Mary Wigman:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Abingdon, Oxon [u.a.]
Routledge
2009
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Routledge performance practitioners
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XVIII, 179 S. Ill. |
ISBN: | 9780415375269 9780415375276 9780203098981 0415375266 0415375274 0203098986 |
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Datensatz im Suchindex
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adam_text |
CONTENTS
List of figures
xiv
Acknowledgments
xvi
1
MARY WIGMAN: A LIFE IN DANCE
1
Prologue: why Mary Wigman?
Introduction
Childhood
The beginning of a life in dance
Dalcroze and the garden city of Hellerau
Return to ritual on the mountain of truth
Dancing
Dada
The crisis year
The gilded and tarnished twenties
The First Dancers' Congress
The Second Dancers' Congress
The Third Dancers' Congress
Coming to the United States
Der Weg
(The Path)
Returning to the new Germany
Dancing in Dresden,
1933-1942
Leaving Dresden
To Berlin
xii
CONTENTS
2
MARY
WIGMAN'S WRITINGS ON THE DANCE:
A PHILOSOPHY EMBODIED
64
Introduction
The Language of Dance
Philosophical context
Why a new dance?
Two streams of modernism
Primitively modern
Kinesthesia and kinetic empathy
Spannung
and
Entspannung
Space
Time, music, rhythm
The Mary Wigman Book
What did Wigman mean by ecstasy and form?
Apollonian and Dionysian
Ideas on composition and the choreographic
theme
Who has inherited the emotive dance lineage of
Mary Wigman?
3
MARY WIGMAN AS CHOREOGRAPHER:
CHOOSING THE FOCUS
100
Solo as signature:
Hexentanz
The mask as doorway
Hexentanr. a description
Group dance
The Seven Dances of Life
(1921)
Chorie
dance
Totenmal (1930)
Final solo concert
4
PRACTICAL EXERCISES
133
Class at the Mary Wigman School
Discovering the eloquent body
Wigman movement qualities in practice
What makes the dance?
Space
Dance as language
Speaking beyond the individual body
Composition: improvisation
and developing a
theme
One final
theme
Selected bibliography
168
Index
176
CONTENTS
xiii
Routledge Performance
Practitioners
¡s a
series of introductory
guides to the key theater-makers of the last century. Each
volume explains the background to and the work of one of the
major influences on twentieth- and twenty-first century
performance.
A dancer, teacher and choreographer, Mary Wigman was a
leading innovator in Expressionist dance. Her radical
explorations of movement and dance theory are credited with
expanding the scope of dance as a theatrical art in her native
Germany and beyond. This book combines for the first time:
•
a full account of Wigman's life and work
•
detailed discussion of her aesthetic theories, including the use
of space as an "invisible partner" and the transcendent nature
of performance
•
a commentary on her key works, including
Hexentanz
and The
Seven Dances of Life
•
an extensive collection of practical exercises designed to
provide an understanding of Wigman's choreographic
principles and her uniquely immersive approach to dance.
As a first step towards critical understanding, and as an initial
exploration before going on to further primary research,
Routledge Performance Practitioners are unbeatable value for
today's student.
Mary Anne Santos Newhall is Assistant Professor of Dance at
the University of New Mexico. She is also research director for
the American Dance Legacy Institute at Brown University.
Theatre/Performance Studies |
adam_txt |
CONTENTS
List of figures
xiv
Acknowledgments
xvi
1
MARY WIGMAN: A LIFE IN DANCE
1
Prologue: why Mary Wigman?
Introduction
Childhood
The beginning of a life in dance
Dalcroze and the garden city of Hellerau
Return to ritual on the mountain of truth
Dancing
Dada
The crisis year
The gilded and tarnished twenties
The First Dancers' Congress
The Second Dancers' Congress
The Third Dancers' Congress
Coming to the United States
Der Weg
(The Path)
Returning to the new Germany
Dancing in Dresden,
1933-1942
Leaving Dresden
To Berlin
xii
CONTENTS
2
MARY
WIGMAN'S WRITINGS ON THE DANCE:
A PHILOSOPHY EMBODIED
64
Introduction
The Language of Dance
Philosophical context
Why a new dance?
Two streams of modernism
Primitively modern
Kinesthesia and kinetic empathy
Spannung
and
Entspannung
Space
Time, music, rhythm
The Mary Wigman Book
What did Wigman mean by ecstasy and form?
Apollonian and Dionysian
Ideas on composition and the choreographic
theme
Who has inherited the emotive dance lineage of
Mary Wigman?
3
MARY WIGMAN AS CHOREOGRAPHER:
CHOOSING THE FOCUS
100
Solo as signature:
Hexentanz
The mask as doorway
Hexentanr. a description
Group dance
The Seven Dances of Life
(1921)
Chorie
dance
Totenmal (1930)
Final solo concert
4
PRACTICAL EXERCISES
133
Class at the Mary Wigman School
Discovering the eloquent body
Wigman movement qualities in practice
What makes the dance?
Space
Dance as language
Speaking beyond the individual body
Composition: improvisation
and developing a
theme
One final
theme
Selected bibliography
168
Index
176
CONTENTS
xiii
Routledge Performance
Practitioners
¡s a
series of introductory
guides to the key theater-makers of the last century. Each
volume explains the background to and the work of one of the
major influences on twentieth- and twenty-first century
performance.
A dancer, teacher and choreographer, Mary Wigman was a
leading innovator in Expressionist dance. Her radical
explorations of movement and dance theory are credited with
expanding the scope of dance as a theatrical art in her native
Germany and beyond. This book combines for the first time:
•
a full account of Wigman's life and work
•
detailed discussion of her aesthetic theories, including the use
of space as an "invisible partner" and the transcendent nature
of performance
•
a commentary on her key works, including
Hexentanz
and The
Seven Dances of Life
•
an extensive collection of practical exercises designed to
provide an understanding of Wigman's choreographic
principles and her uniquely immersive approach to dance.
As a first step towards critical understanding, and as an initial
exploration before going on to further primary research,
Routledge Performance Practitioners are unbeatable value for
today's student.
Mary Anne Santos Newhall is Assistant Professor of Dance at
the University of New Mexico. She is also research director for
the American Dance Legacy Institute at Brown University.
Theatre/Performance Studies |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
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discipline_str_mv | Allgemeines Musikwissenschaft |
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geographic | Deutschland |
geographic_facet | Deutschland |
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illustrated | Illustrated |
index_date | 2024-07-02T22:58:23Z |
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spelling | Newhall, Mary Anne Santos Verfasser (DE-588)139152490 aut Mary Wigman Mary Anne Santos Newhall 1. publ. Abingdon, Oxon [u.a.] Routledge 2009 XVIII, 179 S. Ill. txt rdacontent n rdamedia nc rdacarrier Routledge performance practitioners Includes bibliographical references and index Wigman, Mary 1886-1973 Wigman, Mary 1886-1973 (DE-588)118807242 gnd rswk-swf Geschichte Gesellschaft Philosophie Politik Dancers Germany Biography Choreographers Germany Biography Modern dance Social aspects Germany History Modern dance Political aspects Germany History Modern dance Philosophy Choreografie (DE-588)4069977-8 gnd rswk-swf Deutschland (DE-588)4006804-3 Biografie gnd-content Wigman, Mary 1886-1973 (DE-588)118807242 p Choreografie (DE-588)4069977-8 s DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016989022&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016989022&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Newhall, Mary Anne Santos Mary Wigman Wigman, Mary 1886-1973 Wigman, Mary 1886-1973 (DE-588)118807242 gnd Geschichte Gesellschaft Philosophie Politik Dancers Germany Biography Choreographers Germany Biography Modern dance Social aspects Germany History Modern dance Political aspects Germany History Modern dance Philosophy Choreografie (DE-588)4069977-8 gnd |
subject_GND | (DE-588)118807242 (DE-588)4069977-8 (DE-588)4006804-3 |
title | Mary Wigman |
title_auth | Mary Wigman |
title_exact_search | Mary Wigman |
title_exact_search_txtP | Mary Wigman |
title_full | Mary Wigman Mary Anne Santos Newhall |
title_fullStr | Mary Wigman Mary Anne Santos Newhall |
title_full_unstemmed | Mary Wigman Mary Anne Santos Newhall |
title_short | Mary Wigman |
title_sort | mary wigman |
topic | Wigman, Mary 1886-1973 Wigman, Mary 1886-1973 (DE-588)118807242 gnd Geschichte Gesellschaft Philosophie Politik Dancers Germany Biography Choreographers Germany Biography Modern dance Social aspects Germany History Modern dance Political aspects Germany History Modern dance Philosophy Choreografie (DE-588)4069977-8 gnd |
topic_facet | Wigman, Mary 1886-1973 Geschichte Gesellschaft Philosophie Politik Dancers Germany Biography Choreographers Germany Biography Modern dance Social aspects Germany History Modern dance Political aspects Germany History Modern dance Philosophy Choreografie Deutschland Biografie |
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