Art and the moving image: a critical reader
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
Tate Publishing
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 496 S. zahlr. Ill. |
| ISBN: | 9781854376251 |
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Datensatz im Suchindex
| _version_ | 1804138099101401089 |
|---|---|
| adam_text | CONTENTS 49 53 72 75 92 112 122 140 158 PREFACE [5] CHARLES ESCHE
INTRODUCTION [7] TANYA LEIGHTON COLOUR PLATES [41] I * HISTORIES AND
REVISIONS FLUXFILMS IN THREE FALSE STARTS BRUCE JENKINS CULTURE:
INTERCOM AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO STAN VANDERBEEK
ENCLOSED BY IMAGES: THE EAMESES MULTIMEDIA ARCHITECTURE BEATRIZ
COLOMINA MY MIND SPLIT OPEN : ANDY WARHOL S EXPLODING PLASTIC
INEVITABLE BRANDEN W. JOSEPH THE MUSEUM OF ATTRACTIONS: MARCEL
BROODTHAERS AND THE SECTION CINEMA ERIC DE BRUYN PAUL SHARITS AND THE
ACTIVE SPECTATOR FEDERICO WINDHAUSEN BARE LIVES PAMELA M. LEE LEISURE 73
SABETH BUCHMANN 172 THE TWO AVANT-GARDES PETER WOLLEN 182 MODES OF FILM
PRACTICE IN THE AVANT-GARDE JONATHAN WALLEY 200 II *THE AGONISTIC
RELATIONSHIP BETWEEN VIDEO AND TELEVISION 204 HARDWARE: THE VIDEOSPHERE
GENE YOUNGBLOOD 208 VIDEO: THE AESTHETICS OF NARCISSISM ROSALIND KRAUSS
220 TALE OF THE TAPE: RADICAL SOFTWARE DAVID JOSELIT 228 DEPENDENT
PARTICIPATION: BRUCE NAUMAN S ENVIRONMENTS JANET KRAYNAK 246 AFTER THE
CULL ELIZABETH BENNETT HUPP 258 LIVE ON TAPE: VIDEO, LIVENESS AND THE
IMMEDIATE WILLIAM KAIZEN. 273 THE ART OF THE POSSIBLE: NOTES ABOUT SOME
INSTALLATIONS BY HARUN FAROCKI CHRISTA BLUMLINGER 283 VIDEO, FLOWS AND
REAL TIME MAURIZIO LAZZARATO 292 FIVE YEARS LATER BILL HORRIGAN 302 III*
FROM CINEMA TO POST-CINEMA 307 DELEUZE S TIME, OR HOW THE CINEMATIC
CHANGES OUR IDEA OF ART JOHN RAJCHMAN 328 DIFFERENCE AND REPETITION: ON
GUY DEBORD S FILMS GIORGIO AGAMBEN 334 FROM MOVIES TO MOVING SERGE DANEY
340 THE TIME OF RE-DEPARTURE: AFTER CINEMA, THE CINEMA OF THE SUBJECT
JEAN-CHRISTOPHE ROYOUX 355 DISSOLUTION OF THE FRAME: IMMERSION AND
PARTICIPATION IN VIDEO INSTALLATIONS URSULA FROHNE 371 VIDEO PROJECTION:
THE SPACE BETWEEN SCREENS LIZ KOTZ 386 SITING CINEMA ANDREW V. UROSKIE
401 MOVING IMAGES MOVING IMAGES JOHN KELSEY 406 OF AN OTHER CINEMA
RAYMOND BELLOUR 423 THE GAP BETWEEN FILM AND INSTALLATION ART ALEXANDER
ALBERRO 430 WHITE CUBE, BLACK BOX AND GREY AREAS: VENUES AND VALUES
GREGOR STEMMRICH 444 ART AND CINEMA: SOME CRITICAL REFLECTIONS MARK NASH
460 YOU NEVER KNOW THE WHOLE STORY: UTE FRIEDERIKE JURSS AND THE
AESTHETICS OF THE HETEROCHRONIC IMAGE THOMAS Y. LEVIN ABOUT THE AUTHORS
[475] EDITOR S ACKNOWLEDGEMENTS [479] TEXT SOURCES [480] ILLUSTRATION
NOTES [481] BIBLIOGRAPHY [482] INDEX [494]
|
| adam_txt |
CONTENTS 49 53 72 75 92 112 122 140 158 PREFACE [5] CHARLES ESCHE
INTRODUCTION [7] TANYA LEIGHTON COLOUR PLATES [41] I * HISTORIES AND
REVISIONS FLUXFILMS IN THREE FALSE STARTS BRUCE JENKINS 'CULTURE:
INTERCOM' AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO STAN VANDERBEEK
ENCLOSED BY IMAGES: THE EAMESES' MULTIMEDIA ARCHITECTURE BEATRIZ
COLOMINA 'MY MIND SPLIT OPEN': ANDY WARHOL'S EXPLODING PLASTIC
INEVITABLE BRANDEN W. JOSEPH THE MUSEUM OF ATTRACTIONS: MARCEL
BROODTHAERS AND THE SECTION CINEMA ERIC DE BRUYN PAUL SHARITS AND THE
ACTIVE SPECTATOR FEDERICO WINDHAUSEN BARE LIVES PAMELA M. LEE LEISURE 73
SABETH BUCHMANN 172 THE TWO AVANT-GARDES PETER WOLLEN 182 MODES OF FILM
PRACTICE IN THE AVANT-GARDE JONATHAN WALLEY 200 II *THE AGONISTIC
RELATIONSHIP BETWEEN VIDEO AND TELEVISION 204 HARDWARE: THE VIDEOSPHERE
GENE YOUNGBLOOD 208 VIDEO: THE AESTHETICS OF NARCISSISM ROSALIND KRAUSS
220 TALE OF THE TAPE: RADICAL SOFTWARE DAVID JOSELIT 228 DEPENDENT
PARTICIPATION: BRUCE NAUMAN'S ENVIRONMENTS JANET KRAYNAK 246 AFTER THE
CULL ELIZABETH BENNETT HUPP 258 LIVE ON TAPE: VIDEO, LIVENESS AND THE
IMMEDIATE WILLIAM KAIZEN. 273 THE ART OF THE POSSIBLE: NOTES ABOUT SOME
INSTALLATIONS BY HARUN FAROCKI CHRISTA BLUMLINGER 283 VIDEO, FLOWS AND
REAL TIME MAURIZIO LAZZARATO 292 FIVE YEARS LATER BILL HORRIGAN 302 III*
FROM CINEMA TO POST-CINEMA 307 DELEUZE'S TIME, OR HOW THE CINEMATIC
CHANGES OUR IDEA OF ART JOHN RAJCHMAN 328 DIFFERENCE AND REPETITION: ON
GUY DEBORD'S FILMS GIORGIO AGAMBEN 334 FROM MOVIES TO MOVING SERGE DANEY
340 THE TIME OF RE-DEPARTURE: AFTER CINEMA, THE CINEMA OF THE SUBJECT
JEAN-CHRISTOPHE ROYOUX 355 DISSOLUTION OF THE FRAME: IMMERSION AND
PARTICIPATION IN VIDEO INSTALLATIONS URSULA FROHNE 371 VIDEO PROJECTION:
THE SPACE BETWEEN SCREENS LIZ KOTZ 386 SITING CINEMA ANDREW V. UROSKIE
401 MOVING IMAGES MOVING IMAGES JOHN KELSEY 406 OF AN OTHER CINEMA
RAYMOND BELLOUR 423 THE GAP BETWEEN FILM AND INSTALLATION ART ALEXANDER
ALBERRO 430 WHITE CUBE, BLACK BOX AND GREY AREAS: VENUES AND VALUES
GREGOR STEMMRICH 444 ART AND CINEMA: SOME CRITICAL REFLECTIONS MARK NASH
460 YOU NEVER KNOW THE WHOLE STORY: UTE FRIEDERIKE JURSS AND THE
AESTHETICS OF THE HETEROCHRONIC IMAGE THOMAS Y. LEVIN ABOUT THE AUTHORS
[475] EDITOR'S ACKNOWLEDGEMENTS [479] TEXT SOURCES [480] ILLUSTRATION
NOTES [481] BIBLIOGRAPHY [482] INDEX [494] |
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| index_date | 2024-07-02T22:21:19Z |
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| institution | BVB |
| isbn | 9781854376251 |
| language | English |
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| physical | 496 S. zahlr. Ill. |
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| spelling | Art and the moving image a critical reader ed. by Tanya Leighton London Tate Publishing 2008 496 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1950-2000 gnd rswk-swf Geschichte 1960-2007 gnd rswk-swf Film Geschichte Kunst Motion pictures Art / History Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Kunst (DE-588)4114333-4 s Geschichte 1950-2000 z DE-604 Ästhetik (DE-588)4000626-8 s Geschichte 1960-2007 z Leighton, Tanya 1970- Sonstige (DE-588)119409925 oth SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016788832&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Art and the moving image a critical reader Film Geschichte Kunst Motion pictures Art / History Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4114333-4 (DE-588)4017102-4 |
| title | Art and the moving image a critical reader |
| title_auth | Art and the moving image a critical reader |
| title_exact_search | Art and the moving image a critical reader |
| title_exact_search_txtP | Art and the moving image a critical reader |
| title_full | Art and the moving image a critical reader ed. by Tanya Leighton |
| title_fullStr | Art and the moving image a critical reader ed. by Tanya Leighton |
| title_full_unstemmed | Art and the moving image a critical reader ed. by Tanya Leighton |
| title_short | Art and the moving image |
| title_sort | art and the moving image a critical reader |
| title_sub | a critical reader |
| topic | Film Geschichte Kunst Motion pictures Art / History Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Kunst Motion pictures Art / History Ästhetik |
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