Modernism, media, and propaganda: British narrative from 1900 to 1945
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Princeton [u.a.]
Princeton Univ. Press
2008
|
| Ausgabe: | 2. print., and 1. paperback print. |
| Schlagworte: | |
| Online-Zugang: | Table of contents only Publisher description Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXV, 335 S. |
| ISBN: | 9780691128115 0691128111 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
List of Illustrations 1X
Preface
xi
Acknowledgments
xxiii
INTRODUCTION
Modernism and the Information-Propaganda Matrix
1
Making Sense of Propaganda: From Orwell
and
Woolf
to Bernays and Ellul
2
Propagating Fictions: Wellington House, Modernism,
and the Invention of Modern Propaganda
13
Modernism and the Media of Propaganda:
Heart of Darkness and The Unlighted Coast
26
CHAPTER ONE
From Conrad to Hitchcock: Modernism, Film,
and the Art of Propaganda
38
Manipulation and Mastery: Film, Novel, Advertising
42
From Novel to Theater to Film to Hollywood:
In Search of an Audience
48
Killing Stevie: Death by Literalization/Death by
Cinematography
55
Picking up the Pieces: Modernism, Propaganda, and Film
62
CHAPTER TWO
The Woolfs, Picture Postcards, and the Propaganda
of Everyday Life
71
Postcards, Exhibitions, and Empire
77
Woolf
and the Culture of Exhibition
84
Education as Propaganda:
Bildungsroman,
Sex, and Empire
88
Scripting the Body: Colonial Postcards
and the Journey Upriver
93
Leonard s Jungle, Conrad s Trees
105
In Virginia s Jungle 111
Destabilizing the Ethnographic Frame and the
Returned Stare
117
Vlil
CONTENTS
Empire, Race, and the Emancipation of Women
120
From Male Propaganda to Female Modernism
123
CHAPTER THREE
Impressionism and Propaganda: Ford s Wellington House
Books and The Good Soldier
128
Ford and Wellington House
130
Ford s Critical Writings: Propagating the Impression
135
Impressing Facts: When Blood Is Their Argument and
Between St. Dennis and St. George
145
Navigating the Pseudo-Environment in The Good Soldier
151
CHAPTER FOUR
Joyce and the Limits of Political Propaganda
164
Recruitment and the Art of the Poster
166
Reading Posters/Reading Ulysses
176
Maeve, Bloom, and the Limits of Propaganda
192
Identification, Cultural Predication, and Narrative Structure
200
Carnivalizing Propaganda: Bloom and Stephen in Nighttown
203
Reinventing Ireland: Ulysses and the Art of Dislocation
213
CHAPTER FIVE
From the Thirties to World War II: Negotiating Modernism
and Propaganda in Hitchcock and Welles
217
War, Propaganda, and Film: Pairing Hitchcock and Welles
222
Orson Welles: Theater, Film, and the Art of Propaganda
229
Autonomy and Innovation: From the Studio to the
Mol
and CIAA
239
Citizen Kane and It s All True: Documentary and
Propaganda
242
Bon Voyage,
Aventure Malgache,
and the Materiality
of Communication
251
Coda
261
Notes
269
Index
323
LIST OF ILLUSTRATIONS
Figure
1.1
Losing the audience: Verloc and his wife s empty
chair in Sabotage
(1936) 48
Figure
1.2
Destructive agents: propaganda by the deed in
Sabotage
(1936) 61
Figure
2.1
Postcards, advertising, empire: O, you dirty boy!
79
Figure
2.2
A reconstructed native village: The Fetish Priests,
Dahomey Village Imperial International Exhibition, London,
1909. 85
Figure
2.3
Framing the native:
las tres gracias de las Indias
Piros
9
A
Figure
2.4
Colonial
denigration and the performance of
gender: A Zulu Masher
95
Figure
2.5
Capturing a native beauty: The
Boran
Tribe
96
Figure
2.6
Framing and its discontents: The Toilet: Zulu
Girls
97
Figure
2.7
Involuntary acculturation and the returned stare:
Bella India
Campa Rio
Pichis (Peru)
98
Figure
2.8
Eros and abstraction: A Native Musician
100
Figure
2.9
Popular ethnography: A Native Woman and Child
102
Figure
2.10
Imperial desire: Motherhood
103
Figure
2.11
Claiming kin: A Kikuyu Family
104
Figure
4.1
An appeal to Catholicism and masculine honor:
Have You Any Women Worth Defending?
178
Figure
4.2
Enlisting gender: For the Glory of Ireland
179
Figure
4.3
The melodrama of invasion: Is Your Home Worth
Fighting For?
181
Figure
4.4
Marketing war: Enlist To-Day and have it to say
You Helped to Beat the Germans
182
Figure
4.5
Identification and its discontents: An Irish Hero!
184
Figure
4.6
Artificial Irish authenticity: The Call to Arms
186
Figure
4.7
Colonial ventriloquy: Will You Answer the Call?
189
Figure
4.8
Recruitment and the historical palimpsest of the city:
Come into the Ranks and Fight
190
Figure
4.9
A modern Odysseus: The Isle of Saints
&
Soldiers
193
Figure
4.10
Material contradictions in the urban text:
bombed-out Dublin, Easter,
1916 196
Figure
4.11
War games: Will You Make a Fourth?
197
X LIST OF ILLUSTRATIONS
Figure
5.1
A broken bridge between identities: Citizen Kane
(1941)
and Spellbound
(1944) 228
Figure
5.2
A modernist return to the
artisanal:
waterfront production and death in It s All True
(1942) 249
Figure
5.3
Social abstraction: recovering community in
It s All True
(1942) 250
|
| adam_txt |
CONTENTS
List of Illustrations 1X
Preface
xi
Acknowledgments
xxiii
INTRODUCTION
Modernism and the Information-Propaganda Matrix
1
Making Sense of Propaganda: From Orwell
and
Woolf
to Bernays and Ellul
2
Propagating Fictions: Wellington House, Modernism,
and the Invention of Modern Propaganda
13
Modernism and the Media of Propaganda:
Heart of Darkness and "The Unlighted Coast"
26
CHAPTER ONE
From Conrad to Hitchcock: Modernism, Film,
and the Art of Propaganda
38
Manipulation and Mastery: Film, Novel, Advertising
42
From Novel to Theater to Film to Hollywood:
In Search of an Audience
48
Killing Stevie: Death by Literalization/Death by
Cinematography
55
Picking up the Pieces: Modernism, Propaganda, and Film
62
CHAPTER TWO
The Woolfs, Picture Postcards, and the Propaganda
of Everyday Life
71
Postcards, Exhibitions, and Empire
77
Woolf
and the Culture of Exhibition
84
Education as Propaganda:
Bildungsroman,
Sex, and Empire
88
Scripting the Body: Colonial Postcards
and the Journey Upriver
93
Leonard's Jungle, Conrad's Trees
105
In Virginia's Jungle 111
Destabilizing the Ethnographic Frame and the
Returned Stare
117
Vlil
CONTENTS
Empire, Race, and the Emancipation of Women
120
From Male Propaganda to Female Modernism
123
CHAPTER THREE
Impressionism and Propaganda: Ford's Wellington House
Books and The Good Soldier
128
Ford and Wellington House
130
Ford's Critical Writings: Propagating the Impression
135
Impressing Facts: When Blood Is Their Argument and
Between St. Dennis and St. George
145
Navigating the Pseudo-Environment in The Good Soldier
151
CHAPTER FOUR
Joyce and the Limits of Political Propaganda
164
Recruitment and the Art of the Poster
166
Reading Posters/Reading Ulysses
176
Maeve, Bloom, and the Limits of Propaganda
192
Identification, Cultural Predication, and Narrative Structure
200
Carnivalizing Propaganda: Bloom and Stephen in Nighttown
203
Reinventing Ireland: Ulysses and the Art of Dislocation
213
CHAPTER FIVE
From the Thirties to World War II: Negotiating Modernism
and Propaganda in Hitchcock and Welles
217
War, Propaganda, and Film: Pairing Hitchcock and Welles
222
Orson Welles: Theater, Film, and the Art of Propaganda
229
Autonomy and Innovation: From the Studio to the
Mol
and CIAA
239
Citizen Kane and It's All True: Documentary and
Propaganda
242
Bon Voyage,
Aventure Malgache,
and the Materiality
of Communication
251
Coda
261
Notes
269
Index
323
LIST OF ILLUSTRATIONS
Figure
1.1
Losing the audience: Verloc and his wife's empty
chair in Sabotage
(1936) 48
Figure
1.2
Destructive agents: propaganda by the deed in
Sabotage
(1936) 61
Figure
2.1
Postcards, advertising, empire: "O, you dirty boy!"
79
Figure
2.2
A reconstructed native village: "The Fetish Priests,
Dahomey Village Imperial International Exhibition, London,
1909." 85
Figure
2.3
Framing the native:
"las tres gracias de las Indias
Piros"
9
A
Figure
2.4
Colonial
denigration and the performance of
gender: "A Zulu Masher"
95
Figure
2.5
Capturing a native beauty: "The
Boran
Tribe"
96
Figure
2.6
Framing and its discontents: "The Toilet: Zulu
Girls"
97
Figure
2.7
Involuntary acculturation and the returned stare:
"Bella India
Campa Rio
Pichis (Peru)"
98
Figure
2.8
Eros and abstraction: "A Native Musician"
100
Figure
2.9
Popular ethnography: "A Native Woman and Child"
102
Figure
2.10
Imperial desire: "Motherhood"
103
Figure
2.11
Claiming kin: "A Kikuyu Family"
104
Figure
4.1
An appeal to Catholicism and masculine honor:
"Have You Any Women Worth Defending?"
178
Figure
4.2
Enlisting gender: "For the Glory of Ireland"
179
Figure
4.3
The melodrama of invasion: "Is Your Home Worth
Fighting For?"
181
Figure
4.4
Marketing war: "Enlist To-Day and have it to say
You Helped to Beat the Germans"
182
Figure
4.5
Identification and its discontents: "An Irish Hero!"
184
Figure
4.6
Artificial Irish authenticity: "The Call to Arms"
186
Figure
4.7
Colonial ventriloquy: "Will You Answer the Call?"
189
Figure
4.8
Recruitment and the historical palimpsest of the city:
"Come into the Ranks and Fight"
190
Figure
4.9
A modern Odysseus: "The Isle of Saints
&
Soldiers"
193
Figure
4.10
Material contradictions in the urban text:
bombed-out Dublin, Easter,
1916 196
Figure
4.11
War games: "Will You Make a Fourth?"
197
X LIST OF ILLUSTRATIONS
Figure
5.1
A broken bridge between identities: Citizen Kane
(1941)
and Spellbound
(1944) 228
Figure
5.2
A modernist return to the
artisanal:
waterfront production and death in It's All True
(1942) 249
Figure
5.3
Social abstraction: recovering community in
It's All True
(1942) 250 |
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| edition | 2. print., and 1. paperback print. |
| era | Geschichte 1900-2000 Geschichte 1900-1945 gnd |
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| index_date | 2024-07-02T22:46:07Z |
| indexdate | 2024-07-09T21:26:06Z |
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| owner | DE-473 DE-BY-UBG |
| owner_facet | DE-473 DE-BY-UBG |
| physical | XXV, 335 S. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Princeton Univ. Press |
| record_format | marc |
| spelling | Wollaeger, Mark A. 1957- Verfasser (DE-588)133228339 aut Modernism, media, and propaganda British narrative from 1900 to 1945 Mark Wollaeger 2. print., and 1. paperback print. Princeton [u.a.] Princeton Univ. Press 2008 XXV, 335 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1900-2000 Geschichte 1900-1945 gnd rswk-swf English fiction - 20th century - History and criticism Modernism (Literature) - Great Britain Motion pictures in propaganda Propaganda - Great Britain - History - 20th century Geschichte English fiction 20th century History and criticism Modernism (Literature) Great Britain Propaganda Great Britain History 20th century Englisch (DE-588)4014777-0 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Medien (DE-588)4169187-8 gnd rswk-swf Propaganda (DE-588)4076374-2 gnd rswk-swf Großbritannien Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Medien (DE-588)4169187-8 s Propaganda (DE-588)4076374-2 s Geschichte 1900-1945 z DE-604 http://www.loc.gov/catdir/toc/ecip0611/2006009788.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0654/2006009788-d.html Publisher description Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016956723&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wollaeger, Mark A. 1957- Modernism, media, and propaganda British narrative from 1900 to 1945 English fiction - 20th century - History and criticism Modernism (Literature) - Great Britain Motion pictures in propaganda Propaganda - Great Britain - History - 20th century Geschichte English fiction 20th century History and criticism Modernism (Literature) Great Britain Propaganda Great Britain History 20th century Englisch (DE-588)4014777-0 gnd Roman (DE-588)4050479-7 gnd Medien (DE-588)4169187-8 gnd Propaganda (DE-588)4076374-2 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4050479-7 (DE-588)4169187-8 (DE-588)4076374-2 |
| title | Modernism, media, and propaganda British narrative from 1900 to 1945 |
| title_auth | Modernism, media, and propaganda British narrative from 1900 to 1945 |
| title_exact_search | Modernism, media, and propaganda British narrative from 1900 to 1945 |
| title_exact_search_txtP | Modernism, media, and propaganda British narrative from 1900 to 1945 |
| title_full | Modernism, media, and propaganda British narrative from 1900 to 1945 Mark Wollaeger |
| title_fullStr | Modernism, media, and propaganda British narrative from 1900 to 1945 Mark Wollaeger |
| title_full_unstemmed | Modernism, media, and propaganda British narrative from 1900 to 1945 Mark Wollaeger |
| title_short | Modernism, media, and propaganda |
| title_sort | modernism media and propaganda british narrative from 1900 to 1945 |
| title_sub | British narrative from 1900 to 1945 |
| topic | English fiction - 20th century - History and criticism Modernism (Literature) - Great Britain Motion pictures in propaganda Propaganda - Great Britain - History - 20th century Geschichte English fiction 20th century History and criticism Modernism (Literature) Great Britain Propaganda Great Britain History 20th century Englisch (DE-588)4014777-0 gnd Roman (DE-588)4050479-7 gnd Medien (DE-588)4169187-8 gnd Propaganda (DE-588)4076374-2 gnd |
| topic_facet | English fiction - 20th century - History and criticism Modernism (Literature) - Great Britain Motion pictures in propaganda Propaganda - Great Britain - History - 20th century Geschichte English fiction 20th century History and criticism Modernism (Literature) Great Britain Propaganda Great Britain History 20th century Englisch Roman Medien Propaganda Großbritannien |
| url | http://www.loc.gov/catdir/toc/ecip0611/2006009788.html http://www.loc.gov/catdir/enhancements/fy0654/2006009788-d.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016956723&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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