Bertolt Brecht:
"Routledge Performance Practitioners" is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Bertolt Brecht is amongst the world...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York, NY
Routledge
2009
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Routledge performance practitioners
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Routledge Performance Practitioners" is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Bertolt Brecht is amongst the world's most profound contributors to the theory and practice of theatre. His methods of collective experimentation and his unique framing of the theatrical event as a forum for aesthetic and political change continue to have a significant impact on the work of performance practitioners, critics and teachers alike.This is the first book to combine: an overview of the key periods in Brecht's life and work; a clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung an account of his groundbreaking 1954 production of "The Caucasian Chalk Circle"; and, an in-depth analysis of Brecht's practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, "Routledge Performance Practitioners" are unbeatable value for today's student ..." |
Beschreibung: | Literaturverz. S. [177] - 181 |
Beschreibung: | XIV, 188 S. Ill. |
ISBN: | 9780415375085 9780415375092 |
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490 | 0 | |a Routledge performance practitioners | |
500 | |a Literaturverz. S. [177] - 181 | ||
520 | 3 | |a "Routledge Performance Practitioners" is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Bertolt Brecht is amongst the world's most profound contributors to the theory and practice of theatre. His methods of collective experimentation and his unique framing of the theatrical event as a forum for aesthetic and political change continue to have a significant impact on the work of performance practitioners, critics and teachers alike.This is the first book to combine: an overview of the key periods in Brecht's life and work; a clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung an account of his groundbreaking 1954 production of "The Caucasian Chalk Circle"; and, an in-depth analysis of Brecht's practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, "Routledge Performance Practitioners" are unbeatable value for today's student ..." | |
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Datensatz im Suchindex
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---|---|
adam_text |
CONTENTS
Ust
of figures
xi
List of abbreviations
xii
Acknowledgements
xiii
1
A UFE
OF FLUX
1
Which
Brecht?
1
On the make: from Bavaria to Berlin
(1898-1924) 2
Changing the world: Weimar politics
(1924-33) 15
On the run: exile in Europe and America
(1933-47) 28
Building a collective:
Brecht
in the GDR
(1947-56) 37
Brecht
today?
47
2 BRECHTS KEY
THEORIES
48
Brecht in
dialogue
48
Brecht's key concerns
52
Getting the gist of Gestus
53
Verfremdung
and V-effects
60
Historicization: questioning the present through the past
72
The modern theatre is the epic theatre
76
Dialectics in the theatre
85
Brechťs
socialist realism: imitation meets experimentation
87
Conclusion
89
χ
CONTENTS
3
THE CAUCASUN CHALK CIRCLE: A MODEL PRODUCTION
91
Prologue: a model
91
A historicizing epic
100
A Berliner Ensemble show
109
Epilogue: The proof of the pudding is in the eating'
126
4
PRACTICAL EXERCISES AND WORKSHOP
130
Preparing for spectActorship
130
Section One: remembering exercises from the past
131
Section Two: a workshop for Brechtians
141
Conclusion
164
Glossary
166
Bibliography
177
Index
182 |
adam_txt |
CONTENTS
Ust
of figures
xi
List of abbreviations
xii
Acknowledgements
xiii
1
A UFE
OF FLUX
1
Which
Brecht?
1
On the make: from Bavaria to Berlin
(1898-1924) 2
Changing the world: Weimar politics
(1924-33) 15
On the run: exile in Europe and America
(1933-47) 28
Building a collective:
Brecht
in the GDR
(1947-56) 37
Brecht
today?
47
2 BRECHTS KEY
THEORIES
48
Brecht in
dialogue
48
Brecht's key concerns
52
Getting the gist of Gestus
53
Verfremdung
and V-effects
60
Historicization: questioning the present through the past
72
The modern theatre is the epic theatre
76
Dialectics in the theatre
85
Brechťs
socialist realism: imitation meets experimentation
87
Conclusion
89
χ
CONTENTS
3
THE CAUCASUN CHALK CIRCLE: A MODEL PRODUCTION
91
Prologue: a model
91
A historicizing epic
100
A Berliner Ensemble show
109
Epilogue: The proof of the pudding is in the eating'
126
4
PRACTICAL EXERCISES AND WORKSHOP
130
Preparing for spectActorship
130
Section One: remembering exercises from the past
131
Section Two: a workshop for Brechtians
141
Conclusion
164
Glossary
166
Bibliography
177
Index
182 |
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author | Mumford, Meg ca. 20. Jh |
author_GND | (DE-588)139032894 |
author_facet | Mumford, Meg ca. 20. Jh |
author_role | aut |
author_sort | Mumford, Meg ca. 20. Jh |
author_variant | m m mm |
building | Verbundindex |
bvnumber | BV035136585 |
callnumber-first | P - Language and Literature |
callnumber-label | PT2603 |
callnumber-raw | PT2603.R397 |
callnumber-search | PT2603.R397 |
callnumber-sort | PT 42603 R397 |
callnumber-subject | PT - European, Asian and African Literature |
classification_rvk | GM 2660 |
ctrlnum | (OCoLC)166360302 (DE-599)BVBBV035136585 |
dewey-full | 832/.912 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 832 - German drama |
dewey-raw | 832/.912 |
dewey-search | 832/.912 |
dewey-sort | 3832 3912 |
dewey-tens | 830 - Literatures of Germanic languages |
discipline | Germanistik / Niederlandistik / Skandinavistik |
discipline_str_mv | Germanistik / Niederlandistik / Skandinavistik |
edition | 1. publ. |
format | Book |
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id | DE-604.BV035136585 |
illustrated | Illustrated |
index_date | 2024-07-02T22:26:12Z |
indexdate | 2024-08-30T00:10:44Z |
institution | BVB |
isbn | 9780415375085 9780415375092 |
language | English |
lccn | 2008017737 |
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physical | XIV, 188 S. Ill. |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | Routledge |
record_format | marc |
series2 | Routledge performance practitioners |
spelling | Mumford, Meg ca. 20. Jh. Verfasser (DE-588)139032894 aut Bertolt Brecht Meg Mumford 1. publ. London ; New York, NY Routledge 2009 XIV, 188 S. Ill. txt rdacontent n rdamedia nc rdacarrier Routledge performance practitioners Literaturverz. S. [177] - 181 "Routledge Performance Practitioners" is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Bertolt Brecht is amongst the world's most profound contributors to the theory and practice of theatre. His methods of collective experimentation and his unique framing of the theatrical event as a forum for aesthetic and political change continue to have a significant impact on the work of performance practitioners, critics and teachers alike.This is the first book to combine: an overview of the key periods in Brecht's life and work; a clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung an account of his groundbreaking 1954 production of "The Caucasian Chalk Circle"; and, an in-depth analysis of Brecht's practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, "Routledge Performance Practitioners" are unbeatable value for today's student ..." Brecht, Bertolt 1898-1956 Criticism and interpretation Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd rswk-swf Brecht, Bertolt 1898-1956 (DE-588)118514768 p DE-604 Erscheint auch als Online-Ausgabe 978-0-203-88210-8 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016804003&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Mumford, Meg ca. 20. Jh Bertolt Brecht Brecht, Bertolt 1898-1956 Criticism and interpretation Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd |
subject_GND | (DE-588)118514768 |
title | Bertolt Brecht |
title_auth | Bertolt Brecht |
title_exact_search | Bertolt Brecht |
title_exact_search_txtP | Bertolt Brecht |
title_full | Bertolt Brecht Meg Mumford |
title_fullStr | Bertolt Brecht Meg Mumford |
title_full_unstemmed | Bertolt Brecht Meg Mumford |
title_short | Bertolt Brecht |
title_sort | bertolt brecht |
topic | Brecht, Bertolt 1898-1956 Criticism and interpretation Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd |
topic_facet | Brecht, Bertolt 1898-1956 Criticism and interpretation Brecht, Bertolt 1898-1956 |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016804003&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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