Verfügbarkeit: The humanities

The humanities: culture, continuity & change 6 Modernism and the globalization of cultures : 1900 to the present

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Bibliographische Detailangaben
1. Verfasser:	Sayre, Henry M. 1948- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Upper Saddle River, NJ Pearson/Prentice Hall 2008
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XV S., S. 1313 - 1583 zahlr. Ill., Kt.
ISBN:	9780130862693

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245	1	0	\|a The humanities \|b culture, continuity & change \|n 6 \|p Modernism and the globalization of cultures : 1900 to the present \|c Henry M. Sayre
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Datensatz im Suchindex

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adam_text	Contents Preface vu Modernism and the Globalization of Cultures: 1900 to the Present 1313 β i\| The Era of Invention ! J Paris and the Rise of Modernism 1317 Pablo Picasso s Paris: At the Heart of the Modern 1319 READING 41.1 from Gertrude Stein, The Autobiography of Alice B. Tokios (1932) 1320 The Aggressive New Modern Art: Les Demoiselles d Avignon 1320 Matisse and the Fauves: A New Color 1322 The Invention of Cubism: Braque s Partnership with Picasso 1324 Futurism: The Cult of Speed 1328 Modernist Music and Dance: Stravinsky and the Ballets Russes 1329 The Expressionist Movement: Modernism in Germany and Austria 1330 Die Brücke: The Art of Deliberate Crudeness 1330 Der Bhue Reiter: The Spirituality of Color 1331 A Diversity of Sound: Schoenberg s New Atonal Music versus Puccini s Lyricism 1333 Early Twentieth-Century Literature 1334 Guillaume Apollinaire and Cubist Poetics 1334 READING 41.3 from Guillaume Apollinaire, Lundi, rue Christine (1913) 1335 READING 41.4 from Guillaume Apollinaire, II Pleut (1914) 1335 Words in Relation: The Language of Gertrude Stein 1336 READING 41.5 from Gertrude Stein, Tender Buttons (1914) 1336 Modernism Comes to America 1336 Ezra Pound and the Imagists 1336 READING 41.6 Ezra Pound, In a Station of the Metro (1913) 1336 READING 41.7 Ezra Pound, A Pact (1913) 1337 Stieglitz, Gallery 291, and Camera Work 133 7 The Armory Show and Marcel Duchamp 1338 The Origins of Cinema 1341 The Lumière Brothers Celluloid Film Movie Projector 1341 The Nickelodeon: Movies for the Masses 1342 D. W. Griffith and Cinematic Space 1342 Reading READING 41.2 from Filippo Marinetti, Founding and Manifesto of Futurism (1909) 1344 CULTURAL PARALLELS The Birth of Jazz in New Orleans 1320 FOCUS Picasso s Collages 1326 VOICES Interviewing a Cubist 1340 The Prospect of War 1347 The Great War and Its Impact A Lost Generation 1349 Trench Warfare and the Literary Imagination 1352 READING 42.1 from Alfred, Lord Tennyson, GharRe of the Light Brigade (1854) 1552 ¡V Continuity f ¡ Change Wilfred Owen: The Pity of War 1352 READING 42.2 Wilfred Owen, Dulce et Decorum Est (1918) 1352 In the Trenches: Remarque s Ail Quiet on the Western Front 1353 READING 42.3 from Erich Maria Remarque, All Quiet on the western Front (1928) 1353 William Butler Yeats and the Specter of Collapse 1353 READING 42.4 William Butler Yeats, The Lake Isle of Innisfree (1893) 1354 READING 42.5 William Butler Yeats, The Second Coming (1919) 1354 T. S. Eliot: The Landscape of Desolation 1354 READING 42.6a from T. S. Eliot, The Waste Land (1921) 1354 Escape from Despair: Dada in the Capitals 1355 READING 42.7 from Hugo Ball, Gadji beri bimba (1916) 1355 READING 42.8 from Tristan Tzara, To Make a Dadaist Poem (1920) 1356 Russia: Art and Revolution 1359 Vladimir Lenin and the Soviet State 1359 The Arts of the Revolution 1359 Freud, Jung, and the Art of the Unconscious 1364 Freud s Civilization and its Discontents 1365 The Jungian Archetype 1365 The Dreamwork of Surrealism 1366 READING 42.10 from André Breton, Sunealist Manifesto (1924) 1366 Experimentation and the Literary Life 1370 Hemingway in Paris: One True Sentence 1370 The Streanvof-Consciousness Novel 1371 READING 42.12 from Virginia Woolf, Mrs, Dalbway (1925) 1373 READING 42.13 from Marcel Proust, Swann s Way (1913) 1374 Readings READING 42.6 from T. S. Eliot, The Waste Land, Part 111, The Fire Sermon (1921) 1375 READING 42.9 from Sigmund Freud, Civilization and Its Discontents (1930) 1375 READING 42.11 from Ernest Hemingway, Big Two-Hearted River (1925) 1377 CULTURAL PARALLELS Revolution in Russia and China FOCUS Eisenstein s The Battleship Potemkm, Odessa Steps Sequence 1362 VOICES Parisian Nightlife 1371 1359 Continuity ^Change Har,em and the Great Migration 1383 / ) New York and Skyscraper J Culture Making it New 1385 Skyscraper and Machine: Architecture in New York The Harlem Renaissance 1388 The Origins of the Harlem Renaissance 1388 READING 43.1 from W. E. B. Dubois, The Souk of Black Folk (1903) READING 43.2 Claud« McKay, If We· Must Die (1919) 1389 The New Negro 1389 READING 4V4 Alain Locke, The New Negro (1925) 1392 Larißstnn Hughes and the Poetry of Jazz 1393 READING 43.5a from Langston Hiißhra, Jazz Biintl in u ГагЫип Cabaret (1925) 1193 1386 1389 CONTENTS Zora Neale Hurston and the Voices of Folklore 1394 READING 43.7 from Zora Neale Hurston, The Gilded Six-Bits (1933) 1394 All That Jazz 1394 The Visual Arts in Harlem 1397 READING 43.8 from James Weldon Johnson, The Prodigal Son (1927) 1397 Making It New: The Art of Place 1398 Fitzgerald and The Great Gatsby 1398 READING 43.9a from F. Scott Fitzgerald, The Great Gatsby (1925) 1398 READING 43.9b from F. Scott Fitzgerald, The Great Gatsby (1925) 1399 The New American Poetry and the Machine Aesthetic 1399 READING 43.10 William Carlos Williams, The Red Wheelbarrow, from Springand AÜ (1923) 1400 READING 43.11 William Carlos Williams, The Great Figure, from Sour Grapes (1921) 1400 READING 43.12 E. E. Cummings, she being Brand (1926) 1401 READING 43.13 from Hart Crane, To Brooklyn Bridge, The Bridge (1930) 1401 The New American Painting: That, Madam ... is paint. 1403 READING 43.14 from William Carlos Williams, The Autobiography of William Carlos Williams (1948) 1403 The American Stage: Eugene O Neill 1407 The Golden Age of Silent Film: Hollywood in the 1920s 1407 The Americanization of a Medium 1407 The Studios and the Star System 1408 Audience and Expectation: Hollywood s Genres 1410 Cinema in Europe 1410 Readings READING 43.4 Countee Cullen, Heritage (1925) 1412 READING 43.5 Langston Hughes, Selected Poems 1413 READING 43.6 Zora Neale Hurston, How It Feels to Be Colored Me (1928) 1414 Specüal Features FOCUS William van Alen s Chrysler Building 1390 VOICES The Jazz Capital of the World 1393 CULTURAL PARALLELS Shanghai and New York 1396 Continuity і, Change The Rise of pas^ 141Э /il £ Between the Wars f J IJ The Age of Anxiety 1421 The Glitter and Angst of Berlin 1422 Kafka s Nightmare Worlds 1423 READING 44.1 from Franz Kafka, The Trial (1925) 1424 Brecht and the Berlin Stage 1424 READING 44.3 from Bertolt Brecht, Theater for Pleasure or Theater for Imagination (ca. 1935) 1425 Kollwitz and the Expressionist Print 1425 The Rise of Fascism 1425 Hitler in Germany 1427 READING 44.4 from Adolf Hitler, Mein Kampf (1925) 1427 Stalin in Russia 1433 Mussolini in Italy 1434 READING 44.5a from Ezra Pound, Canto 120 1435 Franco in Spain 1435 Revolution in Mexico 1436 The Mexican Mural Movement 1436 The Private World of Frida Kalilo 1 440 The Great Depression in America 1440 The Road to Recovery: The New Deal 1440 READING 44.6a from Woody Guthrie, This Land Is Your Land (1940) 1445 READING 44.6b from Woody Guthrie, This Land Is Your Land (1940) 1446 The Rise of Regional Art 1446 READING 44.7 from William Faulkner, The Sound and the Fury (1929) 1446 Cinema: The Talkies and Color 1448 Sound and Language 1448 Disney s Color Animation 1449 1939: The Great Year 1450 Orson Welles and Citizen Kane 1451 Readings READING 44.2 from Franz Kafka, The Metamorphosis (1915) 1453 READING 44.5 Ezra Pound, Canto 49 ( The Seven Lakes Canto ) (1937) from The Cantos (1922-1972) 1454 CULTURAL PARALLELS The Rape of Nanjing 1436 FOCUS Picasso s Guernica 1438 Continuity & Change The Bauhaus in America 1457 / і í World War II and Its Aftermath Devastation and Recovery 1459 World War II 1460 The War in Europe 1460 The War in the Pacific 1462 The Allied Victory 1463 Decolonization and Liberation 1463 Bearing Witness: Reactions to the War 1465 READING 45.1 from Elie Wiesel, Night (1958) 1466 Europe after the War: The Existential Quest 1467 Christian Existentialism: Kierkegaard, Niebuhr, and Tillich 1467 The Philosophy of Sartre: Atheistic Existentialism 1468 READING 45.2 from Jean-Paul Sartre, No Exit ( 1944) 1468 De Beauvoir and Existential Feminism 1468 READING 45.3 from Simone de Beauvoir, The Second Sex (1949) 1469 The Literature of Existentialism 1469 READING 45.4 from Albert Camus, Preface to The Stranger (1955) 1469 READING 45.5a from Samuel Beckett, Waiting for Godot, Act I (1954) 1470 READING 45.5b from Samuel Beckett Waiting for Godot, Act II (1954) 1470 The Art of Existentialism 1470 America after the War: Triumph and Doubt 1471 The Literature of Irony: Heller s Catch-H 1474 READING 45.6a from Joseph Heller, Catch-22, Chapter 5 (1961) 1474 READING 45.6b from Joseph Heller, Catch-22, Chapter 24 (1961) 1474 The Triumph of American Art: Abstract Expressionism 1474 The Beat Generation 1482 READING 45.7 from Allen Ginsberg, Howl ( 1956) 148 ł Cage and the Aesthetics of Chance 1483 READING 45.8 from Allan Kaprów, The Legacy of Jackson Pollock (1958) 1486 Architecture in the 1950s 1486 Reading READING 45.6 from Joseph Heller, Catch-ll, Chapter 22, Milo the Mayor (1%1) 1488 VÍ CONTENTS SìPECSAL ІРй VOICES Racial and Ethnic Identity in the U.S. Military 1464 FOCUS Hamilton s Just What Is It That Makes Today s Homes So Different, So Appealing? 1472 Continuity §5 Change The Retum of the Re]chstag 1491 The Turbulent 1960s Decade of Change 1493 The Ongoing Fight for Civil Rights 1495 Martin Luther King s Message of Resistance 1495 READING 46.1 from Martin Luther King, Letter from Birmingham Jail (1963) 1496 Black Identity 1496 READING 46.3a from Ralph Ellison, Invisible Man (1952) 1497 READING 46.3b from Ralph Ellison, Invisible Man (1952) 1498 READING 46.4 Amiri Вагака, Ка Ва (1969) 1500 READING 46.5 from Gil Scott-Heron, The Revolution Will Not Be Televised (1970) 1501 Mass Media and the Culture of Consumption 1501 Pop Art 1501 Minimalism in Art and Music 1504 György Ligeti and Minimalist Music 1505 The Vietnam War: Rebellion and the Arts 1506 Kurt Vonnegut s Shughterhouse Five 1507 READING 46.6 from Kurt Vonnegut, Slaughterhouse-Five (1969) 1507 Artists Against the War 1507 Conceptual Art 1511 The Music of Youth and Rebellion 1512 READING 46.7 from Joni Mitchell, Woodstock (1970) 1514 High and Low: The Example of Music 1514 The Birth of the Feminist Era 1515 The Theoretical Framework: Betty Friedan and NOW 1515 READING 46.8 from Betty Friedan, The Feminine Mystique (1963) 1516 Feminist Poetry 1516 READING 46.10 Anne Sexton, Her Kind (I960) 1516 Feminist Art 1517 Readings READING 46.2 from James Baldwin, Sonny s Blues (1957) 1520 READING 46.9 Sylvia Plath, Lady Lazarus (1962) 1521 READING46.il Adrienné Rich, Diving into the Wreck (1973) 1522 ^î î-X SAl, ^¿ATUR.SS FOCUS Rosenquist s F-lll 1508 VOICES San Francisco in the 1960s 1513 CULTURAL PARALLELS Fusing Rock and Japanese Musical Traditions 1514 Continuity g.Change Feminist Art¡sts Fight Back 1525 / The Postmodern Era Multiple Meanings in a Changing World 1527 Complexity and Contradiction in Postmodern Architecture 1530 The University of Houston College of Architecture 1531 The Gehry House 1532 The Guggenheim Museum Bilbao 1532 Pluralism in the Visual Arts 1533 New Directions in Painting 1533 1544 New Directions in Sculpture 1540 New Media 1541 Multiplicity and Postmodern Literature 1544 READING 47.1 from Michel Foucault, The Order of Things (1966) Postmodern Fiction 1545 READING 47.3a from Paul Auster, City of Glass (1985) 1545 READING 47.3b from Paul Auster, City of Glass (1985) 1546 The Plural Self and Magical Realism: Latino and Hispanic Literatures of the Americas 1546 READING 47.4 Aurora Levins Morales, Child of the Americas (1986) 1546 Postmodern Poetry 1547 READING 47.5a David Antin, If We Get It (1987-1988) 1547 READING 47.5b David Antin, If We Make It (1987-1988) 1547 READING 47.6 from John Ashbery, On the Towpath (1977) 1547 The Theatrical and the New Qesamtkunstwerk 1548 Robert Wilson and Postmodern Opera 1548 Laurie Anderson and Rock Postmodern 1550 Reading READING 47.2 from Jorge Luis Borges, Borges and I (1967) 1551 Speck al Fe atu res CULTURAL PARALLELS Miami Vice and Postmodern Style 1530 FOCUS Basquiat s Charles the First 1534 VOICES Bohemia Upside Down 1549 Continuity & Change Toward a WoHd w¡thout Boundaries 1553 Ѕтфѓ ^¡\| Co) Blurring the Boundaries .j v .·::>■ гр^е Qjokaj Village in the Information Age 1555 Architecture in the Information Age 1558 East/West: Power and Appropriation 1562 Global Perspectives: The African Double-Bind 1565 The African Experience in Art 1565 The African Experience in Literature 1566 READING 48.1 from Wole Soyinka, A Dance in the Forests (1960) 1566 The AIDS Pandemic and the Arts 1567 Multiple Identities in a Global World 1568 The Asian Worldview 1569 Imaging Islam 1571 The Latino and Hispanic Presence in the United States 1573 READING 48.3 from Luis Valdez, loot Suit (1978) 1574 The World Music Movement 1574 Recovering Tradition: Contemporary Native American Art 1575 The Potters of the Southwest 1578 The Revival of Northwest Coast Traditions 1578 Reading READING 48.2 Véronique Tadjo, The Betrayal (1992) 1580 Special Features VOICES A Canadian in Tokyo 1563 CULTURAL PARALLELS Decoding the Human Genome 1569 FOCUS Bradley s Indian Country Today 1576 Toward the Future 1583 Index Index- 1 Photo and Text Credits Credits- 1 Continuity I?; Change
adam_txt	Contents Preface vu Modernism and the Globalization of Cultures: 1900 to the Present 1313 β i\| The Era of Invention ! J Paris and the Rise of Modernism 1317 Pablo Picasso's Paris: At the Heart of the Modern 1319 READING 41.1 from Gertrude Stein, The Autobiography of Alice B. Tokios (1932) 1320 The Aggressive New Modern Art: Les Demoiselles d'Avignon 1320 Matisse and the Fauves: A New Color 1322 The Invention of Cubism: Braque's Partnership with Picasso 1324 Futurism: The Cult of Speed 1328 Modernist Music and Dance: Stravinsky and the Ballets Russes 1329 The Expressionist Movement: Modernism in Germany and Austria 1330 Die Brücke: The Art of Deliberate Crudeness 1330 Der Bhue Reiter: The Spirituality of Color 1331 A Diversity of Sound: Schoenberg's New Atonal Music versus Puccini's Lyricism 1333 Early Twentieth-Century Literature 1334 Guillaume Apollinaire and Cubist Poetics 1334 READING 41.3 from Guillaume Apollinaire, "Lundi, rue Christine" (1913) 1335 READING 41.4 from Guillaume Apollinaire, "II Pleut" (1914) 1335 Words in Relation: The Language of Gertrude Stein 1336 READING 41.5 from Gertrude Stein, Tender Buttons (1914) 1336 Modernism Comes to America 1336 Ezra Pound and the Imagists 1336 READING 41.6 Ezra Pound, "In a Station of the Metro" (1913) 1336 READING 41.7 Ezra Pound, "A Pact" (1913) 1337 Stieglitz, Gallery 291, and Camera Work 133 7 The Armory Show and Marcel Duchamp 1338 The Origins of Cinema 1341 The Lumière Brothers' Celluloid Film Movie Projector 1341 The Nickelodeon: Movies for the Masses 1342 D. W. Griffith and Cinematic Space 1342 Reading READING 41.2 from Filippo Marinetti, Founding and Manifesto of Futurism (1909) 1344 CULTURAL PARALLELS The Birth of Jazz in New Orleans 1320 FOCUS Picasso's Collages 1326 VOICES Interviewing a Cubist 1340 The Prospect of War 1347 The Great War and Its Impact A Lost Generation 1349 Trench Warfare and the Literary Imagination 1352 READING 42.1 from Alfred, Lord Tennyson, "GharRe of the Light Brigade" (1854) 1552 ¡V Continuity f ¡ Change Wilfred Owen: "The Pity of War" 1352 READING 42.2 Wilfred Owen, "Dulce et Decorum Est" (1918) 1352 In the Trenches: Remarque's Ail Quiet on the Western Front 1353 READING 42.3 from Erich Maria Remarque, All Quiet on the western Front (1928) 1353 William Butler Yeats and the Specter of Collapse 1353 READING 42.4 William Butler Yeats, "The Lake Isle of Innisfree" (1893) 1354 READING 42.5 William Butler Yeats, "The Second Coming" (1919) 1354 T. S. Eliot: The Landscape of Desolation 1354 READING 42.6a from T. S. Eliot, The Waste Land (1921) 1354 Escape from Despair: Dada in the Capitals 1355 READING 42.7 from Hugo Ball, "Gadji beri bimba" (1916) 1355 READING 42.8 from Tristan Tzara, "To Make a Dadaist Poem" (1920) 1356 Russia: Art and Revolution 1359 Vladimir Lenin and the Soviet State 1359 The Arts of the Revolution 1359 Freud, Jung, and the Art of the Unconscious 1364 Freud's Civilization and its Discontents 1365 The Jungian Archetype 1365 The Dreamwork of Surrealism 1366 READING 42.10 from André Breton, Sunealist Manifesto (1924) 1366 Experimentation and the Literary Life 1370 Hemingway in Paris: "One True Sentence" 1370 The Streanvof-Consciousness Novel 1371 READING 42.12 from Virginia Woolf, Mrs, Dalbway (1925) 1373 READING 42.13 from Marcel Proust, Swann's Way (1913) 1374 Readings READING 42.6 from T. S. Eliot, The Waste Land, Part 111, "The Fire Sermon" (1921) 1375 READING 42.9 from Sigmund Freud, Civilization and Its Discontents (1930) 1375 READING 42.11 from Ernest Hemingway, "Big Two-Hearted River" (1925) 1377 CULTURAL PARALLELS Revolution in Russia and China FOCUS Eisenstein's The Battleship Potemkm, "Odessa Steps Sequence" 1362 VOICES Parisian Nightlife 1371 1359 Continuity ^Change Har,em and the Great Migration 1383 / ) New York and Skyscraper 'J Culture Making it New 1385 Skyscraper and Machine: Architecture in New York The Harlem Renaissance 1388 The Origins of the Harlem Renaissance 1388 READING 43.1 from W. E. B. Dubois, The Souk of Black Folk (1903) READING 43.2 Claud« McKay, "If We· Must Die" (1919) 1389 "The New Negro" 1389 READING 4V4 Alain Locke, The New Negro (1925) 1392 Larißstnn Hughes and the Poetry of Jazz 1393 READING 43.5a from Langston Hiißhra, "Jazz Biintl in u ГагЫип Cabaret" (1925) 1193 1386 1389 CONTENTS Zora Neale Hurston and the Voices of Folklore 1394 READING 43.7 from Zora Neale Hurston, "The Gilded Six-Bits" (1933) 1394 All That Jazz 1394 The Visual Arts in Harlem 1397 READING 43.8 from James Weldon Johnson, "The Prodigal Son" (1927) 1397 Making It New: The Art of Place 1398 Fitzgerald and The Great Gatsby 1398 READING 43.9a from F. Scott Fitzgerald, The Great Gatsby (1925) 1398 READING 43.9b from F. Scott Fitzgerald, The Great Gatsby (1925) 1399 The New American Poetry and the Machine Aesthetic 1399 READING 43.10 William Carlos Williams, "The Red Wheelbarrow," from Springand AÜ (1923) 1400 READING 43.11 William Carlos Williams, "The Great Figure," from Sour Grapes (1921) 1400 READING 43.12 E. E. Cummings, "she being Brand" (1926) 1401 READING 43.13 from Hart Crane, "To Brooklyn Bridge," The Bridge (1930) 1401 The New American Painting: "That, Madam . is paint." 1403 READING 43.14 from William Carlos Williams, The Autobiography of William Carlos Williams (1948) 1403 The American Stage: Eugene O'Neill 1407 The Golden Age of Silent Film: Hollywood in the 1920s 1407 The Americanization of a Medium 1407 The Studios and the Star System 1408 Audience and Expectation: Hollywood's Genres 1410 Cinema in Europe 1410 Readings READING 43.4 Countee Cullen, "Heritage" (1925) 1412 READING 43.5 Langston Hughes, Selected Poems 1413 READING 43.6 Zora Neale Hurston, "How It Feels to Be Colored Me" (1928) 1414 Specüal Features FOCUS William van Alen's Chrysler Building 1390 VOICES The Jazz Capital of the World 1393 CULTURAL PARALLELS Shanghai and New York 1396 Continuity і, Change The Rise of pas^ 141Э /il £\ Between the Wars f J' IJ' The Age of Anxiety 1421 The Glitter and Angst of Berlin 1422 Kafka's Nightmare Worlds 1423 READING 44.1 from Franz Kafka, The Trial (1925) 1424 Brecht and the Berlin Stage 1424 READING 44.3 from Bertolt Brecht, "Theater for Pleasure or Theater for Imagination" (ca. 1935) 1425 Kollwitz and the Expressionist Print 1425 The Rise of Fascism 1425 Hitler in Germany 1427 READING 44.4 from Adolf Hitler, Mein Kampf (1925) 1427 Stalin in Russia 1433 Mussolini in Italy 1434 READING 44.5a from Ezra Pound, Canto 120 1435 Franco in Spain 1435 Revolution in Mexico 1436 The Mexican Mural Movement 1436 The Private World of Frida Kalilo 1 440 The Great Depression in America 1440 The Road to Recovery: The New Deal 1440 READING 44.6a from Woody Guthrie, "This Land Is Your Land" (1940) 1445 READING 44.6b from Woody Guthrie, "This Land Is Your Land" (1940) 1446 The Rise of Regional Art 1446 READING 44.7 from William Faulkner, The Sound and the Fury (1929) 1446 Cinema: The Talkies and Color 1448 Sound and Language 1448 Disney's Color Animation 1449 1939: The Great Year 1450 Orson Welles and Citizen Kane 1451 Readings READING 44.2 from Franz Kafka, The Metamorphosis (1915) 1453 READING 44.5 Ezra Pound, Canto 49 ("The Seven Lakes Canto") (1937) from The Cantos (1922-1972) 1454 CULTURAL PARALLELS The Rape of Nanjing 1436 FOCUS Picasso's Guernica 1438 Continuity & Change The Bauhaus in America 1457 / і í World War II and Its Aftermath Devastation and Recovery 1459 World War II 1460 The War in Europe 1460 The War in the Pacific 1462 The Allied Victory 1463 Decolonization and Liberation 1463 Bearing Witness: Reactions to the War 1465 READING 45.1 from Elie Wiesel, Night (1958) 1466 Europe after the War: The Existential Quest 1467 Christian Existentialism: Kierkegaard, Niebuhr, and Tillich 1467 The Philosophy of Sartre: Atheistic Existentialism 1468 READING 45.2 from Jean-Paul Sartre, No Exit ( 1944) 1468 De Beauvoir and Existential Feminism 1468 READING 45.3 from Simone de Beauvoir, The Second Sex (1949) 1469 The Literature of Existentialism 1469 READING 45.4 from Albert Camus, Preface to The Stranger (1955) 1469 READING 45.5a from Samuel Beckett, Waiting for Godot, Act I (1954) 1470 READING 45.5b from Samuel Beckett Waiting for Godot, Act II (1954) 1470 The Art of Existentialism 1470 America after the War: Triumph and Doubt 1471 The Literature of Irony: Heller's Catch-H 1474 READING 45.6a from Joseph Heller, Catch-22, Chapter 5 (1961) 1474 READING 45.6b from Joseph Heller, Catch-22, Chapter 24 (1961) 1474 The Triumph of American Art: Abstract Expressionism 1474 The Beat Generation 1482 READING 45.7 from Allen Ginsberg, "Howl" ( 1956) 148 ł Cage and the Aesthetics of Chance 1483 READING 45.8 from Allan Kaprów, "The Legacy of Jackson Pollock" (1958) 1486 Architecture in the 1950s 1486 Reading READING 45.6 from Joseph Heller, Catch-ll, Chapter 22, "Milo the Mayor" (1%1) 1488' VÍ CONTENTS SìPECSAL "ІРй VOICES Racial and Ethnic Identity in the U.S. Military 1464 FOCUS Hamilton's Just What Is It That Makes Today's Homes So Different, So Appealing? 1472 Continuity §5 Change The Retum of the Re]chstag 1491 The Turbulent 1960s Decade of Change 1493 The Ongoing Fight for Civil Rights 1495 Martin Luther King's Message of Resistance 1495 READING 46.1 from Martin Luther King, "Letter from Birmingham Jail" (1963) 1496 Black Identity 1496 READING 46.3a from Ralph Ellison, Invisible Man (1952) 1497 READING 46.3b from Ralph Ellison, Invisible Man (1952) 1498 READING 46.4 Amiri Вагака, "Ка'Ва" (1969) 1500 READING 46.5 from Gil Scott-Heron, "The Revolution Will Not Be Televised" (1970) 1501 Mass Media and the Culture of Consumption 1501 Pop Art 1501 Minimalism in Art and Music 1504 György Ligeti and Minimalist Music 1505 The Vietnam War: Rebellion and the Arts 1506 Kurt Vonnegut's Shughterhouse'Five 1507 READING 46.6 from Kurt Vonnegut, Slaughterhouse-Five (1969) 1507 Artists Against the War 1507 Conceptual Art 1511 The Music of Youth and Rebellion 1512 READING 46.7 from Joni Mitchell, "Woodstock" (1970) 1514 High and Low: The Example of Music 1514 The Birth of the Feminist Era 1515 The Theoretical Framework: Betty Friedan and NOW 1515 READING 46.8 from Betty Friedan, The Feminine Mystique (1963) 1516 Feminist Poetry 1516 READING 46.10 Anne Sexton, "Her Kind" (I960) 1516 Feminist Art 1517 Readings READING 46.2 from James Baldwin, "Sonny's Blues" (1957) 1520 READING 46.9 Sylvia Plath, "Lady Lazarus" (1962) 1521 READING46.il Adrienné Rich, "Diving into the Wreck" (1973) 1522 ^î'î-X'SAl, ^¿ATUR.SS FOCUS Rosenquist's F-lll 1508 VOICES San Francisco in the 1960s 1513 CULTURAL PARALLELS Fusing Rock and Japanese Musical Traditions 1514 Continuity g.Change Feminist Art¡sts Fight Back 1525 / The Postmodern Era Multiple Meanings in a Changing World 1527 Complexity and Contradiction in Postmodern Architecture 1530 The University of Houston College of Architecture 1531 The Gehry House 1532 The Guggenheim Museum Bilbao 1532 Pluralism in the Visual Arts 1533 New Directions in Painting 1533 1544 New Directions in Sculpture 1540 New Media 1541 Multiplicity and Postmodern Literature 1544 READING 47.1 from Michel Foucault, The Order of Things (1966) Postmodern Fiction 1545 READING 47.3a from Paul Auster, City of Glass (1985) 1545 READING 47.3b from Paul Auster, City of Glass (1985) 1546 The Plural Self and Magical Realism: Latino and Hispanic Literatures of the Americas 1546 READING 47.4 Aurora Levins Morales, "Child of the Americas" (1986) 1546 Postmodern Poetry 1547 READING 47.5a David Antin, "If We Get It" (1987-1988) 1547 READING 47.5b David Antin, "If We Make It" (1987-1988) 1547 READING 47.6 from John Ashbery, "On the Towpath" (1977) 1547 The Theatrical and the New Qesamtkunstwerk 1548 Robert Wilson and Postmodern Opera 1548 Laurie Anderson and Rock Postmodern 1550 Reading READING 47.2 from Jorge Luis Borges, "Borges and I" (1967) 1551 Speck al Fe atu res CULTURAL PARALLELS Miami Vice and Postmodern Style 1530 FOCUS Basquiat's Charles the First 1534 VOICES Bohemia Upside Down 1549 Continuity & Change Toward a WoHd w¡thout Boundaries 1553 Ѕтфѓ ^¡\| Co) Blurring the Boundaries .j v .·::>■ гр^е Qjokaj Village in the Information Age 1555 Architecture in the Information Age 1558 East/West: Power and Appropriation 1562 Global Perspectives: The African Double-Bind 1565 The African Experience in Art 1565 The African Experience in Literature 1566 READING 48.1 from Wole Soyinka, A Dance in the Forests (1960) 1566 The AIDS Pandemic and the Arts 1567 Multiple Identities in a Global World 1568 The Asian Worldview 1569 Imaging Islam 1571 The Latino and Hispanic Presence in the United States 1573 READING 48.3 from Luis Valdez, loot Suit (1978) 1574 The "World Music" Movement 1574 Recovering Tradition: Contemporary Native American Art 1575 The Potters of the Southwest 1578 The Revival of Northwest Coast Traditions 1578 Reading READING 48.2 Véronique Tadjo, "The Betrayal" (1992) 1580 Special Features VOICES A Canadian in Tokyo 1563 CULTURAL PARALLELS Decoding the Human Genome 1569 FOCUS Bradley's Indian Country Today 1576 Toward the Future 1583 Index Index- 1 Photo and Text Credits Credits- 1 Continuity I?; Change
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spelling	Sayre, Henry M. 1948- Verfasser (DE-588)153208953 aut The humanities culture, continuity & change 6 Modernism and the globalization of cultures : 1900 to the present Henry M. Sayre Upper Saddle River, NJ Pearson/Prentice Hall 2008 XV S., S. 1313 - 1583 zahlr. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier (DE-604)BV022518678 6 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016998256&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Sayre, Henry M. 1948- The humanities culture, continuity & change
title	The humanities culture, continuity & change
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title_full	The humanities culture, continuity & change 6 Modernism and the globalization of cultures : 1900 to the present Henry M. Sayre
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title_full_unstemmed	The humanities culture, continuity & change 6 Modernism and the globalization of cultures : 1900 to the present Henry M. Sayre
title_short	The humanities
title_sort	the humanities culture continuity change modernism and the globalization of cultures 1900 to the present
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