Sound and Communication: an aesthetic cultural history of Sanskrit Hinduism
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Medienkombination Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin [u.a.]
de Gruyter
2011
|
| Schriftenreihe: | Religion and Society
41 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | XXIII, 1112 S. 230 mm x 155 mm CD (12 cm) |
| ISBN: | 9783110181593 3110181592 9783110240030 |
Internformat
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| 245 | 1 | 0 | |a Sound and Communication |b an aesthetic cultural history of Sanskrit Hinduism |c Annette Wilke ; Oliver Moebus |
| 264 | 1 | |a Berlin [u.a.] |b de Gruyter |c 2011 | |
| 300 | |a XXIII, 1112 S. |c 230 mm x 155 mm |e CD (12 cm) | ||
| 490 | 1 | |a Religion and Society |v 41 | |
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Datensatz im Suchindex
| _version_ | 1805091516269461504 |
|---|---|
| adam_text |
TABLE
OF
CONTENTS
FOREWORD
V
I
.
METHODOLOGY
.
1
1
HINDUISM
AS
A
CULTURE
OF
SOUND
.
1
1.1
NOTES
ON
THEORY,
METHOD
AND
SCOPE
OF
INQUIRY
.
11
1.2
APPLIED
AESTHETICS
OF
RELIGION
.
25
1.3
SANSKRIT
HINDUISM
AND
PHONOCENTRISM
OF
SANSKRIT
CULTURE
.38
1.3.1
POST
ORIENTALISM:
RELIGION
AND
SANSKRIT
HINDUISM
.
45
1.4
TEXTS
IN
PRACTICE
AND
THE
PERFORMATIVITY
OF
TEXTS
.
52
1.4.1
RITUAL
SOUND
SPACES
AND
SOCIAL
SEMIOTICS
.
53
1.4.2
RELIGIOUS
READINGS
AND
HOLY
HEARING
.
58
1.4.3
PROGRAM
FOR
A
SONIC
LITERARY
HISTORY
AND
THEORY
.
66
1.5
COMMUNICATION
AND
RECEPTION
OF
SOUNDING
TEXTS
.
71
1.5.1
RELIGION
AS
SYMBOLIC
COMMUNICATION
AND
SOCIOLOGY
OF
RELIGIOUS
EXPERIENCE
.
72
1.5.2
AESTHETICS
OF
RECEPTION
AND
RELIGION
.
79
1.5.3
RELIGIOUS
AESTHETICS
AND
ACOUSTIC
PIETY
.
88
1.5.3.1
MODES
AND
MULTI-DIMENSIONALITY
OF
ACOUSTIC
PIETY
92
1.5.3.2
ANIMATED
SOUND
EXPLAINED
.
102
1.5.4
REVIEW
AND
OUTLOOK
FOR
THE
"
SONIC
PARADIGM
"
AND
SOUND
AS
SYMBOLIC
FORM
.
125
XVI
TABLE
OF
CONTENTS
1.6
ORIENTATION
ON
SCRIPTURES
AND
ORIENTATION
ON
SOUNDS
-
RELIGIONS
COMPARED
.
130
1.6.1
STONE
TABLETS
AND
BOOKS
THAT
COME
TO
LIFE
.
136
1.6.2
MEMORY
TECHNIQUES
AND
INTERNALIZATION
.
144
1.6.3
ACOUSTIC
PIETY
IN
INDIA
AND
EUROPE
.
151
1.6.4
HISTORICAL
AND
CULTURAL
DISSONANCES
IN
SEMI-LITERATE
ZONES
.
157
1.7
THE
POWER
OF
THE
MEDIA
AND
THEIR
CULTURAL
CONTINGENCY
.
175
1.7.1
ORALITY-LITERACY
DEBATE
AND
SANSKRIT
CULTURE
.
179
1.7.2
ORALITY
OR
LITERACY
IN
ANCIENT
INDIA?
.
191
1.7.3
SONALITY
AS
A
THIRD
SPACE:
NEW
ASPECTS
FOR
DEBATE
.
197
1.7.4
MEDIA
PRACTICE
AS
AESTHETIC
PRACTICE
.
207
1.7.5
RELIGIOUS
PRACTICES
AND
LITERATURES
AS
PERCEPTION-
GENERATING
NETWORKS
.
217
1.8
LITERATI
IN
INDIA
AND
EUROPE
.
225
1.8.1
AUDIBLE
ABSTRACTIONS:
PANINI
'
S
GRAMMAR
AS
TRENDSETTER
OF
SCIENCE
.
227
1.8.2
SCIENTIFIC
PRACTICE
AND
AESTHETIC
STYLE
OF
INDIAN
MATHEMATICIANS
AND
ASTRONOMERS
.
228
1.8.3
THE
INDIAN
LITURGICAL
MODEL
AND
THE
GREEK
LOGOCENTRIC
MODEL
.
243
1.8.4
PUBLIC
SCHOLARLY
DISPUTES
IN
MEDIEVAL
EUROPE
AND
INDIA
-
CHURCH
AND
STATE
POLITICS
.
250
1.8.5
SCIENCE
AND
RELIGION
-
CORRELATION
SPACES,
DISCURSIVE
FORMATIONS,
PRAGMATIC
FUNCTIONS
.
254
1.9
FROM
MEDIA
TECHNOLOGY
TO
THE
SYMBOLIC
FORMS
AS
CULTURAL
MEDIA
.
267
1.10
SOUND
RITUALS
OF
THE
GODDESS
LANGUAGE
-
SYMBOLIC
FORMS
OF
LANGUAGE
AND
SOUND
.
278
1.10.1
THE
LANGUAGE-COW
AND
RESOURCES
OF
THE
BRAHMINS
.
288
1.10.2
MYTHOS
AND
LOGOS
-
ON
THE
COEXISTENCE
OF
PARTICIPATION
AND
EMANCIPATION
.
296
1.10.2.1
PARTICIPATORY
AND
EMANCIPATORY
WORLD
ORIENTATIONS
.
297
1.10.2.2
MAGIC
AND
MYTH
.
305
TABLE
OF
CONTENTS
XVII
1.10.3
MYTHICAL-TERMINOLOGICAL
SYNTHESES
.
310
1.10.3.1
THE
LANGUAGE
GODDESS
AS
SUBSTANCE
AND
METAPHOR:
"
CODE-SWITCHING
"
STRATEGIES
.
310
1.10.3.2
THE
"COSMIC
LANGUAGE
"
AND
OTHER
UNIVERSAL
MYTHS
.
315
1.11
CONSIDERATIONS
OF
CULTURAL
THEORY
ON
EMANCIPATION
AND
PARTICIPATION
AS
GUIDING
HEURISTIC
DIFFERENCE
.
320
IL
HISTORY
.
331
2
THE
VEDA
AS
A
BASIC
PARADIGM
FOR
SACRED
LANGUAGE
AND
SACRED
SOUND
.
331
2.1
PERFORMANCE
AND
AURA
.
331
2.1.1
AESTHETIC
MESSAGE
AND
FORMS
OF
RECEPTION
.
334
2.1.2
MNEMONIC
TECHNIQUES
AND
TRANSMISSION
.
344
2.2
THE
VEDA
AS
CULTURAL
MEMORY:
ETERNAL
KNOWLEDGE
AND
THE
EVER
FRESH
VEDAS
.
347
2.3
EVOCATION
AND
EXPRESSION:
THE
EARLY
RGVEDA
.
359
2.3.1
HYMNS,
THE
FOOD
OF
THE
GODS
.
360
2.3.2
LOWING
OF
CATTLE
AND
CROAKING
OF
FROGS
.
361
2.3.3
THE
BRAHMAN
AS
POETIC
MAGIC
.
363
2.3.4
THE
KEEPER
OF
THE
BRAHMAN
.
367
2.3.5
LANGUAGE
AS
A
GODDESS
.
370
2.3.5.1
"
THE
LANGUAGE
SPEAKS
"
:
THE
VAG
AMBHRNL
HYMN
.
373
2.3.5.2
"
SIFTED
WORDS
"
-
THE
BRHASPATI
AHGIRASA
HYMN
.
376
2.4
PROFESSIONALISATION
OF
THE
SACRIFICIAL
LANGUAGE:
LATE
SAMHITA
AND
BRAHMANAS
.
378
2.4.1
THE
VOICE
AND
THE
"
INEXHAUSTIBLE
"
:
THE
LATE
RGVEDA.
382
2.4.2
THE
RIDDLE
IN
THE
HYMN
OF
DIRGHATAMAS
.
384
2.4.2.1
THE
NEW
BRAHMAN
.
384
XVIII
TABLE
OF
CONTENTS
2.4.2.2
THE
THOUSAND-SYLLABLED
BUFFALO
COW
.
387
2.4.3
METRICAL
MAGIC
WITH
NUMBERS
.
390
2.4.4
SOUND
RITUALS
FOR
THE
VEDIC
NEW
YEAR
.
394
2.4.4.1
THE
GREAT
LITANY
.
395
2.4.4.2
THE
SYLLABLE
OF
LIFE
.
397
2.4.4.3
EARTH-DRUM
AND
LIFE-HARP
-
ESCHATOLOGICAL
CARNE
VAL
MUSIC
.
401
2.5
SEMANTICIZATION
AND
LANGUAGE
ACT:
THE
YAJUR-VEDA
.
404
2.5.1
MANTRAS
AS
SPEECH
ACTS
AND
LANGUAGE
ACTS
.
406
2.5.2
THE
DISCIPLINED
SPIRIT
AND THE
DIONYSIC
.
409
2.5.3
COSMOGONIC
FUNCTION
OF
LANGUAGE
.
414
2.5.4
ETYMOLOGY
AS
AN
INTERPRETATION
OF
REALITY
.
416
2.6
SOUND
RITUALS:
THE
SAMA-VEDA
.
423
2.6.1
MIMETIC
MAGIC
.
427
2.6.2
"
CATERWAULING
"
AND
HOWLING
STORMS
.
430
2.6.3
"
INCORPOREAL
SONGS
"
.
432
2.6.4
THE
"
INEXPRESSIBLE
"
SYLLABLE
OM
.
435
2.6.5
HUMMING
PITHECANTHROPOI
AND
"SOSOSOOOONGING
"
.
438
2.6.6
HOW
TO
SING
ONESELF
INTO
THE
OTHER
WORLD
.
440
2.7
OM
IN
THE
EARLIER
UPANISADS
.
443
2.7.1
OM
AS
"
ESSENCE
"
(CHANDOGYA-UPANISAD)
.
445
2.7.2
LANGUAGE
SKEPTICISM
(TAITTIRIYA-UPANISAD)
.
448
2.8
OM
IN
THE
LATER
UPANISADS
.
450
2.8.1
OM
AS
TOOL
FOR
CONTEMPLATION
(MUNDAKA-UPANISAD).
450
2.8.2
OM
AS
SUPERSTRUCTURE
(MANDUKYA-UPANISAD)
.
452
3
COMPOSITION
AND
DECOMPOSITION:
ANALYTICAL
STUDIES
AND
POPULARIZATIONS
OF
THE
VEDA
-
RATIONALITY
AND
AESTHETICS
OF
POST-VEDIC
LITERATURES
AND
PERFORMING
ARTS
.
457
3.1
THE
NOSTALGIA
OF
THE
BARDS
.
457
3.2
THEISTIC
"
TOPPING
"
OF
THE
VEDA
IN
LITANIES
AND
PURANAS
.462
TABLE
OF
CONTENTS
XIX
3.2.1
THE
HUNDRED
AND
THE
THOUSAND
NAMES
OF
THE
UNIVERSAL
GOD
.
463
3.2.2
HEARING
THAT
BRINGS
DELIVERANCE
.
468
3.3
AUXILIARY
VEDIC
STUDIES:
SYSTEMATICS
AND
ABSTRACTIONS
.472
3.3.1
GRAMMARIANS
.
474
3.3.1.1
PATANJALI
'
S
ARGUMENTS
IN
SUPPORT
OF
GRAMMAR
.
474
3.3.1.2
THE
PHONETIC
ALPHABET
.
477
3.3.1.3
SUTRA TECHNIQUE
AND
PANINI
'
S
META-LANGUAGE
.
480
3.3.1.4
"
SIVASUTRANI
"
AND
THE
CODE
SYSTEMS
IT
INSPIRED
.
483
3.3.1.5
"
GROWTH
"
AND
OTHER PARTICIPATORY
"
SURVIVALS
"
.
489
3.3.2
PHONETICIANS
.
492
3.3.2.1
TRAINING
THE
MIND
THROUGH
SOUNDS
.
493
3.3.2.2
PHONETICS
AND
AESTHETICS
.
500
3.4
THEATER
AS
THE
FIFTH
VEDA
AND
THE
THEORY
OF
AESTHETIC
MOODS
.
504
3.4.1
PHENOMENOLOGY
OF
MOODS
.
505
3.4.2
SEMANTICIZATION
OF
GESTURES
.
510
3.4.3
EXPRESSIVE
VOCALIZATION
.
513
3.4.4
ONOMATOPOEIC
CODES:
THE
LANGUAGE
OF
DRUMS
.
516
3.5
ENTERTAINING
LEARNING
IN
THEATER
AND
REMYTHIFICATION
OF
THE
SCIENCE
OF
GRAMMAR
IN
LIGHT
READING
.
519
4
PLURALISM
AND
THE
SEARCH
FOR
ORIENTATION:
DE-SACRALIZATION
AND
RE-SACRALIZATION
OF
LANGUAGE
IN
POETICS,
LINGUISTICS,
AND
METAPHYSICS
.
525
4.1
COURTLY
POETRY:
ORNATE
AND
EXPRESSIVE
SPEECH
.
530
4.1.1
THE
LANGUAGE
WORKSHOP
OF
THE
.
530
4.1.1.1
LANGUAGE
ORNAMENTATION
.
532
4.1.2
THE
SCHOOL
OF
SUGGESTION
.
541
4.2
BRAHMANICAL
AGGIORNAMENTO:
RATIONALIST
CHALLENGES
AND
THE
RISE
OF
VEDA
HERMENEUTICS
.
548
XX
TABLE
OF
CONTENTS
4.3
THE
PURVA-MIMAMSA
AND
THEIR
THEORY
OF
THE
ETERNAL
VALIDITY
OF
WORDS
AND
SOUNDS
.
551
4.3.1
PHILOSOPHICAL
FUNDAMENTALS
AND
PRAGMATIC
RATIONALITY.
556
4.3.2
ON
THE
THEORY
OF
THE
ETERNITY
OF
LINGUISTIC
STATEMENTS
.
562
4.3.2.1
ETERNAL
EXISTENCE
OF
PHONEMES
.
562
4.3.2.2
ETERNAL
EXISTENCE
OF
WORDS
.
564
4.3.3
ARELIGIOUS
RELIGION
.
569
4.4
THE
UTTARA-MIMAMSA
AND
THEIR
COMMUNICATION
OF
THE
NON-VERBAL
.
584
4.4.1
ON
THE
LIMITS
OF
LANGUAGE
.
589
4.4.2
EXEGESIS
AND
TEACHING
METHOD
OF
TAT
TVAM
ASI
.
595
4.4.3
REVELATION
AND
REASON
.
604
4.5
BHARTRHARI
'
S
"
LINGUISTIC
TURN
"
AND
HIS
METAPHYSICS
OF
LANGUAGE
.
615
4.5.1
LINGUISTIC
THEORY
.
618
4.5.2 METAPHYSICAL
THEORY
.
624
4.5.3
THE
COMMUNICATIVE
GLOBAL
NETWORK
OF
MEANINGS
.
629
4.5.4
CULTURE
AND
LANGUAGE
.
641
4.5.5
THE
THREE
DIMENSIONS
OF
LANGUAGE
.
646
5
PERFORMANCE
AND
SENSUALITY:
THE
SOUND
UNIVERSES
OF
TANTRA
AND
DEVOTIONALISM
.
664
5.1
THE
TANTRIC
"
WEAVING
FRAME
"
:
NOTES
ON
DEFINITION,
ACTORS
AND
POLITICS
.
674
5.2
SEX
AND
CRIME
WITH
THE
TANTRISTS:
OTHERING
DISCOURSES
IN
EAST
AND
WEST
.
684
5.3
MANTRAS
AS
DIVINE
SELF-REVELATION
.
690
5.4
POWER
RELIGION
AND
OCCULT
SOUNDS
.
692
5.4.1
THE
HEAVENLY
EAR
.
695
5.4.2
THE
SINGING
SKULL
AND
THE
BIRTH
OF
BIJA
MANTRAS
.
697
5.4.3
CLANKING
ETHER,
OMINOUS
NOISES
AND
"
NON-STRUCK
SOUND
"
.
702
TABLE
OF
CONTENTS
XXI
5.4.4
MIMETIC
SOUND
MAGIC
.
707
5.5
THE
MANTRA
OF
THE
SYNTHETIC
TANTRAS
.
713
5.5.1
THE
MANTRIC
"
FIRST
AID
KIT
"
.
713
5.5.2
MORPHOLOGY
OF
THE
'
SEED
SOUNDS
'
.
717
5.5.3
MANTRA
RITUALS
.
721
5.5.3.1
ENCODING
AND
VISUALIZATION
OF
MANTRAS
.
722
5.5.3.2
SOMATIC
APPLICATIONS:
NYASA
.
726
5.5.3.3
GRAPHIC
APPLICATIONS:
YANTRA
AND
MANDALA
.
729
5.6
PHONEMATIC
COSMOGONIES
.
738
5.6.1
ENERGY
.
738
5.6.2
ORIGINAL
MATTER
AND
ORIGINAL
SOUND
.
740
5.6.3
LANGUAGE
CREATION
AND
WORLD
CREATION
.
746
5.6.4
THE
COMMUNICATIVE
BRAHMAN
AS
A
COILED
SNAKE
AND
ENERGETIC
PRESENCE
IN
THE
BODY
.
749
5.7
MANTRAS
AS
CONTEMPLATIVE
INSTRUMENTS
.
751
5.7.1
THE
COSMO-GRAMMAR
OF
THE
SRIVIDYA
.
752
5.7.2
THE
LANGUAGE
GODDESS
ON
THE
SHOULDERS
OF
THE
HERMENEUTIST
.
754
5.7.3
1103.333
.
MILLISECONDS
OF
ETERNITY
.
756
5.8
ABHINAVAGUPTA
-
LANGUAGE
AS
REFLECTED
PRESENCE
.
762
5.8.1
POETIC
BIOGRAPHY
AND
SUBJECTIVE
LANDSCAPE
.
766
5.8.2
HOLISTIC
PERCEPTION
AND
COSMIC
LANGUAGE
.
771
5.8.3
PHENOMENOLOGY
OF
THE
ALPHABET
.
775
5.8.3.1
THE
INNER
TRINITY
(A,
I,
U)
.
778
5.8.3.2
THE
TRINITY
RELEVANT
TO
SOTERIOLOGY
(A,
H,
M)
.
783
5.8.4
THE
FOUR
LEVELS
OF
LANGUAGE
.
788
5.8.5
THE
AUDIBLE
PEACOCK
'
S
TAIL
.
790
5.9
DIVINE
ATMOSPHERES:
TEXT
AND
MUSIC
IN
THE
DEVOTIONAL
TRADITIONS
.
792
5.9.1
HEARING
AND
SENSING
THE
BUFFALO-DEMON-SLAYER
.
794
5.9.2
INDIVIDUAL
MUSICAL
FORMS
OF
THE
"
FLOOD
OF
BEAUTY
"
799
5.9.3
THE
DISAPPEARANCE
OF
LANGUAGE
IN
MUSIC
.
804
XXII
TABLE
OF
CONTENTS
6
SENSORY
SUBSTANCE:
NADA-BRAHMAN
IN
EAST
AND
WEST
.
809
6.1
A
LITTLE
RESEARCHED
SYMBOLIC
FORM
AND
IST
TRANSRELIGIOUS
IMPACT
.
810
6.2
THE
NADA-BRAHMAN
AS
A
MEANS
OF
HEALING
FOR
WESTERN
"
EYE-PEOPLE
"
:
THE
"
WORLD
IS
SOUND
"
IN
NEW
AGE
.
818
6.3
THE
NADA-BRAHMAN
AS
AN
INDIGENOUS
CATEGORY:
THE
"
WORLD
IS
SOUND
"
IN
THE
INDIAN
MIDDLE
AGES
.
830
6.3.1
MUSIC
AS
A
YOGA
FOR
EVERYBODY
AND
THE
SOUND
MYSTICISM
OF
THE
INDIAN
MUSICOLOGISTS
.
836
6.3.2
DEVELOPMENTS
IN
THE
TERM
"BRAHMAN
"
AND
THE
TRANSFORMATIONS
OF
THE
LANGUAGE
GOODESS
.
847
6.3.3
THE
YOGIC
TANTRIC
LEGACY
AND
ITS
RECODING
.
856
6.3.4
DEVOTIONAL
NADA-YOGA
IN
SOUTH
INDIAN
CLASSICAL
MUSIC
862
6.3.5
CULTIVATION
OF
GREAT
TRANSCENDENCIES
AND
SOCIAL
SENSE
SYSTEMS
.
870
6.3.6
FROM
THE
LIMINAL
TO
THE
SUBLIME
AND
POPULAR
.
879
6.3.7
CONFLUENCE
OF
TRADITIONS
IN
THE
NADA-BRAHMAN
AND
TRANSRELIGIOSITY
.
887
6.3.8
THE
MOOD
OF
NADA-BRAHMAN
.
902
6.3.9
THE
TAMPURA
AS
TOTAL
REPRESENTATION
OF
THE
NADA
BRAHMAN
.
905
6.3.10
CULTURAL
BOUNDARIES
AND
DELIMITING
CULTURE
.
914
6.3.11
MUSIC
OF
THE
UNIVERSE
AND
NADA-BRAHMAN
.
947
6.3.11.1
"
GLASS
BEAD
GAME
"
IN
EUROPE
AND
INDIA
.
983
6.3.11.2
TRANSNATIONALIZATION
OF
THE
NADA-BRAHMAN.
991
6.4
CONCLUDING
THESES
ON
INDIA
'
S
SIGNIFICANCE
FOR
MODERN
SPIRITUALITY
.
1016
TABLE
OF
CONTENTS
XXIII
7
APPENDIX:
MUSIC
CD
-
ACCOMPANYING
TEXT
.
1042
PRIMARY
SOURCES
.
1051
SECONDARY
SOURCES
.
1061
INDEX
.
1097 |
| adam_txt |
TABLE
OF
CONTENTS
FOREWORD
V
I
.
METHODOLOGY
.
1
1
HINDUISM
AS
A
CULTURE
OF
SOUND
.
1
1.1
NOTES
ON
THEORY,
METHOD
AND
SCOPE
OF
INQUIRY
.
11
1.2
APPLIED
AESTHETICS
OF
RELIGION
.
25
1.3
SANSKRIT
HINDUISM
AND
PHONOCENTRISM
OF
SANSKRIT
CULTURE
.38
1.3.1
POST
ORIENTALISM:
RELIGION
AND
SANSKRIT
HINDUISM
.
45
1.4
TEXTS
IN
PRACTICE
AND
THE
PERFORMATIVITY
OF
TEXTS
.
52
1.4.1
RITUAL
SOUND
SPACES
AND
SOCIAL
SEMIOTICS
.
53
1.4.2
RELIGIOUS
READINGS
AND
HOLY
HEARING
.
58
1.4.3
PROGRAM
FOR
A
SONIC
LITERARY
HISTORY
AND
THEORY
.
66
1.5
COMMUNICATION
AND
RECEPTION
OF
SOUNDING
TEXTS
.
71
1.5.1
RELIGION
AS
SYMBOLIC
COMMUNICATION
AND
SOCIOLOGY
OF
RELIGIOUS
EXPERIENCE
.
72
1.5.2
AESTHETICS
OF
RECEPTION
AND
RELIGION
.
79
1.5.3
RELIGIOUS
AESTHETICS
AND
ACOUSTIC
PIETY
.
88
1.5.3.1
MODES
AND
MULTI-DIMENSIONALITY
OF
ACOUSTIC
PIETY
92
1.5.3.2
ANIMATED
SOUND
EXPLAINED
.
102
1.5.4
REVIEW
AND
OUTLOOK
FOR
THE
"
SONIC
PARADIGM
"
AND
SOUND
AS
SYMBOLIC
FORM
.
125
XVI
TABLE
OF
CONTENTS
1.6
ORIENTATION
ON
SCRIPTURES
AND
ORIENTATION
ON
SOUNDS
-
RELIGIONS
COMPARED
.
130
1.6.1
STONE
TABLETS
AND
BOOKS
THAT
COME
TO
LIFE
.
136
1.6.2
MEMORY
TECHNIQUES
AND
INTERNALIZATION
.
144
1.6.3
ACOUSTIC
PIETY
IN
INDIA
AND
EUROPE
.
151
1.6.4
HISTORICAL
AND
CULTURAL
DISSONANCES
IN
SEMI-LITERATE
ZONES
.
157
1.7
THE
POWER
OF
THE
MEDIA
AND
THEIR
CULTURAL
CONTINGENCY
.
175
1.7.1
ORALITY-LITERACY
DEBATE
AND
SANSKRIT
CULTURE
.
179
1.7.2
ORALITY
OR
LITERACY
IN
ANCIENT
INDIA?
.
191
1.7.3
SONALITY
AS
A
THIRD
SPACE:
NEW
ASPECTS
FOR
DEBATE
.
197
1.7.4
MEDIA
PRACTICE
AS
AESTHETIC
PRACTICE
.
207
1.7.5
RELIGIOUS
PRACTICES
AND
LITERATURES
AS
PERCEPTION-
GENERATING
NETWORKS
.
217
1.8
LITERATI
IN
INDIA
AND
EUROPE
.
225
1.8.1
AUDIBLE
ABSTRACTIONS:
PANINI
'
S
GRAMMAR
AS
TRENDSETTER
OF
SCIENCE
.
227
1.8.2
SCIENTIFIC
PRACTICE
AND
AESTHETIC
STYLE
OF
INDIAN
MATHEMATICIANS
AND
ASTRONOMERS
.
228
1.8.3
THE
INDIAN
LITURGICAL
MODEL
AND
THE
GREEK
LOGOCENTRIC
MODEL
.
243
1.8.4
PUBLIC
SCHOLARLY
DISPUTES
IN
MEDIEVAL
EUROPE
AND
INDIA
-
CHURCH
AND
STATE
POLITICS
.
250
1.8.5
SCIENCE
AND
RELIGION
-
CORRELATION
SPACES,
DISCURSIVE
FORMATIONS,
PRAGMATIC
FUNCTIONS
.
254
1.9
FROM
MEDIA
TECHNOLOGY
TO
THE
SYMBOLIC
FORMS
AS
CULTURAL
MEDIA
.
267
1.10
SOUND
RITUALS
OF
THE
GODDESS
LANGUAGE
-
SYMBOLIC
FORMS
OF
LANGUAGE
AND
SOUND
.
278
1.10.1
THE
LANGUAGE-COW
AND
RESOURCES
OF
THE
BRAHMINS
.
288
1.10.2
MYTHOS
AND
LOGOS
-
ON
THE
COEXISTENCE
OF
PARTICIPATION
AND
EMANCIPATION
.
296
1.10.2.1
PARTICIPATORY
AND
EMANCIPATORY
WORLD
ORIENTATIONS
.
297
1.10.2.2
MAGIC
AND
MYTH
.
305
TABLE
OF
CONTENTS
XVII
1.10.3
MYTHICAL-TERMINOLOGICAL
SYNTHESES
.
310
1.10.3.1
THE
LANGUAGE
GODDESS
AS
SUBSTANCE
AND
METAPHOR:
"
CODE-SWITCHING
"
STRATEGIES
.
310
1.10.3.2
THE
"COSMIC
LANGUAGE
"
AND
OTHER
UNIVERSAL
MYTHS
.
315
1.11
CONSIDERATIONS
OF
CULTURAL
THEORY
ON
EMANCIPATION
AND
PARTICIPATION
AS
GUIDING
HEURISTIC
DIFFERENCE
.
320
IL
HISTORY
.
331
2
THE
VEDA
AS
A
BASIC
PARADIGM
FOR
SACRED
LANGUAGE
AND
SACRED
SOUND
.
331
2.1
PERFORMANCE
AND
AURA
.
331
2.1.1
AESTHETIC
MESSAGE
AND
FORMS
OF
RECEPTION
.
334
2.1.2
MNEMONIC
TECHNIQUES
AND
TRANSMISSION
.
344
2.2
THE
VEDA
AS
CULTURAL
MEMORY:
ETERNAL
KNOWLEDGE
AND
THE
EVER
FRESH
VEDAS
.
347
2.3
EVOCATION
AND
EXPRESSION:
THE
EARLY
RGVEDA
.
359
2.3.1
HYMNS,
THE
FOOD
OF
THE
GODS
.
360
2.3.2
LOWING
OF
CATTLE
AND
CROAKING
OF
FROGS
.
361
2.3.3
THE
BRAHMAN
AS
POETIC
MAGIC
.
363
2.3.4
THE
KEEPER
OF
THE
BRAHMAN
.
367
2.3.5
LANGUAGE
AS
A
GODDESS
.
370
2.3.5.1
"
THE
LANGUAGE
SPEAKS
"
:
THE
VAG
AMBHRNL
HYMN
.
373
2.3.5.2
"
SIFTED
WORDS
"
-
THE
BRHASPATI
AHGIRASA
HYMN
.
376
2.4
PROFESSIONALISATION
OF
THE
SACRIFICIAL
LANGUAGE:
LATE
SAMHITA
AND
BRAHMANAS
.
378
2.4.1
THE
VOICE
AND
THE
"
INEXHAUSTIBLE
"
:
THE
LATE
RGVEDA.
382
2.4.2
THE
RIDDLE
IN
THE
HYMN
OF
DIRGHATAMAS
.
384
2.4.2.1
THE
NEW
BRAHMAN
.
384
XVIII
TABLE
OF
CONTENTS
2.4.2.2
THE
THOUSAND-SYLLABLED
BUFFALO
COW
.
387
2.4.3
METRICAL
MAGIC
WITH
NUMBERS
.
390
2.4.4
SOUND
RITUALS
FOR
THE
VEDIC
NEW
YEAR
.
394
2.4.4.1
THE
GREAT
LITANY
.
395
2.4.4.2
THE
SYLLABLE
OF
LIFE
.
397
2.4.4.3
EARTH-DRUM
AND
LIFE-HARP
-
ESCHATOLOGICAL
CARNE
VAL
MUSIC
.
401
2.5
SEMANTICIZATION
AND
LANGUAGE
ACT:
THE
YAJUR-VEDA
.
404
2.5.1
MANTRAS
AS
SPEECH
ACTS
AND
LANGUAGE
ACTS
.
406
2.5.2
THE
DISCIPLINED
SPIRIT
AND THE
DIONYSIC
.
409
2.5.3
COSMOGONIC
FUNCTION
OF
LANGUAGE
.
414
2.5.4
ETYMOLOGY
AS
AN
INTERPRETATION
OF
REALITY
.
416
2.6
SOUND
RITUALS:
THE
SAMA-VEDA
.
423
2.6.1
MIMETIC
MAGIC
.
427
2.6.2
"
CATERWAULING
"
AND
HOWLING
STORMS
.
430
2.6.3
"
INCORPOREAL
SONGS
"
.
432
2.6.4
THE
"
INEXPRESSIBLE
"
SYLLABLE
OM
.
435
2.6.5
HUMMING
PITHECANTHROPOI
AND
"SOSOSOOOONGING
"
.
438
2.6.6
HOW
TO
SING
ONESELF
INTO
THE
OTHER
WORLD
.
440
2.7
OM
IN
THE
EARLIER
UPANISADS
.
443
2.7.1
OM
AS
"
ESSENCE
"
(CHANDOGYA-UPANISAD)
.
445
2.7.2
LANGUAGE
SKEPTICISM
(TAITTIRIYA-UPANISAD)
.
448
2.8
OM
IN
THE
LATER
UPANISADS
.
450
2.8.1
OM
AS
TOOL
FOR
CONTEMPLATION
(MUNDAKA-UPANISAD).
450
2.8.2
OM
AS
SUPERSTRUCTURE
(MANDUKYA-UPANISAD)
.
452
3
COMPOSITION
AND
DECOMPOSITION:
ANALYTICAL
STUDIES
AND
POPULARIZATIONS
OF
THE
VEDA
-
RATIONALITY
AND
AESTHETICS
OF
POST-VEDIC
LITERATURES
AND
PERFORMING
ARTS
.
457
3.1
THE
NOSTALGIA
OF
THE
BARDS
.
457
3.2
THEISTIC
"
TOPPING
"
OF
THE
VEDA
IN
LITANIES
AND
PURANAS
.462
TABLE
OF
CONTENTS
XIX
3.2.1
THE
HUNDRED
AND
THE
THOUSAND
NAMES
OF
THE
UNIVERSAL
GOD
.
463
3.2.2
HEARING
THAT
BRINGS
DELIVERANCE
.
468
3.3
AUXILIARY
VEDIC
STUDIES:
SYSTEMATICS
AND
ABSTRACTIONS
.472
3.3.1
GRAMMARIANS
.
474
3.3.1.1
PATANJALI
'
S
ARGUMENTS
IN
SUPPORT
OF
GRAMMAR
.
474
3.3.1.2
THE
PHONETIC
ALPHABET
.
477
3.3.1.3
SUTRA TECHNIQUE
AND
PANINI
'
S
META-LANGUAGE
.
480
3.3.1.4
"
SIVASUTRANI
"
AND
THE
CODE
SYSTEMS
IT
INSPIRED
.
483
3.3.1.5
"
GROWTH
"
AND
OTHER PARTICIPATORY
"
SURVIVALS
"
.
489
3.3.2
PHONETICIANS
.
492
3.3.2.1
TRAINING
THE
MIND
THROUGH
SOUNDS
.
493
3.3.2.2
PHONETICS
AND
AESTHETICS
.
500
3.4
THEATER
AS
THE
FIFTH
VEDA
AND
THE
THEORY
OF
AESTHETIC
MOODS
.
504
3.4.1
PHENOMENOLOGY
OF
MOODS
.
505
3.4.2
SEMANTICIZATION
OF
GESTURES
.
510
3.4.3
EXPRESSIVE
VOCALIZATION
.
513
3.4.4
ONOMATOPOEIC
CODES:
THE
LANGUAGE
OF
DRUMS
.
516
3.5
ENTERTAINING
LEARNING
IN
THEATER
AND
REMYTHIFICATION
OF
THE
SCIENCE
OF
GRAMMAR
IN
LIGHT
READING
.
519
4
PLURALISM
AND
THE
SEARCH
FOR
ORIENTATION:
DE-SACRALIZATION
AND
RE-SACRALIZATION
OF
LANGUAGE
IN
POETICS,
LINGUISTICS,
AND
METAPHYSICS
.
525
4.1
COURTLY
POETRY:
ORNATE
AND
EXPRESSIVE
SPEECH
.
530
4.1.1
THE
LANGUAGE
WORKSHOP
OF
THE
.
530
4.1.1.1
LANGUAGE
ORNAMENTATION
.
532
4.1.2
THE
SCHOOL
OF
SUGGESTION
.
541
4.2
BRAHMANICAL
AGGIORNAMENTO:
RATIONALIST
CHALLENGES
AND
THE
RISE
OF
VEDA
HERMENEUTICS
.
548
XX
TABLE
OF
CONTENTS
4.3
THE
PURVA-MIMAMSA
AND
THEIR
THEORY
OF
THE
ETERNAL
VALIDITY
OF
WORDS
AND
SOUNDS
.
551
4.3.1
PHILOSOPHICAL
FUNDAMENTALS
AND
PRAGMATIC
RATIONALITY.
556
4.3.2
ON
THE
THEORY
OF
THE
ETERNITY
OF
LINGUISTIC
STATEMENTS
.
562
4.3.2.1
ETERNAL
EXISTENCE
OF
PHONEMES
.
562
4.3.2.2
ETERNAL
EXISTENCE
OF
WORDS
.
564
4.3.3
ARELIGIOUS
RELIGION
.
569
4.4
THE
UTTARA-MIMAMSA
AND
THEIR
COMMUNICATION
OF
THE
NON-VERBAL
.
584
4.4.1
ON
THE
LIMITS
OF
LANGUAGE
.
589
4.4.2
EXEGESIS
AND
TEACHING
METHOD
OF
TAT
TVAM
ASI
.
595
4.4.3
REVELATION
AND
REASON
.
604
4.5
BHARTRHARI
'
S
"
LINGUISTIC
TURN
"
AND
HIS
METAPHYSICS
OF
LANGUAGE
.
615
4.5.1
LINGUISTIC
THEORY
.
618
4.5.2 METAPHYSICAL
THEORY
.
624
4.5.3
THE
COMMUNICATIVE
GLOBAL
NETWORK
OF
MEANINGS
.
629
4.5.4
CULTURE
AND
LANGUAGE
.
641
4.5.5
THE
THREE
DIMENSIONS
OF
LANGUAGE
.
646
5
PERFORMANCE
AND
SENSUALITY:
THE
SOUND
UNIVERSES
OF
TANTRA
AND
DEVOTIONALISM
.
664
5.1
THE
TANTRIC
"
WEAVING
FRAME
"
:
NOTES
ON
DEFINITION,
ACTORS
AND
POLITICS
.
674
5.2
SEX
AND
CRIME
WITH
THE
TANTRISTS:
OTHERING
DISCOURSES
IN
EAST
AND
WEST
.
684
5.3
MANTRAS
AS
DIVINE
SELF-REVELATION
.
690
5.4
POWER
RELIGION
AND
OCCULT
SOUNDS
.
692
5.4.1
THE
HEAVENLY
EAR
.
695
5.4.2
THE
SINGING
SKULL
AND
THE
BIRTH
OF
BIJA
MANTRAS
.
697
5.4.3
CLANKING
ETHER,
OMINOUS
NOISES
AND
"
NON-STRUCK
SOUND
"
.
702
TABLE
OF
CONTENTS
XXI
5.4.4
MIMETIC
SOUND
MAGIC
.
707
5.5
THE
MANTRA
OF
THE
SYNTHETIC
TANTRAS
.
713
5.5.1
THE
MANTRIC
"
FIRST
AID
KIT
"
.
713
5.5.2
MORPHOLOGY
OF
THE
'
SEED
SOUNDS
'
.
717
5.5.3
MANTRA
RITUALS
.
721
5.5.3.1
ENCODING
AND
VISUALIZATION
OF
MANTRAS
.
722
5.5.3.2
SOMATIC
APPLICATIONS:
NYASA
.
726
5.5.3.3
GRAPHIC
APPLICATIONS:
YANTRA
AND
MANDALA
.
729
5.6
PHONEMATIC
COSMOGONIES
.
738
5.6.1
ENERGY
.
738
5.6.2
ORIGINAL
MATTER
AND
ORIGINAL
SOUND
.
740
5.6.3
LANGUAGE
CREATION
AND
WORLD
CREATION
.
746
5.6.4
THE
COMMUNICATIVE
BRAHMAN
AS
A
COILED
SNAKE
AND
ENERGETIC
PRESENCE
IN
THE
BODY
.
749
5.7
MANTRAS
AS
CONTEMPLATIVE
INSTRUMENTS
.
751
5.7.1
THE
COSMO-GRAMMAR
OF
THE
SRIVIDYA
.
752
5.7.2
THE
LANGUAGE
GODDESS
ON
THE
SHOULDERS
OF
THE
HERMENEUTIST
.
754
5.7.3
1103.333
.
MILLISECONDS
OF
ETERNITY
.
756
5.8
ABHINAVAGUPTA
-
LANGUAGE
AS
REFLECTED
PRESENCE
.
762
5.8.1
POETIC
BIOGRAPHY
AND
SUBJECTIVE
LANDSCAPE
.
766
5.8.2
HOLISTIC
PERCEPTION
AND
COSMIC
LANGUAGE
.
771
5.8.3
PHENOMENOLOGY
OF
THE
ALPHABET
.
775
5.8.3.1
THE
INNER
TRINITY
(A,
I,
U)
.
778
5.8.3.2
THE
TRINITY
RELEVANT
TO
SOTERIOLOGY
(A,
H,
M)
.
783
5.8.4
THE
FOUR
LEVELS
OF
LANGUAGE
.
788
5.8.5
THE
AUDIBLE
PEACOCK
'
S
TAIL
.
790
5.9
DIVINE
ATMOSPHERES:
TEXT
AND
MUSIC
IN
THE
DEVOTIONAL
TRADITIONS
.
792
5.9.1
HEARING
AND
SENSING
THE
BUFFALO-DEMON-SLAYER
.
794
5.9.2
INDIVIDUAL
MUSICAL
FORMS
OF
THE
"
FLOOD
OF
BEAUTY
"
799
5.9.3
THE
DISAPPEARANCE
OF
LANGUAGE
IN
MUSIC
.
804
XXII
TABLE
OF
CONTENTS
6
SENSORY
SUBSTANCE:
NADA-BRAHMAN
IN
EAST
AND
WEST
.
809
6.1
A
LITTLE
RESEARCHED
SYMBOLIC
FORM
AND
IST
TRANSRELIGIOUS
IMPACT
.
810
6.2
THE
NADA-BRAHMAN
AS
A
MEANS
OF
HEALING
FOR
WESTERN
"
EYE-PEOPLE
"
:
THE
"
WORLD
IS
SOUND
"
IN
NEW
AGE
.
818
6.3
THE
NADA-BRAHMAN
AS
AN
INDIGENOUS
CATEGORY:
THE
"
WORLD
IS
SOUND
"
IN
THE
INDIAN
MIDDLE
AGES
.
830
6.3.1
MUSIC
AS
A
YOGA
FOR
EVERYBODY
AND
THE
SOUND
MYSTICISM
OF
THE
INDIAN
MUSICOLOGISTS
.
836
6.3.2
DEVELOPMENTS
IN
THE
TERM
"BRAHMAN
"
AND
THE
TRANSFORMATIONS
OF
THE
LANGUAGE
GOODESS
.
847
6.3.3
THE
YOGIC
TANTRIC
LEGACY
AND
ITS
RECODING
.
856
6.3.4
DEVOTIONAL
NADA-YOGA
IN
SOUTH
INDIAN
CLASSICAL
MUSIC
862
6.3.5
CULTIVATION
OF
GREAT
TRANSCENDENCIES
AND
SOCIAL
SENSE
SYSTEMS
.
870
6.3.6
FROM
THE
LIMINAL
TO
THE
SUBLIME
AND
POPULAR
.
879
6.3.7
CONFLUENCE
OF
TRADITIONS
IN
THE
NADA-BRAHMAN
AND
TRANSRELIGIOSITY
.
887
6.3.8
THE
MOOD
OF
NADA-BRAHMAN
.
902
6.3.9
THE
TAMPURA
AS
TOTAL
REPRESENTATION
OF
THE
NADA
BRAHMAN
.
905
6.3.10
CULTURAL
BOUNDARIES
AND
DELIMITING
CULTURE
.
914
6.3.11
MUSIC
OF
THE
UNIVERSE
AND
NADA-BRAHMAN
.
947
6.3.11.1
"
GLASS
BEAD
GAME
"
IN
EUROPE
AND
INDIA
.
983
6.3.11.2
TRANSNATIONALIZATION
OF
THE
NADA-BRAHMAN.
991
6.4
CONCLUDING
THESES
ON
INDIA
'
S
SIGNIFICANCE
FOR
MODERN
SPIRITUALITY
.
1016
TABLE
OF
CONTENTS
XXIII
7
APPENDIX:
MUSIC
CD
-
ACCOMPANYING
TEXT
.
1042
PRIMARY
SOURCES
.
1051
SECONDARY
SOURCES
.
1061
INDEX
.
1097 |
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| author | Wilke, Annette 1953- Moebus, Oliver |
| author_GND | (DE-588)135639069 |
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| author_role | aut aut |
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| dewey-full | 294.54 |
| dewey-hundreds | 200 - Religion |
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| dewey-search | 294.54 |
| dewey-sort | 3294.54 |
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| discipline | Sprachwissenschaft Theologie / Religionswissenschaften |
| discipline_str_mv | Sprachwissenschaft Theologie / Religionswissenschaften |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Kit Book |
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| id | DE-604.BV035178102 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T22:56:52Z |
| indexdate | 2024-07-20T09:56:57Z |
| institution | BVB |
| isbn | 9783110181593 3110181592 9783110240030 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016984913 |
| oclc_num | 633964272 |
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| owner_facet | DE-384 DE-473 DE-BY-UBG DE-703 DE-19 DE-BY-UBM DE-12 DE-29 |
| physical | XXIII, 1112 S. 230 mm x 155 mm CD (12 cm) |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | de Gruyter |
| record_format | marc |
| series | Religion and Society |
| series2 | Religion and Society |
| spelling | Wilke, Annette 1953- Verfasser (DE-588)135639069 aut Sound and Communication an aesthetic cultural history of Sanskrit Hinduism Annette Wilke ; Oliver Moebus Berlin [u.a.] de Gruyter 2011 XXIII, 1112 S. 230 mm x 155 mm CD (12 cm) Religion and Society 41 Geschichte gnd rswk-swf Sanskrit (DE-588)4051642-8 gnd rswk-swf Religiöse Erfahrung (DE-588)4076649-4 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Hinduismus (DE-588)4024955-4 gnd rswk-swf Sanskrit (DE-588)4051642-8 s Hinduismus (DE-588)4024955-4 s Religiöse Erfahrung (DE-588)4076649-4 s Klang (DE-588)4030933-2 s Kultur (DE-588)4125698-0 s Geschichte z DE-604 Moebus, Oliver Verfasser aut Religion and Society 41 (DE-604)BV023546466 41 text/html http://deposit.dnb.de/cgi-bin/dokserv?id=3082335&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016984913&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wilke, Annette 1953- Moebus, Oliver Sound and Communication an aesthetic cultural history of Sanskrit Hinduism Religion and Society Sanskrit (DE-588)4051642-8 gnd Religiöse Erfahrung (DE-588)4076649-4 gnd Klang (DE-588)4030933-2 gnd Kultur (DE-588)4125698-0 gnd Hinduismus (DE-588)4024955-4 gnd |
| subject_GND | (DE-588)4051642-8 (DE-588)4076649-4 (DE-588)4030933-2 (DE-588)4125698-0 (DE-588)4024955-4 |
| title | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism |
| title_auth | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism |
| title_exact_search | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism |
| title_exact_search_txtP | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism |
| title_full | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism Annette Wilke ; Oliver Moebus |
| title_fullStr | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism Annette Wilke ; Oliver Moebus |
| title_full_unstemmed | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism Annette Wilke ; Oliver Moebus |
| title_short | Sound and Communication |
| title_sort | sound and communication an aesthetic cultural history of sanskrit hinduism |
| title_sub | an aesthetic cultural history of Sanskrit Hinduism |
| topic | Sanskrit (DE-588)4051642-8 gnd Religiöse Erfahrung (DE-588)4076649-4 gnd Klang (DE-588)4030933-2 gnd Kultur (DE-588)4125698-0 gnd Hinduismus (DE-588)4024955-4 gnd |
| topic_facet | Sanskrit Religiöse Erfahrung Klang Kultur Hinduismus |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=3082335&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016984913&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV023546466 |
| work_keys_str_mv | AT wilkeannette soundandcommunicationanaestheticculturalhistoryofsanskrithinduism AT moebusoliver soundandcommunicationanaestheticculturalhistoryofsanskrithinduism |