The pop, rock, and soul reader: histories and debates
"In this second edition, The Pop, Rock, and Soul Reader: Histories and Debates traces the evolution of diverse streams of American popular music from the 1920s to the present. Scholar David Brackett brings together over 100 readings from a wide range of sources and by writers who have played an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York[u.a.]
Oxford Univ. Press
2009
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In this second edition, The Pop, Rock, and Soul Reader: Histories and Debates traces the evolution of diverse streams of American popular music from the 1920s to the present. Scholar David Brackett brings together over 100 readings from a wide range of sources and by writers who have played an integral part in the development of popular music criticism."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references, discography, and index |
| Beschreibung: | XVII, 606 S. |
| ISBN: | 9780195365931 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface I
xi
PART
1
BEFORE
1950
ι.
Irving Berlin in Tin Pan Alley
/
ι
Charles
Hamm,
Irving Berlin and the Crucible of God, from Irving
Berlin: Songs from the Melting Pot: The Formative Years,
1907-1914 / 2
2.
Technology, the Dawn of Modern Popular Music, and the
King of Jazz
/
io
Paul Whiteman and Mary Margaret McBride, On Wax
/11
3.
Big Band Swing Music: Race and Power in the Music Business
/ 14
Marvin Freedman, Black Music s on Top; White Jazz Stagnant
/15
Irving Kolodin, The Dance Band Business: A Study-
in Black and White
/ 18
4.
Solo Pop Singers and New Forms of Fandom
/ 21
Bing
Crosby (as told to Pete Martin), from Call Me Lucky
/ 22
Martha Weinman Lear, The Bobby Sox Have Wilted, but the Memory
Remains Fresh
/ 23
Neil McCaffrey, I Remember Frankeee
/ 26
5.
Hillbilly and Race Music
/ 28
Kyle Crichton, Thar s Gold in Them Hillbillies
/ 28
6.
Blues People and the Classic Blues
/ 32
Leroi Jones, from Blues People: The Negro Experience in White America
ană
the Music That Developed from It
/ 34
7.
The Empress of the Blues
/ 42
Мгѓ
Shapiro and Nat Hentoff, from Hear Me Tallin to Ya: The Story of
Jazz as Told by the Men Who Made It
/ 43
8.
At the Crossroads with Robert Johnson, as Told by
Johnny Shines
/ 46
Pete WeZdmg, Interview with Johnny Shines
/ 48
iii
IV
Contents
9.
From Race Music to Rhythm and Blues:
Т
-Bone
Walker
/ 51
Kevin Sheridan and Peter Sheridan, T-Bone Walker: Father
of the Blues
/ 52
10.
Jumpin the Blues with Louis Jordan
/ 55
Down Beat, Bands Dug by the Beat: Louis Jordan
/ 56
Arnold Shaw, from Honkers and Shouters: The Golden Years of
Rhythm and Blues
/ 57
11.
On the Bandstand with Johnny Otis and Wynonie Harris
/ 59
Johnny Otis, from Upside Your Head! Rhythm and Blues on Central
Avenue I
60
Wynonie Mr. Blues Harris, Women Won t Let Me Alone
/ 61
12.
The Producers Answer Back: The Emergence of the Indie Record
Company
/ 63
Bill Simon, Indies Surprise Survival: Small Labels Ingenuity and
Skill Pay Off /
64
Arnold Shaw, from Honkers and Shouters: The Golden Years of Rhythm
and Blues I
66
13.
Country Music as Folk Music, Country Music
as Novelty
/ 69
Billboard, American Folk Tunes: Cowboy and Hillbilly Tunes
and
Tunesters / 70
Newsweek, Com. of Plenty
/ 72
PART
2
THE
1950s
14.
Country Music Approaches the Mainstream
/ 75
Rufus Jarman, Country Music Goes to Town
/ 75
15.
Hank Williams on Songwriting
/ 78
Hank Williams (with Jimmy Rule), from How to Write Folk and Western
Music to Sell I
78
16.
Rhythm and Blues in the Early
1950s:
B. B. King
/ 79
Arnold Shaw, from Honkers and Shouters: The Golden Years of
Rhythm and Blues
/ 80
17.
The House That Ruth Brown Built
/ 82
Ruth Brown (with Andrew Yule), from Miss Rhythm: The Autobiography
of Ruth Brown, Rhythm and Blues Legend I
83
18.
Ray Charles, or, When Saturday Night Mixed It Up with
Sunday Morning
/ 87
Ray Charles and
David Ritz,
from Brother Ray: Ray Charles
Own Story I
88
Contents
V
19. Jerry Wexler:
A
Life in R&B / 94
Jerry Wexler and David Ritz,
from Rhythm and the Blues: A Life in
American Music
/ 95
20.
The Growing Threat of Rhythm and Blues
/ 99
Variety, Top Names Now Singing the Blues as Newcomers Roll on
R&B Tide
/ 100
Variety, A Warning to the Music Business
/ 102
21.
Langston
Hughes Responds
/ 104
Langston
Hughes, Highway Robbery Across the Color Line in
Rhythm and Blues
/ 105
22.
From Rhythm and Blues to Rock n Roll: The Songs
of Chuck Berry
/
106
Chuck Berry,
írom
Chuck Berry: The Autobiography
/107
23.
Little Richard: Boldly Going Where No Man Had Gone Before
/ 113
Charles White, from The Life and Times of Little Richard:
The Quasar of Rock
/ 114
24.
Elvis Presley, Sam Phillips, and Rockabilly
/ 119
Elizabeth Kaye, Sam Phillips Interview
/ 121
25.
Rock n Roll Meets the Popular Press
/ 127
New York Times, Rock-and-Roll Called Communicable Disease
/ 127
Time, Yeh-Heh-Heh-Hes, Baby
/ 127
New York Times, Rock n Roll s Pulse Taken
/ 128
Gertrude Samuels, Why They Rock n Roll—and Should They?
/ 128
26.
The Chicago Defender Defends Rock n Roll
/ 129
Rob Roy, Bias Against
Rock n Roll
Latest Bombshell in Dixie
/ 130
27.
The Music Industry Fight Against Rock n Roll: Dick Clark s
Teen-Pop Empire and the Payola Scandal
/ 131
Peter Bunzel, Music Biz Goes Round and Round:
It Comes Out Clarkola
/ 133
New York Age, Mr. Clark and Colored Payola
/ 136
PART3 THE
1960s
28.
Brill Building and the Girl Groups
/
1З8
Charlotte Greig, from Will You Still Love Me Tomorrow? Girl Groups from
the50son... I
140
29.
From Surf to Smile I U7
Brian Wilson (with Toad Gold), from Wouldn t It Be Nice:
My Own Story I
148
V¡
Contents
30.
Urban Folk Revival
/ 153
Gene Bluestein, Songs of the Silent Generation
/ 155
Time: Folk Singing: Sibyl with Guitar
/ 158
31.
Bringing It All Back Home: Dylan at Newport
/
162
Irwin Silber,
Newport Folk Festival,
1965 / 164
Paul Nelson, Newport Folk Festival,
1965 / 165
32.
Chaos Is a Friend of Mine
/
I68
Nora Ephron and Susan Edmiston, Bob Dylan Interview
/170
33.
From R&B to Soul
/176
James Baldwin, from The Fire Next Time
/177
Jerry Wexler and
David Ritz,
from Rhythm and the Blues: A Life in
American Music
/ 178
34.
No Town Like Motown
/
ISO
Berry Gordy, from To Be Loved: The Music, the Magic, the Memories
of Motown I
181
35.
The Godfather of Soul and the Beginnings of Funk
/ 187
James Brown (with. Bruce Tucker), from The Godfather of Soul
/ 188
36.
The Blues Changes from Day to Day
/ 198
Jim
Delehant,
Otis Redding Interview
/ 199
37.
Aretha Franklin Earns Respect
/ 202
Phyl Garland, Aretha Franklin
—
Sister Soul: Eclipsed Singer Gains
New Heights
/ 203
38.
The Beatles, the British Invasion, and Cultural Respectability
/
208
William Mann, What Songs the Beatles Sang
... / 209
TheodoreStrongin, Musicologically
... / 211
39.
A Hard Day s Night and Beatlemania
/ 213
Andrew
Sarris,
Bravo Beatles!
/ 213
Barbara
Ehrenreich,
Elizabeth Hess, and Gloria Jacobs, Beatlemania:
Girls Just Want to Have Fun, from Re-making Love: The Feminization
of Sex I
216
40.
England Swings, and the Beatles Evolve on Revolver and
Sgt Pepper I
221
Richard Goldstein, Pop Eye: On Revolver
/ 222
Jack
Kroll,
It s Getting Better
... / 225
41.
The British Art School Blues
/ 227
Ray Coleman, Rebels with a Beat
/229
42.
The Stones versus the Beatles
/ 232
Ellen Willis, Records: Rock, Etc.—the Big Ones
/ 234
Contents VÜ
43.
If You re Goin to San Francisco
... /238
Ralph J. Gleason, Dead Like Live Thunder
/ 240
44.
The Kozmic Blues of
Janis Joplin
/ 243
Nat Hentoff, We Look at Our Parents and
... / 244
45.
Jimi Hendrix
and the Electronic Guitar
/ 247
Bob Dawbarn, Second Dimension:
Jimi
Hendrix in Action
/ 249
46.
Rock Meets the
Avant-Garde:
Frank Zappa
/ 252
Sally Kempton, Zappa and the Mothers: Ugly Can
Be Beautiful
/ 253
47.
Pop/Bubblegum/Monkees
/ 256
Robert
Christgau,
from Any Old Way You Choose It: Rock and Other
Pop Music,
1967-1973 / 257
48.
The Aesthetics of Rock
/ 259
Paul Williams, Get Off of My Cloud
/ 260
Richard
Goldstein, Pop Eye: Evaluating Media
/ 261
49.
Festivals: The Good, the Bad, and the Ugly
/ 264
}.
R. Young, Review of Various Artists, Woodstock
/ 265
George Paul Csicsery, Altamont, California, December
6,1969 / 268
PART
4
THE
1970s
50.
Where Did the Sixties Go?
/ 271
Lester Bangs, Of Pop and Pies and Fun
/ 273
51.
The Sound of Autobiography: Singer-Songwriters, Carole King
/ 279
Robert
Windeier,
Carole King: You Can Get to Know Me Through
My Music
/ 281
52.
Joni Mitchell journeys Within
/ 284
Malka, Joni Mitchell: Self-Portrait of a Superstar
/ 285
53.
Sly Stone: The Myth of Staggerlee
/ 289
Greil Marcus, from Mystery Train: Images of America in
Rock n Roll
Music
/ 291
54.
Not-so-Tittle Stevie Wonder
/ 297
Ben Fong-Torres, The Formerly Little Stevie Wonder
/ 298
55.
Parliament Drops the Bomb
/
зоз
W. A. Brower,
George Clinton: Ultimate Liberator of
Constipated Notions
/ 304
56.
Heavy Metal Meets the Counterculture
/ 310
John Mendelsohn, Review
oí
Led Zeppelin
/311
Ed
Kelleher,
Black Sabbath Don t Scare Nobody
/ 314
VÜi Contents
57.
Led Zeppelin Speaks!
/ 319
Dave Schulps, The Crunge: Jimmy Page Gives a History Lesson
/ 320
58.
I Have No Message Whatsoever
/ 327
Cameron Crowe, David Bowie Interview
/ 328
59.
Rock Me
Amadeus
/
334
Domenie
Milano,
Keith
Emerson
/ 335
Tim
Morse,
from Yesstories: Yes in Their Own Words
/ 338
60.
Jazz Fusion
/ 342
Miles Davis (with Quincy Troupe), from Miles: The Autobiography
/ 343
61.
Get On Up Disco
/ 350
Andrew Kopkind, The Dialectic of Disco: Gay Music
Goes Straight
/ 352
62.
Punk: The Sound of Criticism?
/ 361
James Wolcott, A Conservative Impulse in the New Rock
Underground
/ 363
63.
Punk Crosses the Atlantic
/ 368
Caroline Coon, Rebels Against the System
/ 369
64.
Punkto
NewWave?
/ 374
Stephen
Holden,
The B-52S American Graffiti
/ 375
65.
UK NewWave
/ 377
Allan Jones, The Elvis
(Costello,
That Is) Interview
/ 378
PART
5
THE
1980s
66.
A Second British Invasion, MTV, and Other Postmodernist
Conundrums
/ 384
Robert
Christgau, Rock
n Roller Coaster: The Music
Bizonajoyride
/ 386
67.
Thriller Begets the King of Pop
/ 396
Greg
Tate,
I m White! What s Wrong with Michael Jackson
/ 398
68.
Madonna and the Performance of Identity
/ 401
Camille
Paglia,
Venus of the Radio Waves
/ 402
Jane Dark, Madonnica
/ 406
69.
Bruce Springsteen: Reborn in the USA
/ 409
David Marsh, Little Egypt from Asbury Park
—
and Bruce
Springsteen Don t Crawl on His Belly, Neither
/ 410
Simon Frith, The Real Thing—Bruce Springsteen
/ 413
70.
R&B in the
1980s:
To Cross Over or Not to Cross Over?
/ 419
Nelson George, from The Death of Rhythm and Blues
/ 420
Contents
IX
Steve
Perry, Ain t No Mountain High Enough: The Politics of
Crossover
/ 426
71.
Heavy Metal Thunders On!
/ 431
J. D. Considine, Purity and Power
—
Total, Unswerving Devotion to
Heavy Metal Form: Judas Priest and the Scorpions
/ 432
72.
Metal in the Late Eighties:
Glam
or Thrash?
/ 436
Richard
Gehr, Metallica / 437
73.
Postpunk
Goes Indie
/ 442
AI Flipside,
What Is This Thing Called Hardcore?
/ 443
74.
Indie Brings the Noise
/ 446
Kim Gordon, Boys Are Smelly: Sonic Youth Tour Diary,
87 / 447
75.
Hip-Hop, Don t Stop
/ 451
Robert Ford, Jr., B-Beats Bombarding Bronx: Mobile
DJ
Starts
Something with Oldie R&B Disks
/ 452
Robert Ford, Jr., Jive Talking N.Y.
DJs
Rapping Away in
Black Discos
/ 453
Time, Bad Rap
/ 456
76.
The Music Is a Mirror
/ 457
Harry Allen, Hip Hop Madness: From
Def
Jams to Cold Lampin ,
Rap Is Our Music
/ 459
Carol Cooper, Girls Ain t Nothin but Trouble
/ 463
ηη.
Where Rap and Heavy Metal Converge
/ 465
Jon
Váreles,
There s a New Sound in Pop Music: Bigotry
/ 465
PART
6
THE
1990S
AND BEYOND
78.
Hip-Hop into the
1990s:
Gangstas,
Fly Girls, and the Big
Bling-Bling
/ 471
J. D. Considine, Fear of a Rap Planet
/ 473
79.
Nuthin but a G Thang
/ 479
Touré,
Snoop Dogg s Gentle Hip Hop Growl
/ 480
80.
Keeping It a Little Too Real
/ 483
Sam Gideon
Anso
and Charles Rappleye, Rap Sheet
/ 484
Selwyn Seyfu Hinds, Party Over
/ 486
Natasha
Štovali,
Town Criers
/ 486
81.
Sample-Mania
/ 488
Neil Strauss, Sampling Is (a) Creative or (b) Theft?
/ 488
82.
Women in Rap
/ 491
Christopher John Farley, Hip-Hop Nation
/ 492
Contents
83.
The Beat Goes On
/ 500
Renee Graham, Eminem s Old Words Aren t Hip-Hop s
Biggest Problem
/ 501
84.
From Indie to Alternative to
...
Seattle?
/ 503
Dave DiMartino, A Seattle Slew
/ 504
85.
Riot Girl
/ 507
Bikini Kill, not grid I
508
86.
Grunge Turns to Scrunge
/ 510
Eric Weisbard, Over
&
Out: Indie Rock Values in the Age of
Alternative Million Sellers
/ 512
87.
A Postalternative
Icon
/ 519
Jonathan Van Meter, The Outer Limits
/ 520
88.
We Are the World ?
/ 524
George Lipsitz, Immigration and Assimilation:
Rai, Reggae,
and
Bhangramuffin
/ 527
89.
A Talking Head Writes
/ 535
David Byrne, Crossing Music s Borders: I Hate World Music
/ 535
90.
Genre or Gender? The Resurgence of the Singer-Songwriter
/ 539
Robert L. Doerschuk, Tori Amos: Pain for Sale
/ 541
91.
Public Policy and Pop Music History Collide
/ 545
Jenny Toomey, Empire of the Air
/ 547
92.
Electronica
Is in the House
/ 550
Simon Reynolds,
Historia
Electronica
Preface
/ 552
93.
R&B Divas Go Retro
/ 563
Ann Powers, The New Conscience of Pop Music
/ 564
94.
Fighting the Power in a Post-9/11
Mediascape—
The Dixie Chicks
/ 568
Charles Taylor, Chicks Against the Machine
/ 571
95.
The End of History, the Mass-Marketing of Trivia, and a World of
Copies Without Originals
/ 577
Jay Babcock, The Kids Aren t Alright
...
They re Amazing
/ 579
Sasha Frere-Jones,
1 + 1 + 1 = 1:
The New Math of Mashups
/ 585
Selected Bibliography
/ 589
Index I
594
|
| adam_txt |
Contents
Preface I
xi
PART
1
BEFORE
1950
ι.
Irving Berlin in Tin Pan Alley
/
ι
Charles
Hamm,
"Irving Berlin and the Crucible of God," from Irving
Berlin: Songs from the Melting Pot: The Formative Years,
1907-1914 / 2
2.
Technology, the Dawn of Modern Popular Music, and the
"King of Jazz"
/
io
Paul Whiteman and Mary Margaret McBride, 'On Wax"
/11
3.
Big Band Swing Music: Race and Power in the Music Business
/ 14
Marvin Freedman, "Black Music's on Top; White Jazz Stagnant"
/15
Irving Kolodin, "The Dance Band Business: A Study-
in Black and White"
/ 18
4.
Solo Pop Singers and New Forms of Fandom
/ 21
Bing
Crosby (as told to Pete Martin), from Call Me Lucky
/ 22
Martha Weinman Lear, "The Bobby Sox Have Wilted, but the Memory
Remains Fresh"
/ 23
Neil McCaffrey, "I Remember Frankeee"
/ 26
5.
Hillbilly and Race Music
/ 28
Kyle Crichton, "Thar's Gold in Them Hillbillies"
/ 28
6.
Blues People and the Classic Blues
/ 32
Leroi Jones, from Blues People: The Negro Experience in White America
ană
the Music That Developed from It
/ 34
7.
The Empress of the Blues
/ 42
Мгѓ
Shapiro and Nat Hentoff, from Hear Me Tallin' to Ya: The Story of
Jazz as Told by the Men Who Made It
/ 43
8.
At the Crossroads with Robert Johnson, as Told by
Johnny Shines
/ 46
Pete WeZdmg, "Interview with Johnny Shines"
/ 48
iii
IV
Contents
9.
From Race Music to Rhythm and Blues:
Т
-Bone
Walker
/ 51
Kevin Sheridan and Peter Sheridan, "T-Bone Walker: Father
of the Blues"
/ 52
10.
Jumpin'the Blues with Louis Jordan
/ 55
Down Beat, "Bands Dug by the Beat: Louis Jordan"
/ 56
Arnold Shaw, from Honkers and Shouters: The Golden Years of
Rhythm and Blues
/ 57
11.
On the Bandstand with Johnny Otis and Wynonie Harris
/ 59
Johnny Otis, from Upside Your Head! Rhythm and Blues on Central
Avenue I
60
Wynonie "Mr. Blues" Harris, "Women Won't Let Me Alone"
/ 61
12.
The Producers Answer Back: The Emergence of the "Indie" Record
Company
/ 63
Bill Simon, "Indies' Surprise Survival: Small Labels' Ingenuity and
Skill Pay Off"/
64
Arnold Shaw, from Honkers and Shouters: The Golden Years of Rhythm
and Blues I
66
13.
Country Music as Folk Music, Country Music
as Novelty
/ 69
Billboard, "American Folk Tunes: Cowboy and Hillbilly Tunes
and
Tunesters" / 70
Newsweek," Com. of Plenty"
/ 72
PART
2
THE
1950s
14.
Country Music Approaches the Mainstream
/ 75
Rufus Jarman, "Country Music Goes to Town"
/ 75
15.
Hank Williams on Songwriting
/ 78
Hank Williams (with Jimmy Rule), from How to Write Folk and Western
Music to Sell I
78
16.
Rhythm and Blues in the Early
1950s:
B. B. King
/ 79
Arnold Shaw, from Honkers and Shouters: The Golden Years of
Rhythm and Blues
/ 80
17.
"The House That Ruth Brown Built"
/ 82
Ruth Brown (with Andrew Yule), from Miss Rhythm: The Autobiography
of Ruth Brown, Rhythm and Blues Legend I
83
18.
Ray Charles, or, When Saturday Night Mixed It Up with
Sunday Morning
/ 87
Ray Charles and
David Ritz,
from Brother Ray: Ray Charles'
Own Story I
88
Contents
V
19. Jerry Wexler:
A
Life in R&B / 94
Jerry Wexler and David Ritz,
from Rhythm and the Blues: A Life in
American Music
/ 95
20.
The Growing Threat of Rhythm and Blues
/ 99
Variety, "Top Names Now Singing the Blues as Newcomers Roll on
R&B Tide"
/ 100
Variety, "A Warning to the Music Business"
/ 102
21.
Langston
Hughes Responds
/ 104
Langston
Hughes, "Highway Robbery Across the Color Line in
Rhythm and Blues"
/ 105
22.
From Rhythm and Blues to Rock 'n' Roll: The Songs
of Chuck Berry
/
106
Chuck Berry,
írom
Chuck Berry: The Autobiography
/107
23.
Little Richard: Boldly Going Where No Man Had Gone Before
/ 113
Charles White, from The Life and Times of Little Richard:
The Quasar of Rock
/ 114
24.
Elvis Presley, Sam Phillips, and Rockabilly
/ 119
Elizabeth Kaye, "Sam Phillips Interview"
/ 121
25.
Rock 'n' Roll Meets the Popular Press
/ 127
New York Times, "Rock-and-Roll Called Communicable Disease"
/ 127
Time, "Yeh-Heh-Heh-Hes, Baby"
/ 127
New York Times, "Rock 'n' Roll's Pulse Taken"
/ 128
Gertrude Samuels, "Why They Rock 'n' Roll—and Should They?"
/ 128
26.
The Chicago Defender Defends Rock 'n' Roll
/ 129
Rob Roy, "Bias Against
'Rock'n'Roll'
Latest Bombshell in Dixie"
/ 130
27.
The Music Industry Fight Against Rock 'n' Roll: Dick Clark's
Teen-Pop Empire and the Payola Scandal
/ 131
Peter Bunzel, "Music Biz Goes Round and Round:
It Comes Out Clarkola"
/ 133
New York Age, "Mr. Clark and Colored Payola"
/ 136
PART3 THE
1960s
28.
Brill Building and the Girl Groups
/
1З8
Charlotte Greig, from Will You Still Love Me Tomorrow? Girl Groups from
the50son. I
140
29.
From Surf to Smile I U7
Brian Wilson (with Toad Gold), from Wouldn't It Be Nice:
My Own Story I
148
V¡
Contents
30.
Urban Folk Revival
/ 153
Gene Bluestein, "Songs of the Silent Generation"
/ 155
Time: "Folk Singing: Sibyl with Guitar"
/ 158
31.
Bringing It All Back Home: Dylan at Newport
/
162
Irwin Silber,
"Newport Folk Festival,
1965" / 164
Paul Nelson, "Newport Folk Festival,
1965" / 165
32.
"Chaos Is a Friend of Mine"
/
I68
Nora Ephron and Susan Edmiston, "Bob Dylan Interview"
/170
33.
From R&B to Soul
/176
James Baldwin, from The Fire Next Time
/177
Jerry Wexler and
David Ritz,
from Rhythm and the Blues: A Life in
American Music
/ 178
34.
No Town Like Motown
/
ISO
Berry Gordy, from To Be Loved: The Music, the Magic, the Memories
of Motown I
181
35.
The Godfather of Soul and the Beginnings of Funk
/ 187
James Brown (with. Bruce Tucker), from The Godfather of Soul
/ 188
36.
"The Blues Changes from Day to Day"
/ 198
Jim
Delehant,
Otis Redding Interview"
/ 199
37.
Aretha Franklin Earns Respect
/ 202
Phyl Garland, "Aretha Franklin
—
Sister Soul: Eclipsed Singer Gains
New Heights"
/ 203
38.
The Beatles, the "British Invasion," and Cultural Respectability
/
208
William Mann, "What Songs the Beatles Sang
." / 209
TheodoreStrongin,"Musicologically
." / 211
39.
A Hard Day's Night and Beatlemania
/ 213
Andrew
Sarris,
"Bravo Beatles!"
/ 213
Barbara
Ehrenreich,
Elizabeth Hess, and Gloria Jacobs, "Beatlemania:
Girls Just Want to Have Fun," from Re-making Love: The Feminization
of Sex I
216
40.
England Swings, and the Beatles Evolve on Revolver and
Sgt Pepper I
221
Richard Goldstein, "Pop Eye: On 'Revolver'"
/ 222
Jack
Kroll,
"It's Getting Better
." / 225
41.
The British Art School Blues
/ 227
Ray Coleman, "Rebels with a Beat"
/229
42.
The Stones versus the Beatles
/ 232
Ellen Willis, "Records: Rock, Etc.—the Big Ones"
/ 234
Contents VÜ
43.
If You're Goin' to San Francisco
. /238
Ralph J. Gleason, "Dead Like Live Thunder"
/ 240
44.
The Kozmic Blues of
Janis Joplin
/ 243
Nat Hentoff, "We Look at Our Parents and
." / 244
45.
Jimi Hendrix
and the Electronic Guitar
/ 247
Bob Dawbarn, "Second Dimension:
Jimi
Hendrix in Action"
/ 249
46.
Rock Meets the
Avant-Garde:
Frank Zappa
/ 252
Sally Kempton, "Zappa and the Mothers: Ugly Can
Be Beautiful"
/ 253
47.
Pop/Bubblegum/Monkees
/ 256
Robert
Christgau,
from Any Old Way You Choose It: Rock and Other
Pop Music,
1967-1973 / 257
48.
The Aesthetics of Rock
/ 259
Paul Williams, "Get Off of My Cloud"
/ 260
Richard
Goldstein, "Pop Eye: Evaluating Media"
/ 261
49.
Festivals: The Good, the Bad, and the Ugly
/ 264
}.
R. Young, "Review of Various Artists, Woodstock"
/ 265
George Paul Csicsery, "Altamont, California, December
6,1969" / 268
PART
4
THE
1970s
50.
Where Did the Sixties Go?
/ 271
Lester Bangs, "Of Pop and Pies and Fun"
/ 273
51.
The Sound of Autobiography: Singer-Songwriters, Carole King
/ 279
Robert
Windeier,
"Carole King: 'You Can Get to Know Me Through
My Music'"
/ 281
52.
Joni Mitchell journeys Within
/ 284
Malka, "Joni Mitchell: Self-Portrait of a Superstar"
/ 285
53.
Sly Stone: "The Myth of Staggerlee"
/ 289
Greil Marcus, from Mystery Train: Images of America in
Rock'n'Roll
Music
/ 291
54.
Not-so-Tittle" Stevie Wonder
/ 297
Ben Fong-Torres, "The Formerly Little Stevie Wonder"
/ 298
55.
Parliament Drops the Bomb
/
зоз
W. A. Brower,
"George Clinton: Ultimate Liberator of
Constipated Notions"
/ 304
56.
Heavy Metal Meets the Counterculture
/ 310
John Mendelsohn, "Review
oí
Led Zeppelin"
/311
Ed
Kelleher,
"Black Sabbath Don't Scare Nobody"
/ 314
VÜi Contents
57.
Led Zeppelin Speaks!
/ 319
Dave Schulps, "The Crunge: Jimmy Page Gives a History Lesson"
/ 320
58.
"I Have No Message Whatsoever"
/ 327
Cameron Crowe, "David Bowie Interview"
/ 328
59.
Rock Me
Amadeus
/
334
Domenie
Milano,
"Keith
Emerson"
/ 335
Tim
Morse,
from Yesstories: Yes in Their Own Words
/ 338
60.
Jazz Fusion
/ 342
Miles Davis (with Quincy Troupe), from Miles: The Autobiography
/ 343
61.
Get On Up Disco
/ 350
Andrew Kopkind, "The Dialectic of Disco: Gay Music
Goes Straight"
/ 352
62.
Punk: The Sound of Criticism?
/ 361
James Wolcott, "A Conservative Impulse in the New Rock
Underground"
/ 363
63.
Punk Crosses the Atlantic
/ 368
Caroline Coon, "Rebels Against the System"
/ 369
64.
Punkto
NewWave?
/ 374
Stephen
Holden,
"The B-52S' American Graffiti"
/ 375
65.
UK NewWave
/ 377
Allan Jones, "The Elvis
(Costello,
That Is) Interview"
/ 378
PART
5
THE
1980s
66.
A "Second British Invasion," MTV, and Other Postmodernist
Conundrums
/ 384
Robert
Christgau, "Rock
'n' Roller Coaster: The Music
Bizonajoyride"
/ 386
67.
Thriller Begets the "King of Pop"
/ 396
Greg
Tate,
"I'm White! What's Wrong with Michael Jackson"
/ 398
68.
Madonna and the Performance of Identity
/ 401
Camille
Paglia,
"Venus of the Radio Waves"
/ 402
Jane Dark, "Madonnica"
/ 406
69.
Bruce Springsteen: Reborn in the USA
/ 409
David Marsh, "Little Egypt from Asbury Park
—
and Bruce
Springsteen Don't Crawl on His Belly, Neither"
/ 410
Simon Frith, "The Real Thing—Bruce Springsteen"
/ 413
70.
R&B in the
1980s:
To Cross Over or Not to Cross Over?
/ 419
Nelson George, from The Death of Rhythm and Blues
/ 420
Contents
IX
Steve
Perry, "Ain't No Mountain High Enough: The Politics of
Crossover"
/ 426
71.
Heavy Metal Thunders On!
/ 431
J. D. Considine, "Purity and Power
—
Total, Unswerving Devotion to
Heavy Metal Form: Judas Priest and the Scorpions"
/ 432
72.
Metal in the Late Eighties:
Glam
or Thrash?
/ 436
Richard
Gehr, "Metallica" / 437
73.
Postpunk
Goes Indie
/ 442
AI Flipside,
"What Is This Thing Called Hardcore?"
/ 443
74.
Indie Brings the Noise
/ 446
Kim Gordon, "Boys Are Smelly: Sonic Youth Tour Diary,
'87" / 447
75.
Hip-Hop, Don't Stop
/ 451
Robert Ford, Jr., "B-Beats Bombarding Bronx: Mobile
DJ
Starts
Something with Oldie R&B Disks"
/ 452
Robert Ford, Jr., "Jive Talking N.Y.
DJs
Rapping Away in
Black Discos"
/ 453
Time, "Bad Rap"
/ 456
76.
"The Music Is a Mirror"
/ 457
Harry Allen, "Hip Hop Madness: From
Def
Jams to Cold Lampin',
Rap Is Our Music"
/ 459
Carol Cooper, "Girls Ain't Nothin' but Trouble"
/ 463
ηη.
Where Rap and Heavy Metal Converge
/ 465
Jon
Váreles,
"There's a New Sound in Pop Music: Bigotry"
/ 465
PART
6
THE
1990S
AND BEYOND
78.
Hip-Hop into the
1990s:
Gangstas,
Fly Girls, and the Big
Bling-Bling
/ 471
J. D. Considine, "Fear of a Rap Planet"
/ 473
79.
Nuthin' but a "G" Thang
/ 479
Touré,
"Snoop Dogg's Gentle Hip Hop Growl"
/ 480
80.
Keeping It a Little Too Real
/ 483
Sam Gideon
Anso
and Charles Rappleye, "Rap Sheet"
/ 484
Selwyn Seyfu Hinds, "Party Over"
/ 486
Natasha
Štovali,
"Town Criers"
/ 486
81.
Sample-Mania
/ 488
Neil Strauss, "Sampling Is (a) Creative or (b) Theft?"
/ 488
82.
Women in Rap
/ 491
Christopher John Farley, "Hip-Hop Nation"
/ 492
Contents
83.
The Beat Goes On
/ 500
Renee Graham, "Eminem's Old Words Aren't Hip-Hop's
Biggest Problem"
/ 501
84.
From Indie to Alternative to
.
Seattle?
/ 503
Dave DiMartino, "A Seattle Slew"
/ 504
85.
Riot Girl
/ 507
Bikini Kill, "not grid" I
508
86.
Grunge Turns to Scrunge
/ 510
Eric Weisbard, "Over
&
Out: Indie Rock Values in the Age of
Alternative Million Sellers"
/ 512
87.
"A Postalternative
Icon"
/ 519
Jonathan Van Meter, "The Outer Limits"
/ 520
88.
"We Are the World"?
/ 524
George Lipsitz, "Immigration and Assimilation:
Rai, Reggae,
and
Bhangramuffin"
/ 527
89.
A Talking Head Writes
/ 535
David Byrne, "Crossing Music's Borders: I Hate World Music"
/ 535
90.
Genre or Gender? The Resurgence of the Singer-Songwriter
/ 539
Robert L. Doerschuk, "Tori Amos: Pain for Sale"
/ 541
91.
Public Policy and Pop Music History Collide
/ 545
Jenny Toomey, "Empire of the Air"
/ 547
92.
Electronica
Is in the House
/ 550
Simon Reynolds,
"Historia
Electronica
Preface"
/ 552
93.
R&B Divas Go Retro
/ 563
Ann Powers, "The New Conscience of Pop Music"
/ 564
94.
Fighting the Power in a Post-9/11
Mediascape—
The Dixie Chicks
/ 568
Charles Taylor, "Chicks Against the Machine"
/ 571
95.
The End of History, the Mass-Marketing of Trivia, and a World of
Copies Without Originals
/ 577
Jay Babcock, "The Kids Aren't Alright
.
They're Amazing"
/ 579
Sasha Frere-Jones,
"1 + 1 + 1 = 1:
The New Math of Mashups"
/ 585
Selected Bibliography
/ 589
Index I
594 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Brackett, David 1958- |
| author_GND | (DE-588)131421468 |
| author_facet | Brackett, David 1958- |
| author_role | aut |
| author_sort | Brackett, David 1958- |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | BV035111673 |
| callnumber-first | M - Music |
| callnumber-label | ML3477 |
| callnumber-raw | ML3477 |
| callnumber-search | ML3477 |
| callnumber-sort | ML 43477 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)236333545 (DE-599)BVBBV035111673 |
| dewey-full | 781.6409 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6409 |
| dewey-search | 781.6409 |
| dewey-sort | 3781.6409 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 2. ed. |
| era | Geschichte 1920-2006 gnd Geschichte 1920-2013 gnd Geschichte 1920-2009 gnd |
| era_facet | Geschichte 1920-2006 Geschichte 1920-2013 Geschichte 1920-2009 |
| format | Book |
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| id | DE-604.BV035111673 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T22:17:45Z |
| indexdate | 2024-07-09T21:22:34Z |
| institution | BVB |
| isbn | 9780195365931 |
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| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Brackett, David 1958- Verfasser (DE-588)131421468 aut The pop, rock, and soul reader histories and debates David Brackett 2. ed. New York[u.a.] Oxford Univ. Press 2009 XVII, 606 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references, discography, and index "In this second edition, The Pop, Rock, and Soul Reader: Histories and Debates traces the evolution of diverse streams of American popular music from the 1920s to the present. Scholar David Brackett brings together over 100 readings from a wide range of sources and by writers who have played an integral part in the development of popular music criticism."--BOOK JACKET. Geschichte 1920-2006 gnd rswk-swf Geschichte 1920-2013 gnd rswk-swf Geschichte 1920-2009 gnd rswk-swf Popular music United States History and criticism Rockmusik (DE-588)4115774-6 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Soul (DE-588)4181885-4 gnd rswk-swf USA (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s Rockmusik (DE-588)4115774-6 s Soul (DE-588)4181885-4 s Geschichte 1920-2009 z DE-604 Geschichte 1920-2006 z 1\p DE-604 Geschichte 1920-2013 z 2\p DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016779485&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Brackett, David 1958- The pop, rock, and soul reader histories and debates Popular music United States History and criticism Rockmusik (DE-588)4115774-6 gnd Popmusik (DE-588)4046781-8 gnd Soul (DE-588)4181885-4 gnd |
| subject_GND | (DE-588)4115774-6 (DE-588)4046781-8 (DE-588)4181885-4 (DE-588)4143413-4 |
| title | The pop, rock, and soul reader histories and debates |
| title_auth | The pop, rock, and soul reader histories and debates |
| title_exact_search | The pop, rock, and soul reader histories and debates |
| title_exact_search_txtP | The pop, rock, and soul reader histories and debates |
| title_full | The pop, rock, and soul reader histories and debates David Brackett |
| title_fullStr | The pop, rock, and soul reader histories and debates David Brackett |
| title_full_unstemmed | The pop, rock, and soul reader histories and debates David Brackett |
| title_short | The pop, rock, and soul reader |
| title_sort | the pop rock and soul reader histories and debates |
| title_sub | histories and debates |
| topic | Popular music United States History and criticism Rockmusik (DE-588)4115774-6 gnd Popmusik (DE-588)4046781-8 gnd Soul (DE-588)4181885-4 gnd |
| topic_facet | Popular music United States History and criticism Rockmusik Popmusik Soul USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016779485&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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