Verfügbarkeit: Bogdan Babić

Bogdan Babić: umetnost dirigovanja

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Bibliographische Detailangaben
Format:	Buch
Veröffentlicht:	Beograd Muzej Pozorišne Umetnosti Srbije 2004
Schlagworte:	Babić, Bogdan > 1921-1980 Dirigent Serbien Erlebnisbericht
Online-Zugang:	Inhaltsverzeichnis Abstract
Beschreibung:	In kyrill. Schr., serb. - Zsfassung in engl. Sprache u.d.T.: A contribution to the biography of Bogdan Babic
Beschreibung:	253 S. Ill.
ISBN:	8680629235

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Datensatz im Suchindex

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adam_text	Садржај • Прилози за биографију Богдана Бабића 11 БОГДАН БАБИЋ (1921 - 1980) прилози за биоѓрафију великана Владимир Холовка 15 АКАДЕМСКИ ХОР „БРАНКО КРСМАНОВИЋ бритьантна демонстрација хорског певања Владимир Холовка Оиера Богдан Бабић и Опера Народное позориштауБеограду 23 УМЕТНОСТДИРИГОВАЊА Богдан Бабић и Народно позориште Олга Марковић 51 ПЕВАЛИ СМО KAO ЈЕДАН БИСЕРКА ЦВЕЈИЋ 57 ПОД СИГУРНОМ РУКОМ НАШЕГ МАЕСТРА Радмила Бакочевић 59 ПРИНЦ МЕТЕ>У ДИРИГЕНТИМА Милка Стојановић 6l ПРЕЛЕПО ДОБА ПУТОВАЊА И ДРУЖЕЊА Олга Милошевић 6з МАЕСТРО ПРЕДВОДНИК Живан Сарамандић 65 ЕНЕРГИЈАКОЈАЈЕДИЗАЛАХОР ДУДА ИВАНОВИЂ 6γ КРАТКА ОДА БОГДАНУ БАБИЋУ Бода Марковић б9 ЕТИЧКА ШКОЛА БОГДАНА БАБИЋА Бреда Калеф (Bayertech· j Staatsbibliothek München 1 Хор Балеш Богдан Бабић и Београдски балет 8з господин диригент диригент, пријатељ и богощани музичар МИЛИЦА ЈОВАНОВИЋ 85 БОГДАН БАБИЋ - БАЛЕТСКИ ДИРИГЕНТ Милица Защев 103 УМЕТНИК ЗА ПУЛТОМ и уметнику контакту с људима Вера Костић 105 СТАЈАО БИ KAO ИКОНА ЈОВАНКА БЈЕГОЈЕБИЋ 107 ЗЛАТНО ДОБА БЕОГРАДСКЕ ОПЕРЕ И БАЛЕТА Душан Трнинић Оиереша Богдан Бабић и Савремено позориште Академски хор „Бранко Крсмановић 141 MAJCTOP ХОРСКОГ ДИРИГОВАЊА TjOKO СТОЈИЧИЋ 143 ЗАУВЕКУНАМА Владимир Холовка 149 УМЕТНИЧКИРАД АЛЕКСАНДАР ФОТИРИЋ 155 ПЕРПЕТУУМ МОБИЛЕ И ДИРИЖАБЛИ Бранко Кнежевић 1б7 БИЛИ СМО СВЕТСКИ ХОР Бранислав Бане Симоновић 1б9 СВАКИ КОНЦЕРТ JE БИО ПРЕМИЈЕРА Драгољуб Дика Тјорђевић Щ БОЖЈИ ДАР ДА ОКУПИ МЛАДЕЖ ВЛАДЕТА КАНДИЋ 173 БОГДАН БАБИЋ МАЕСТРО FOREVER ДИМИТРЩЕ МИКА САЛАЋАНИН 175 ВОЛЕО JE МУЗИКУ, ВОЛЕО JE СВЕ НАС СТОЈАН СТАМЕНКОВИЋ 179 ХОД ПО ЗВЕЗДАМА Обрад Станојевић 187 КРИТИКЕ СА ТУРНЕЈА у Сједињеним америчким државама 123 БОГДАН БАБИЋ У САВРЕМЕНОМ ПОЗОРИШТУ Олга Марковиђ 133 МАЕСТРО БОГДАН БАБИЋ и музичко позориште у Беоѓраду Весна Предојевић 199 Диригентска делатносш Богдана БабиЬа Награде и признања Олга Марковић 145 BOGDAN BABIĆ A contribution to the biography of a Great Man Vladimir Holovka A contribution to the biography of Bogdan Babic If the sacred duty of those who got a special gift oftìod to share it with as meny of their neighbors as possible, then Bogdan utiiled that duty during hisentire short life» since his first: meeting he went to the Pantheon of the great men Bogdan Babic with his mother Vidosava, father Mihailo and brother Dusan. 248 Destiny often plays with people during their short and, mainly, sad stay in this only possible world. It played with Bogdan Babic since almost his birth until his death. From his happy childhood in a family of a respected mer¬ chant from Gunduliceva street with his father Mihailo and mother Vido- sava, Serbs from Zagreb, via the painful war years of concentration camp and forced labor, the postwar years of poverty in the so called time of struggle and reconstruction , until the stage lights, facing the ensembles of the Belgrade Opera and Ballet, the Chorus of the Belgrade University students Branko Krsmanovic until the performances on the greatest BOGDAN BABIC (192I-I980) opera and concert stages of our pla- A contribution to the biography of a Great Man net. Finally, the last and, unfortuna- tely, lost batìk with the perfidious VLADIMIR HOLOVKA disease. Bogdan passed through all ____________________________________________________ ordeals of life, through suffering, joy, love, devotion to art and to his job, keeping always his full swing in the mission given to him by the Providence - to promote music and its blessings and beauty. The first remembrances in the life of Bogdan Babic, as he told us on one occasion, were linked to the building of the Zagreb Theatre where he was taken, together with his brother Dusan, by his father, an opera fan of Wagner; that is, probably, why Bogdan Babic, conductor, was always fond of that great German composer and his works. Still, fulfilling the will expressed by his father immediately before his death, at the eve of the Second World War, he entered the Chemical School of the Zagreb University, and interrupted his studies already in the first year, when the Ustashis took power in the Independent State . After two months in the Purgatory at the Fairground, Bogdan, Dusan, and their mo¬ ther still succeeded in escaping the fate of the majority of the so confined Zagreb Serbs - to become, already in the spring of 1941 the victims of the forthcoming massacre, and their prominent relatives sent them immediately to Serbia, to Belgrade, to his father s first cousin, where he was enrolled, for a short time, at the Law school of the Belgrade University. The relatively peaceful period in occupied Belgrade remained just a short remembrance to Bogdan, for he was sent, as a twenty years old boy, to forced labor in the Kostolac Mine, to dig coal for the Germans. Still, thanks to Mr. Coincidence that was not only a tragedy. Babic met there the lead¬ ing dancer of the Belgrade Ballet, Milan Momcilovic,, and, using the piano of the primary school in Kostolac, they established a small troup and per¬ formed mini concerts in the town, in the mine, and in the nearby villages in Homoqe, as well. After his return to Belgrade, he looked for a job and got it in the paint factory of Nedeqko Savie (later Duga ), with the help of his short studies of chemistry in Zagreb. The owner of the factory, Savie, had a piano in one of his offices in the administrative building, and after Bogdan sat only once at the piano, Uncle Nedeljko immediately understood whom he hired to mix paints. Opera fan and donor to the National Theatre, Savie took Bogdan to the Opera House, introduced him to Stevan Hristic, great Serbian composer 249 Bogdan and Dušan with their cousins Gojko and Veljko Korac. and conductor, who brought Bogdan Babic to the Opera for rehearser immediately after the liberation of Belgrade, in the fall of 1944. At that moment, there started for Bogdan a period of life in which there was no moment for rest, a life in which he had to learn, to create, to travel incessantly, to create and learn again, almost until the moment of his death, a premature death, when he was only 59. If Hristic introduced Babic in the world of opera and ballet, even ced¬ ing to him his conductor s stand for The Legend of Ohrid already at the beginning of his career, and introduced him in the world of the Italian opera repertoire, the repertoire that was dearest to Bogdan until the last day of his life, another great conductor of that time, Oskar Danon, Director of the Opera of the National Theatre , entrusted Bogdan with the conductor s płace of II Barbiere di Sevilla , when he was only 24. Excellent knowledge of the score, magnificent gesture and the temer¬ ity of a young man qualified Bogdan for other works, mainly from the Italian repertoire of the Opera, and Baranovic, Milosevic and other con¬ ductors in the First Division of Belgrade, ceded their performances to Bogdan.Approaching his job with enormous energy and enthusiasm, and always pleasant and good humored. Bogdan acquired the friendship of all generations of the building at the Square, helping primarily his peers, young talented people, to develop as rapidly as possible their vocal and other musical gifts, not forgetting, of course, the elder, experienced people in the Opera and Ballet. In that period, the great Krešimir Baranovic took him for his alternate conductor, especially for the domestic, national reper¬ toire, And so Babic prepared and conducted all national operas, until his death (the last opera, Nastasijevic s Djuradj Brankovic brought him a tri¬ umph in Zagreb, although he was already pressed by heavy disease, in the last days of his life). 250 One of the unfulfilled wishes of maestro Babic was to work with yo¬ ung talents, and to establish, together with his favorite singers, Biserka Cvejic and Radmila Bakocevic, a school for advanced interpretation studies. Still, all these long years of work in the Opera House, work with sym¬ phony orchestras from all republics of the postwar Yugoslavia and from all over the world, concert performances with the greatest stars of the opera sky of our planet, performances with Pleiades of ballet dancers all over the world, were overshadowed by what Bogdan did with the students of Bel¬ grade - singers in the Branko Krsmanovic chorus. But that will be told in another contribution to this Monography. Bogdan and Kosara 1954 a.d. Belgrade without electricity, performance cancelled. A young ballerina standing in front of the building at the Square, not knowing where to go. Why are you so unhappy - a question that confuses. Almost not looking at the person to whom she answered, she said: I don t know, I am simply unhappy, I do not know where to go . Wait for three days, and then we will go together to Subotica, for a ballet performance, we will walk along the Palic Lake, we will talk, the sor¬ row will vanish - Bogdan told the young ballerina, Kosara Radivojevic, with whom he worked in the same theater since 1945, but the destiny decid¬ ed that he should see her tears only then. So they went to Subotica, they walked, they talked, and so during 27 years, until death did part them. During all that time, Kosara was his Muse, his wife, his lover, housewife, nurse, the inspiration of his life, assistant and helper on every occasion, especially regarding Krsmanovic , his lifelong fri¬ end and companion on all beautiful, but also very difficult and strenuous journeys. Kosara joined the ballet directly from the school bench in 1945, as a small girl. Maybe she would have achieved in the ballet more than she actu¬ ally did (she was a soloist with a prominent repertoire) had it not been for the sad rainy evening in 1954. But, had it been so, we would probably de¬ prived of the Bogdan Babic, as he became with her support. Strong, resi¬ lient, without a single malicious word for anybody or anything in this world, without bad gestures, discreet, calm, patient - let every decision wait over¬ night . In all that, Kosara was obviously his main assistant and support. Gods take early to them those whom they love, an old Latin sentence, found, unfortunately, its application in this case. In full strength, full up to the neck of opera repertoire and of plans with Krsmanac , Bogdan had his first infarctus on March, 4th, 1980 at Kosmaj, where he prepared, in his mo¬ dest summer house, his repertoire for the Dubrovnik Festival. In Zagreb, where he celebrated, recovered, with his schoolmates, the last generation of prewar high school, he saw his assistant in Krsmanac , Darinka Matic- Marovic conducting at the Summer Festival in Dubrovnik. During that summer, completely recovered, he attended a reception in the Metropol Hotel, did not feel well, and retired. The health improvement was short, all people were optimists, especially he and Kosara, but the implacable destiny made its move. 251 Once more, his strong body overcame the disease. After the celebra¬ tion of his 58th birthday (on September, 27th, at Kosmaj, with his family and friends), he went for a medical check to Vienna, came back with good prog¬ nosis and conducted, for the last time, the Masked Ball . However, his heart got weaker abruptly, and he invested enormous efforts to conduct the per¬ formance until the end. He went back to his savior, Kosmaj, but this time there was no salvation. On December 17th, Kosara put him in the clinic aga¬ in. He awoke from the coma on December 22nd, in the morning, just when the medical consulting body said that there was no recovery. Still, he found enough strength to say, under the closed eyelids,: Kole, I want to see my greatest friend, Kolja Cajkanovic (he saw him that same day at 3 p.m.) and you go and operate your hip. I will push you until you start walking again . That same day, he died at 6.15 p.m. He was burried in the Alley of the Great, in the New Cemetery in Belgrade, on December, 25th, with Mo- kranjac s Njest Svjat sung without conductor, through the tears in the eyes of all generations of Krsmanac and of the Belgrade music and the¬ ater lovers, gathered together for the last time in front of their maestro. Translated by Nikola Kolja Cajkanovic 252
adam_txt	Садржај • Прилози за биографију Богдана Бабића 11 БОГДАН БАБИЋ (1921 - 1980) прилози за биоѓрафију великана Владимир Холовка 15 АКАДЕМСКИ ХОР „БРАНКО КРСМАНОВИЋ" бритьантна демонстрација хорског певања Владимир Холовка Оиера Богдан Бабић и Опера Народное позориштауБеограду 23 УМЕТНОСТДИРИГОВАЊА Богдан Бабић и Народно позориште Олга Марковић 51 ПЕВАЛИ СМО KAO ЈЕДАН БИСЕРКА ЦВЕЈИЋ 57 ПОД СИГУРНОМ РУКОМ НАШЕГ МАЕСТРА Радмила Бакочевић 59 ПРИНЦ МЕТЕ>У ДИРИГЕНТИМА Милка Стојановић 6l ПРЕЛЕПО ДОБА ПУТОВАЊА И ДРУЖЕЊА Олга Милошевић 6з МАЕСТРО ПРЕДВОДНИК Живан Сарамандић 65 ЕНЕРГИЈАКОЈАЈЕДИЗАЛАХОР ДУДА ИВАНОВИЂ 6γ КРАТКА ОДА БОГДАНУ БАБИЋУ Бода Марковић б9 ЕТИЧКА ШКОЛА БОГДАНА БАБИЋА Бреда Калеф (Bayertech· j Staatsbibliothek München 1 Хор Балеш Богдан Бабић и Београдски балет 8з господин диригент диригент, пријатељ и богощани музичар МИЛИЦА ЈОВАНОВИЋ 85 БОГДАН БАБИЋ - БАЛЕТСКИ ДИРИГЕНТ Милица Защев 103 УМЕТНИК ЗА ПУЛТОМ и уметнику контакту с људима Вера Костић 105 СТАЈАО БИ KAO ИКОНА ЈОВАНКА БЈЕГОЈЕБИЋ 107 ЗЛАТНО ДОБА БЕОГРАДСКЕ ОПЕРЕ И БАЛЕТА Душан Трнинић Оиереша Богдан Бабић и Савремено позориште Академски хор „Бранко Крсмановић" 141 MAJCTOP ХОРСКОГ ДИРИГОВАЊА TjOKO СТОЈИЧИЋ 143 ЗАУВЕКУНАМА Владимир Холовка 149 УМЕТНИЧКИРАД АЛЕКСАНДАР ФОТИРИЋ 155 ПЕРПЕТУУМ МОБИЛЕ И ДИРИЖАБЛИ Бранко Кнежевић 1б7 БИЛИ СМО СВЕТСКИ ХОР Бранислав Бане Симоновић 1б9 СВАКИ КОНЦЕРТ JE БИО ПРЕМИЈЕРА Драгољуб Дика Тјорђевић Щ БОЖЈИ ДАР ДА ОКУПИ МЛАДЕЖ ВЛАДЕТА КАНДИЋ 173 БОГДАН БАБИЋ МАЕСТРО FOREVER ДИМИТРЩЕ МИКА САЛАЋАНИН 175 ВОЛЕО JE МУЗИКУ, ВОЛЕО JE СВЕ НАС СТОЈАН СТАМЕНКОВИЋ 179 ХОД ПО ЗВЕЗДАМА Обрад Станојевић 187 КРИТИКЕ СА ТУРНЕЈА у Сједињеним америчким државама 123 БОГДАН БАБИЋ У САВРЕМЕНОМ ПОЗОРИШТУ Олга Марковиђ 133 МАЕСТРО БОГДАН БАБИЋ и музичко позориште у Беоѓраду Весна Предојевић 199 Диригентска делатносш Богдана БабиЬа Награде и признања Олга Марковић 145 BOGDAN BABIĆ A contribution to the biography of a Great Man Vladimir Holovka A contribution to the biography of Bogdan Babic If the sacred duty of those who got a special gift oftìod to share it with as meny of their neighbors as possible, then Bogdan utiiled that duty during hisentire short life» since his first: meeting he went to the Pantheon of the great men Bogdan Babic with his mother Vidosava, father Mihailo and brother Dusan. 248 Destiny often plays with people during their short and, mainly, sad stay in this only possible world. It played with Bogdan Babic since almost his birth until his death. From his happy childhood in a family of a respected mer¬ chant from Gunduliceva street with his father Mihailo and mother Vido- sava, Serbs from Zagreb, via the painful war years of concentration camp and forced labor, the postwar years of poverty in the so called time of 'struggle and reconstruction", until the stage lights, facing the ensembles of the Belgrade Opera and Ballet, the Chorus of the Belgrade University students "Branko Krsmanovic" until the performances on the greatest BOGDAN BABIC (192I-I980) opera and concert stages of our pla- A contribution to the biography of a Great Man net. Finally, the last and, unfortuna- tely, lost batìk with the perfidious VLADIMIR HOLOVKA disease. Bogdan passed through all _ ordeals of life, through suffering, joy, love, devotion to art and to his job, keeping always his full swing in the mission given to him by the Providence - to promote music and its blessings and beauty. The first remembrances in the life of Bogdan Babic, as he told us on one occasion, were linked to the building of the Zagreb Theatre where he was taken, together with his brother Dusan, by his father, an opera fan of Wagner; that is, probably, why Bogdan Babic, conductor, was always fond of that great German composer and his works. Still, fulfilling the will expressed by his father immediately before his death, at the eve of the Second World War, he entered the Chemical School of the Zagreb University, and interrupted his studies already in the first year, when the Ustashis took power in the 'Independent State". After two months in the "Purgatory" at the Fairground, Bogdan, Dusan, and their mo¬ ther still succeeded in escaping the fate of the majority of the so confined Zagreb Serbs - to become, already in the spring of 1941 the victims of the forthcoming massacre, and their prominent relatives sent them immediately to Serbia, to Belgrade, to his father's first cousin, where he was enrolled, for a short time, at the Law school of the Belgrade University. The relatively peaceful period in occupied Belgrade remained just a short remembrance to Bogdan, for he was sent, as a twenty years old boy, to forced labor in the Kostolac Mine, to dig coal for the Germans. Still, thanks to "Mr. Coincidence" that was not only a tragedy. Babic met there the lead¬ ing dancer of the Belgrade Ballet, Milan Momcilovic,, and, using the piano of the primary school in Kostolac, they established a small "troup" and per¬ formed mini concerts in the town, in the mine, and in the nearby villages in Homoqe, as well. After his return to Belgrade, he looked for a job and got it in the paint factory of Nedeqko Savie (later "Duga"), with the help of his short studies of chemistry in Zagreb. The owner of the factory, Savie, had a piano in one of his offices in the administrative building, and after Bogdan sat only once at the piano, "Uncle Nedeljko" immediately understood whom he hired to mix paints. Opera fan and donor to the National Theatre, Savie took Bogdan to the Opera House, introduced him to Stevan Hristic, great Serbian composer 249 Bogdan and Dušan with their cousins Gojko and Veljko Korac. and conductor, who brought Bogdan Babic to the Opera for rehearser immediately after the liberation of Belgrade, in the fall of 1944. At that moment, there started for Bogdan a period of life in which there was no moment for rest, a life in which he had to learn, to create, to travel incessantly, to create and learn again, almost until the moment of his death, a premature death, when he was only 59. If Hristic introduced Babic in the world of opera and ballet, even ced¬ ing to him his conductor's stand for "The Legend of Ohrid" already at the beginning of his career, and introduced him in the world of the Italian opera repertoire, the repertoire that was dearest to Bogdan until the last day of his life, another great conductor of that time, Oskar Danon, Director of the Opera of the National Theatre , entrusted Bogdan with the conductor's płace of "II Barbiere di Sevilla", when he was only 24. Excellent knowledge of the score, magnificent gesture and the temer¬ ity of a young man qualified Bogdan for other works, mainly from the Italian repertoire of the Opera, and Baranovic, Milosevic and other con¬ ductors in the "First Division" of Belgrade, ceded "their" performances to Bogdan.Approaching his job with enormous energy and enthusiasm, and always pleasant and good humored. Bogdan acquired the friendship of all generations of the building at the Square, helping primarily his peers, young talented people, to develop as rapidly as possible their vocal and other musical gifts, not forgetting, of course, the elder, experienced people in the Opera and Ballet. In that period, the great Krešimir Baranovic took him for his alternate conductor, especially for the domestic, national reper¬ toire, And so Babic prepared and conducted all national operas, until his death (the last opera, Nastasijevic's "Djuradj Brankovic" brought him a tri¬ umph in Zagreb, although he was already pressed by heavy disease, in the last days of his life). 250 One of the unfulfilled wishes of maestro Babic was to work with yo¬ ung talents, and to establish, together with his favorite singers, Biserka Cvejic and Radmila Bakocevic, a school for advanced interpretation studies. Still, all these long years of work in the Opera House, work with sym¬ phony orchestras from all republics of the postwar Yugoslavia and from all over the world, concert performances with the greatest stars of the opera sky of our planet, performances with Pleiades of ballet dancers all over the world, were overshadowed by what Bogdan did with the students of Bel¬ grade - singers in the "Branko Krsmanovic" chorus. But that will be told in another contribution to this Monography. Bogdan and Kosara 1954 a.d. Belgrade without electricity, performance cancelled. A young ballerina standing in front of the building at the Square, not knowing where to go. "Why are you so unhappy" - a question that confuses. Almost not looking at the person to whom she answered, she said: "I don't know, I am simply unhappy, I do not know where to go". "Wait for three days, and then we will go together to Subotica, for a ballet performance, we will walk along the Palic Lake, we will talk, the sor¬ row will vanish" - Bogdan told the young ballerina, Kosara Radivojevic, with whom he worked in the same theater since 1945, but the destiny decid¬ ed that he should see her tears only then. So they went to Subotica, they walked, they talked, and so during 27 years, until death did part them. During all that time, Kosara was his Muse, his wife, his lover, housewife, nurse, the inspiration of his life, assistant and helper on every occasion, especially regarding "Krsmanovic", his lifelong fri¬ end and companion on all beautiful, but also very difficult and strenuous journeys. Kosara joined the ballet directly from the school bench in 1945, as a small girl. Maybe she would have achieved in the ballet more than she actu¬ ally did (she was a soloist with a prominent repertoire) had it not been for the sad rainy evening in 1954. But, had it been so, we would probably de¬ prived of the Bogdan Babic, as he became with her support. Strong, resi¬ lient, without a single malicious word for anybody or anything in this world, without bad gestures, discreet, calm, patient - "let every decision wait over¬ night". In all that, Kosara was obviously his main assistant and support. Gods take early to them those whom they love, an old Latin sentence, found, unfortunately, its application in this case. In full strength, full "up to the neck" of opera repertoire and of plans with "Krsmanac", Bogdan had his first infarctus on March, 4th, 1980 at Kosmaj, where he prepared, in his mo¬ dest summer house, his repertoire for the Dubrovnik Festival. In Zagreb, where he celebrated, recovered, with his schoolmates, the last generation of prewar high school, he saw his assistant in "Krsmanac", Darinka Matic- Marovic conducting at the Summer Festival in Dubrovnik. During that summer, completely recovered, he attended a reception in the Metropol Hotel, did not feel well, and retired. The health improvement was short, all people were optimists, especially he and Kosara, but the implacable destiny made its move. 251 Once more, his strong body overcame the disease. After the celebra¬ tion of his 58th birthday (on September, 27th, at Kosmaj, with his family and friends), he went for a medical check to Vienna, came back with good prog¬ nosis and conducted, for the last time, the "Masked Ball". However, his heart got weaker abruptly, and he invested enormous efforts to conduct the per¬ formance until the end. He went back to his savior, Kosmaj, but this time there was no salvation. On December 17th, Kosara put him in the clinic aga¬ in. He awoke from the coma on December 22nd, in the morning, just when the medical consulting body said that there was no recovery. Still, he found enough strength to say, under the closed eyelids,: "Kole, I want to see my greatest friend, Kolja Cajkanovic (he saw him that same day at 3 p.m.) and you go and operate your hip. I will push you until you start walking again". That same day, he died at 6.15 p.m. He was burried in the Alley of the Great, in the New Cemetery in Belgrade, on December, 25th, with Mo- kranjac's "Njest Svjat" sung without conductor, through the tears in the eyes of all generations of "Krsmanac" and of the Belgrade music and the¬ ater lovers, gathered together for the last time in front of their maestro. Translated by Nikola Kolja Cajkanovic 252
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spellingShingle	Bogdan Babić umetnost dirigovanja Babić, Bogdan 1921-1980 (DE-588)136469353 gnd Dirigent (DE-588)4012434-4 gnd
subject_GND	(DE-588)136469353 (DE-588)4012434-4 (DE-588)4054598-2 (DE-588)4133254-4
title	Bogdan Babić umetnost dirigovanja
title_auth	Bogdan Babić umetnost dirigovanja
title_exact_search	Bogdan Babić umetnost dirigovanja
title_exact_search_txtP	Bogdan Babić umetnost dirigovanja
title_full	Bogdan Babić umetnost dirigovanja [urednik Olga Marković]
title_fullStr	Bogdan Babić umetnost dirigovanja [urednik Olga Marković]
title_full_unstemmed	Bogdan Babić umetnost dirigovanja [urednik Olga Marković]
title_short	Bogdan Babić
title_sort	bogdan babic umetnost dirigovanja
title_sub	umetnost dirigovanja
topic	Babić, Bogdan 1921-1980 (DE-588)136469353 gnd Dirigent (DE-588)4012434-4 gnd
topic_facet	Babić, Bogdan 1921-1980 Dirigent Serbien Erlebnisbericht
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