The humanities: culture, continuity & change 5 Romanticism, realism, and empire : 1800 to 1900
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| Beschreibung: | XV S., S. 1049 - 1311 zahlr. Ill., Kt. |
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| 245 | 1 | 0 | |a The humanities |b culture, continuity & change |n 5 |p Romanticism, realism, and empire : 1800 to 1900 |c Henry M. Sayre |
| 264 | 1 | |a Upper Saddle River, NJ |b Pearson/Prentice Hall |c 2008 | |
| 300 | |a XV S., S. 1049 - 1311 |b zahlr. Ill., Kt. | ||
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Datensatz im Suchindex
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| adam_text | Contents
Preface
vii
Romanticism, Realism, and Empire:
1800
to
1900 1049
The Self in Nature
The Rise of Romanticism
1053
The Early Romantic Imagination
1056
The Idea of the Romantic: William Wordsworth s Tintern
Abbey
1056
A Romantic Experiment: Lyrical Ballads
1056
READING
33.2
from William Wordsworth, Preface to Lyrical Ballads
(1800) 1057
Romanticism as-a Voyage of Discovery: Samuel Taylor Coleridge
1057
READING 33.3a from Samuel Taylor Coleridge, Rime of the Ancient
Mariner, Part II
(1797) 1057
READING 33.3b from Samuel Taylor Coleridge, Rime of the Ancient
Mariner, Part IV
(1797) 1057
READING 33.3c from Samuel Taylor Coleridge, Rime of the Ancient
Mariner, Part IV
(1797) 1060
Classical versus Romantic: The Odes of John Keats
1060
READING
33.4
from John Keats, Ode to a Nightingale
(1819) 1060
READING
33.5
from John Keats, Ode on a Grecian Urn
(1819) 1061
The Romantic Landscape
1061
John Constable: Painter of the English Countryside
1062
Joseph Mallord William Turner:
Colorist
of the
Imagination
1064
The Romantic in Germany:
Friedrich
and Kant
1066
The American Romantic Landscape
1066
Transcendentalism and the American Romantics
1069
The Philosophy of Romantic Idealism: Emerson and
Thoreau
1069
READING
33.6
from Ralph Waldo Emerson, Nature, Chapter
1 (1836)
1070
READING
33.7
from Henry David Thoreau,
Walden,
or Life in the Woods,
Chapter
2 (1854) 1070
READING
33.8
from Henry David Thoreau, Life without Principle
(1854) 1071
Herman Melville: The Uncertain World of Moby Dkk
1071
READING
33.9
from Herman Melville, Moby Dick, Chapter
3,
The
Spouter Inn
(1851) 1071
READING
33.10
from Herman Melville, Moby Dick, Chapter
35,
The
Master-Head
(1851) 1073
Readings
READING
33.1
from William Wordsworth, Lines Composed a Few
Miles above
Tintem
Abbey, on Revisiting the Banks of the Wye during a
Tour, July
13,1798 (1798) 1074
READING
33.3
from Samuel Taylor Coleridge, Rime of the Ancient
Mariner, Part I
(1798) 1076
3: -.:;<,■/■?..
FíATťJftEfi
| CULTURAL PARALLELS Polish Nationalism
1056
| FOCUS Wordsworth s The Rainbow
1058
Щ
£ ¡
A Darker World
Napoleon and the Romantic
Imagination
1081
Napoleon and the Romantic Hero
1084
The Hegelian Dialectic and the Great Man Theory of History
1084
READING
34.1
from
Georg Wilhelm Friedrich
Hegel, Philosophy of
History
(1805-1806) 1085
The Promethean Hero in England
1085
READING
34.2
from George Gordon, Lord Byron, Prometheus
(1816) 1085
READING 34.3a from George Gordon, Lord Byron, Childe Harold s
Pilgrimage, Canto III, stanzas
37, 42 (1812) 1086
READING 34.3b from George Gordon, Lord Byron, Childe Harold s
Pilgrimage, Canto II
(1812) 1086
READING
34.4
from Percy Bysshe Shelley, Prometheus Unbound
(1820) 1087
READING 34.5a from Percy Bysshe Shelley, Ode to the West Wind
(1819) 1087
The Romantic Hero in Germany:
Johann
Wolfgang
von
Goethe s
Werther
and Faust
1088
READING
34.6
from
Johann
Wolfgang
von
Goethe, The Sorrows of
Young
Werther
(1774) 1089
READING 34.7a from
Johann
Wolfgang
von
Goethe, Faust, Part I
(1808) 1089
READING 34.7b from
Johann
Wolfgang
von
Goethe, Faust, Part II
(1832) 1090
READING 34.7c from
Johann
Wolfgang
von
Goethe, Faust, Part II
(1832) 1090
Beethoven and the Rise of Romantic Music
1091
Early Years in Vienna: From Classicism to Romanticism
1091
The Heroic Decade:
1802-1812 1092
READING
34.8
from
Ludwig
van Beethoven,
Heíügensíodt
Testament
(1802) 1092
The Late Period: The Romantic in Music
1093
Romantic Music after Beethoven
1094
Goya s Tragic Vision
1097
The Third of May,
1808:
Napoleon s Spanish Legacy
1097
Goya before Napoleon: Social Satire
1098
The Black Paintings
1099
French Painting after Napoleon: The Classic and Roman¬
tic Revisited
1102
Théodore Géricault:
Rejecting Classicism
1103
The Aesthetic Expression of Politics: Delacroix versus Ingres
1104
Reading
READING
34.5
from Mary Shelley, Franlienstem, chapter
5 (1818) 1108
Special .Features
CULTURAL PARALLELS Volcanic Eruption
1084
VOICES An Englishman in Vienna Attends a Beethoven Premier
1094
FOCUS Goya s The Family of Charles IV
1100
Continuity g5 Change From Romanticism t0 Rea|ism
ш і
Continuity
&
Change Jhe Romntics 3nd Napoieon 1079
IV
jĄ
Щ
Industry and the Working
Class
A New Realism
1113
The Industrial City: Conditions in London
1115
READING
35.1
from Dickens, Sktchcs by
Boz
(1836) 1116
READING
35.2
from Thomas Carlyle, Past and Present
(1843) 1116
CONTENTS
Water and Housing
1116
Labor and Family Life
1117
Reformists Respond: Utopian Socialism, Medievalism, and
Christian Reform
1118
Utopian Socialism
1119
A.W.
N.
Pugin, Architecture, and the Medieval Model
1119
Literary Realism
1121
READING
35.3
from Dickens, Dombey and Son
(1846-1848) 1121
Dickens s Hard Times
1122
READING
35.4
from Dickens, Hard Times
(1854) 1123
French Literary Realism
1123
READING
35.6
from Flaubert,
Madame Bovary
(1856) 1125
The Russian Realists under Nicholas I
1125
READING
35.7
from Pushkin, The Bronte Horseman
(1833) 1126
Literary Realism in the United States: The Issue of Slavery
1127
READING 35.8a from Narrative of the Life of Frederick Douglass
(1845)
1127
READING
35.9
from Sojoumer Truth, Ain t I
а
Woman?
(1851) 1128
READING
35.10
letter from Harriet Beecher, Stowe to Eliza Cabot
Folien,
December
16, 1852 1129
READING
35.11
from Harriet Beecher Stowe, Uncle Tom s Cabin
(1852)
1129
READING
35.12
from Mark Twain, Huckleberry Finn
(1885) 1130
READING
35.13
from Mark Twain, HucWeberry Finn
(1885) 1131
The New French Realism in Painting
1131
Caricature and Illustration:
Honoré Daumier
1133
Realist Painting: The Worker as Subject
1134
Gustave Courbet:
Against Idealism
1137
Photography: Realism s Pencil of Light
1140
Charles Darwin: The Science of Objective Observation
1142
READING
35.14
from Darwin, Voyage of the Beagle
(1839) 1142
Readings
READING
35.5
from Balzac, Father
Goriot
(1834) 1144
READING
35.8
from the Narrative of the Life of Frederick Douglass: An
American Shve, Chapter
1 (1845) 1146
Special Features
VOICES A Recipe for Domestic Harmony
1118
CULTURAL PARALLELS A Gold Rush in Australia
1123
MATERIALS
&
TECHNIQUES Litography
1135
FOCUS Courbet s A Burial at
Omans 1138
Painting Modern Life
1151
Revolution and Civil War
The Conditions of Modern Life
1153
The Revolutions of 1848i From the Streets of Paris to
Vienna
1154
Marxism
1155
The Streets of Paris
1155
READING
36.2
from
Alphonse de Lamartine,
History of the Revolution of
1848(1849) 1155
The June Days in Paris: Worker Defeat and Rise of Louis-
Napoleon
1156
Revolution across Europe: The Rise of Nationalism
1157
In Pursuit of Modernity: Paris in the 1850s and
60s 1158
READING
36.3
from Charles Baudelaire, To the Bourgeoisie, in Salon
0/1846(1846) 1159
Charles Baudelaire and the Poetry of Modem Life
1159
READING
36.4
Charles Baudelaire, Carrion, In
Les Fleurs du mal
(1857)
(translation by Richard Howard)
1160
Continuity
Цј
Change
READING
36.5
Charles Baudelaire, The Head of Hair, in
Les Fleurs du
mal
(1857)
(translation
by
Richard Howard)
1160
Edouard
Manet: The Painter of
Modem Life
1160
READING
36.6
from
Charles Baudelaire,
The Painter of
Modem Life
0863) 1161
Emile Zola
and the Naturalist Novel
1163
READING
36.7
from
Emile
Zola,
Edouard
Manet
(1867) 1163
READING
36.8
from
Emile Zola,
The Moment in Art
(1867) 1163
READING
36.9
from
Emile Zola,
Preface to
Thérèse Raquin,
2nd
edition
(1868) 1167
READING 36.10a from
Emile Zola,
Germinal
(1885) 1167
Nationalism and the Politics of Opera
1167
The American Civil War
1172
Romanticizing Slavery in Antebellum American Art and
Music
1172
Representing the War
1174
Readings
READING
36.1
Karl Marx and
Friedrich Engels,
The Communist Mani-
festo, Part I, from Bourgeois and Proletarians
(1848;
English edition
1888;
trans. Samuel Morse)
1179
READING
36.10
from
Emile Zola,
Germinal
(1885) 1181
READING
36.11
from Abraham Lincoln, Address Delivered at the
Dedication of the Cemetery at Gettysburg
( 1863 ) 1183
Si ECSAt irE/Viuk.·-;:;
VOICES Italian Nationalists Struggle for Liberty
1158
CULTURAL PARALLELS The Rise of
Bahá í
1159
FOCUS Manet s
Olympia
1164
Impressionist Paris
1185
The Rise of Bourgeois Culture
Living the Good Life
1187
The Haussmannization of Paris
1189
The 1870s: From the Commune to Impressionism
1192
The Commune
1192
Impressionism
1194
Russian Realism and the Quest for the Russian Soul
1206
The Writer and Artist under the Tsars
1206
READING 37.1a from Fyodor Dostoyevsky Crime and Punishment, Part
1,
Chapter?
(1866) 1207
READING
37.2
from Leo Tolstoy, War and Peace, Part
1,
Chapter
11
(1869) 1208
Russian Nationalist Music and Ballet
1209
Britain and the Design of Social Reform
1210
Morris, the Guild Movement, and the Pre-Raphaelites
1211
READING
37.3
from John
Ruskin,
On the Nature of Gothic, in The
Stones of Venice
(1851-1853) 1211
READING
37.4
from Algernon Charles Swinburne,
Laus
Veneris
(1866) 1213
The Fight for Women s Rights: Mill s Subjection of Women
1214
READING
37.5
from John Stuart Mill, The Subjection of Women
(1869) 1214
Reading
READING
37.1
from Fyodor Dostoyevsky, Crime and Punishment, Part
3,
Chapter
5 (1866) 1215
!з№ОЛі,
:FV. Vi
11·;
s·.;-.
VOICES Where Are the Roses?
1190
CULTURAL PARALLELS The Modernization of Tokyo
1191
FOCUS Monet s Water Lilies
1198
Continuity
, :■
Change
//
Continuity
&
Change The Prospect of America
1217
VI
CONTENTS
1
1Щ
The Gilded Age in America
Expansion and Conflict
1219
Walt Whitman s America
1220
READING
38.1
from Walt Whitman, Crossing Brooklyn Ferry
(1856)
1221
READING 38.2a from Walt Whitman, Song of Myself, in Leaves of
Grass
(1867) 1221
READING 38.2b from Walt Whitman, Song of Myself, in Leaves of
Grass
(1867) 1223
READING
38.3
from Walt Whitman, Democratic Vistas
(1871) 1223
In the Interest of Liberty: An Era of Contradictions
1223
The American Woman
1225
READING
38.4
Emily Dickinson, Wild Nights (as published
in
1953) 1231
READING 38.6a from Kate Chopin, The Awakening, Chapter I
(1899) 1231
READING 38.6b from Kate Chopin, The Awakening, Chapter VI
(1899) 1231
Ragtime and the Beginnings of Jazz
1232
The American Abroad
1232
Henry James and the International Novel
1233
READING
38.7
from Henry James, The Ambassadors, Chapter
11
(1903) 1233
Painters Abroad: The Expatriate Vision
1233
Chicago and the Columbian Exposition of
1893 1236
Louis Sullivan and the Chicago School of Architecture
1239
Frederick Law Olmsted and the Invention of Suburbia
1241
Readings
READING
38.2
from Walt Whitman, Song of Myself, in Leaves of
Grass
(1867) 1242
READING
38.5
from Emily Dickinson, Poems (as published in The Com¬
plete Poems of Emily Dickinson,
ed.
T. H.
Johnson,
1953) 1243
Special Features
CULTURAL PARALLELS Famine in India
1224
FOCUS Eakins s Gross Clinic and Agnew Clinic
1228
VOICES Saturday Night in San Francisco
1238
Continuity
&
Change The
,<Front¡er
Ţhesjs„
Qf
Freder¡ck Jac(<son
Ч··^
Turner
1247
;í í f]
Global Confrontations
The Challenge to Cultural Identity
1249
The Native American in Myth and Reality
1251
The Indian Removal Act
1254
The Fate of the Native Americans: Cooper s Leaaerstocking
Tales
1255
READING 39.1a from James Fenimore Cooper, The Pioneers
(1823) 1255
Recording and Mythologizing Native Americans: Catlin s Ethno¬
graphic Enterprise
1257
Plains Narrative Painting: Picturing Personal History and
Change
1258
Women s Arts on the Plains: Quillwork and Beadwork
1259
The End of an Era
1262
The British in China and India
1263
China and the Opium War
1263
Indentured Labor and Mass Migration
1265
Company School Painting in India
1266
Continuity §j Change
The Opening of Japan
1266
Industrialization: The Shifting Climate of Society
1267
Japanese Printmaking
1267
Africa and Empire
1269
European Imperialism
1269
Social Darwinism: The Theoretical Justification for Impe¬
rialism
1271
Imperialism and the Arts
1271
Reading
READING
39.1
from James Fenimore Cooper, The Pioneers, Chapter
XII
(1823) 1273
Special Features
VOICES A Choctaw Festival
1252
FOCUS Howling Wolf s Treaty Signingot Medicine Lodge Creek
1260
CULTURAL PARALLELS The Rise of the Zulu
1269
Mask 1279
From Realism to Symbolism
The
Fin de Siècle
1281
A Fair to Remember: The Paris Exposition of
1889 1283
The
Fin de Siècle:
From Naturalism to Symbolism
1284
Art
Nouveau
1284
Exposing Society s Secrets: The Plays of
Henrik
Ibsen
1286
READING
40.1
from
Henrik
Ibsen, A Doll s House, Act III
(1878) 1286
The Symbolist Imagination in the Arts
1287
READING 40.2a from
Stéphane Mallarmé, L Après-midi d un faune
( Afternoon of
a
Faun ) (1876) 1290
Post-Impressionist Painting
1291
Pointillism: Seurat
and the Harmonies of Color
1291
Symbolic Color: Van Gogh
1293
The Structure of Color:
Cézanne
1296
Escape to Far Tahiti: Gauguin
1300
Toward the Modern
1302
The New Moral World of Nietzsche
1302
READING
40.3
from
Friedrich
Nietzsche, The Birth of Tragedy, section
1
(1872) 1302
On the Cusp of Modern Music: Mahler and Brahms
1303
The Painting of Isolation: Munch
1303
The Vienna Secession:
Klimt
1305
Readings
READING
40.2
from
Stéphane Mallarmé, L Après-midi d un faune
( Afternoon of
a
Faun )
(1876) 1307
READING
40.4
from
Friedrich
Nietzsche, The Gay Science,
The Madman
(1882),
and Beyond Good and Evil, section
212
(1888) 1308
Speck a L Features
CULTURAL PARALLELS Revival of the Olympics
1283
FOCUS Cezanne s Still Life with Plaster Cast
1298
VOICES A Visitor in Vienna
1304
Continuity |s Change F d d th Unconscious 131
!
Index Index l
Photo and Text Credits Credits-
1
|
| adam_txt |
Contents
Preface
vii
Romanticism, Realism, and Empire:
1800
to
1900 1049
The Self in Nature
The Rise of Romanticism
1053
The Early Romantic Imagination
1056
The Idea of the Romantic: William Wordsworth's "Tintern
Abbey"
1056
A Romantic Experiment: Lyrical Ballads
1056
READING
33.2
from William Wordsworth, "Preface" to Lyrical Ballads
(1800) 1057
Romanticism as-a Voyage of Discovery: Samuel Taylor Coleridge
1057
READING 33.3a from Samuel Taylor Coleridge, "Rime of the Ancient
Mariner," Part II
(1797) 1057
READING 33.3b from Samuel Taylor Coleridge, "Rime of the Ancient
Mariner," Part IV
(1797) 1057
READING 33.3c from Samuel Taylor Coleridge, "Rime of the Ancient
Mariner," Part IV
(1797) 1060
Classical versus Romantic: The Odes of John Keats
1060
READING
33.4
from John Keats, "Ode to a Nightingale"
(1819) 1060
READING
33.5
from John Keats, "Ode on a Grecian Urn"
(1819) 1061
The Romantic Landscape
1061
John Constable: Painter of the English Countryside
1062
Joseph Mallord William Turner:
Colorist
of the
Imagination
1064
The Romantic in Germany:
Friedrich
and Kant
1066
The American Romantic Landscape
1066
Transcendentalism and the American Romantics
1069
The Philosophy of Romantic Idealism: Emerson and
Thoreau
1069
READING
33.6
from Ralph Waldo Emerson, Nature, Chapter
1 (1836)
1070
READING
33.7
from Henry David Thoreau,
Walden,
or Life in the Woods,
Chapter
2 (1854) 1070
READING
33.8
from Henry David Thoreau, "Life without Principle"
(1854) 1071
Herman Melville: The Uncertain World of Moby Dkk
1071
READING
33.9
from Herman Melville, Moby Dick, Chapter
3,
"The
Spouter Inn"
(1851) 1071
READING
33.10
from Herman Melville, Moby Dick, Chapter
35,
"The
Master-Head"
(1851) 1073
Readings
READING
33.1
from William Wordsworth, "Lines Composed a Few
Miles above
Tintem
Abbey, on Revisiting the Banks of the Wye during a
Tour, July
13,1798" (1798) 1074
READING
33.3
from Samuel Taylor Coleridge, "Rime of the Ancient
Mariner," Part I
(1798) 1076
3:'-.:;<,■/■?.
FíATťJftEfi
| CULTURAL PARALLELS Polish Nationalism
1056
| FOCUS Wordsworth's "The Rainbow"
1058
'Щ
£\¡
A Darker World
Napoleon and the Romantic
Imagination
1081
Napoleon and the Romantic Hero
1084
The Hegelian Dialectic and the "Great Man" Theory of History
1084
READING
34.1
from
Georg Wilhelm Friedrich
Hegel, Philosophy of
History
(1805-1806) 1085
The Promethean Hero in England
1085
READING
34.2
from George Gordon, Lord Byron, "Prometheus"
(1816) 1085
READING 34.3a from George Gordon, Lord Byron, Childe Harold's
Pilgrimage, Canto III, stanzas
37, 42 (1812) 1086
READING 34.3b from George Gordon, Lord Byron, Childe Harold's
Pilgrimage, Canto II
(1812) 1086
READING
34.4
from Percy Bysshe Shelley, Prometheus Unbound
(1820) 1087
READING 34.5a from Percy Bysshe Shelley, "Ode to the West Wind"
(1819) 1087
The Romantic Hero in Germany:
Johann
Wolfgang
von
Goethe's
Werther
and Faust
1088
READING
34.6
from
Johann
Wolfgang
von
Goethe, The Sorrows of
Young
Werther
(1774) 1089
READING 34.7a from
Johann
Wolfgang
von
Goethe, Faust, Part I
(1808) 1089
READING 34.7b from
Johann
Wolfgang
von
Goethe, Faust, Part II
(1832) 1090
READING 34.7c from
Johann
Wolfgang
von
Goethe, Faust, Part II
(1832) 1090
Beethoven and the Rise of Romantic Music
1091
Early Years in Vienna: From Classicism to Romanticism
1091
The Heroic Decade:
1802-1812 1092
READING
34.8
from
Ludwig
van Beethoven,
Heíügensíodt
Testament
(1802) 1092
The Late Period: The Romantic in Music
1093
Romantic Music after Beethoven
1094
Goya's Tragic Vision
1097
The Third of May,
1808:
Napoleon's Spanish Legacy
1097
Goya before Napoleon: Social Satire
1098
The Black Paintings
1099
French Painting after Napoleon: The Classic and Roman¬
tic Revisited
1102
Théodore Géricault:
Rejecting Classicism
1103
The Aesthetic Expression of Politics: Delacroix versus Ingres
1104
Reading
READING
34.5
from Mary Shelley, Franlienstem, chapter
5 (1818) 1108
Special ".Features
CULTURAL PARALLELS Volcanic Eruption
1084
VOICES An Englishman in Vienna Attends a Beethoven Premier
1094
FOCUS Goya's The Family of Charles IV
1100
Continuity g5 Change From Romanticism t0 Rea|ism
ш і
Continuity
&
Change Jhe Romntics 3nd Napoieon 1079
IV
jĄ
Щ
Industry and the Working
Class
A New Realism
1113
The Industrial City: Conditions in London
1115
READING
35.1
from Dickens, Sktchcs by
Boz
(1836) 1116
READING
35.2
from Thomas Carlyle, Past and Present
(1843) 1116
CONTENTS
Water and Housing
1116
Labor and Family Life
1117
Reformists Respond: Utopian Socialism, Medievalism, and
Christian Reform
1118
Utopian Socialism
1119
A.W.
N.
Pugin, Architecture, and the Medieval Model
1119
Literary Realism
1121
READING
35.3
from Dickens, Dombey and Son
(1846-1848) 1121
Dickens's Hard Times
1122
READING
35.4
from Dickens, Hard Times
(1854) 1123
French Literary Realism
1123
READING
35.6
from Flaubert,
Madame Bovary
(1856) 1125
The Russian Realists under Nicholas I
1125
READING
35.7
from Pushkin, The Bronte Horseman
(1833) 1126
Literary Realism in the United States: The Issue of Slavery
1127
READING 35.8a from Narrative of the Life of Frederick Douglass
(1845)
1127
READING
35.9
from Sojoumer Truth, "Ain't I
а
Woman?"
(1851) 1128
READING
35.10
letter from Harriet Beecher, Stowe to Eliza Cabot
Folien,
December
16, 1852 1129
READING
35.11
from Harriet Beecher Stowe, Uncle Tom's Cabin
(1852)
1129
READING
35.12
from Mark Twain, Huckleberry Finn
(1885) 1130
READING
35.13
from Mark Twain, HucWeberry Finn
(1885) 1131
The New French Realism in Painting
1131
Caricature and Illustration:
Honoré Daumier
1133
Realist Painting: The Worker as Subject
1134
Gustave Courbet:
Against Idealism
1137
Photography: Realism's Pencil of Light
1140
Charles Darwin: The Science of Objective Observation
1142
READING
35.14
from Darwin, Voyage of the Beagle
(1839) 1142
Readings
READING
35.5
from Balzac, Father
Goriot
(1834) 1144
READING
35.8
from the Narrative of the Life of Frederick Douglass: An
American Shve, Chapter
1 (1845) 1146
Special Features
VOICES A Recipe for Domestic Harmony
1118
CULTURAL PARALLELS A Gold Rush in Australia
1123
MATERIALS
&
TECHNIQUES Litography
1135
FOCUS Courbet's A Burial at
Omans 1138
Painting Modern Life
1151
Revolution and Civil War
The Conditions of Modern Life
1153
The Revolutions of 1848i From the Streets of Paris to
Vienna
1154
Marxism
1155
The Streets of Paris
1155
READING
36.2
from
Alphonse de Lamartine,
History of the Revolution of
1848(1849) 1155
The June Days in Paris: Worker Defeat and Rise of Louis-
Napoleon
1156
Revolution across Europe: The Rise of Nationalism
1157
In Pursuit of Modernity: Paris in the 1850s and
'60s 1158
READING
36.3
from Charles Baudelaire, "To the Bourgeoisie," in Salon
0/1846(1846) 1159
Charles Baudelaire and the Poetry of Modem Life
1159
READING
36.4
Charles Baudelaire, "Carrion," In
Les Fleurs du mal
(1857)
(translation by Richard Howard)
1160
Continuity
Цј
Change
READING
36.5
Charles Baudelaire, "The Head of Hair," in
Les Fleurs du
mal
(1857)
(translation
by
Richard Howard)
1160
Edouard
Manet: The Painter of
Modem Life
1160
READING
36.6
from
Charles Baudelaire,
"The Painter of
Modem Life"
0863) 1161
Emile Zola
and the Naturalist Novel
1163
READING
36.7
from
Emile
Zola,
Edouard
Manet
(1867) 1163
READING
36.8
from
Emile Zola,
"The Moment in Art"
(1867) 1163
READING
36.9
from
Emile Zola,
Preface to
Thérèse Raquin,
2nd
edition
(1868) 1167
READING 36.10a from
Emile Zola,
Germinal
(1885) 1167
Nationalism and the Politics of Opera
1167
The American Civil War
1172
Romanticizing Slavery in Antebellum American Art and
Music
1172
Representing the War
1174
Readings
READING
36.1
Karl Marx and
Friedrich Engels,
The Communist Mani-
festo, Part I, from "Bourgeois and Proletarians"
(1848;
English edition
1888;
trans. Samuel Morse)
1179
READING
36.10
from
Emile Zola,
Germinal
(1885) 1181
READING
36.11
from Abraham Lincoln, Address Delivered at the
Dedication of the Cemetery at Gettysburg
( 1863 ) 1183
Si'ECSAt irE/Viuk.·-;:;
VOICES Italian Nationalists Struggle for Liberty
1158
CULTURAL PARALLELS The Rise of
Bahá'í
1159
FOCUS Manet's
Olympia
1164
Impressionist Paris
1185
The Rise of Bourgeois Culture
Living the Good Life
1187
The Haussmannization of Paris
1189
The 1870s: From the Commune to Impressionism
1192
The Commune
1192
Impressionism
1194
Russian Realism and the Quest for the Russian Soul
1206
The Writer and Artist under the Tsars
1206
READING 37.1a from Fyodor Dostoyevsky Crime and Punishment, Part
1,
Chapter?
(1866) 1207
READING
37.2
from Leo Tolstoy, War and Peace, Part
1,
Chapter
11
(1869) 1208
Russian Nationalist Music and Ballet
1209
Britain and the Design of Social Reform
1210
Morris, the Guild Movement, and the Pre-Raphaelites
1211
READING
37.3
from John
Ruskin,
"On the Nature of Gothic," in The
Stones of Venice
(1851-1853) 1211
READING
37.4
from Algernon Charles Swinburne,
"Laus
Veneris"
(1866) 1213
The Fight for Women's Rights: Mill's Subjection of Women
1214
READING
37.5
from John Stuart Mill, The Subjection of Women
(1869) 1214
Reading
READING
37.1
from Fyodor Dostoyevsky, Crime and Punishment, Part
3,
Chapter
5 (1866) 1215
!з№ОЛі,
:FV.'Vi\
11·;
s·.;-.
VOICES Where Are the Roses?
1190
CULTURAL PARALLELS The Modernization of Tokyo
1191
FOCUS Monet's Water Lilies
1198
Continuity
,'":■
Change
//
Continuity
&
Change The Prospect of America
1217
VI
CONTENTS
1
1Щ
The Gilded Age in America
Expansion and Conflict
1219
Walt Whitman's America
1220
READING
38.1
from Walt Whitman, "Crossing Brooklyn Ferry"
(1856)
1221
READING 38.2a from Walt Whitman, "Song of Myself," in Leaves of
Grass
(1867) 1221
READING 38.2b from Walt Whitman, "Song of Myself," in Leaves of
Grass
(1867) 1223
READING
38.3
from Walt Whitman, Democratic Vistas
(1871) 1223
In the Interest of Liberty: An Era of Contradictions
1223
The American Woman
1225
READING
38.4
Emily Dickinson, "Wild Nights" (as published
in
1953) 1231
READING 38.6a from Kate Chopin, The Awakening, Chapter I
(1899) 1231
READING 38.6b from Kate Chopin, The Awakening, Chapter VI
(1899) 1231
Ragtime and the Beginnings of Jazz
1232
The American Abroad
1232
Henry James and the International Novel
1233
READING
38.7
from Henry James, The Ambassadors, Chapter
11
(1903) 1233
Painters Abroad: The Expatriate Vision
1233
Chicago and the Columbian Exposition of
1893 1236
Louis Sullivan and the Chicago School of Architecture
1239
Frederick Law Olmsted and the Invention of Suburbia
1241
Readings
READING
38.2
from Walt Whitman, "Song of Myself," in Leaves of
Grass
(1867) 1242
READING
38.5
from Emily Dickinson, Poems (as published in The Com¬
plete Poems of Emily Dickinson,
ed.
T. H.
Johnson,
1953) 1243
Special Features
CULTURAL PARALLELS Famine in India
1224
FOCUS Eakins's Gross Clinic and Agnew Clinic
1228
VOICES Saturday Night in San Francisco
1238
Continuity
&
Change The
,<Front¡er
Ţhesjs„
Qf
Freder¡ck Jac(<son
Ч··^
Turner
1247
;í í f]
Global Confrontations
The Challenge to Cultural Identity
1249
The Native American in Myth and Reality
1251
The Indian Removal Act
1254
The Fate of the Native Americans: Cooper's Leaaerstocking
Tales
1255
READING 39.1a from James Fenimore Cooper, The Pioneers
(1823) 1255
Recording and Mythologizing Native Americans: Catlin's Ethno¬
graphic Enterprise
1257
Plains Narrative Painting: Picturing Personal History and
Change
1258
Women's Arts on the Plains: Quillwork and Beadwork
1259
The End of an Era
1262
The British in China and India
1263
China and the Opium War
1263
Indentured Labor and Mass Migration
1265
Company School Painting in India
1266
Continuity §j Change
The Opening of Japan
1266
Industrialization: The Shifting Climate of Society
1267
Japanese Printmaking
1267
Africa and Empire
1269
European Imperialism
1269
Social Darwinism: The Theoretical Justification for Impe¬
rialism
1271
Imperialism and the Arts
1271
Reading
READING
39.1
from James Fenimore Cooper, The Pioneers, Chapter
XII
(1823) 1273
Special Features
VOICES A Choctaw Festival
1252
FOCUS Howling Wolf's Treaty Signingot Medicine Lodge Creek
1260
CULTURAL PARALLELS The Rise of the Zulu
1269
Mask 1279
From Realism to Symbolism
The
Fin de Siècle
1281
A Fair to Remember: The Paris Exposition of
1889 1283
The
Fin de Siècle:
From Naturalism to Symbolism
1284
Art
Nouveau
1284
Exposing Society's Secrets: The Plays of
Henrik
Ibsen
1286
READING
40.1
from
Henrik
Ibsen, A Doll's House, Act III
(1878) 1286
The Symbolist Imagination in the Arts
1287
READING 40.2a from
Stéphane Mallarmé, "L'Après-midi d'un faune"
("Afternoon of
a
Faun") (1876) 1290
Post-Impressionist Painting
1291
Pointillism: Seurat
and the Harmonies of Color
1291
Symbolic Color: Van Gogh
1293
The Structure of Color:
Cézanne
1296
Escape to Far Tahiti: Gauguin
1300
Toward the Modern
1302
The New Moral World of Nietzsche
1302
READING
40.3
from
Friedrich
Nietzsche, The Birth of Tragedy, section
1
(1872) 1302
On the Cusp of Modern Music: Mahler and Brahms
1303
The Painting of Isolation: Munch
1303
The Vienna Secession:
Klimt
1305
Readings
READING
40.2
from
Stéphane Mallarmé, "L'Après-midi d'un faune"
("Afternoon of
a
Faun")
(1876) 1307
READING
40.4
from
Friedrich
Nietzsche, The Gay Science,
"The Madman"
(1882),
and Beyond Good and Evil, section
212
(1888) 1308
Speck a L Features
CULTURAL PARALLELS Revival of the Olympics
1283
FOCUS Cezanne's Still Life with Plaster Cast
1298
VOICES A Visitor in Vienna
1304
Continuity |s Change F d d th Unconscious 131
!
Index Index'l
Photo and Text Credits Credits-
1 |
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| spellingShingle | Sayre, Henry M. 1948- The humanities culture, continuity & change |
| title | The humanities culture, continuity & change |
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| title_full | The humanities culture, continuity & change 5 Romanticism, realism, and empire : 1800 to 1900 Henry M. Sayre |
| title_fullStr | The humanities culture, continuity & change 5 Romanticism, realism, and empire : 1800 to 1900 Henry M. Sayre |
| title_full_unstemmed | The humanities culture, continuity & change 5 Romanticism, realism, and empire : 1800 to 1900 Henry M. Sayre |
| title_short | The humanities |
| title_sort | the humanities culture continuity change romanticism realism and empire 1800 to 1900 |
| title_sub | culture, continuity & change |
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