Still moving: between cinema and photography
"In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for...
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Durham [u.a.]
Duke Univ. Press
2008
|
Schlagworte: | |
Zusammenfassung: | "In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become." -- Publisher's description |
Beschreibung: | Includes bibliographical references (p. [277]-291) and index |
Beschreibung: | VI, 312 S. Ill. 24 cm |
ISBN: | 9780822341314 082234131X 9780822341550 0822341557 |
Internformat
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020 | |a 9780822341550 |c pbk. : alk. paper |9 978-0-8223-4155-0 | ||
020 | |a 0822341557 |c pbk. : alk. paper |9 0-8223-4155-7 | ||
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245 | 1 | 0 | |a Still moving |b between cinema and photography |c Karen Beckman and Jean Ma, eds. |
264 | 1 | |a Durham [u.a.] |b Duke Univ. Press |c 2008 | |
300 | |a VI, 312 S. |b Ill. |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references (p. [277]-291) and index | ||
520 | 3 | |a "In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become." -- Publisher's description | |
650 | 4 | |a Film | |
650 | 4 | |a Motion pictures | |
650 | 4 | |a Photography | |
650 | 4 | |a Installations (Art) | |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author_GND | (DE-588)133669149 |
building | Verbundindex |
bvnumber | BV035146546 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995 |
callnumber-search | PN1995 |
callnumber-sort | PN 41995 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 95040 |
ctrlnum | (OCoLC)209333689 (DE-599)BVBBV035146546 |
dewey-full | 791.4301 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4301 |
dewey-search | 791.4301 |
dewey-sort | 3791.4301 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
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genre_facet | Aufsatzsammlung |
id | DE-604.BV035146546 |
illustrated | Illustrated |
index_date | 2024-07-02T22:29:04Z |
indexdate | 2024-07-09T21:23:21Z |
institution | BVB |
isbn | 9780822341314 082234131X 9780822341550 0822341557 |
language | English |
lccn | 2008013491 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016813847 |
oclc_num | 209333689 |
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owner | DE-12 DE-11 DE-1102 |
owner_facet | DE-12 DE-11 DE-1102 |
physical | VI, 312 S. Ill. 24 cm |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Duke Univ. Press |
record_format | marc |
spelling | Still moving between cinema and photography Karen Beckman and Jean Ma, eds. Durham [u.a.] Duke Univ. Press 2008 VI, 312 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [277]-291) and index "In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become." -- Publisher's description Film Motion pictures Photography Installations (Art) Film (DE-588)4017102-4 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Fotografie (DE-588)4045895-7 s Film (DE-588)4017102-4 s DE-604 Beckman, Karen Redrobe 1971- Sonstige (DE-588)133669149 oth |
spellingShingle | Still moving between cinema and photography Film Motion pictures Photography Installations (Art) Film (DE-588)4017102-4 gnd Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4045895-7 (DE-588)4143413-4 |
title | Still moving between cinema and photography |
title_auth | Still moving between cinema and photography |
title_exact_search | Still moving between cinema and photography |
title_exact_search_txtP | Still moving between cinema and photography |
title_full | Still moving between cinema and photography Karen Beckman and Jean Ma, eds. |
title_fullStr | Still moving between cinema and photography Karen Beckman and Jean Ma, eds. |
title_full_unstemmed | Still moving between cinema and photography Karen Beckman and Jean Ma, eds. |
title_short | Still moving |
title_sort | still moving between cinema and photography |
title_sub | between cinema and photography |
topic | Film Motion pictures Photography Installations (Art) Film (DE-588)4017102-4 gnd Fotografie (DE-588)4045895-7 gnd |
topic_facet | Film Motion pictures Photography Installations (Art) Fotografie Aufsatzsammlung |
work_keys_str_mv | AT beckmankarenredrobe stillmovingbetweencinemaandphotography |