Manufacturing truth: the documentary moment in early Soviet culture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
DeKalb
Northern Illinois Univ. Press
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIII, 282 S. Ill. |
| ISBN: | 9780875803890 |
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| 245 | 1 | 0 | |a Manufacturing truth |b the documentary moment in early Soviet culture |c Elizabeth Astrid Papazian |
| 264 | 1 | |a DeKalb |b Northern Illinois Univ. Press |c 2009 | |
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| 648 | 7 | |a Geschichte 1921-1934 |2 gnd |9 rswk-swf | |
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| 650 | 4 | |a Russian literature |y 20th century |x History and criticism | |
| 650 | 4 | |a Documentary films |z Soviet Union |x History and criticism | |
| 650 | 4 | |a Socialist realism in literature | |
| 650 | 4 | |a Socialist realism in motion pictures | |
| 650 | 4 | |a Socialist realism |z Soviet Union | |
| 650 | 4 | |a Aesthetics, Russian |y 20th century | |
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Datensatz im Suchindex
| _version_ | 1804138116502519808 |
|---|---|
| adam_text | LIST OF ILLUSTRATIONS ix
ACKNOWLEDGMENTS xi
INTRODUCTION—Authors as Engineers—TheDocumentary Moment 3
O N E—Operative Mode—Sergei Tretiakov s Art ofFact 23
TWO—Technological Mode—Dziga Vertov and Kino-Communication 69
THREE—Realist Mode—Maksim Gorky, the Truth, and the Collective 125
FOUR—Ironie Mode—Mikhail Zoshchenko s Reconstruction ofthe Reader 167
CONCLUSION —A New Documentary Moment? 208
TERMS AND ABBREVIATIONS 215
NOTES 217
WORKS CITEO 257
INDEX 271
1 —Plan for Cultural Enlightenment Work of the Kombinat The Challenge
From Sergei Tretiakov, Vyzov (1930) 57
2—Participation in Socialist Construction
From Kino-Pravda No. 18 (1924) 70
3—From Breaking News to Mere Curiosity
From Kino-Pravda No. 21, Lenin Kino-Pravda (1925) 85
4—The Editor and the Archive
From Man with a Movie Camera (1929) 89
5— Hunger
From Lenin Kino-Pravda (1925) 90
6—The Editor s Work
From Man with a Movie Camera (1929) 92
7—The Magician and His Audience
From Man with a Movie Camera (1929) 93
8—A Different Magician, a Different Audience
From Kino-Eye (1924) 94
9—The Instrumental Potential of the Kino-Eye
From Stride, Soviet! (1926) 101
10—The Worker Made More Efficient by the Camera
From Man with a Movie Camera (1929) 102
11 —Enlightenment of the Soviet People
From One Sixth ofthe World (1926) 108
12—The Author-Supervisor s Authority
From Man with a Movie Camera (1929) 112
13—Lenin as the Cause of Events
From Lenin Kino-Pravda (1925) 114
14—The Audience in the East Watches Lenin s Life and Death
From Three Songs of Lenin (1934) 115
15—The Enlightened Soviet Woman
From Three Songs of Lenin (1934) 118
16—A Leap Toward Kino-Truth
From Three Songs of Lenin (1934) 119
17—Kino-Eye Participation, or Total Surveillance
From Man with a Movie Camera (1929) 122
18—Rowdy Gavrila, the Authentic Proletarian Hero
From Buzoter No. 1 (1924) 177
he Bolshevik Revolution
uprooted not only the social and
political systems of the Russian Empire,
but existing artistic institutions and
traditions as well. Following the revolu¬
tion, Soviet artists working in all differ¬
ent media had to respond to the urgent
problem of how to make art relevant,
^eyen esjsential, to the revolutionary
■vj^Ojecţxmdertaken
by the Bolshevik
^^
on the years
1921-1934,
Truth explores the great
documentary methods and
іп
the arts and reveals how
impulse influenced
of Stalinist culture.
in literature
became a central means for
l!§aeiming the role of the artist, of art
Iffielf, and of the institution of art in the
fiiew post-revolutionary Soviet society.
«
The documentary impulse offered
theorists and practitioners from a wide
variety of artistic factions an opportu¬
nity to make their art relevant to the
revolutionary project. Participation in
this trend was supported not only by
the avant-garde, which initiated it, but
by representatives of artistic move¬
ments across the political and stylistic
spectrum, in a variety of media. In
record
of a reality that was being rap¬
idly and radically transformed. At the
same time, through the act of record¬
ing the building of socialism they
became participants in the process, thus
responding to a perceived historical
imperative.
As Soviet artists struggled toward the
objectivity of historical processes, how¬
ever, the tension between the two com¬
peting aspects of the documentary
impulse
—
its evidentiary quality ( fact )
and its discursive quality ( artifact )
—
grew into a contradiction. The anxiety
of Soviet authors to be relevant to the
revolution led them to the near
efface¬
ment
of authorship itself. Papazian
analyzes the works of Sergei
Tretiakov,
Dziga Vertov, Maxim Gorky, and
Mikhail Zoshchenko to reveal how the
documentary impulse defined each
author s individual artistic trajectory
and led him inexorably to the socialist
realist aesthetic.
|
| adam_txt |
LIST OF ILLUSTRATIONS ix
ACKNOWLEDGMENTS xi
INTRODUCTION—Authors as Engineers—TheDocumentary Moment 3
O N E—Operative Mode—Sergei Tretiakov's Art ofFact 23
TWO—Technological Mode—Dziga Vertov and Kino-Communication 69
THREE—Realist Mode—Maksim Gorky, the Truth, and the Collective 125
FOUR—Ironie Mode—Mikhail Zoshchenko's Reconstruction ofthe Reader 167
CONCLUSION —A New Documentary Moment? 208
TERMS AND ABBREVIATIONS 215
NOTES 217
WORKS CITEO 257
INDEX 271
1 —Plan for Cultural Enlightenment Work of the Kombinat "The Challenge"
From Sergei Tretiakov, Vyzov (1930) 57
2—Participation in Socialist Construction
From Kino-Pravda No. 18 (1924) 70
3—From Breaking News to Mere Curiosity
From Kino-Pravda No. 21, Lenin Kino-Pravda (1925) 85
4—The Editor and the Archive
From Man with a Movie Camera (1929) 89
5—"Hunger"
From Lenin Kino-Pravda (1925) 90
6—The Editor's Work
From Man with a Movie Camera (1929) 92
7—The Magician and His Audience
From Man with a Movie Camera (1929) 93
8—A Different Magician, a Different Audience
From Kino-Eye (1924) 94
9—The Instrumental Potential of the Kino-Eye
From Stride, Soviet! (1926) 101
10—The Worker Made More Efficient by the Camera
From Man with a Movie Camera (1929) 102
11 —Enlightenment of the Soviet People
From One Sixth ofthe World (1926) 108
12—The Author-Supervisor's Authority
From Man with a Movie Camera (1929) 112
13—Lenin as the Cause of Events
From Lenin Kino-Pravda (1925) 114
14—The Audience in the East Watches Lenin's Life and Death
From Three Songs of Lenin (1934) 115
15—The Enlightened Soviet Woman
From Three Songs of Lenin (1934) 118
16—A Leap Toward Kino-Truth
From Three Songs of Lenin (1934) 119
17—Kino-Eye Participation, or Total Surveillance
From Man with a Movie Camera (1929) 122
18—Rowdy Gavrila, the "Authentic Proletarian" Hero
From Buzoter No. 1 (1924) 177
he Bolshevik Revolution
uprooted not only the social and
political systems of the Russian Empire,
but existing artistic institutions and
traditions as well. Following the revolu¬
tion, Soviet artists working in all differ¬
ent media had to respond to the urgent
problem of how to make art relevant,
^eyen esjsential, to the revolutionary
■vj^Ojecţxmdertaken
by the Bolshevik
^^
on the years
1921-1934,
Truth explores the great
documentary methods and
іп
the arts and reveals how
impulse influenced
of Stalinist culture.
in literature
became a central means for
l!§aeiming the role of the artist, of art
Iffielf, and of the institution of art in the
fiiew post-revolutionary Soviet society.
«
The documentary impulse offered
theorists and practitioners from a wide
variety of artistic factions an opportu¬
nity to make their art relevant to the
revolutionary project. Participation in
this trend was supported not only by
the avant-garde, which initiated it, but
by representatives of artistic move¬
ments across the political and stylistic
spectrum, in a variety of media. In
record
of a reality that was being rap¬
idly and radically transformed. At the
same time, through the act of record¬
ing the building of socialism they
became participants in the process, thus
responding to a perceived historical
imperative.
As Soviet artists struggled toward the
objectivity of historical processes, how¬
ever, the tension between the two com¬
peting aspects of the documentary
impulse
—
its evidentiary quality ("fact")
and its discursive quality ("artifact")
—
grew into a contradiction. The anxiety
of Soviet authors to be relevant to the
revolution led them to the near
efface¬
ment
of authorship itself. Papazian
analyzes the works of Sergei
Tretiakov,
Dziga Vertov, Maxim Gorky, and
Mikhail Zoshchenko to reveal how the
documentary impulse defined each
author's individual artistic trajectory
and led him inexorably to the socialist
realist aesthetic. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Papazian, Elizabeth Astrid |
| author_facet | Papazian, Elizabeth Astrid |
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| callnumber-subject | PG - Slavic, Baltic, Abanian Languages |
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| discipline | Allgemeines Geschichte Slavistik |
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| era | Geschichte 1900-2000 Geschichte 1921-1934 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1921-1934 |
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| geographic | Sowjetunion Soviet Union Intellectual life Soviet Union History 1917-1936 Sowjetunion (DE-588)4077548-3 gnd |
| geographic_facet | Sowjetunion Soviet Union Intellectual life Soviet Union History 1917-1936 |
| id | DE-604.BV035133493 |
| illustrated | Illustrated |
| index_date | 2024-07-02T22:25:15Z |
| indexdate | 2024-07-09T21:23:04Z |
| institution | BVB |
| isbn | 9780875803890 |
| language | English |
| lccn | 2008014029 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016800972 |
| oclc_num | 217263479 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-355 DE-BY-UBR DE-739 DE-188 DE-19 DE-BY-UBM DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-11 DE-355 DE-BY-UBR DE-739 DE-188 DE-19 DE-BY-UBM DE-473 DE-BY-UBG |
| physical | XIII, 282 S. Ill. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Northern Illinois Univ. Press |
| record_format | marc |
| spelling | Papazian, Elizabeth Astrid Verfasser aut Manufacturing truth the documentary moment in early Soviet culture Elizabeth Astrid Papazian DeKalb Northern Illinois Univ. Press 2009 XIII, 282 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-2000 Geschichte 1921-1934 gnd rswk-swf Geschichte Russian literature 20th century History and criticism Documentary films Soviet Union History and criticism Socialist realism in literature Socialist realism in motion pictures Socialist realism Soviet Union Aesthetics, Russian 20th century Dokumentarliteratur (DE-588)4012655-9 gnd rswk-swf Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Sowjetunion Soviet Union Intellectual life Soviet Union History 1917-1936 Sowjetunion (DE-588)4077548-3 gnd rswk-swf Sowjetunion (DE-588)4077548-3 g Dokumentarfilm (DE-588)4012653-5 s Geschichte 1921-1934 z DE-604 Dokumentarliteratur (DE-588)4012655-9 s Kunst (DE-588)4114333-4 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016800972&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016800972&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Papazian, Elizabeth Astrid Manufacturing truth the documentary moment in early Soviet culture Geschichte Russian literature 20th century History and criticism Documentary films Soviet Union History and criticism Socialist realism in literature Socialist realism in motion pictures Socialist realism Soviet Union Aesthetics, Russian 20th century Dokumentarliteratur (DE-588)4012655-9 gnd Dokumentarfilm (DE-588)4012653-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4012655-9 (DE-588)4012653-5 (DE-588)4114333-4 (DE-588)4077548-3 |
| title | Manufacturing truth the documentary moment in early Soviet culture |
| title_auth | Manufacturing truth the documentary moment in early Soviet culture |
| title_exact_search | Manufacturing truth the documentary moment in early Soviet culture |
| title_exact_search_txtP | Manufacturing truth the documentary moment in early Soviet culture |
| title_full | Manufacturing truth the documentary moment in early Soviet culture Elizabeth Astrid Papazian |
| title_fullStr | Manufacturing truth the documentary moment in early Soviet culture Elizabeth Astrid Papazian |
| title_full_unstemmed | Manufacturing truth the documentary moment in early Soviet culture Elizabeth Astrid Papazian |
| title_short | Manufacturing truth |
| title_sort | manufacturing truth the documentary moment in early soviet culture |
| title_sub | the documentary moment in early Soviet culture |
| topic | Geschichte Russian literature 20th century History and criticism Documentary films Soviet Union History and criticism Socialist realism in literature Socialist realism in motion pictures Socialist realism Soviet Union Aesthetics, Russian 20th century Dokumentarliteratur (DE-588)4012655-9 gnd Dokumentarfilm (DE-588)4012653-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Geschichte Russian literature 20th century History and criticism Documentary films Soviet Union History and criticism Socialist realism in literature Socialist realism in motion pictures Socialist realism Soviet Union Aesthetics, Russian 20th century Dokumentarliteratur Dokumentarfilm Kunst Sowjetunion Soviet Union Intellectual life Soviet Union History 1917-1936 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016800972&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016800972&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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