Oblicza muzyki kameralnej Schumanna w wybranych utworach: perspektywa pianisty
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Kraków
Akademia Muzyczna
2008
|
| Schriftenreihe: | Prace Habilitacyjne / Akademia Muzyczna <Kraków>; 3
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zugl.: Habil.-Schr. - Zsfassung in engl. Sprache u.d.T.: The faces of Schumann's chamber music in his chosen works. - Płyta CD zawiera utwory: "Sonta a-moll op. 105", " Kwintet fortepianowy Es-dur op. 44", "Sonata d-moll op. 121". - Zawiera przykłady nutowe |
| Beschreibung: | 89 s. Notenbeisp. 24 cm + CD (12 cm) |
| ISBN: | 9788387182786 |
Internformat
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| 245 | 1 | 0 | |a Oblicza muzyki kameralnej Schumanna w wybranych utworach |b perspektywa pianisty |c Sławomir Cierpik ; Akademia Muzyczna w Krakowie |
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| 300 | |a 89 s. |b Notenbeisp. |c 24 cm + |e CD (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Prace Habilitacyjne / Akademia Muzyczna <Kraków>; 3 | |
| 500 | |a Zugl.: Habil.-Schr. - Zsfassung in engl. Sprache u.d.T.: The faces of Schumann's chamber music in his chosen works. - Płyta CD zawiera utwory: "Sonta a-moll op. 105", " Kwintet fortepianowy Es-dur op. 44", "Sonata d-moll op. 121". - Zawiera przykłady nutowe | ||
| 505 | 0 | |a Bibliogr. s. 82-83. Indeks | |
| 600 | 1 | 7 | |a Schumann, Robert / (1810-1856) / krytyka i interpretacja |2 jhpk |
| 600 | 1 | 7 | |a Schumann, Robert <1810-1856> - krytyka i interpretacja |2 jhpk |
| 600 | 1 | 7 | |a Schumann, Robert |d 1810-1856 |t Sonaten |b Nr. 1 |b op. 105 |0 (DE-588)300146574 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Schumann, Robert |d 1810-1856 |t Sonaten |b Nr. 2 |b op. 121 |0 (DE-588)300146590 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1804138133117206528 |
|---|---|
| adam_text | Spis
tresei
Wstęp
................................................................................................. 7
Rozdział I. Sylwetka Roberta Schumanna na tle epoki
...............13
1.
Idee filozoficzno-estetyczne romantyzmu i przemiany w mu¬
zyce epoki
.................................................................................13
2.
Robert
Schumann
-
najbardziej romantyczny z romantyków
........16
Rozdział
II.
Od kwintetu do duetu
-
między konwencją
a oryginalnością
............................................................................25
1.
Muzyka kameralna w twórczości Roberta Schumanna
.................25
2.
Kwintet fortepianowy
Es-dur op.
44 ..............................................29
3.
Sonaty na skrzypce i fortepian
.......................................................38
Sonata
a-moll
op.
105
na fortepian i skrzypce
...............................40
Sonata d-moll op.
121
na skrzypce i fortepian
................................46
Rozdział III. Sfera znaczeń muzycznych i jej rola
w kształtowaniu świadomej interpretacji
................................54
1.
Cytaty muzyczne
..........................................................................55
2.
Dążenie do monotematyczności, zintegrowanie cyklu
................60
3.
Soggetto cavato.............................................................................
62
4.
Struktury polifoniczne
...................................................................63
5.
Humor
...........................................................................................66
6.
Harmonia
.......................................................................................66
Rozdział
IV.
Dialog fortepianu z instrumentami smyczkowymi
jako studium zagadnień wykonawczych dla pianisty
..................69
1.
Inspirować i reagować
.................................................................69
2.
Godzenie przeciwieństw
...............................................................72
3.
Bas
j ako
element równowagi między melodią a rytmem
............77
Podsumowanie
..................................................................................80
Bibliografia
.......................................................................................82
Summary
...........................................................................................84
Indeks nazwisk
..................................................................................85
Opis płyty
...........................................................................................87
Summary
The Faces of Schumann s Chamber Music in his Chosen Works.
The Perspective of a Pianist
The dissertation is a description of three chamber works by Robert Schumann:
Piano Quintet in
E
flat major Op.
44,
Sonata in A minor Op.
105
for piano and vio¬
lin and Sonata in
D
minor Op.
121
for piano and violin, all of which can be found on
the CD recording. The chosen works present Schumann s mature (Quintet) and late
(sonatas) creative periods, at the same time they constitute frames of the composer s
activity in the field of chamber music. The dissertation, written from a pianist s
perspective, shows how numerous factors influenced the conscious development of
artistic vision during the preparation and performance of those works. Subsequent
chapters are devoted to the issues that constitute the interpretation of the given
works. Particular emphasis was put on the problem of piano dialogue with string
instruments, the role of the piano in the creation of expressiveness and sound was
discussed as well.
The first chapter outlines the figure of Robert Schumann in the context of
his epoch and its main aesthetic and philosophical tenets. Transformations in the
music of the Romantic period led to the achievement of the deepest expressiveness,
individuality and originality of artistic expression as well as to the development of
new forms. The composer s biography was presented in the light of typical Roman¬
ticist behaviours. The most important events in Robert Schumann s life are con¬
nected with the following Romanticist attitudes: evasive, Tyrtaean and ironic.
The second chapter contains a thorough description of presented works,
context for their creation, formal analysis and evolution of Schumann s musical
language. The third chapter is devoted to the sphere of musical meanings and the
role they played in the development of a conscious interpretation. The author, a per¬
former and teacher of long standing, analyses the language of meanings characteristic for
Schumann. Quotations, polyphonic structures, integration of the cycle,
soggetto
cavato,
harmony or humour are the elements of the discussed works that determined
the character of the performance.
In the fourth chapter, a study of
pianistic
performance problems was presented. The
author provides numerous examples concerning the issue. Two elements constitute
the leitmotif of the dissertation: the act of inspiring and combining opposites. They
are to ensure the equilibrium between strings and piano without limiting the expres¬
sive freedom of each of the instruments.
84
|
| adam_txt |
Spis
tresei
Wstęp
. 7
Rozdział I. Sylwetka Roberta Schumanna na tle epoki
.13
1.
Idee filozoficzno-estetyczne romantyzmu i przemiany w mu¬
zyce epoki
.13
2.
Robert
Schumann
-
najbardziej romantyczny z romantyków
.16
Rozdział
II.
Od kwintetu do duetu
-
między konwencją
a oryginalnością
.25
1.
Muzyka kameralna w twórczości Roberta Schumanna
.25
2.
Kwintet fortepianowy
Es-dur op.
44 .29
3.
Sonaty na skrzypce i fortepian
.38
Sonata
a-moll
op.
105
na fortepian i skrzypce
.40
Sonata d-moll op.
121
na skrzypce i fortepian
.46
Rozdział III. Sfera znaczeń muzycznych i jej rola
w kształtowaniu świadomej interpretacji
.54
1.
Cytaty muzyczne
.55
2.
Dążenie do monotematyczności, zintegrowanie cyklu
.60
3.
Soggetto cavato.
62
4.
Struktury polifoniczne
.63
5.
Humor
.66
6.
Harmonia
.66
Rozdział
IV.
Dialog fortepianu z instrumentami smyczkowymi
jako studium zagadnień wykonawczych dla pianisty
.69
1.
Inspirować i reagować
.69
2.
Godzenie przeciwieństw
.72
3.
Bas
j ako
element równowagi między melodią a rytmem
.77
Podsumowanie
.80
Bibliografia
.82
Summary
.84
Indeks nazwisk
.85
Opis płyty
.87
Summary
The Faces of Schumann's Chamber Music in his Chosen Works.
The Perspective of a Pianist
The dissertation is a description of three chamber works by Robert Schumann:
Piano Quintet in
E
flat major Op.
44,
Sonata in A minor Op.
105
for piano and vio¬
lin and Sonata in
D
minor Op.
121
for piano and violin, all of which can be found on
the CD recording. The chosen works present Schumann's mature (Quintet) and late
(sonatas) creative periods, at the same time they constitute frames of the composer's
activity in the field of chamber music. The dissertation, written from a pianist's
perspective, shows how numerous factors influenced the conscious development of
artistic vision during the preparation and performance of those works. Subsequent
chapters are devoted to the issues that constitute the interpretation of the given
works. Particular emphasis was put on the problem of piano dialogue with string
instruments, the role of the piano in the creation of expressiveness and sound was
discussed as well.
The first chapter outlines the figure of Robert Schumann in the context of
his epoch and its main aesthetic and philosophical tenets. Transformations in the
music of the Romantic period led to the achievement of the deepest expressiveness,
individuality and originality of artistic expression as well as to the development of
new forms. The composer's biography was presented in the light of typical Roman¬
ticist behaviours. The most important events in Robert Schumann's life are con¬
nected with the following Romanticist attitudes: evasive, Tyrtaean and ironic.'
The second chapter contains a thorough description of presented works,
context for their creation, formal analysis and evolution of Schumann's musical
language. The third chapter is devoted to the sphere of musical meanings and the
role they played in the development of a conscious interpretation. The author, a per¬
former and teacher of long standing, analyses the language of meanings characteristic for
Schumann. Quotations, polyphonic structures, integration of the cycle,
soggetto
cavato,
harmony or humour are the elements of the discussed works that determined
the character of the performance.
In the fourth chapter, a study of
pianistic
performance problems was presented. The
author provides numerous examples concerning the issue. Two elements constitute
the leitmotif of the dissertation: the act of inspiring and combining opposites. They
are to ensure the equilibrium between strings and piano without limiting the expres¬
sive freedom of each of the instruments.
84 |
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| author | Cierpik, Sławomir 1968- |
| author_GND | (DE-588)1014837006 |
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| author_role | aut |
| author_sort | Cierpik, Sławomir 1968- |
| author_variant | s c sc |
| building | Verbundindex |
| bvnumber | BV035146192 |
| contents | Bibliogr. s. 82-83. Indeks |
| ctrlnum | (OCoLC)233401026 (DE-599)BVBBV035146192 |
| format | Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV035146192 |
| illustrated | Illustrated |
| index_date | 2024-07-02T22:28:53Z |
| indexdate | 2024-07-09T21:23:20Z |
| institution | BVB |
| isbn | 9788387182786 |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016813496 |
| oclc_num | 233401026 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 89 s. Notenbeisp. 24 cm + CD (12 cm) |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Akademia Muzyczna |
| record_format | marc |
| series2 | Prace Habilitacyjne / Akademia Muzyczna <Kraków>; 3 |
| spelling | Cierpik, Sławomir 1968- Verfasser (DE-588)1014837006 aut Oblicza muzyki kameralnej Schumanna w wybranych utworach perspektywa pianisty Sławomir Cierpik ; Akademia Muzyczna w Krakowie Kraków Akademia Muzyczna 2008 89 s. Notenbeisp. 24 cm + CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Prace Habilitacyjne / Akademia Muzyczna <Kraków>; 3 Zugl.: Habil.-Schr. - Zsfassung in engl. Sprache u.d.T.: The faces of Schumann's chamber music in his chosen works. - Płyta CD zawiera utwory: "Sonta a-moll op. 105", " Kwintet fortepianowy Es-dur op. 44", "Sonata d-moll op. 121". - Zawiera przykłady nutowe Bibliogr. s. 82-83. Indeks Schumann, Robert / (1810-1856) / krytyka i interpretacja jhpk Schumann, Robert <1810-1856> - krytyka i interpretacja jhpk Schumann, Robert 1810-1856 Sonaten Nr. 1 op. 105 (DE-588)300146574 gnd rswk-swf Schumann, Robert 1810-1856 Sonaten Nr. 2 op. 121 (DE-588)300146590 gnd rswk-swf Schumann, Robert 1810-1856 Quintette op. 44 (DE-588)300146035 gnd rswk-swf Schumann, Robert 1810-1856 (DE-588)118611666 gnd rswk-swf Kammermusik (DE-588)4136998-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Schumann, Robert 1810-1856 Quintette op. 44 (DE-588)300146035 u Schumann, Robert 1810-1856 Sonaten Nr. 1 op. 105 (DE-588)300146574 u Schumann, Robert 1810-1856 Sonaten Nr. 2 op. 121 (DE-588)300146590 u DE-604 Schumann, Robert 1810-1856 (DE-588)118611666 p Kammermusik (DE-588)4136998-1 s Akademia Muzyczna <Kraków>; 3 Prace Habilitacyjne 3 (DE-604)BV022268147 3 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016813496&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016813496&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Cierpik, Sławomir 1968- Oblicza muzyki kameralnej Schumanna w wybranych utworach perspektywa pianisty Bibliogr. s. 82-83. Indeks Schumann, Robert / (1810-1856) / krytyka i interpretacja jhpk Schumann, Robert <1810-1856> - krytyka i interpretacja jhpk Schumann, Robert 1810-1856 Sonaten Nr. 1 op. 105 (DE-588)300146574 gnd Schumann, Robert 1810-1856 Sonaten Nr. 2 op. 121 (DE-588)300146590 gnd Schumann, Robert 1810-1856 Quintette op. 44 (DE-588)300146035 gnd Schumann, Robert 1810-1856 (DE-588)118611666 gnd Kammermusik (DE-588)4136998-1 gnd |
| subject_GND | (DE-588)300146574 (DE-588)300146590 (DE-588)300146035 (DE-588)118611666 (DE-588)4136998-1 (DE-588)4113937-9 |
| title | Oblicza muzyki kameralnej Schumanna w wybranych utworach perspektywa pianisty |
| title_auth | Oblicza muzyki kameralnej Schumanna w wybranych utworach perspektywa pianisty |
| title_exact_search | Oblicza muzyki kameralnej Schumanna w wybranych utworach perspektywa pianisty |
| title_exact_search_txtP | Oblicza muzyki kameralnej Schumanna w wybranych utworach perspektywa pianisty |
| title_full | Oblicza muzyki kameralnej Schumanna w wybranych utworach perspektywa pianisty Sławomir Cierpik ; Akademia Muzyczna w Krakowie |
| title_fullStr | Oblicza muzyki kameralnej Schumanna w wybranych utworach perspektywa pianisty Sławomir Cierpik ; Akademia Muzyczna w Krakowie |
| title_full_unstemmed | Oblicza muzyki kameralnej Schumanna w wybranych utworach perspektywa pianisty Sławomir Cierpik ; Akademia Muzyczna w Krakowie |
| title_short | Oblicza muzyki kameralnej Schumanna w wybranych utworach |
| title_sort | oblicza muzyki kameralnej schumanna w wybranych utworach perspektywa pianisty |
| title_sub | perspektywa pianisty |
| topic | Schumann, Robert / (1810-1856) / krytyka i interpretacja jhpk Schumann, Robert <1810-1856> - krytyka i interpretacja jhpk Schumann, Robert 1810-1856 Sonaten Nr. 1 op. 105 (DE-588)300146574 gnd Schumann, Robert 1810-1856 Sonaten Nr. 2 op. 121 (DE-588)300146590 gnd Schumann, Robert 1810-1856 Quintette op. 44 (DE-588)300146035 gnd Schumann, Robert 1810-1856 (DE-588)118611666 gnd Kammermusik (DE-588)4136998-1 gnd |
| topic_facet | Schumann, Robert / (1810-1856) / krytyka i interpretacja Schumann, Robert <1810-1856> - krytyka i interpretacja Schumann, Robert 1810-1856 Sonaten Nr. 1 op. 105 Schumann, Robert 1810-1856 Sonaten Nr. 2 op. 121 Schumann, Robert 1810-1856 Quintette op. 44 Schumann, Robert 1810-1856 Kammermusik Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016813496&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016813496&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV022268147 |
| work_keys_str_mv | AT cierpiksławomir obliczamuzykikameralnejschumannawwybranychutworachperspektywapianisty |