Animals as disguised symbols in Renaissance art:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden [u.a.]
Brill
2008
|
| Schriftenreihe: | Brill's studies in intellectual history
169 Brill's studies on art, art history, and intellectual history 2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXXIX, 316 S. Ill. |
| ISBN: | 9789004171015 |
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Datensatz im Suchindex
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| adam_text |
CONTENTS LIST OF ILLUSTRATIONS IX ACKNOWLEDGEMENTS XV COLOUR PLATES XVII
INTRODUCTION XXXIII PART ONE THE HERITAGE AND SOURCES CHAPTER ONE.
MEDIEVAL SOURCES OF RENAISSANCE ANIMAL SYMBOLISM 3 CONCEALING THE
TRACKS: THE PHYSIOLOGUS AND BESTIARY TRADITION 3 A MONKEY ON THE ROOF:
ANIMAL MORALIZATIONS IN EXEMPLA LITERATURE AND SERMONS 8 ANIMAL
MORALIZATIONS IN MEDIEVAL ENCYCLOPEDIAS 15 THE PSYCHORNACHIA TRADITION
AND IMAGES OF MOUNTED VICES . 19 CHAPTER TWO. RENAISSANCE NATURALISTS
AND ANIMAL SYMBOLISM: FACT AND FANTASY 23 BESTIARIES OF THE FIFTEENTH
CENTURY: THE MONSTERS OF PIER CANDIDO DECEMBRIO'S DE ANIMANTIUM NATURIS
23 THE TIMID HARE AND LUSTFUL CAMEL: LEONARDO DA VINCI'S BESTIARY 25
NATURAL HISTORY IN THE SIXTEENTH CENTURY 29 CHAPTER THREE. EMBLEMATIC
LITERATURE AND RELATED SOURCES 35 ANDREA ALCIATO'S EMBLEMATUM LIBELLUS:
ITS SOURCES ANDLNFLUENCE 37 THE SYMBOLA EL EMBLEMALA BY JOACHIM
CAMERARIUS 42 THE TRADITIONAL AND RETROSPECTIVE ASPECT OF THE
RENAISSANCE EMBLEM 45 VI CONTENTS PART TWO CASE STUDIES CHAPTER FOUR.
THE BIRDS AND ANIMALS OF GARPACCIO'S MILES CHRISTIANAS 53 THE MILES
CHRISTIANUS AS METAPHOR 55 ASPECTS OF CARPACCIO'S VISUAL LANGUAGE 58
ANIMALS AND BIRDS 59 FLOWERS OF VIRTUE 83 THE PROBLEM OF THE PORTRAIT 86
CARPACCIO'S MESSAGE 90 CHAPTER FIVE. THE ENIGMA OF GARPACCIO'S VENETIAN
INDIES 95 THE PROBLEM OF ARTISTIC GENRE 95 THE PRECARIOUS LEGS OF THE
PEACOCK 98 CORTEGIANE OR NOBILTD? 100 THE 1 HERALDIC ARMS 102 COPIES OF
CARPACCIO'S VENETIAN LADIES 104 THE HISTORY OF THE KENDALL COPY 108
ICONOGRAPHIC EVIDENCE (I): GARPACCIO'S PANEL 110 ANIMAL SYMBOLISM 112
SIGNIFIERS AND CONTEXTS 125 ICONOGRAPHIC EVIDENCE (II): THE COPIES 129
RECONSTRUCTING THE FUNCTION OF THE PAINTING 131 CHAPTER SIX. ANIMALS IN
THE PAINTINGS OF TITIAN: A KEY TO HIDDEN MEANINGS 135 THE DOG AS A
SYMBOL OF SIN 136 THE STAG AND THE HUNT 142 MORALIZATIONS OF OVID 150
ANIMALS AND OVIDIAN FABLES 156 THE LATE MYTHOLOGIES 158 VERONESE'S
COMMENTARY 163 CHAPTER SEVEN. TITIAN'S LONDON ALLEGORY AND THE THREE
BEASTS OF HIS SEHA OSCURA 165 AN ALLEGORY OF PRUDENCE? 166 PRECEDENTS IN
RENAISSANCE ART 171 ( IQNTKXTS VLL 1 H' K ^ S OL |) U ! L JFI/IH'TI .
176 HU MANN OL HUMAN MNIAN 177 IKNUNTSUT TIN \I,U LITIAN UUL MOIAL
MIIUOIN I H L } I(I)KM L)DI'K'L 182 IITIATI, S NSUASITX AND SIN 184
HTIAN AND [\U ( AIHOLU R( IOI M ITUM 187 1 HE I IU INC OL }\ NIT NC E M
1 LTIAU S LAK WOTKS 192 IMTUIM POUUTETILUU (OYNTTO PIUATI 193 CHAPTER
EIGHT. ANIMAL HEADS AND HYBRID CREATURES: THE CASE OF THE SAN LORENZO
LAVABO AUDITS SOURCES 195 UNRESOLVED ISSUES 199 THE LAVABO AND FONT 202
ANIMAL DEPICTIONS AND METAPHORS OF SIN 203 INTERPRETING THE ANIMALS 205
THE WOLF 209 THE DOG 211 THE LION 213 OTHER ANIMAL REPRESENTATIONS OF
SIN 218 HYBRID CREATURES 221 COMBINED ANIMALS/SINS: RENAISSANCE
PRECEDENTS 224 THE TRIAD 225 RENAISSANCE ANIMAL-HEADS 228 THE TUSCAN
TRADITION 231 THE ICONOGRAPHY OF THE LAVABO 232 THE SAN LORENZO LAVABO
AND MEDICI PATRONAGE 236 CHAPTER NINE. ANDREA DEL SARTO'S MADONNA OF THE
HARPIES AND THE HUMAN-ANIMAL HYBRID IN THE RENAISSANCE 241 DOCUMENTATION
OF THE PAINTING 242 IDENTIFYING THE 'HARPIES' 244 HUMAN-ANIMAL HYBRIDS
246 THE FRANCISCANS AND MARIAN ICONOGRAPHY 250 ICONOGRAPHY FOR NUNS 256
IMAGES OF EROTICISM AND FERTILITY 261 CHAPTER TEN. THE AMBIVALENT
SCORPIO IN BRONZINO'S LONDON ALLEGORY 263 THE TERRESTRIAL AND CELESTIAL
SCORPIONS 267 VLLL CONTENTS THE MEDIEVAL SCORPIO 271 SCORPIO IN THE
RENAISSANCE 276 SCORPIO AND SYPHILIS 277 BRONZINO'S SATIRE 286 EPILOGUE
291 SELECT BIBLIOGRAPHY 297 INDEX 305 |
| adam_txt |
CONTENTS LIST OF ILLUSTRATIONS IX ACKNOWLEDGEMENTS XV COLOUR PLATES XVII
INTRODUCTION XXXIII PART ONE THE HERITAGE AND SOURCES CHAPTER ONE.
MEDIEVAL SOURCES OF RENAISSANCE ANIMAL SYMBOLISM 3 CONCEALING THE
TRACKS: THE PHYSIOLOGUS AND BESTIARY TRADITION 3 A MONKEY ON THE ROOF:
ANIMAL MORALIZATIONS IN EXEMPLA LITERATURE AND SERMONS 8 ANIMAL
MORALIZATIONS IN MEDIEVAL ENCYCLOPEDIAS 15 THE PSYCHORNACHIA TRADITION
AND IMAGES OF MOUNTED VICES . 19 CHAPTER TWO. RENAISSANCE NATURALISTS
AND ANIMAL SYMBOLISM: FACT AND FANTASY 23 BESTIARIES OF THE FIFTEENTH
CENTURY: THE MONSTERS OF PIER CANDIDO DECEMBRIO'S DE ANIMANTIUM NATURIS
23 THE TIMID HARE AND LUSTFUL CAMEL: LEONARDO DA VINCI'S BESTIARY 25
NATURAL HISTORY IN THE SIXTEENTH CENTURY 29 CHAPTER THREE. EMBLEMATIC
LITERATURE AND RELATED SOURCES 35 ANDREA ALCIATO'S EMBLEMATUM LIBELLUS:
ITS SOURCES ANDLNFLUENCE 37 THE SYMBOLA EL EMBLEMALA BY JOACHIM
CAMERARIUS 42 THE TRADITIONAL AND RETROSPECTIVE ASPECT OF THE
RENAISSANCE EMBLEM 45 VI CONTENTS PART TWO CASE STUDIES CHAPTER FOUR.
THE BIRDS AND ANIMALS OF GARPACCIO'S MILES CHRISTIANAS 53 THE MILES
CHRISTIANUS AS METAPHOR 55 ASPECTS OF CARPACCIO'S VISUAL LANGUAGE 58
ANIMALS AND BIRDS 59 FLOWERS OF VIRTUE 83 THE PROBLEM OF THE PORTRAIT 86
CARPACCIO'S MESSAGE 90 CHAPTER FIVE. THE ENIGMA OF GARPACCIO'S VENETIAN
INDIES 95 THE PROBLEM OF ARTISTIC GENRE 95 THE PRECARIOUS LEGS OF THE
PEACOCK 98 CORTEGIANE OR NOBILTD? 100 THE 1 HERALDIC ARMS 102 COPIES OF
CARPACCIO'S VENETIAN LADIES 104 THE HISTORY OF THE KENDALL COPY 108
ICONOGRAPHIC EVIDENCE (I): GARPACCIO'S PANEL 110 ANIMAL SYMBOLISM 112
SIGNIFIERS AND CONTEXTS 125 ICONOGRAPHIC EVIDENCE (II): THE COPIES 129
RECONSTRUCTING THE FUNCTION OF THE PAINTING 131 CHAPTER SIX. ANIMALS IN
THE PAINTINGS OF TITIAN: A KEY TO HIDDEN MEANINGS 135 THE DOG AS A
SYMBOL OF SIN 136 THE STAG AND THE HUNT 142 MORALIZATIONS OF OVID 150
ANIMALS AND OVIDIAN FABLES 156 THE LATE MYTHOLOGIES 158 VERONESE'S
COMMENTARY 163 CHAPTER SEVEN. TITIAN'S LONDON ALLEGORY AND THE THREE
BEASTS OF HIS SEHA OSCURA 165 AN ALLEGORY OF PRUDENCE? 166 PRECEDENTS IN
RENAISSANCE ART 171 ( IQNTKXTS VLL 1 H' K ^ S OL |) U ! L JFI/IH'TI .
176 HU MANN OL HUMAN MNIAN 177 IKNUNTSUT TIN \I,U LITIAN UUL MOIAL
MIIUOIN I H L } I(I)KM L)DI'K'L 182 IITIATI, S NSUASITX AND SIN 184
HTIAN AND [\U ( AIHOLU R( IOI M ITUM 187 1 HE I IU INC OL }\ NIT NC E M
1 LTIAU S LAK WOTKS 192 IMTUIM POUUTETILUU (OYNTTO PIUATI 193 CHAPTER
EIGHT. ANIMAL HEADS AND HYBRID CREATURES: THE CASE OF THE SAN LORENZO
LAVABO AUDITS SOURCES 195 UNRESOLVED ISSUES 199 THE LAVABO AND FONT 202
ANIMAL DEPICTIONS AND METAPHORS OF SIN 203 INTERPRETING THE ANIMALS 205
THE WOLF 209 THE DOG 211 THE LION 213 OTHER ANIMAL REPRESENTATIONS OF
SIN 218 HYBRID CREATURES 221 COMBINED ANIMALS/SINS: RENAISSANCE
PRECEDENTS 224 THE TRIAD 225 RENAISSANCE ANIMAL-HEADS 228 THE TUSCAN
TRADITION 231 THE ICONOGRAPHY OF THE LAVABO 232 THE SAN LORENZO LAVABO
AND MEDICI PATRONAGE 236 CHAPTER NINE. ANDREA DEL SARTO'S MADONNA OF THE
HARPIES AND THE HUMAN-ANIMAL HYBRID IN THE RENAISSANCE 241 DOCUMENTATION
OF THE PAINTING 242 IDENTIFYING THE 'HARPIES' 244 HUMAN-ANIMAL HYBRIDS
246 THE FRANCISCANS AND MARIAN ICONOGRAPHY 250 ICONOGRAPHY FOR NUNS 256
IMAGES OF EROTICISM AND FERTILITY 261 CHAPTER TEN. THE AMBIVALENT
SCORPIO IN BRONZINO'S LONDON ALLEGORY 263 THE TERRESTRIAL AND CELESTIAL
SCORPIONS 267 VLLL CONTENTS THE MEDIEVAL SCORPIO 271 SCORPIO IN THE
RENAISSANCE 276 SCORPIO AND SYPHILIS 277 BRONZINO'S SATIRE 286 EPILOGUE
291 SELECT BIBLIOGRAPHY 297 INDEX 305 |
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| dewey-full | 704.9/43209409024 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
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| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
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| era_facet | Geschichte 1350-1600 Geschichte 1420-1600 |
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| geographic | Europa Europa (DE-588)4015701-5 gnd Italien (DE-588)4027833-5 gnd |
| geographic_facet | Europa Italien |
| id | DE-604.BV035134690 |
| illustrated | Illustrated |
| index_date | 2024-07-02T22:25:35Z |
| indexdate | 2025-01-02T17:11:20Z |
| institution | BVB |
| isbn | 9789004171015 |
| language | English |
| lccn | 2008033692 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016802151 |
| oclc_num | 231588813 |
| open_access_boolean | |
| owner | DE-29 DE-12 DE-19 DE-BY-UBM DE-11 DE-Y3 DE-255 DE-Y2 |
| owner_facet | DE-29 DE-12 DE-19 DE-BY-UBM DE-11 DE-Y3 DE-255 DE-Y2 |
| physical | XXXIX, 316 S. Ill. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Brill |
| record_format | marc |
| series | Brill's studies in intellectual history Brill's studies on art, art history, and intellectual history |
| series2 | Brill's studies in intellectual history Brill's studies on art, art history, and intellectual history |
| spelling | Cohen, Simona Verfasser (DE-588)1050281101 aut Animals as disguised symbols in Renaissance art by Simona Cohen Leiden [u.a.] Brill 2008 XXXIX, 316 S. Ill. txt rdacontent n rdamedia nc rdacarrier Brill's studies in intellectual history 169 Brill's studies on art, art history, and intellectual history 2 Includes bibliographical references and index Geschichte 1350-1600 gnd rswk-swf Geschichte 1420-1600 gnd rswk-swf Animals in art Animals Symbolic aspects Europe Art, Renaissance Themes, motives Tiersymbolik (DE-588)7531600-6 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Tierdarstellung (DE-588)4117216-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Renaissance (DE-588)4049450-0 s Kunst (DE-588)4114333-4 s Tiersymbolik (DE-588)7531600-6 s DE-604 Europa (DE-588)4015701-5 g Geschichte 1420-1600 z Italien (DE-588)4027833-5 g Tierdarstellung (DE-588)4117216-4 s Geschichte 1350-1600 z Malerei (DE-588)4037220-0 s Brill's studies in intellectual history 169 (DE-604)BV000625542 169 Brill's studies on art, art history, and intellectual history 2 (DE-604)BV023373212 2 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016802151&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cohen, Simona Animals as disguised symbols in Renaissance art Brill's studies in intellectual history Brill's studies on art, art history, and intellectual history Animals in art Animals Symbolic aspects Europe Art, Renaissance Themes, motives Tiersymbolik (DE-588)7531600-6 gnd Renaissance (DE-588)4049450-0 gnd Malerei (DE-588)4037220-0 gnd Tierdarstellung (DE-588)4117216-4 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)7531600-6 (DE-588)4049450-0 (DE-588)4037220-0 (DE-588)4117216-4 (DE-588)4114333-4 (DE-588)4015701-5 (DE-588)4027833-5 |
| title | Animals as disguised symbols in Renaissance art |
| title_auth | Animals as disguised symbols in Renaissance art |
| title_exact_search | Animals as disguised symbols in Renaissance art |
| title_exact_search_txtP | Animals as disguised symbols in Renaissance art |
| title_full | Animals as disguised symbols in Renaissance art by Simona Cohen |
| title_fullStr | Animals as disguised symbols in Renaissance art by Simona Cohen |
| title_full_unstemmed | Animals as disguised symbols in Renaissance art by Simona Cohen |
| title_short | Animals as disguised symbols in Renaissance art |
| title_sort | animals as disguised symbols in renaissance art |
| topic | Animals in art Animals Symbolic aspects Europe Art, Renaissance Themes, motives Tiersymbolik (DE-588)7531600-6 gnd Renaissance (DE-588)4049450-0 gnd Malerei (DE-588)4037220-0 gnd Tierdarstellung (DE-588)4117216-4 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Animals in art Animals Symbolic aspects Europe Art, Renaissance Themes, motives Tiersymbolik Renaissance Malerei Tierdarstellung Kunst Europa Italien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016802151&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000625542 (DE-604)BV023373212 |
| work_keys_str_mv | AT cohensimona animalsasdisguisedsymbolsinrenaissanceart |