Framing the fifties: cinema in a divided Germany
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Berghahn Books
2009
|
| Ausgabe: | 1. paperback ed. |
| Schriftenreihe: | Film Europa: German cinema in an international context
4 |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VI, 250 S. |
| ISBN: | 9781845455361 9781845452049 |
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Datensatz im Suchindex
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| adam_text | FRAMING THE FIFTIES
Cinema in a Divided Germany
Edited by John Davidson and
Sabine Hake
The demise of the New German Cinema and the return of popular cinema
since the
1990s
have led to a renewed interest in the postwar years and
the complicated relationship between East and West German cinema in
particular. A survey of the
1950s,
as offered here for the first time, is
therefore long overdue. Moving beyond the contempt for Papa s Kino and
the nostalgia for the fifties found in much of the existing literature, this
anthology explores new uncharted territories, traces hidden connections,
discovers unknown treasures, and challenges conventional interpretations.
Informed by cultural studies, gender studies, and the study of popular
cinema, this anthology offers a more complete account by focusing on
popular genres, famous stars, and dominant practices, by taking into
account the complicated relationships between East vs. West German,
German vs. European, and European vs. American cinemas; and by paying
dose attention to the economic and political conditions of film production
and reception during this little-known period of German film history.
JOHN DAVIDSON is Director of the Program of Film Studies and Associate
Professor of Germanic Languages and Literatures at the Ohio State
University. His Deterritorializing the New German Cinema appeared in
1999,
and he has published numerous articles on German film as well as
political discourses and literary figures in cinema more generally. He serves
on the editorial board of Studies in European Cinema (UK) and is currently
working on a book project investigating cinema, labor, and mobility in
twentieth-century Germany.
SABINE HAKE
is the Texas Chair of German Literature and Culture in the
Department of Germanic Studies at the University of Texas at Austin. She is
the author of four books: German National Cinema
(2002),
Popular
Cinema of the Third Reich
(20011,
The Cinema s Third ¡Machine: German
Writings on Film
1907-1933 (1993),
Passions and Deceptions: The Early
Filins
of Ernst Lubitsch
(19921,
as well as numerous articles on German film
and Weimar culture. Her current book project deals with urban architecture
and mass
utopia in
Weimar Berlin.
Contents
introduction
1
1
The Question of German Guilt and the German Student :
Politicizing the Postwar University in Kortner s
Der Ruf
and
von Wangenhemťs
Und wieder 481
Jmney
Fisher
10
2
Returning Home: The Orientalist Spectacle of Fritz Lang s
Der
Tiger
von
Eschnapur and
Das indische Grabmal
Barbara
Mennél
28
3
The Passenger: Ambivalences of National Identity and
Masculinity in the Star Persona of Peter van Eyck
Tim
Bergfelder 44
4
Helmut
Käutner s Epilog: Das Geheimnis der Orplid and
the West German Detective Film of the
1950s
Yogiiii Joglekar
59
5
Location
Heimat:
Tracking Refugee Images, from
DEFA
to the
Heimatfilm
Johannes von Moltke 74
6
Great Truths and Minor Truths : Kurt Maetzig s
Ernst TMlmmm Films, the
Antifascism
Myth, and the
Politics of Biography in the German Democratic Republic
Russel Lemmons
91
7
The First
DEFA
Fairy Tales: Cold War Fantasies of the
1950s
Marc Silberman
106
8
Visualizing the Enemy: Representations of the
Other Germany in Documentaries Produced by
the FRG and GDR in the
1
950s
Matthias Steinle
120
9
The Treatment of the Past: Geza Radvanyi s
Der Arzt
von
Stalingrad and the West German War Film
Jennifer M. Kapczynski
137
10
Film
und Frau
and the Female Spectator of
1950s
West
German Cinema
Hester Baer
151
11
Reterritorializing Enjoyment in the Adenauer Era:
Robert A. Stemmle s Toxi
Angelica Fenner
166
12
Allegories of Management:
Norbert Schultze s
Sound Track for
Das Mädchen Rosemarie
Larson Powell
180
13
The Restructuring of the West German Film Industry
in the
1950s
Knut HicMhier 194
14
The Other German Cinema
Mary Wauchope
210
Works Cited
223
Filmography
236
Notes on Contributors
245
Index
248
|
| adam_txt |
FRAMING THE FIFTIES
Cinema in a Divided Germany
Edited by John Davidson and
Sabine Hake
The demise of the New German Cinema and the return of popular cinema
since the
1990s
have led to a renewed interest in the postwar years and
the complicated relationship between East and West German cinema in
particular. A survey of the
1950s,
as offered here for the first time, is
therefore long overdue. Moving beyond the contempt for "Papa's Kino" and
the nostalgia for the 'fifties found in much of the existing literature, this
anthology explores new uncharted territories, traces hidden connections,
discovers unknown treasures, and challenges conventional interpretations.
Informed by cultural studies, gender studies, and the study of popular
cinema, this anthology offers a more complete account by focusing on
popular genres, famous stars, and dominant practices, by taking into
account the complicated relationships between East vs. West German,
German vs. European, and European vs. American cinemas; and by paying
dose attention to the economic and political conditions of film production
and reception during this little-known period of German film history.
JOHN DAVIDSON is Director of the Program of Film Studies and Associate
Professor of Germanic Languages and Literatures at the Ohio State
University. His Deterritorializing the New German Cinema appeared in
1999,
and he has published numerous articles on German film as well as
political discourses and literary figures in cinema more generally. He serves
on the editorial board of Studies in European Cinema (UK) and is currently
working on a book project investigating cinema, labor, and mobility in
twentieth-century Germany.
SABINE HAKE
is the Texas Chair of German Literature and Culture in the
Department of Germanic Studies at the University of Texas at Austin. She is
the author of four books: German National Cinema
(2002),
Popular
Cinema of the Third Reich
(20011,
The Cinema's Third ¡Machine: German
Writings on Film
1907-1933 (1993),
Passions and Deceptions: The Early
Filins
of Ernst Lubitsch
(19921,
as well as numerous articles on German film
and Weimar culture. Her current book project deals with urban architecture
and mass
utopia in
Weimar Berlin.
Contents
introduction
1
1
The Question of German Guilt and the "German Student":
Politicizing the Postwar University in Kortner's
Der Ruf
and
von Wangenhemťs
Und wieder 481
Jmney
Fisher
10
2
Returning Home: The Orientalist Spectacle of Fritz Lang's
Der
Tiger
von
Eschnapur and
Das indische Grabmal
Barbara
Mennél
28
3
The Passenger: Ambivalences of National Identity and
Masculinity in the Star Persona of Peter van Eyck
Tim
Bergfelder 44
4
Helmut
Käutner's Epilog: Das Geheimnis der Orplid and
the West German Detective Film of the
1950s
Yogiiii Joglekar
59
5
Location
Heimat:
Tracking Refugee Images, from
DEFA
to the
Heimatfilm
Johannes von Moltke 74
6
"Great Truths and Minor Truths": Kurt Maetzig's
Ernst TMlmmm Films, the
Antifascism
Myth, and the
Politics of Biography in the German Democratic Republic
Russel Lemmons
91
7
The First
DEFA
Fairy Tales: Cold War Fantasies of the
1950s
Marc Silberman
106
8
Visualizing the Enemy: Representations of the
"Other Germany" in Documentaries Produced by
the FRG and GDR in the
1
950s
Matthias Steinle
120
9
The Treatment of the Past: Geza Radvanyi's
Der Arzt
von
Stalingrad and the West German War Film
Jennifer M. Kapczynski
137
10
Film
und Frau
and the Female Spectator of
1950s
West
German Cinema
Hester Baer
151
11
Reterritorializing Enjoyment in the Adenauer Era:
Robert A. Stemmle's Toxi
Angelica Fenner
166
12
Allegories of Management:
Norbert Schultze's
Sound Track for
Das Mädchen Rosemarie
Larson Powell
180
13
The Restructuring of the West German Film Industry
in the
1950s
Knut HicMhier 194
14
The Other "German" Cinema
Mary Wauchope
210
Works Cited
223
Filmography
236
Notes on Contributors
245
Index
248 |
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| spelling | Framing the fifties cinema in a divided Germany ed. by John E. Davidson ... 1. paperback ed. New York [u.a.] Berghahn Books 2009 VI, 250 S. txt rdacontent n rdamedia nc rdacarrier Film Europa: German cinema in an international context 4 Includes bibliographical references and index Geschichte 1950-1960 gnd rswk-swf Film Geschichte Motion pictures Germany (West) History Motion pictures Germany (East) History Film (DE-588)4017102-4 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutschland (DE-588)4011882-4 g Film (DE-588)4017102-4 s Geschichte 1950-1960 z DE-604 Davidson, John E. Sonstige (DE-588)136087442 oth Film Europa: German cinema in an international context 4 (DE-604)BV022527114 4 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016981777&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016981777&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Framing the fifties cinema in a divided Germany Film Europa: German cinema in an international context Film Geschichte Motion pictures Germany (West) History Motion pictures Germany (East) History Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4011882-4 (DE-588)4143413-4 |
| title | Framing the fifties cinema in a divided Germany |
| title_auth | Framing the fifties cinema in a divided Germany |
| title_exact_search | Framing the fifties cinema in a divided Germany |
| title_exact_search_txtP | Framing the fifties cinema in a divided Germany |
| title_full | Framing the fifties cinema in a divided Germany ed. by John E. Davidson ... |
| title_fullStr | Framing the fifties cinema in a divided Germany ed. by John E. Davidson ... |
| title_full_unstemmed | Framing the fifties cinema in a divided Germany ed. by John E. Davidson ... |
| title_short | Framing the fifties |
| title_sort | framing the fifties cinema in a divided germany |
| title_sub | cinema in a divided Germany |
| topic | Film Geschichte Motion pictures Germany (West) History Motion pictures Germany (East) History Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Motion pictures Germany (West) History Motion pictures Germany (East) History Deutschland Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016981777&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016981777&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV022527114 |
| work_keys_str_mv | AT davidsonjohne framingthefiftiescinemainadividedgermany |