Thinking about harmony: historical perspectives on analysis
"Focusing on music written in the period 1800-1850, Thinking About Harmony traces the responses of observant musicians to the music that was being created in their midst by composers including Beethoven, Schubert, and Chopin. It tells the story of how a separate branch of musical activity - mus...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Contributor biographical information Publisher description Table of contents only Inhaltsverzeichnis |
| Zusammenfassung: | "Focusing on music written in the period 1800-1850, Thinking About Harmony traces the responses of observant musicians to the music that was being created in their midst by composers including Beethoven, Schubert, and Chopin. It tells the story of how a separate branch of musical activity - music analysis - evolved out of the desire to make sense of the music, essential both to its enlightened performance and to its appreciation. The book integrates two distinct areas of musical inquiry - the history of music theory and music analysis - and the various notions that shape harmonic theory are put to the test through practical application, creating a unique and intriguing synthesis. Aided by an extensive compilation of carefully selected and clearly annotated music examples, readers can explore a panoramic projection of the era's analytical responses to harmony, thereby developing a more intimate rapport with the period."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references (p. [322]-327) and index |
| Beschreibung: | IX, 331 S. Notenbeisp. 26 cm |
| ISBN: | 052188814X 9780521888141 |
Internformat
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| 500 | |a Includes bibliographical references (p. [322]-327) and index | ||
| 520 | 1 | |a "Focusing on music written in the period 1800-1850, Thinking About Harmony traces the responses of observant musicians to the music that was being created in their midst by composers including Beethoven, Schubert, and Chopin. It tells the story of how a separate branch of musical activity - music analysis - evolved out of the desire to make sense of the music, essential both to its enlightened performance and to its appreciation. The book integrates two distinct areas of musical inquiry - the history of music theory and music analysis - and the various notions that shape harmonic theory are put to the test through practical application, creating a unique and intriguing synthesis. Aided by an extensive compilation of carefully selected and clearly annotated music examples, readers can explore a panoramic projection of the era's analytical responses to harmony, thereby developing a more intimate rapport with the period."--BOOK JACKET. | |
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Datensatz im Suchindex
| _version_ | 1804138460518285312 |
|---|---|
| adam_text | Contents
Preface
page vii
1
Chord identification
[1]
Arabic and Roman numerals
[ 1 ]
Daube s three chords and the emergence of a function theory
[ 9 ]
Chordal roots
[17]
Mendelssohn s Wedding March and British harmonic theory
[24]
2
Chordal embellishment
[31]
Rameau on
suspensions
[31]
Kirnberger s incidental dissonances
[37]
Embellishment in a phrase by Chopin
[40]
Koch s
Stammakkord
and the dissonant
J
[43]
A Beethoven/Schubert connection
[46]
Berlioz and
Fétis
on embellishment
[49]
3
Parallel and sequential progressions
[58]
Parallel motion in thirds or sixths
[58]
Chains of descending fifths
[65]
Langle s Tours
de l harmonie
[75]
Schubert s transformation of the ascending
5-6
sequence
[ 79]
4
Harmonic progression
[85]
The artistic progression of harmonic triads
[85 ]
Rankings of chord successions
[86]
Portmann s rules of succession
[90]
The privileged fifth
[94]
Succession by third
[98]
Succession by second
[ 100 ]
Koch s model: Schubert s composition
[106]
5
Chordal hierarchy
[113]
Passing note, passing chord
[113]
Reductive analysis in the nineteenth century
[ 123
j
Hierarchy in fifth-rekted chords
[ 126]
Dehn
on Beethoven
[ 132]
vi
Contents
6
Modulation to closely related keys
[139]
An analytical pioneer:
Lampe
! 139
І
Chromatic pitches as
modulatory
triggers 1
141
1
Non-modulatory analysis
[ 149]
Multiple meaning
[156]
Prouťs
modulatory
practice
[161]
7
Chromatic chords: diminished/augmented
[166]
Chords via licence
[ 166]
Enharmonicism
[173]
Diminished seventh chords in Weber s Euryanthe
[ 177
Marx on diminished thirds (augmented sixths)
[185]
Weitzmann on diminished sevenths
[190]
8
Chromatic chords: major and minor
[ 198]
bü:
the strategy of denial
[198]
»II: strategies of inclusion
[204]
Non-diatonic goals of modulation
[210]
Rossini and the major mediant
[213]
Seyfried s and Schubert s modulations
[220]
A Wagnerian
antipodal conundrum
[224]
A parallel progression in Verdi s
Luisa
Miller
[230]
Epilogue
[238]
Biographies of music theorists
[244]
Notes and references
[287]
Select bibliography of secondary literature
[ 322 ]
Index
[328]
|
| any_adam_object | 1 |
| author | Damschroder, David 1954- |
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| discipline | Musikwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1800-1900 Geschichte 1800-1850 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1800-1850 |
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| spelling | Damschroder, David 1954- Verfasser (DE-588)142371327 aut Thinking about harmony historical perspectives on analysis David Damschroder 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 IX, 331 S. Notenbeisp. 26 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [322]-327) and index "Focusing on music written in the period 1800-1850, Thinking About Harmony traces the responses of observant musicians to the music that was being created in their midst by composers including Beethoven, Schubert, and Chopin. It tells the story of how a separate branch of musical activity - music analysis - evolved out of the desire to make sense of the music, essential both to its enlightened performance and to its appreciation. The book integrates two distinct areas of musical inquiry - the history of music theory and music analysis - and the various notions that shape harmonic theory are put to the test through practical application, creating a unique and intriguing synthesis. Aided by an extensive compilation of carefully selected and clearly annotated music examples, readers can explore a panoramic projection of the era's analytical responses to harmony, thereby developing a more intimate rapport with the period."--BOOK JACKET. Geschichte 1800-1900 Geschichte 1800-1850 gnd rswk-swf Geschichte Musik Musical analysis History 19th century Harmony History Music History and criticism Harmonie Musik (DE-588)4023447-2 gnd rswk-swf Harmonielehre (DE-588)4129028-8 gnd rswk-swf Harmonie Musik (DE-588)4023447-2 s Geschichte 1800-1850 z DE-604 Harmonielehre (DE-588)4129028-8 s http://www.loc.gov/catdir/enhancements/fy0838/2008298014-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0838/2008298014-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0838/2008298014-t.html Table of contents only Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017011666&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Damschroder, David 1954- Thinking about harmony historical perspectives on analysis Geschichte Musik Musical analysis History 19th century Harmony History Music History and criticism Harmonie Musik (DE-588)4023447-2 gnd Harmonielehre (DE-588)4129028-8 gnd |
| subject_GND | (DE-588)4023447-2 (DE-588)4129028-8 |
| title | Thinking about harmony historical perspectives on analysis |
| title_auth | Thinking about harmony historical perspectives on analysis |
| title_exact_search | Thinking about harmony historical perspectives on analysis |
| title_full | Thinking about harmony historical perspectives on analysis David Damschroder |
| title_fullStr | Thinking about harmony historical perspectives on analysis David Damschroder |
| title_full_unstemmed | Thinking about harmony historical perspectives on analysis David Damschroder |
| title_short | Thinking about harmony |
| title_sort | thinking about harmony historical perspectives on analysis |
| title_sub | historical perspectives on analysis |
| topic | Geschichte Musik Musical analysis History 19th century Harmony History Music History and criticism Harmonie Musik (DE-588)4023447-2 gnd Harmonielehre (DE-588)4129028-8 gnd |
| topic_facet | Geschichte Musik Musical analysis History 19th century Harmony History Music History and criticism Harmonie Musik Harmonielehre |
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