Neo-Latin drama: forms, functions, receptions
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English French German |
| Veröffentlicht: |
Hildesheim [u.a.]
Olms
2008
|
| Schriftenreihe: | Noctes neolatinae
9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Beitr. teilw. dt., teilw. engl., teilw. franz. |
| Beschreibung: | 190 S. |
| ISBN: | 9783487138398 |
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Datensatz im Suchindex
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| adam_text | Contents
]an
Bloemendal
and Philip Ford
Introduction I
Jan
Bloemendal
Receptions and Impact: Early Modern Latin Drama,
its Effect on the Audience and its Role in Forming Public Opinion
7
Juliette
Л.
Groenland
The Deadly Earnest of History Plays
23
Giacomo Cardinali
George Buchanan
parrain de la tragédie française?
La fortune de la production tragique de George
Buchanan
auprès des dramaturges de langue française
(1553—1573) 35
Carine
Ferradou George
Buchanan
dans les pays réformés: La réception
de ses œuvres dramatiques et politiques à la lumière de sa correspondance
55
Jean-Frédéric Chevalier Le châtiment de la démesure: Les tragédies bibliques
de Nicolas Caussin
77
Howard B.
Norland Terence Improved ? Form and Function
in Foxe s Titus
et Gesippus
93
Fidel
Rädle Zu Form und Funktion der Komik in den Dramen Georg
Bemardts SJ (1595-1660) 103
Michkl Verweij An
Author in Search of
Support:
Preliminary Texts
for the Tobaeus
(1569)
of Cornelius Schonaeus
133
Verena E.M.
Demoed Stoltitia on Stage: Gnapheus s Foolish
S
dentist
and the Praise of Folly of Erasmus
165
About the authors
185
Index
187
Neo-Latin drama was a European affair. Headmasters of Latin schools, Jesuits, and other
humanists wrote Latin plays in order to change the minds of the spectators, to instruct
them or to move them and finally to change society. These plays were imitations of the
comedies of the Roman authors Plautus and Terence, or of tragedies by Seneca.
The contributors to this volume explore how the authors of Neo-Latin dramas did so, or
what traces of the effect of their dramas can be found. The plays were certainly able to
have an impact, since they circulated throughout Europe in print, manuscript, reading
at school, and performance. Thus, reception takes a threefold form: the reception of
Roman theatre in the Early Modern period, the reception of drama through print and
performance, and the reception of plays in the hearts and minds of the audience. In this
volume the reception of plays by George Buchanan, Daniel Heinsius, Gulielmus
Gnapheus, Nicolas Caussin, John Foxe, Georg Bernhardt, and Cornelius Schonaeus is
discussed.
Das Neulateinische Drama war eine europäische Angelegenheit. Die Leiter der
Lateinschulen, die Jesuiten und andere Humanisten schrieben lateinische Stücke, um die
Zuschauer auf andere Gedanken zu bringen, sie zu belehren oder zu rühren, um schließ-
lich die Gesellschaft zu ändern. Diese Stücke imitierten die Komödien der römischen
Autoren Plautus und Terenz und die Tragödien Senecas.
Die Autoren des vorliegenden Bandes untersuchen, wie die Verfasser der neulateinischen
Dramen dabei verfuhren, oder welche Spuren der Wirkung ihrer Dramen sich finden las-
sen. Die Stücke konnten in der Tat Einfluss ausüben, weil sie in Drucken und
Handschriften durch ganz Europa zirkulierten, weil sie in der Schule gelesen wurden,
und auch durch Aufführungen. So ergibt sich eine dreifache Rezeption: Die Rezeption
des römischen Dramas in der frühen Neuzeit, die Rezeption der frühneuzeitlichen
Dramen durch Druck und Aufführung, und die Aufnahme der Stücke in den Gefühlen
und Meinungen der Zuschauer. In diesem Band wird die Rezeption von Dramen von
George Buchanan, Daniel Heinsius, Gulielmus Gnaphäus, Nicolas Caussin, John Foxe,
Georg Bernhardt und Cornelius Schonaeus besprochen.
|
| adam_txt |
Contents
]an
Bloemendal
and Philip Ford
Introduction I
Jan
Bloemendal
Receptions and Impact: Early Modern Latin Drama,
its Effect on the Audience and its Role in Forming Public Opinion
7
Juliette
Л.
Groenland
The Deadly Earnest of History Plays
23
Giacomo Cardinali
George Buchanan
'parrain' de la tragédie française?
La fortune de la production tragique de George
Buchanan
auprès des dramaturges de langue française
(1553—1573) 35
Carine
Ferradou George
Buchanan
dans les pays réformés: La réception
de ses œuvres dramatiques et politiques à la lumière de sa correspondance
55
Jean-Frédéric Chevalier Le châtiment de la démesure: Les tragédies bibliques
de Nicolas Caussin
77
Howard B.
Norland Terence 'Improved'? Form and Function
in Foxe's Titus
et Gesippus
93
Fidel
Rädle Zu Form und Funktion der Komik in den Dramen Georg
Bemardts SJ (1595-1660) 103
Michkl Verweij An
Author in Search of
Support:
Preliminary Texts
for the Tobaeus
(1569)
of Cornelius Schonaeus
133
Verena E.M.
Demoed Stoltitia on Stage: Gnapheus's Foolish
S
dentist
and the Praise of Folly of Erasmus
165
About the authors
185
Index
187
Neo-Latin drama was a European affair. Headmasters of Latin schools, Jesuits, and other
humanists wrote Latin plays in order to change the minds of the spectators, to instruct
them or to move them and finally to change society. These plays were imitations of the
comedies of the Roman authors Plautus and Terence, or of tragedies by Seneca.
The contributors to this volume explore how the authors of Neo-Latin dramas did so, or
what traces of the effect of their dramas can be found. The plays were certainly able to
have an impact, since they circulated throughout Europe in print, manuscript, reading
at school, and performance. Thus, reception takes a threefold form: the reception of
Roman theatre in the Early Modern period, the reception of drama through print and
performance, and the reception of plays in the hearts and minds of the audience. In this
volume the reception of plays by George Buchanan, Daniel Heinsius, Gulielmus
Gnapheus, Nicolas Caussin, John Foxe, Georg Bernhardt, and Cornelius Schonaeus is
discussed.
Das Neulateinische Drama war eine europäische Angelegenheit. Die Leiter der
Lateinschulen, die Jesuiten und andere Humanisten schrieben lateinische Stücke, um die
Zuschauer auf andere Gedanken zu bringen, sie zu belehren oder zu rühren, um schließ-
lich die Gesellschaft zu ändern. Diese Stücke imitierten die Komödien der römischen
Autoren Plautus und Terenz und die Tragödien Senecas.
Die Autoren des vorliegenden Bandes untersuchen, wie die Verfasser der neulateinischen
Dramen dabei verfuhren, oder welche Spuren der Wirkung ihrer Dramen sich finden las-
sen. Die Stücke konnten in der Tat Einfluss ausüben, weil sie in Drucken und
Handschriften durch ganz Europa zirkulierten, weil sie in der Schule gelesen wurden,
und auch durch Aufführungen. So ergibt sich eine dreifache Rezeption: Die Rezeption
des römischen Dramas in der frühen Neuzeit, die Rezeption der frühneuzeitlichen
Dramen durch Druck und Aufführung, und die Aufnahme der Stücke in den Gefühlen
und Meinungen der Zuschauer. In diesem Band wird die Rezeption von Dramen von
George Buchanan, Daniel Heinsius, Gulielmus Gnaphäus, Nicolas Caussin, John Foxe,
Georg Bernhardt und Cornelius Schonaeus besprochen. |
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| spelling | Neo-Latin drama forms, functions, receptions ed. by Jan Bloemendal ... Hildesheim [u.a.] Olms 2008 190 S. txt rdacontent n rdamedia nc rdacarrier Noctes neolatinae 9 Beitr. teilw. dt., teilw. engl., teilw. franz. Latin drama, Medieval and modern History and criticism Congresses Latin drama, Medieval and modern Roman influences Congresses Neulatein (DE-588)4120281-8 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2006 Budapest gnd-content Neulateinische Literatur (DE-2581)TH000005180 gbd Neulatein (DE-588)4120281-8 s Drama (DE-588)4012899-4 s DE-604 Bloemendal, Jan 1961- Sonstige (DE-588)136228178 oth Noctes neolatinae 9 (DE-604)BV013647761 9 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016777928&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016777928&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Neo-Latin drama forms, functions, receptions Noctes neolatinae Latin drama, Medieval and modern History and criticism Congresses Latin drama, Medieval and modern Roman influences Congresses Neulatein (DE-588)4120281-8 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)4120281-8 (DE-588)4012899-4 (DE-588)1071861417 |
| title | Neo-Latin drama forms, functions, receptions |
| title_auth | Neo-Latin drama forms, functions, receptions |
| title_exact_search | Neo-Latin drama forms, functions, receptions |
| title_exact_search_txtP | Neo-Latin drama forms, functions, receptions |
| title_full | Neo-Latin drama forms, functions, receptions ed. by Jan Bloemendal ... |
| title_fullStr | Neo-Latin drama forms, functions, receptions ed. by Jan Bloemendal ... |
| title_full_unstemmed | Neo-Latin drama forms, functions, receptions ed. by Jan Bloemendal ... |
| title_short | Neo-Latin drama |
| title_sort | neo latin drama forms functions receptions |
| title_sub | forms, functions, receptions |
| topic | Latin drama, Medieval and modern History and criticism Congresses Latin drama, Medieval and modern Roman influences Congresses Neulatein (DE-588)4120281-8 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Latin drama, Medieval and modern History and criticism Congresses Latin drama, Medieval and modern Roman influences Congresses Neulatein Drama Konferenzschrift 2006 Budapest |
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