73 Temistokles .................................. 74 Telefos ..................................... 75 Ferajczycy .................................. 76 Heraklides z Pontu (TrGF 93)........................... 85 Eufantos z Olintu (TrGF 118)........................... 86 Ptolemeusz IV Filopator (TrGF 119)....................... 87 Melanthios z Rodos (TrGF 131).......................... 88 Nikomachos z Aleksandrii w Troadzie (TrGF 127)................ 89 Sofokles III (TrGF 147).............................. 91 Archytas (TrGF 120)................................ 92 Diogenes z Tarsu (TrGF 144)........... ................ 92 Bion (TrGF 204).................................. 93 Apollonides (TrGF 152).............................. 94 Artabazes (TrGF 165)............................... 95 С Asinius Polio (TrGF 178)............................ 97 Ajschylos z Aleksandrii (TrGF 179)........................ 98 Spis tresei 247 Tragicy poświadczeni inskrypcyjnie ........................... 98 Ateny ........................................ 98 Astydamas III (TrGF 96)........................... 98 Fanostratos z Halikarnasu (TrGF 94).................... 99 Anjtifilos (TrGF 95)............................. 99 Frynichos II (TrGF 212)........................... 100 Ksenokrates (TrGF 122)........................... 100 Menelaos, syn Aristona, z Pireusu(?) (TrGF 137).............. 100 Aristomenes, syn Aristomenesa, Ateńczyk (TrGF 145)........... 101 Ariston, syn Menelaosa, Ateńczyk (TrGF 146)............... 101 Diogenes, syn Diogenesa (TrGF 148).................... 101 Dionysjos, syn Kefisodorosa, Ateńczyk (TrGF 149)............. 102 Antioch, syn Antiocha, Ateńczyk (TrGF 150)................ 102 Apollonios, syn Kallistratosa, Ateńczyk (TrGF 151)............ 102 Silenos (TrGF 153).............................. 102 ...Jenodoros (TrGF 154)........................... 102 Thrasykles, syn Archiklesa, Ateńczyk (TrGF 177)............. 103 Argos ........................................ 103 Sustratos z Chalkis (TrGF 161)....................... 103 Oropos ....................................... 104 Heraklides, syn Heraklidesa, Ateńczyk (TrGF 166)............. 104 Hermokrates, syn Aleksandra, Milezyjczyk (TrGF 167).......... 104 Kallippos, syn Kallonosa, Tebańczyk (TrGF 168).............. 104 Lysistratos, syn Mnaseosa, z Chalkis (TrGF 169)......■........ 105 Filoksenides, syn Filipa, z Oropos (TrGF 170)............... 105 Protarchos, syn Antimenosa, Tebańczyk (TrGF 171)............ 105 Aminias, syn Demokleosa, Tebańczyk (TrGF 164)............. 105 Tanagra ....................................... 106 Aleksander, syn Glaukosa, Tanagryjczyk (TrGF 159)............ 106 Asklepiades II, syn Hikesiosa, z Teb (TrGF 140).............. 1°6 Dorotheos z Chalkis (TrGF 160)....................... 107 Atheni[as] z Anthedonu (TrGF 162)..................... I07 Publiusz Rzymianin (TrGF 163)....................... 107 Akraifa ....................................... 1°7 Gorgippos z Chalkis (TrGF 175)....................... 108 Diogenes z Teb, syn Theodota (TrGF 176)................. 1°8 Magnezja nad Meandrem ............................. 108 Theodoras, syn Dionizjosa (TrGF 134)................... 108 Glaukon, syn Glaukona, z Efezu (TrGF 135)................ 109 Polemon (TrGF 136)............................. 109 Polemajos, syn Diodora, z Efezu (TrGF 155)................ 109 Harmodios, syn Asklepiadesa, z Tarsu (TrGF 156)............. jjjj Theodotos (TrGF 157)............................ \|\|° Ar[istajn]etos (TrGF 158).......................... j lasos ........................................ J Dymasz lasos, syn Antypatra (TrGF 130).................. j Lysimachos z Teos (TrGF 132)....................... Koroneja ...................................... ])2 Zotion, syn Zotiona, z Efezu (TrGF 133) ....···........... j j2 Delos ........................................ . 12 Dionysjos, syn Demetriosa, Ateńczyk (TrGF 141)............. 248 Spis treści Samos ........................................ 112 Sosistratos, syn Sosistratosa, z Samos (TrGF 142)............. 113 Archenomos (TrGF 143)........................... 113 Tespie ........................................ 113 Faradas, syn Timona, z Aten (TrGF 173).................. 113 [Arjistokrates (TrGF 174).......................... 113 Teos ........................................ 114 Klejtos z Teos, syn Kallistenesa (TrGF 129)................ 114 Ptolemais ...................................... 114 Fajnippos (TrGF 114) iDiognetos (TrGF 115)............... 114 Milet ........................................ 115 Euandridas (TrGF 116)............................ 115 Cypr ........................................ 115 Dionysjos Cypryjczyk (TrGF 138)...................... 115 Kaunos ....................................... 115 Polyksenos (TrGF 143A) ........................... 115 Fragmenta adespota................................... 116 Gyges ........................................ 116 Neoptolemos .................................... 122 Atlas ......................................... 126 Kasandra ...................................... 131 Rozdział IL Tragedia w epoce hellenistycznej - zagadnienia ogólne ............ 135 Stan zachowania ..................................... 135 Teoria ........................................... 138 Tematyka tragedii .................................... 144 Tematy historyczne ................................. 144 Tematyka mityczna ................................. 149 Problematyka tragedii .................................. 153 Problemy dotyczące metryki i języka. .......................... 154 Chór ........................................... 157 Inscenizacje tragedii ................................... 162 Rozdział Ш. Dramat satyrowy ................................ 164 Agen Pythona (TrGF 91)................................. 164 Menedemos Likofrona i inne dramaty satyrowe ..................... 172 Rozdział IV. Problemy inscenizacyjne tragedii ........................ 175 Budynek teatralny .................................... 175 Kostiumy ........................................ 181 Rozdział V. Pozasceniczne aspekty tragedii hellenistycznej ................. 186 Święta .......................................... 186 Ateny ........................................ 187 Lenaje ..................................... 187 Dionizje Wiejskie ............................... 187 Dionizj e Miejskie, czyli Wielkie ....................... 188 Delfy ........................................ 188 Soteria Delfickie ............................... 188 Pythais Delficka ........................ ... .... 189 Uroczystości w Beocji ............................... 190 Oropos: Amfiaraja .............................. 190 Spis tresei 249 Orchomenos: Charitesja ........................... 190 Tanagra: Sarapieja .............................. 191 Argos ........................................ 191 Heraja ..................................... 191 Święta ku czci władców .............................. 191 Związki technitaj ..................................... 192 Zakończenie .......................................... 196 Załączniki ........................................... 204 Ilustracje .......................................... po s. 216 Bibliografia ........................................... 217 Summary ............................................ 228 Indeks osób historycznych ................................... 230 Indeks badaczy i tłumaczy ................................... 234 Indeks nazw geograficznych .................................. 237 Indeks postaci mitycznych ................................... 239 Indeks tytułów sztuk ...................................... 241 Spis ilustracji .......................................... 244 Hellenistic Tragedy Summary From ancient to modern times a little interest has been taken in post-Euripidean tragedy; it has been either neglected or underestimated. Very often scholars talk even of decline or decadence of the genre in comparison with the brilliance of the Greek Classical Era of the three Great Tragedians (Aeschylus, Sophocles and Euripides). However, this comparison with the 5љ-сепћдгу tragedy is misleading from the methodological point of view. Hellenistic tragedy like the New Comedy has so much individual features different from the classical type of the genre that it can even be regarded as a subgenre. It is also impossible to agree with the scholars who claim the death of tragedy in the beginning of the 4th century B.C. The expansion of theatrical activity in that time, the popularity and mass production of plays resulted in professsionalisation of the theatre, which had a crucial influence on the tragedy of that time. But definitely did not kill it. How vivid was the genre dur¬ ing these three centuries can be proved by analysing changes in the way of staging, undertaking subjects and structure. Tragedy like all dramatic genres ofthat time was an important factor in the process of Hellenisation and at the same time reflected contemporary sentiments and literary and philosophical trends. In any case, the Hellenistic tragedy deserves further scholarly attention and wider fame. For this reason the main purpose of this work is the analysis of the development of Greek tragedy from the conquest of Alexander the Great to the Roman times. When studying Hellenistic tragedy, one has to realize that there is no single play preserved not only in its entirety but even in the sufficient number of verses to give a complete depiction of the genre. As the most extensive frag¬ ment of the Hellenistic tragedy, Moschions TrGF 6, has only 33 verses (due to the great controversy over the genre, dubious theatricality and definitely not Greek material of Exagoge by Ezekiel I pass over it in silence), and an average preserved fragment is less then 6 lines long, one should be very careful and meek in drawing general conclusions. The study of the Hellenistic tragedy is based on a survey of both direct and indirect evidence, i.e. on fragments preserved in literary sources and the papyri, on kinds of ancient testimonies as well as information contained in inscriptions and archaeological material. All discussed texts are provided with Polish translation and commentaries. Chapter I, entitled Tragedians and the tragedies, presents all known writers of the tragedy and preserved fragments of the plays acknowledged as Hellenistic. It begins with the presentation of the Alexandrian Pleiad - group of seven poets who because they were seven in number (Tz. Ad Lye) and were shining in the art of tragedy like stars in Pleiad (Σ Β in Heph.) were given this name. As there are several conflicting lists of the greatest Alexandrian tragedians, the number of presented poets of Pleiad is nine: Sosiphanes, Homerus the Younger, Philiscus, Lycophron, Alexander Aetolus, Sositheus, Dionysiades, Aiantiades and Euphronius. Remarks on the Pleiad are followed by presen¬ tation of all playwrights whose names and works are attested in literary sources, among them Mos- chion, Timon of Phlius, Nicomachus of Alexandria in Troas and all tragedians and authors of satyr plays known from Hellenistic inscriptions. The chapter ends with turning to the so-called Fragmenta Adespota (i.e. Gyges-Fragment, POsl. 1413, PBodm. XXVIII, POxy. 2746). Chapter II, entitled Tragedy in the Hellenistic times, is devoted to the number of problems connected with theory of the literary genre, historical and mythical subjects, the issues addressed in the plays, metre and language. Summary 229 In agreement with the spirit of the Alexandrian era theoretical treatises had important influence on the development and moulding of tragedy and satyr play. No doubt that Aristotle s Poetics as well as works of contemporary theoreticians were taken under consideration by Hellenistic playwrights. In fact two members of Pleiad, Lycophron and Alexander Aetolus, were grammarians working in the Alexandrian Library. Unfortunately, the most prominent treatise on Hellenistic poetics by Neop- tolemus of Parion is lost and only scant echoes of his postulates on drama can be traced in Horace s Ars Poetica. One of the most significant changes in the tragedy of Hellenistic times was taking up political subjects and showing interest in contemporary events on rulers courts. Lycophron s Cassandreians and Moschion s Pheraioi belonged undoubtedly to this type of tragedy. As far as one can state politi¬ cal tragedy was, however, produced only in the first fifty years of the 3rd century B.C. Incessantly popular were mythological plays. I attempt to compare here some mythological subjects undertaken in Hellenistic tragedy with parallel treatments in the 5th century B.C. The list of titles suggesting the contents of the plays of both classical and Hellenistic authors shows the popularity of Trojan and Theban myths. It proves also that not only new versions of the stories handled by Euripides were produced at that time, but also that no less popular and suiting to the Hellenistic taste were the tragedies of Sophocles. Moreover, one can trace the influence of Hellenistic eclecticism on and reception of eastern religion and tradition by the dramatic productions. The evident examples of the plays inspired by trendy myths are tragedies entitled Adonis by Philiscus and Ptolemy IV and the so-called Gyges-Fragment. The influence of Alexandrian scholarship and the acribie work of grammarians can be ob¬ served in the metre and language of the Hellenistic playwrights. The purity of the metre and richness of the language, big number of hapax legomena and eiremena might be conclusive evidence of this fact. Unfortunately, the fragmentary nature of the texts cannot give sufficient comparative material to talk about general trends concerning the development of linguistic features. Chapter III concentrates on the satyr play in the Hellenistic age. Its first part is devoted to Agen by Python and its important role in revolutionizing the genre. In my opinion it was the first play of a new type, more Aristophanean in character, raising issues of contemporary politics and social events, which could have been inspiration for the next generation dramatist such as Lycophron and Sositheus. It does not mean, however, that the traditional subjects and figures like Syleni, satyrs or Heracles are not present in the plays. They even represent the main stream in the satyr play produc¬ tions of the time, which can be observed in Daphnis, Lithyerses, or Crotus by Sositheus and papyrus fragment oí Atlas. Chapter IV is dealt with some special aspects of staging the Hellenistic plays. Very important influence on the theatrical productions ofthat time had changes in the architecture of the theatre like the introduction of high stage and technological innovation in mechanical equipment (e.g. pinakes, sound system made from copper or clay vessels). Much about the appearance of the tragedy and sa¬ tyr play in the Hellenistic age might be concluded from the information about costumes and scenery. Especially helpful in this case is the catalogue of masks in Pollux Onomasticon and certainly all frescos and mosaics representing actors, scenes from the plays and the scenery of Hellenistic tragedy and satyr play. Chapter V opens with the description of dramatic festivals in different parts of the Hellenistic world beginning with the traditional Athenian Dionysia and Lenaia, political in character festivals of the Island League (Antigoneia, Demetrieia, Ptolemaia) and Ше Boeotian festivals: Amfiaraia, Charitesia and Sarapieia, on which one can get information from the rich inscripţionai material. I also attempt to shed some light on the process of professionalisation of theatre and the influence of thechnitai guilds on dramatic productions. The aim of the last chapter is to show a synthetic picture of changes in the Hellenistic tragedy and satyr play including the mass audience, mutual influence of Greek and Eastern traditions and the changes inside the genre which can prove that the Hellenistic drama was an important stage in the development of the European theatre.
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genre	1\p (DE-588)4113937-9 Hochschulschrift gnd-content
genre_facet	Hochschulschrift
id	DE-604.BV035229349
illustrated	Illustrated
indexdate	2024-07-09T21:29:06Z
institution	BVB
isbn	9788322928073
language	Polish
lccn	2008376956
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-017035318
oclc_num	254536077
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	249 S., [8] Bl. Ill.
psigel	gbd_4_0903
publishDate	2006
publishDateSearch	2006
publishDateSort	2006
publisher	Wydawn. Uniw. Wrocławskiego
record_format	marc
series	Acta Universitatis Wratislaviensis
series2	Acta Universitatis Wratislaviensis : Dramat - teatr Acta Universitatis Wratislaviensis
spelling	Kotlińska-Toma, Agnieszka Verfasser aut Tragedia hellenistyczna Agnieszka Kotlińska-Toma Wrocław Wydawn. Uniw. Wrocławskiego 2006 249 S., [8] Bl. Ill. txt rdacontent n rdamedia nc rdacarrier Acta Universitatis Wratislaviensis : Dramat - teatr 17 Acta Universitatis Wratislaviensis 2923 Zsfassung in engl. Sprache u.d.T.: Hellenistic tragedy Engl. Zsfassung u.d.T.: Hellenistic Tragedy Geschichte gnd rswk-swf Geschichte 336 v. Chr.-31 v. Chr. gnd rswk-swf Greek drama (Tragedy) / History and criticism Greek drama (Tragedy) History and criticism Tragödie (DE-588)4060591-7 gnd rswk-swf Hellenismus (DE-588)4024313-8 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Griechische Literatur, Hellenistische Zeit (DE-2581)TH000005167 gbd Hellenismus (DE-588)4024313-8 s Tragödie (DE-588)4060591-7 s Geschichte z DE-604 Griechisch (DE-588)4113791-7 s Drama (DE-588)4012899-4 s Geschichte 336 v. Chr.-31 v. Chr. z 2\p DE-604 3\p DE-604 Acta Universitatis Wratislaviensis Dramat - teatr ; 17 (DE-604)BV013815702 17 Acta Universitatis Wratislaviensis 2923 (DE-604)BV004668106 2923 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017035318&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017035318&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Kotlińska-Toma, Agnieszka Tragedia hellenistyczna Acta Universitatis Wratislaviensis Greek drama (Tragedy) / History and criticism Greek drama (Tragedy) History and criticism Tragödie (DE-588)4060591-7 gnd Hellenismus (DE-588)4024313-8 gnd Drama (DE-588)4012899-4 gnd Griechisch (DE-588)4113791-7 gnd
subject_GND	(DE-588)4060591-7 (DE-588)4024313-8 (DE-588)4012899-4 (DE-588)4113791-7 (DE-588)4113937-9
title	Tragedia hellenistyczna
title_auth	Tragedia hellenistyczna
title_exact_search	Tragedia hellenistyczna
title_full	Tragedia hellenistyczna Agnieszka Kotlińska-Toma
title_fullStr	Tragedia hellenistyczna Agnieszka Kotlińska-Toma
title_full_unstemmed	Tragedia hellenistyczna Agnieszka Kotlińska-Toma
title_short	Tragedia hellenistyczna
title_sort	tragedia hellenistyczna
topic	Greek drama (Tragedy) / History and criticism Greek drama (Tragedy) History and criticism Tragödie (DE-588)4060591-7 gnd Hellenismus (DE-588)4024313-8 gnd Drama (DE-588)4012899-4 gnd Griechisch (DE-588)4113791-7 gnd
topic_facet	Greek drama (Tragedy) / History and criticism Greek drama (Tragedy) History and criticism Tragödie Hellenismus Drama Griechisch Hochschulschrift
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017035318&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017035318&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV013815702 (DE-604)BV004668106
work_keys_str_mv	AT kotlinskatomaagnieszka tragediahellenistyczna

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