Improper modernism: Djuna Barnes's bewildering corpus
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Farnham [u.a.]
Ashgate
2009
|
Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | X, 290 S. Ill. |
ISBN: | 9780754652007 |
Internformat
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Datensatz im Suchindex
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adam_text | Contents
List of Figures
vi
Acknowledgements
ix
Introduction: Black Capes and Red Herrings
1
Looking for the
Trae
Bohemia
1
Pen Performer
13
A Woman Dressed for the Part
27
1
The Unreadable Pleasures of Ladies Almanack
35
2
Obscure, Ungrammatical, Sincere Poetry: Barnes s Posthumous
Modernism
67
Erring on the Side of Oddness
67
Of Dereliction, Parthenogenesis, and Phantom Springs
82
The Posthumous Child, or Pacing Down Mortality
109
3
Dangerous Children: The Short Stories
121
4
Nightwood: Darkness Visible
151
5
Anatomies of Revenge: Ryder and The
Antiphon 191
Ryder. A Rude Chapter
198
Counterfeit: The
Antiphon 215
Conclusion
257
Bibliography
261
Index
283
In her compelling reexamination of Djima Barnes s work,
Daniela
Caselli
raises timely
questions about Barnes, biography and feminist criticism, identity and authority,
and modernist canon formation. Through close readings of Barnes s manuscripts,
correspondence, critically acclaimed and little-known texts,
Caselli
tackles one of the
central unacknowledged issues in Barnes: intertextuality. She shows how throughout
Barnes s corpus the repetition of texts, by other authors (from Blake to Middleton) and
by Barnes herself, forces us to rethink the relationship between authority and gender
and the reasons for her marginal place within modernism. All her texts, linked as they
are by correspondences and permutations, wage a war against the common sense of
the straight mind.
Caselli
begins by analyzing how literary criticism has shaped our perceptions of
Barnes, showing how the various
personae
assigned to Barnes are challenged when
the right questions are posed: Why is Barnes such a famous author when many of
her texts remain unread, even by critics? Why has criticism reduced Barnes s work to
biographical speculations? How can Barnes s hybrid, eccentric, and unconventional
corpus be read as part of literary modernism when it often seems to sever itself from
it? How can an
oeuvre
reject the labels of feminist and lesbian literature, whilst
nevertheless holding at its centre the relationships between language, sexuality, and
the real? How can Barnes s work help us to rethink the relation between simplicity
and difficulty within literary modernism?
Caselli
concludes by arguing that Barnes s complex and bewildering work is committed
to a high modernist notion of art as a supremely difficult undertaking whilst refusing
to conform to standards of modernist acceptability.
Daniela
Caselli
is Senior Lecturer in Twentieth-Century Literature and Culture,
English and American Studies, in the School of Arts, Histories and Cultures
at the University of Manchester, UK.
|
adam_txt |
Contents
List of Figures
vi
Acknowledgements
ix
Introduction: Black Capes and Red Herrings
1
Looking for the
Trae
Bohemia
1
Pen Performer
13
A Woman Dressed for the Part
27
1
The Unreadable Pleasures of Ladies Almanack
35
2
Obscure, Ungrammatical, Sincere Poetry: Barnes's Posthumous
Modernism
67
Erring on the Side of Oddness
67
Of Dereliction, Parthenogenesis, and Phantom Springs
82
The Posthumous Child, or Pacing Down Mortality
109
3
Dangerous Children: The Short Stories
121
4
Nightwood: Darkness Visible
151
5
Anatomies of Revenge: Ryder and The
Antiphon 191
Ryder. A Rude Chapter
198
Counterfeit: The
Antiphon 215
Conclusion
257
Bibliography
261
Index
283
In her compelling reexamination of Djima Barnes's work,
Daniela
Caselli
raises timely
questions about Barnes, biography and feminist criticism, identity and authority,
and modernist canon formation. Through close readings of Barnes's manuscripts,
correspondence, critically acclaimed and little-known texts,
Caselli
tackles one of the
central unacknowledged issues in Barnes: intertextuality. She shows how throughout
Barnes's corpus the repetition of texts, by other authors (from Blake to Middleton) and
by Barnes herself, forces us to rethink the relationship between authority and gender
and the reasons for her marginal place within modernism. All her texts, linked as they
are by correspondences and permutations, wage a war against the common sense of
the straight mind.
Caselli
begins by analyzing how literary criticism has shaped our perceptions of
Barnes, showing how the various
personae
assigned to Barnes are challenged when
the right questions are posed: Why is Barnes such a famous author when many of
her texts remain unread, even by critics? Why has criticism reduced Barnes's work to
biographical speculations? How can Barnes's hybrid, eccentric, and unconventional
corpus be read as part of literary modernism when it often seems to sever itself from
it? How can an
oeuvre
reject the labels of feminist and lesbian literature, whilst
nevertheless holding at its centre the relationships between language, sexuality, and
the real? How can Barnes's work help us to rethink the relation between simplicity
and difficulty within literary modernism?
Caselli
concludes by arguing that Barnes's complex and bewildering work is committed
to a high modernist notion of art as a supremely difficult undertaking whilst refusing
to conform to standards of modernist acceptability.
Daniela
Caselli
is Senior Lecturer in Twentieth-Century Literature and Culture,
English and American Studies, in the School of Arts, Histories and Cultures
at the University of Manchester, UK. |
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spelling | Caselli, Daniela Verfasser (DE-588)141988347 aut Improper modernism Djuna Barnes's bewildering corpus Daniela Caselli Farnham [u.a.] Ashgate 2009 X, 290 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Barnes, Djuna Criticism and interpretation Barnes, Djuna 1892-1982 (DE-588)118657283 gnd rswk-swf Intertextuality Modernism (Literature) United States Intertextualität (DE-588)4114051-5 gnd rswk-swf USA Barnes, Djuna 1892-1982 (DE-588)118657283 p Intertextualität (DE-588)4114051-5 s DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016995473&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016995473&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Caselli, Daniela Improper modernism Djuna Barnes's bewildering corpus Barnes, Djuna Criticism and interpretation Barnes, Djuna 1892-1982 (DE-588)118657283 gnd Intertextuality Modernism (Literature) United States Intertextualität (DE-588)4114051-5 gnd |
subject_GND | (DE-588)118657283 (DE-588)4114051-5 |
title | Improper modernism Djuna Barnes's bewildering corpus |
title_auth | Improper modernism Djuna Barnes's bewildering corpus |
title_exact_search | Improper modernism Djuna Barnes's bewildering corpus |
title_exact_search_txtP | Improper modernism Djuna Barnes's bewildering corpus |
title_full | Improper modernism Djuna Barnes's bewildering corpus Daniela Caselli |
title_fullStr | Improper modernism Djuna Barnes's bewildering corpus Daniela Caselli |
title_full_unstemmed | Improper modernism Djuna Barnes's bewildering corpus Daniela Caselli |
title_short | Improper modernism |
title_sort | improper modernism djuna barnes s bewildering corpus |
title_sub | Djuna Barnes's bewildering corpus |
topic | Barnes, Djuna Criticism and interpretation Barnes, Djuna 1892-1982 (DE-588)118657283 gnd Intertextuality Modernism (Literature) United States Intertextualität (DE-588)4114051-5 gnd |
topic_facet | Barnes, Djuna Criticism and interpretation Barnes, Djuna 1892-1982 Intertextuality Modernism (Literature) United States Intertextualität USA |
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