Shakespeare and character: theory, history, performance, and theatrical persons
""Character" is a word with enormous resonance in theatrical practice, performance criticism, and literary and historical scholarship. It is also a word in need of concerted, interdisciplinary re-articulation. Shakespeare and Character provides a theoretically, historically, theatrica...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2009
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Palgrave Shakespeare studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | ""Character" is a word with enormous resonance in theatrical practice, performance criticism, and literary and historical scholarship. It is also a word in need of concerted, interdisciplinary re-articulation. Shakespeare and Character provides a theoretically, historically, theatrically, and critically substantial account of character. One of the questions that the authors ask is, "what is character?" To answer this central question - and to begin to provide a new critical vocabulary for character study - they examine the theory, history, formal properties, and the literary and performance possibilities of Shakespearean character as well as the bearing that "theatrical persons" might have on the situation of actual people. They also emphasize the interrelationship between theory and the particular by connecting theories and histories of the idea of character to concrete, detailed accounts of particular characters as they emerge in the text and on the stage."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIII, 259 S. |
| ISBN: | 9780230572621 0230572626 |
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| 520 | 1 | |a ""Character" is a word with enormous resonance in theatrical practice, performance criticism, and literary and historical scholarship. It is also a word in need of concerted, interdisciplinary re-articulation. Shakespeare and Character provides a theoretically, historically, theatrically, and critically substantial account of character. One of the questions that the authors ask is, "what is character?" To answer this central question - and to begin to provide a new critical vocabulary for character study - they examine the theory, history, formal properties, and the literary and performance possibilities of Shakespearean character as well as the bearing that "theatrical persons" might have on the situation of actual people. They also emphasize the interrelationship between theory and the particular by connecting theories and histories of the idea of character to concrete, detailed accounts of particular characters as they emerge in the text and on the stage."--BOOK JACKET. | |
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Datensatz im Suchindex
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| adam_text | SHAKESPEARE AND CHARACTER THEORY, HISTORY, PERFORMANCE, AND THEATRICAL
PERSONS EDITED BY PAUL YACHNIN AND JESSICA SLIGHTS MACN CONTENTS
ACKNOWLEDGMENTS IX NOTES ON THE CONTRIBUTORS AND EDITORS X INTRODUCTION
1 PAUL YACHNIN AND JESSICA SLIGHTS I THEORY 1 CONFUSING SHAKESPEARE S
CHARACTERS 21 WITH REAL PEOPLE: REFLECTIONS ON READING IN FOUR QUESTIONS
MICHAEL BRISTOL 2 THE REALITY OF FICTIVE CINEMATIC CHARACTERS 41 TREVOR
PONECH 3 CHARACTER AS DYNAMIC IDENTITY: FROM FICTIONAL 62 INTERACTION
SCRIPT TO PERFORMANCE WILLIAM DODD II HISTORY 4 PERSONNAGE: HISTORY,
PHILOLOGY, PERFORMANCE 83 ANDRE G. BOURASSA 5 THE PROPERTIES OF
CHARACTER IN KING LEAR 98 FAMES BERG 6 EMBODIED INTERSUBJECTIVITY AND
THE CREATION OF 117 EARLY MODERN CHARACTER LEANORE LIEBLEIN HI
PERFORMANCE 7 METATHEATER AND THE PERFORMANCE OF 139 CHARACTER IN THE
WINTER S TALE PAUL YACHNIN AND MYMA WYATT SELKIRK 8 CHARACTER, AGENCY
AND THE FAMILIAR ACTOR 158 ANDREW FAMES HARTLEY 9 THE ACTOR-CHARACTER IN
SECRETLY OPEN ACTION: 177 DOUBLY ENCODED PERSONATION ON SHAKESPEARE S
STAGE ROBERT WEIMANN VIII IV 10 11 12 CONTENTS THEATRICAL PERSONS IS
TIMON A CHARACTER? ANTHONY DAWSON WHEN IS A BASTARD NOT A BASTARD?
CHARACTER AND CONSCIENCE IN KING FOHN CAMILLE SLIGHTS ARMING CORDELIA:
CHARACTER AND PERFORMANCE SARAH WERNER INDEX 197 214 232 250
|
| adam_txt |
SHAKESPEARE AND CHARACTER THEORY, HISTORY, PERFORMANCE, AND THEATRICAL
PERSONS EDITED BY PAUL YACHNIN AND JESSICA SLIGHTS MACN CONTENTS
ACKNOWLEDGMENTS IX NOTES ON THE CONTRIBUTORS AND EDITORS X INTRODUCTION
1 PAUL YACHNIN AND JESSICA SLIGHTS I THEORY 1 CONFUSING SHAKESPEARE'S
CHARACTERS 21 WITH REAL PEOPLE: REFLECTIONS ON READING IN FOUR QUESTIONS
MICHAEL BRISTOL 2 THE REALITY OF FICTIVE CINEMATIC CHARACTERS 41 TREVOR
PONECH 3 CHARACTER AS DYNAMIC IDENTITY: FROM FICTIONAL 62 INTERACTION
SCRIPT TO PERFORMANCE WILLIAM DODD II HISTORY 4 PERSONNAGE: HISTORY,
PHILOLOGY, PERFORMANCE 83 ANDRE G. BOURASSA 5 THE PROPERTIES OF
CHARACTER IN KING LEAR 98 FAMES BERG 6 EMBODIED INTERSUBJECTIVITY AND
THE CREATION OF 117 EARLY MODERN CHARACTER LEANORE LIEBLEIN HI
PERFORMANCE 7 METATHEATER AND THE PERFORMANCE OF 139 CHARACTER IN THE
WINTER'S TALE PAUL YACHNIN AND MYMA WYATT SELKIRK 8 CHARACTER, AGENCY
AND THE FAMILIAR ACTOR 158 ANDREW FAMES HARTLEY 9 THE ACTOR-CHARACTER IN
"SECRETLY OPEN" ACTION: 177 DOUBLY ENCODED PERSONATION ON SHAKESPEARE'S
STAGE ROBERT WEIMANN VIII IV 10 11 12 CONTENTS THEATRICAL PERSONS IS
TIMON A CHARACTER? ANTHONY DAWSON WHEN IS A BASTARD NOT A BASTARD?
CHARACTER AND CONSCIENCE IN KING FOHN CAMILLE SLIGHTS ARMING CORDELIA:
CHARACTER AND PERFORMANCE SARAH WERNER INDEX 197 214 232 250 |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1. publ. |
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| language | English |
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| spelling | Shakespeare and character theory, history, performance, and theatrical persons ed. by Paul Yachnin ... 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2009 XIII, 259 S. txt rdacontent n rdamedia nc rdacarrier Palgrave Shakespeare studies Includes bibliographical references and index ""Character" is a word with enormous resonance in theatrical practice, performance criticism, and literary and historical scholarship. It is also a word in need of concerted, interdisciplinary re-articulation. Shakespeare and Character provides a theoretically, historically, theatrically, and critically substantial account of character. One of the questions that the authors ask is, "what is character?" To answer this central question - and to begin to provide a new critical vocabulary for character study - they examine the theory, history, formal properties, and the literary and performance possibilities of Shakespearean character as well as the bearing that "theatrical persons" might have on the situation of actual people. They also emphasize the interrelationship between theory and the particular by connecting theories and histories of the idea of character to concrete, detailed accounts of particular characters as they emerge in the text and on the stage."--BOOK JACKET. Shakespeare, William 1564-1616 Characters Shakespeare, William 1564-1616 Knowledge Psychology Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Wissen Characters and characteristics in literature Identity (Psychology) in literature Personality in literature Dramengestalt (DE-588)4113344-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Dramengestalt (DE-588)4113344-4 s DE-604 Yachnin, Paul 1953- Sonstige (DE-588)137278497 oth GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016990681&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Shakespeare and character theory, history, performance, and theatrical persons Shakespeare, William 1564-1616 Characters Shakespeare, William 1564-1616 Knowledge Psychology Shakespeare, William 1564-1616 (DE-588)118613723 gnd Wissen Characters and characteristics in literature Identity (Psychology) in literature Personality in literature Dramengestalt (DE-588)4113344-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4113344-4 (DE-588)4143413-4 |
| title | Shakespeare and character theory, history, performance, and theatrical persons |
| title_auth | Shakespeare and character theory, history, performance, and theatrical persons |
| title_exact_search | Shakespeare and character theory, history, performance, and theatrical persons |
| title_exact_search_txtP | Shakespeare and character theory, history, performance, and theatrical persons |
| title_full | Shakespeare and character theory, history, performance, and theatrical persons ed. by Paul Yachnin ... |
| title_fullStr | Shakespeare and character theory, history, performance, and theatrical persons ed. by Paul Yachnin ... |
| title_full_unstemmed | Shakespeare and character theory, history, performance, and theatrical persons ed. by Paul Yachnin ... |
| title_short | Shakespeare and character |
| title_sort | shakespeare and character theory history performance and theatrical persons |
| title_sub | theory, history, performance, and theatrical persons |
| topic | Shakespeare, William 1564-1616 Characters Shakespeare, William 1564-1616 Knowledge Psychology Shakespeare, William 1564-1616 (DE-588)118613723 gnd Wissen Characters and characteristics in literature Identity (Psychology) in literature Personality in literature Dramengestalt (DE-588)4113344-4 gnd |
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