Verfügbarkeit: Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku

Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku:

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Bibliographische Detailangaben
Hauptverfasser:	Lisiecka, Katarzyna (VerfasserIn), Beethoven, Ludwig van 1770-1827 (VerfasserIn)
Format:	Buch
Sprache:	Polish
Veröffentlicht:	Poznań Wydawn. Poznańskiego Towarzystwa Przyjaciół Nauk 2007
Schriftenreihe:	Prace Komisji Muzykologicznej 22 Poznańskie studia operowe 8,[a]
Schlagworte:	Beethoven, Ludwig van / 1770-1827 Beethoven, Ludwig van / 1770-1827 / Fidelio / (1814) Beethoven, Ludwig van <1770-1827> > Fidelio > (1814) Beethoven, Ludwig van <1770-1827> Beethoven, Ludwig van > 1770-1827 > Fidelio Geschichte 1800-1900 Opera / Europe / 19th century Opera > Europe > 19th century Europe / Intellectual life / 19th century Europa Europe > Intellectual life > 19th century
Online-Zugang:	Inhaltsverzeichnis Abstract
Beschreibung:	PST: Testimony of the opera Fidelio by Ludwig van Beethoven at the background of transformations of the European consciousness at the turn of the 19th century. - Enth. versch. Fassungen d. Librettos von "Fidelio"
Beschreibung:	407 S. Notenbeisp. 24 cm
ISBN:	9788370635299

Internformat

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Datensatz im Suchindex

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adam_text	Spis tresei Wstęp ...................................... 9 Część pierwsza - Wokół metody I. Opera komiczna Wprowadzenie .................................. 15 Francusko-włoski rodowód ............................ 17 Opery ocalenia - przegląd ............................ 25 Fait historique, czyli siła perswazji. Wokół Léonore ou l amour conjugal Bouilly ego/Gaveaux............................... 34 Włoskie Leonory ................................. 41 II. Fidelio w kontekście historiografii nieklasycznej Ustalenia metodologiczne ............................ 43 „Fakt zdarzeniowy a idea ciągłości i trwałości. Rewolucyjne tło opery .... 50 Część druga - Wokół Léonore III. Idee a l outillage mentale czyli co zawiera „głęboki plan treści ? Mit rewolucji ................................... 61 Szczęście małżeńskie ............................... 66 IV. Szekspir francuskiego mieszczaństwa Anglomania .................................... 73 Szekspir we Francji ................................ 77 Szekspir i Bouilly ................................. 80 V. Koncepcja Opatrzności w Leonorze/Fideliii jako exemplum osiemnastowiecznych horyzontów chrześcijańskiej wizji świata Piété conjugale.................................. 83 Miłość i cuda ................................... S8 Nadzieja ..................................... 90 Alternatywna wizja rzeczywistości ........................ 94 Podsumowanie .................................. 98 Spis treści Część trzecia - Wokół Fidelia VI. Beethoven a teatr operowy Teatr operowy w Wiedniu ............................ 103 Rodzime inspiracje ................................ 106 Fascynacje. Goethe - Beethoven, historia znajomości .............. 111 Egmont - Fidelio. Ideowe miejsca wspólne ................... 118 Jakiego libretta poszukiwał Beethoven? ..................... 123 VIL Cztery wersje opery. Przekształcenia estetyki i poetyki Wprowadzenie .................................. 127 Bouilly/Gaveaux Léonore1 ou l amour conjugal 1798............. 130 Sonnleithner/Beeûioven Fidelio2 oder Die eheliche Liebe 1805......... 133 Breuning/Beethoven Leonore oder Die Triumph der eherlichen Liebe 1806 . . 140 Treitschke/Beethoven-F/ífe/ío 1814....................... 147 VIII. Fidelio Beethovena na tle przekształceń świadomości europejskiej. Problemy muzykologicznych analiz Przegląd stanowisk ................................ 157 Analiza procesu twórczego w kontekście biograficznym i estetycznym ..... 164 Wspólna płaszczyzna znaczeń. Miłość i harmonia sfer w Fideliu . ....... 168 Intentio operis a kontekst dziejowy ....................... 174 DC Na tle przełomu, czyli Fidelio Beethovena między humanizmem a humanitaryzmem W stronę metody ................................. 177 W stronę dzieła .................................. 182 Bibliografia. Wybór .............................. 186 Aneks Léonore ou l amour conjugal 1798........................... 197 Fidelio oder Die eheliche Liebe 1805.......................... 233 Leonore oder Die Triumph der ehelichen Liebe 1806.................. 279 Fidelio 1814....................................... 321 Polski przekład Fidelia 1814.............................. 363 Indeks nazwisk ................................ 405 THE POZNAŃ SOCIETY FOR THE ADVANCEMENT OF THE ARTS AND SCIENCES SECTION OF MUSIC AND FINE ARTS PUBLICATION OF THE COMMITTEE FOR MUSICOLOGY - VOL. 22 Katarzyna Lisiecka Testimony of the Opera Fidelio by Ludwig van Beethoven at the Background of Transformations of the European Consciousness at the Turn of the 19th Century The book intends to provide a comprehensive analysis and interpretation of the musical and dramatic work of the last of the Vienna classics, the work, which - for many reasons - has not been present in Polish scholarly reflection. Additionally, the purpose of the book is to verify, on the one hand, the stereotypical notions of the European culture of the turn of the 19th century, often looked at from the perspective of the Enlightenment heritage and through the prism of high culture, and, on the other hand, to define the place of Fidelio in culture, as one of the representative compositions of an operatic theatre, the work - it must be added - often treated, while being studied, in a stereotypical and superficial way, as the so-called revolutionary opera or rescue opera. Another important, preliminary assumption concerned the question of social and theatrical intcrdependencies of the genre itself. Fidelio, being a French comic opera, which is a special kind of a popular theatre - due to its nature oriented toward the inclusion of the expectations of the audience - referred to legible and clearly formulated ideas, representative of the bourgeois vision of the world. The elaboration of a methodological conception, offering an opportunity to study this bourgeois vision of the world at the level of genre, forms the contents of the first part of the book entitled Around a Method. Referring, on the one hand, to research of the French school Annales , which is involved in the study of history of idealistic and mental transformations in culture and defines them by the term mentalité, whereas on the other hand, making use of such methods of analysis of an artistic text, which are designed to reach a deep layer of the work , containing its intention (intentio operis), it has been established what picture of consciousness is acatei by the most significant elements of the opera s libretto - the plots, motifs, topoi, symbols - and to what extent this picture overlaps with the findings regarding mentalité of the end of the 18th century. The second part of the book deals with the analysis of the French prototype of the libretto Lèonore ou I amour conjugal by Jean Bouilly. It has been determined that because of the time of its creation and a propagandist function which conditioned the libretto, it could be set in the context of French revolution, creating a superficial layer of the senses ofthe work; nevertheless, the senses that can be found at its foundation - i.e., in the deep layer - stemmed directly from the sphere of traditional notions about the world, typical for the sphere of influence of Christian ideas, values and world-view concepts. Ths third part of the book treats of Bethoveen s Fidelio. In an attempt to answer the question: „What kind of libretto did Beethoven seek? , possible influential eontexîs have been analysed, such as the situation of Viennese theatres, (he tradition of German opera, ths impact ofthe concept of Weimar Classics, or the biographical context. One of the chapters contains a comparative study of four versions oí Fidelio (that із a French version and three German versions) aiming at the observation of transformations occurring at an aesthetic and formal level аз well as the level of ideas. Another important question was connected with determining to what extent the musical layer ofthe opera strengthened the message and ideas contained in the libretto s subject matter. The assumptions adopted for tha discourse, centring the process of analysis around textual contents ofthe only Beethoven s opera, enabled scholars to demonstrate clearly the fact of a multi-storeyed direction of changes taking place in the culture of the turn oitha l Jth century, una ако a certain inadequacy of idealistic changes occurring in high culture and in (lie circles of popular culture. Consequently, the picture ofthe turn ofthe 19lh century is demonstrated in a much more complex and heterogeneous light, than it might cecm from the perspective of the written worka of the eminent thinkers of the cru of Enlightenment and the Romantic breakthrough.
adam_txt	Spis tresei Wstęp . 9 Część pierwsza - Wokół metody I. Opera komiczna Wprowadzenie . 15 Francusko-włoski rodowód . 17 Opery ocalenia - przegląd . 25 Fait historique, czyli siła perswazji. Wokół Léonore ou l'amour conjugal Bouilly'ego/Gaveaux. 34 Włoskie Leonory . 41 II. Fidelio w kontekście historiografii nieklasycznej Ustalenia metodologiczne . 43 „Fakt zdarzeniowy" a idea ciągłości i trwałości. Rewolucyjne tło opery . 50 Część druga - Wokół Léonore III. Idee a l'outillage mentale czyli co zawiera „głęboki plan treści"? Mit rewolucji . 61 Szczęście małżeńskie . 66 IV. Szekspir francuskiego mieszczaństwa Anglomania . 73 Szekspir we Francji . 77 Szekspir i Bouilly . 80 V. Koncepcja Opatrzności w Leonorze/Fideliii jako exemplum osiemnastowiecznych horyzontów chrześcijańskiej wizji świata Piété conjugale. 83 Miłość i cuda . S8 Nadzieja . 90 Alternatywna wizja rzeczywistości . 94 Podsumowanie . 98 Spis treści Część trzecia - Wokół Fidelia VI. Beethoven a teatr operowy Teatr operowy w Wiedniu . 103 Rodzime inspiracje . 106 Fascynacje. Goethe - Beethoven, historia znajomości . 111 Egmont - Fidelio. Ideowe miejsca wspólne . 118 Jakiego libretta poszukiwał Beethoven? . 123 VIL Cztery wersje opery. Przekształcenia estetyki i poetyki Wprowadzenie . 127 Bouilly/Gaveaux Léonore1 ou l'amour conjugal 1798. 130 Sonnleithner/Beeûioven Fidelio2 oder Die eheliche Liebe 1805. 133 Breuning/Beethoven Leonore oder Die Triumph der eherlichen Liebe 1806 . . 140 Treitschke/Beethoven-F/ífe/ío 1814. 147 VIII. Fidelio Beethovena na tle przekształceń świadomości europejskiej. Problemy muzykologicznych analiz Przegląd stanowisk . 157 Analiza procesu twórczego w kontekście biograficznym i estetycznym . 164 Wspólna płaszczyzna znaczeń. Miłość i harmonia sfer w Fideliu . . 168 Intentio operis a kontekst dziejowy . 174 DC Na tle przełomu, czyli Fidelio Beethovena między humanizmem a humanitaryzmem W stronę metody . 177 W stronę dzieła . 182 Bibliografia. Wybór . 186 Aneks Léonore ou l'amour conjugal 1798. 197 Fidelio oder Die eheliche Liebe 1805. 233 Leonore oder Die Triumph der ehelichen Liebe 1806. 279 Fidelio 1814. 321 Polski przekład Fidelia 1814. 363 Indeks nazwisk . 405 THE POZNAŃ SOCIETY FOR THE ADVANCEMENT OF THE ARTS AND SCIENCES SECTION OF MUSIC AND FINE ARTS PUBLICATION OF THE COMMITTEE FOR MUSICOLOGY - VOL. 22 Katarzyna Lisiecka Testimony of the Opera Fidelio by Ludwig van Beethoven at the Background of Transformations of the European Consciousness at the Turn of the 19th Century The book intends to provide a comprehensive analysis and interpretation of the musical and dramatic work of the last of the Vienna classics, the work, which - for many reasons - has not been present in Polish scholarly reflection. Additionally, the purpose of the book is to verify, on the one hand, the stereotypical notions of the European culture of the turn of the 19th century, often looked at from the perspective of the Enlightenment heritage and through the prism of high culture, and, on the other hand, to define the place of 'Fidelio in culture, as one of the representative compositions of an operatic theatre, the work - it must be added - often treated, while being studied, in a stereotypical and superficial way, as the so-called revolutionary opera or rescue opera. Another important, preliminary assumption concerned the question of social and theatrical intcrdependencies of the genre itself. Fidelio, being a French comic opera, which is a special kind of a popular theatre - due to its nature oriented toward the inclusion of the expectations of the audience - referred to legible and clearly formulated ideas, representative of the bourgeois vision of the world. The elaboration of a methodological conception, offering an opportunity to study this "bourgeois vision of the world" at the level of genre, forms the contents of the first part of the book entitled Around a Method. Referring, on the one hand, to research of the French school "Annales", which is involved in the study of history of idealistic and mental transformations in culture and defines them by the term mentalité, whereas on the other hand, making use of such methods of analysis of an artistic text, which are designed to reach "a deep layer of the work", containing its intention (intentio operis), it has been established what picture of consciousness is acatei by the most significant elements of the opera's libretto - the plots, motifs, topoi, symbols - and to what extent this picture overlaps with the findings regarding mentalité of the end of the 18th century. The second part of the book deals with the analysis of the French prototype of the libretto Lèonore ou I 'amour conjugal by Jean Bouilly. It has been determined that because of the time of its creation and a propagandist function which conditioned the libretto, it could be set in the context of French revolution, creating a superficial layer of the senses ofthe work; nevertheless, the senses that can be found at its foundation - i.e., in the deep layer - stemmed directly from the sphere of traditional notions about the world, typical for the sphere of influence of Christian ideas, values and world-view concepts. Ths third part of the book treats of Bethoveen's Fidelio. In an attempt to answer the question: „What kind of libretto did Beethoven seek?", possible influential eontexîs have been analysed, such as the situation of Viennese theatres, (he tradition of German opera, ths impact ofthe concept of Weimar Classics, or the biographical context. One of the chapters contains a comparative study of four versions oí Fidelio (that із a French version and three German versions) aiming at the observation of transformations occurring at an aesthetic and formal level аз well as the level of ideas. Another important question was connected with determining to what extent the musical layer ofthe opera strengthened the message and ideas contained in the libretto's subject matter. The assumptions adopted for tha discourse, centring the process of analysis around textual contents ofthe only Beethoven's opera, enabled scholars to demonstrate clearly the fact of a multi-storeyed direction of changes taking place in the culture of the turn oitha l'Jth century, una ако a certain inadequacy of idealistic changes occurring in high culture and in (lie circles of popular culture. Consequently, the picture ofthe turn ofthe 19lh century is demonstrated in a much more complex and heterogeneous light, than it might cecm from the perspective of the written worka of the eminent thinkers of the cru of Enlightenment and the Romantic breakthrough.
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geographic	Europe / Intellectual life / 19th century Europa Europe Intellectual life 19th century
geographic_facet	Europe / Intellectual life / 19th century Europa Europe Intellectual life 19th century
id	DE-604.BV035172384
illustrated	Illustrated
index_date	2024-07-02T22:54:49Z
indexdate	2024-07-09T21:26:39Z
institution	BVB
isbn	9788370635299
language	Polish
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-016979302
oclc_num	272380349
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	407 S. Notenbeisp. 24 cm
publishDate	2007
publishDateSearch	2007
publishDateSort	2007
publisher	Wydawn. Poznańskiego Towarzystwa Przyjaciół Nauk
record_format	marc
series	Prace Komisji Muzykologicznej Poznańskie studia operowe
series2	Prace Komisji Muzykologicznej Poznańskie studia operowe
spelling	Lisiecka, Katarzyna Verfasser aut Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku Katarzyna Liciecka Testimony of the opera Fidelio by Ludwig van Beethoven at the background of transformations of the European consciousness at the turn of the 19th century Poznań Wydawn. Poznańskiego Towarzystwa Przyjaciół Nauk 2007 407 S. Notenbeisp. 24 cm txt rdacontent n rdamedia nc rdacarrier Prace Komisji Muzykologicznej 22 Poznańskie studia operowe 8,[a] PST: Testimony of the opera Fidelio by Ludwig van Beethoven at the background of transformations of the European consciousness at the turn of the 19th century. - Enth. versch. Fassungen d. Librettos von "Fidelio" Beethoven, Ludwig van / 1770-1827 Beethoven, Ludwig van / 1770-1827 / Fidelio / (1814) Beethoven, Ludwig van <1770-1827> Fidelio (1814) Beethoven, Ludwig van <1770-1827> Beethoven, Ludwig van 1770-1827 Fidelio (DE-588)300015194 gnd rswk-swf Geschichte 1800-1900 Opera / Europe / 19th century Opera Europe 19th century Europe / Intellectual life / 19th century Europa Europe Intellectual life 19th century Beethoven, Ludwig van 1770-1827 Fidelio (DE-588)300015194 u DE-604 Beethoven, Ludwig van 1770-1827 (DE-588)118508288 aut Fidelio Prace Komisji Muzykologicznej 22 (DE-604)BV005893205 22 Poznańskie studia operowe 8,[a] (DE-604)BV012842887 8, Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016979302&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016979302&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract
spellingShingle	Lisiecka, Katarzyna Beethoven, Ludwig van 1770-1827 Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku Prace Komisji Muzykologicznej Poznańskie studia operowe Beethoven, Ludwig van / 1770-1827 Beethoven, Ludwig van / 1770-1827 / Fidelio / (1814) Beethoven, Ludwig van <1770-1827> Fidelio (1814) Beethoven, Ludwig van <1770-1827> Beethoven, Ludwig van 1770-1827 Fidelio (DE-588)300015194 gnd Opera / Europe / 19th century Opera Europe 19th century
subject_GND	(DE-588)300015194
title	Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku
title_alt	Testimony of the opera Fidelio by Ludwig van Beethoven at the background of transformations of the European consciousness at the turn of the 19th century Fidelio
title_auth	Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku
title_exact_search	Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku
title_exact_search_txtP	Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku
title_full	Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku Katarzyna Liciecka
title_fullStr	Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku Katarzyna Liciecka
title_full_unstemmed	Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku Katarzyna Liciecka
title_short	Świadectwo opery Fidelio Ludwiga van Beethovena na tle przekształceń świadomości europejskiej przełomu XVIII i XIX wieku
title_sort	swiadectwo opery fidelio ludwiga van beethovena na tle przeksztalcen swiadomosci europejskiej przelomu xviii i xix wieku
topic	Beethoven, Ludwig van / 1770-1827 Beethoven, Ludwig van / 1770-1827 / Fidelio / (1814) Beethoven, Ludwig van <1770-1827> Fidelio (1814) Beethoven, Ludwig van <1770-1827> Beethoven, Ludwig van 1770-1827 Fidelio (DE-588)300015194 gnd Opera / Europe / 19th century Opera Europe 19th century
topic_facet	Beethoven, Ludwig van / 1770-1827 Beethoven, Ludwig van / 1770-1827 / Fidelio / (1814) Beethoven, Ludwig van <1770-1827> Fidelio (1814) Beethoven, Ludwig van <1770-1827> Beethoven, Ludwig van 1770-1827 Fidelio Opera / Europe / 19th century Opera Europe 19th century Europe / Intellectual life / 19th century Europa Europe Intellectual life 19th century
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016979302&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016979302&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV005893205 (DE-604)BV012842887
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