Resistance, insurgence and identity: the art of Mari Evans, Nelson Stevens and the Black Arts Movement
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Trenton, NJ [u.a.]
Africa World Press
2008
|
Ausgabe: | 1. printing |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XIV, 357 S. Ill. |
ISBN: | 1592215645 1592215653 |
Internformat
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100 | 1 | |a Douglas, Robert L. |e Verfasser |4 aut | |
245 | 1 | 0 | |a Resistance, insurgence and identity |b the art of Mari Evans, Nelson Stevens and the Black Arts Movement |c Robert L. Douglas |
250 | |a 1. printing | ||
264 | 1 | |a Trenton, NJ [u.a.] |b Africa World Press |c 2008 | |
300 | |a XIV, 357 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
600 | 1 | 4 | |a Evans, Mari |d 1923- |x Criticism and interpretation |
600 | 1 | 4 | |a Stevens, Nelson |d 1938- |x Criticism and interpretation |
600 | 1 | 7 | |a Evans, Mari |d 1923-2017 |0 (DE-588)131684116 |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1900-2000 | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Schwarze. USA | |
650 | 4 | |a Arts and society |z United States |x History |y 20th century | |
650 | 4 | |a Black Arts movement | |
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Datensatz im Suchindex
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adam_text | Table of
Contents
Foreward ix
Preface
xiii
CHAPTER ONE
Introduction
1
CHAPTER TWO
A Blues History from
1952
to
1972:
Awareness, Defiance
and Resolution
15
CHAPTER THREE
The Poetry of
Mari
Evans from
1952
to
1968 83
CHAPTER FOUR
Tne
Visual Art of Nelson Stevens from
1962
to
1972 181
Illustrations (Reproduction of Nelson Stevens Paintings)
275
CHAPTER FIVE
A Comparative Analysis of
Mari
Evans and Nelson Stevens
287
Afterword
329
Notes
331
Bibliography
345
Index
353
Art, Art History, Literary Criticism/AFRICAN AMERICAN
esistance, insurgence and Identity: The Art of Man Evans, Nelson Stevens and the
Black Arts Movement is an inquiry into how art was used to express the
discontent and aspirations of Black America during the turbulent sixties and
seventies. Following the assassination of Dr. Martin Luther King Jr., many
African Americans became more convinced that the strategies of the Civil Rights
Movement were not enough to meet their needs nor deal with the increased hostility
of white America. Thus, Black America shifted its interest from the Civil Rights
Movement with its emphasis on integration and equality to Black Liberation with its
iphasis on nationalism, self-determination and separation, socially and culturally.
-
As sensitive members of the black community, some black artists decided to join the
struggle, in what came to known as the Black Arts Movement. Larry Neal defined
the Black Arts Movement as being radically opposed to any concept of the artist
that alienates him from his community. Black Arts is the aesthetic and spiritual sister
of the Black Power concept. As such, it envisions an art that speaks directly to the
needs and aspirations of Black America. In order to perform this task, the Black Arts
Movement programs a radical reordering of Western cultural aesthetics. It proposes
a separate symbolism, mythology, critique and iconology.
The distinctive visions that unite the art of
Mari
Evans and Nelson Stevens
exemplify the spirit of achievements and self-determination, consciously or not,
tli
-»r
links them to the Black Arts Movement and thereby the Black Liberation Stn
This inquiry examines how
Mari
Evans and Nelson Stevens ethos, fashioned by
their lives and certain influences, causes each to create the unique message-
visions that became their personal resistance, insurgence and defense against the
insidious ideological effects of racism. Their inimitable creations are cultural
contributions inscribed with an ideology of a love for black people with whom they
share an African identity.
Robert L. Douglas is a painter and sculptor as well as a scholar. He served as
chair of the Pan African Studies Department from
1989
to
1995
at the University
<
Louisville. His first book, Wadswonh)
aneli:
The Artist as Revolutionary, was publishe
bv Pomegranate Press in the summer of
1996.
|
adam_txt |
Table of
Contents
Foreward ix
Preface
xiii
CHAPTER ONE
Introduction
1
CHAPTER TWO
A Blues History from
1952
to
1972:
Awareness, Defiance
and Resolution
15
CHAPTER THREE
The Poetry of
Mari
Evans from
1952
to
1968 83
CHAPTER FOUR
Tne
Visual Art of Nelson Stevens from
1962
to
1972 181
Illustrations (Reproduction of Nelson Stevens' Paintings)
275
CHAPTER FIVE
A Comparative Analysis of
Mari
Evans and Nelson Stevens
287
Afterword
329
Notes
331
Bibliography
345
Index
353
Art, Art History, Literary Criticism/AFRICAN AMERICAN
esistance, insurgence and Identity: The Art of Man Evans, Nelson Stevens and the
Black Arts Movement is an inquiry into how art was used to express the
discontent and aspirations of Black America during the turbulent sixties and
seventies. Following the assassination of Dr. Martin Luther King Jr., many
African Americans became more convinced that the strategies of the Civil Rights
Movement were not enough to meet their needs nor deal with the increased hostility
of white America. Thus, Black America shifted its interest from the Civil Rights
Movement with its emphasis on integration and equality to Black Liberation with its
iphasis on nationalism, self-determination and separation, socially and culturally.
-
As sensitive members of the black community, some black artists decided to join the
struggle, in what came to known as the Black Arts Movement. Larry Neal defined
the Black Arts Movement as being "radically opposed to any concept of the artist
that alienates him from his community. Black Arts is the aesthetic and spiritual sister
of the Black Power concept. As such, it envisions an art that speaks directly to the
needs and aspirations of Black America. In order to perform this task, the Black Arts
Movement programs a radical reordering of Western cultural aesthetics. It proposes
a separate symbolism, mythology, critique and iconology."
The distinctive visions that unite the art of
Mari
Evans and Nelson Stevens
exemplify the spirit of achievements and self-determination, consciously or not,
tli
-»r
links them to the Black Arts Movement and thereby the Black Liberation Stn
This inquiry examines how
Mari
Evans and Nelson Stevens' ethos, fashioned by
their lives and certain influences, causes each to create the unique message-
visions that became their personal resistance, insurgence and defense against the
insidious ideological effects of racism. Their inimitable creations are cultural
contributions inscribed with an ideology of a love for black people with whom they
share an African identity.
Robert L. Douglas is a painter and sculptor as well as a scholar. He served as
chair of the Pan African Studies Department from
1989
to
1995
at the University
<
Louisville. His first book, Wadswonh)
aneli:
The Artist as Revolutionary, was publishe
bv Pomegranate Press in the summer of
1996. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Douglas, Robert L. |
author_facet | Douglas, Robert L. |
author_role | aut |
author_sort | Douglas, Robert L. |
author_variant | r l d rl rld |
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discipline | Kunstgeschichte Anglistik / Amerikanistik |
discipline_str_mv | Kunstgeschichte Anglistik / Amerikanistik |
edition | 1. printing |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
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spelling | Douglas, Robert L. Verfasser aut Resistance, insurgence and identity the art of Mari Evans, Nelson Stevens and the Black Arts Movement Robert L. Douglas 1. printing Trenton, NJ [u.a.] Africa World Press 2008 XIV, 357 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Evans, Mari 1923- Criticism and interpretation Stevens, Nelson 1938- Criticism and interpretation Evans, Mari 1923-2017 (DE-588)131684116 gnd rswk-swf Geschichte 1900-2000 Geschichte Schwarze. USA Arts and society United States History 20th century Black Arts movement African Americans Race identity Ethnische Identität (DE-588)4153096-2 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Black arts movement (DE-588)4997095-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Evans, Mari 1923-2017 (DE-588)131684116 p DE-604 Black arts movement (DE-588)4997095-1 s USA (DE-588)4078704-7 g Ethnische Identität (DE-588)4153096-2 s Schwarze (DE-588)4116433-7 s Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016992680&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016992680&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Douglas, Robert L. Resistance, insurgence and identity the art of Mari Evans, Nelson Stevens and the Black Arts Movement Evans, Mari 1923- Criticism and interpretation Stevens, Nelson 1938- Criticism and interpretation Evans, Mari 1923-2017 (DE-588)131684116 gnd Geschichte Schwarze. USA Arts and society United States History 20th century Black Arts movement African Americans Race identity Ethnische Identität (DE-588)4153096-2 gnd Schwarze (DE-588)4116433-7 gnd Black arts movement (DE-588)4997095-1 gnd |
subject_GND | (DE-588)131684116 (DE-588)4153096-2 (DE-588)4116433-7 (DE-588)4997095-1 (DE-588)4078704-7 |
title | Resistance, insurgence and identity the art of Mari Evans, Nelson Stevens and the Black Arts Movement |
title_auth | Resistance, insurgence and identity the art of Mari Evans, Nelson Stevens and the Black Arts Movement |
title_exact_search | Resistance, insurgence and identity the art of Mari Evans, Nelson Stevens and the Black Arts Movement |
title_exact_search_txtP | Resistance, insurgence and identity the art of Mari Evans, Nelson Stevens and the Black Arts Movement |
title_full | Resistance, insurgence and identity the art of Mari Evans, Nelson Stevens and the Black Arts Movement Robert L. Douglas |
title_fullStr | Resistance, insurgence and identity the art of Mari Evans, Nelson Stevens and the Black Arts Movement Robert L. Douglas |
title_full_unstemmed | Resistance, insurgence and identity the art of Mari Evans, Nelson Stevens and the Black Arts Movement Robert L. Douglas |
title_short | Resistance, insurgence and identity |
title_sort | resistance insurgence and identity the art of mari evans nelson stevens and the black arts movement |
title_sub | the art of Mari Evans, Nelson Stevens and the Black Arts Movement |
topic | Evans, Mari 1923- Criticism and interpretation Stevens, Nelson 1938- Criticism and interpretation Evans, Mari 1923-2017 (DE-588)131684116 gnd Geschichte Schwarze. USA Arts and society United States History 20th century Black Arts movement African Americans Race identity Ethnische Identität (DE-588)4153096-2 gnd Schwarze (DE-588)4116433-7 gnd Black arts movement (DE-588)4997095-1 gnd |
topic_facet | Evans, Mari 1923- Criticism and interpretation Stevens, Nelson 1938- Criticism and interpretation Evans, Mari 1923-2017 Geschichte Schwarze. USA Arts and society United States History 20th century Black Arts movement African Americans Race identity Ethnische Identität Schwarze Black arts movement USA |
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